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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72AA19 it is the complementary color #8D55E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72AA19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72AA19 shade: #77AA14, #88BC27, #99CE3A, #AAE04D and #BBF260

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72AA19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72AA19 shade: #72AA19, #619806, #508600, #3F7400 and #2E6200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72AA19 shade: #71A919, #98A919, #A99319, #A96C19 and #A94519

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72AA19 shade: #71A919, #4BA919, #24A919, #19A935 and #19A95C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72AA19 shade matches the following richer shades: #71A919 and #75B80A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72AA19 shade: #71A919, #6E9929, #6A8939, #677A48 and #636A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72AA19 shade: #A99319, #98A919, #72A919, #4BA919 and #25A919

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72AA19 shade: #41610E, #598514, #71A919, #89CD1F and #9EE134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72AA19 shade: #72AA19, #19A96D and #A619A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72AA19 shade: #72AA19, #1972A9 and #A91972

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72AA19 shade: #72AA19, #19A96D, #5019A9 and #A91955

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72AA19 shade: #72AA19, #19A998, #5019A9 and #A9192A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 85 / 33

HEX #72AA19

RGB 114 170 25

HSL 83.17, 0.74%, 0.38%

LAB 63.67, -38.8, 61.08

 

Complementary color

CMYK 39 / 63 / 0 / 10

HEX #8D55E6

RGB 141 85 230

HSL 263.17, 0.74%, 0.62%

LAB 49.34, 53.08, -65.38

 

CMYK 30 / 0 / 88 / 33

HEX #77AA14

RGB 119 170 20

HSL 80.4, 0.79%, 0.37%

LAB 63.94, -37.05, 62.51

 

CMYK 28 / 0 / 79 / 26

HEX #88BC27

RGB 136 188 39

HSL 80.94, 0.66%, 0.45%

LAB 70.42, -37.82, 63.86

 

CMYK 26 / 0 / 72 / 19

HEX #99CE3A

RGB 153 206 58

HSL 81.49, 0.6%, 0.52%

LAB 76.81, -38.38, 64.15

 

CMYK 24 / 0 / 66 / 12

HEX #AAE04D

RGB 170 224 77

HSL 82.04, 0.7%, 0.59%

LAB 83.12, -38.79, 63.81

 

CMYK 23 / 0 / 60 / 5

HEX #BBF260

RGB 187 242 96

HSL 82.6, 0.85%, 0.66%

LAB 89.35, -39.08, 63.12

 

CMYK 33 / 0 / 85 / 33

HEX #72AA19

RGB 114 170 25

HSL 83.17, 0.74%, 0.38%

LAB 63.67, -38.8, 61.08

 

CMYK 36 / 0 / 96 / 40

HEX #619806

RGB 97 152 6

HSL 82.6, 0.92%, 0.31%

LAB 57.09, -37.86, 58.72

 

CMYK 40 / 0 / 100 / 47

HEX #508600

RGB 80 134 0

HSL 84.18, 1%, 0.26%

LAB 50.4, -36.54, 54.1

 

CMYK 46 / 0 / 100 / 55

HEX #3F7400

RGB 63 116 0

HSL 87.41, 1%, 0.23%

LAB 43.58, -35.01, 48.43

 

CMYK 53 / 0 / 100 / 62

HEX #2E6200

RGB 46 98 0

HSL 91.84, 1%, 0.19%

LAB 36.59, -33.34, 42.63

 

CMYK 33 / 0 / 85 / 34

HEX #71A919

RGB 113 169 25

HSL 83.33, 0.74%, 0.38%

LAB 63.31, -38.74, 60.75

 

CMYK 10 / 0 / 85 / 34

HEX #98A919

RGB 152 169 25

HSL 67.08, 0.74%, 0.38%

LAB 65.84, -22.83, 63.92

 

CMYK 0 / 13 / 85 / 34

HEX #A99319

RGB 169 147 25

HSL 50.83, 0.74%, 0.38%

LAB 61.11, -3.8, 60.54

 

CMYK 0 / 36 / 85 / 34

HEX #A96C19

RGB 169 108 25

HSL 34.58, 0.74%, 0.38%

LAB 50.96, 17.93, 51.99

 

CMYK 0 / 59 / 85 / 34

HEX #A94519

RGB 169 69 25

HSL 18.33, 0.74%, 0.38%

LAB 42.4, 38.9, 44.62

 

CMYK 33 / 0 / 85 / 34

HEX #71A919

RGB 113 169 25

HSL 83.33, 0.74%, 0.38%

LAB 63.31, -38.74, 60.75

 

CMYK 56 / 0 / 85 / 34

HEX #4BA919

RGB 75 169 25

HSL 99.17, 0.74%, 0.38%

LAB 61.6, -51.33, 58.6

 

CMYK 79 / 0 / 85 / 34

HEX #24A919

RGB 36 169 25

HSL 115.42, 0.74%, 0.38%

LAB 60.62, -59.53, 57.35

 

CMYK 85 / 0 / 69 / 34

HEX #19A935

RGB 25 169 53

HSL 131.67, 0.74%, 0.38%

LAB 60.64, -58.76, 47.91

 

CMYK 85 / 0 / 46 / 34

HEX #19A95C

RGB 25 169 92

HSL 147.92, 0.74%, 0.38%

LAB 61.09, -53.26, 29.81

 

CMYK 33 / 0 / 85 / 34

HEX #71A919

RGB 113 169 25

HSL 83.33, 0.74%, 0.38%

LAB 63.31, -38.74, 60.75

 

CMYK 36 / 0 / 95 / 28

HEX #75B80A

RGB 117 184 10

HSL 83.1, 0.9%, 0.38%

LAB 68.08, -44.08, 67.43

 

CMYK 33 / 0 / 85 / 34

HEX #71A919

RGB 113 169 25

HSL 83.33, 0.74%, 0.38%

LAB 63.31, -38.74, 60.75

 

CMYK 28 / 0 / 73 / 40

HEX #6E9929

RGB 110 153 41

HSL 83.04, 0.58%, 0.38%

LAB 58.28, -31.87, 51.1

 

CMYK 23 / 0 / 58 / 46

HEX #6A8939

RGB 106 137 57

HSL 83.25, 0.41%, 0.38%

LAB 53.22, -24.45, 38.67

 

CMYK 16 / 0 / 41 / 52

HEX #677A48

RGB 103 122 72

HSL 82.8, 0.26%, 0.38%

LAB 48.6, -16.14, 25.1

 

CMYK 7 / 0 / 17 / 58

HEX #636A58

RGB 99 106 88

HSL 83.33, 0.09%, 0.38%

LAB 43.75, -6.28, 9.21

 

CMYK 0 / 13 / 85 / 34

HEX #A99319

RGB 169 147 25

HSL 50.83, 0.74%, 0.38%

LAB 61.11, -3.8, 60.54

 

CMYK 10 / 0 / 85 / 34

HEX #98A919

RGB 152 169 25

HSL 67.08, 0.74%, 0.38%

LAB 65.84, -22.83, 63.92

 

CMYK 33 / 0 / 85 / 34

HEX #72A919

RGB 114 169 25

HSL 82.92, 0.74%, 0.38%

LAB 63.36, -38.36, 60.82

 

CMYK 56 / 0 / 85 / 34

HEX #4BA919

RGB 75 169 25

HSL 99.17, 0.74%, 0.38%

LAB 61.6, -51.33, 58.6

 

CMYK 78 / 0 / 85 / 34

HEX #25A919

RGB 37 169 25

HSL 115, 0.74%, 0.38%

LAB 60.64, -59.39, 57.37

 

CMYK 33 / 0 / 86 / 62

HEX #41610E

RGB 65 97 14

HSL 83.13, 0.75%, 0.22%

LAB 37.31, -24.95, 39.63

 

CMYK 33 / 0 / 85 / 48

HEX #598514

RGB 89 133 20

HSL 83.36, 0.74%, 0.3%

LAB 50.63, -32.02, 50.37

 

CMYK 33 / 0 / 85 / 34

HEX #71A919

RGB 113 169 25

HSL 83.33, 0.74%, 0.38%

LAB 63.31, -38.74, 60.75

 

CMYK 33 / 0 / 85 / 20

HEX #89CD1F

RGB 137 205 31

HSL 83.45, 0.74%, 0.46%

LAB 75.5, -45.14, 70.44

 

CMYK 30 / 0 / 77 / 12

HEX #9EE134

RGB 158 225 52

HSL 83.24, 0.74%, 0.54%

LAB 82.58, -45.13, 71.73

 

CMYK 33 / 0 / 85 / 33

HEX #72AA19

RGB 114 170 25

HSL 83.17, 0.74%, 0.38%

LAB 63.67, -38.8, 61.08

 

CMYK 85 / 0 / 36 / 34

HEX #19A96D

RGB 25 169 109

HSL 155, 0.74%, 0.38%

LAB 61.38, -49.92, 21.1

 

CMYK 2 / 85 / 0 / 34

HEX #A619A9

RGB 166 25 169

HSL 298.75, 0.74%, 0.38%

LAB 40.68, 68.32, -43.78

 

CMYK 33 / 0 / 85 / 33

HEX #72AA19

RGB 114 170 25

HSL 83.17, 0.74%, 0.38%

LAB 63.67, -38.8, 61.08

 

CMYK 85 / 33 / 0 / 34

HEX #1972A9

RGB 25 114 169

HSL 202.92, 0.74%, 0.38%

LAB 45.78, -4.9, -36.41

 

CMYK 0 / 85 / 33 / 34

HEX #A91972

RGB 169 25 114

HSL 322.92, 0.74%, 0.38%

LAB 38.45, 61.42, -13.54

 

CMYK 33 / 0 / 85 / 33

HEX #72AA19

RGB 114 170 25

HSL 83.17, 0.74%, 0.38%

LAB 63.67, -38.8, 61.08

 

CMYK 85 / 0 / 36 / 34

HEX #19A96D

RGB 25 169 109

HSL 155, 0.74%, 0.38%

LAB 61.38, -49.92, 21.1

 

CMYK 53 / 85 / 0 / 34

HEX #5019A9

RGB 80 25 169

HSL 262.92, 0.74%, 0.38%

LAB 27.48, 54.9, -65.83

 

CMYK 0 / 85 / 50 / 34

HEX #A91955

RGB 169 25 85

HSL 335, 0.74%, 0.38%

LAB 37.46, 58.57, 3.41

 

CMYK 33 / 0 / 85 / 33

HEX #72AA19

RGB 114 170 25

HSL 83.17, 0.74%, 0.38%

LAB 63.67, -38.8, 61.08

 

CMYK 85 / 0 / 10 / 34

HEX #19A998

RGB 25 169 152

HSL 172.92, 0.74%, 0.38%

LAB 62.38, -39.19, -1.33

 

CMYK 53 / 85 / 0 / 34

HEX #5019A9

RGB 80 25 169

HSL 262.92, 0.74%, 0.38%

LAB 27.48, 54.9, -65.83

 

CMYK 0 / 85 / 75 / 34

HEX #A9192A

RGB 169 25 42

HSL 352.92, 0.74%, 0.38%

LAB 36.55, 55.9, 29.65

 

Description

Color code: HEX #72AA19 | qconv.com Color code: HEX #72AA19 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 170 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 170 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 85 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 85% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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