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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72A918 it is the complementary color #8D56E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72A918. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72A918 shade: #77A913, #88BB26, #99CD39, #AADF4C and #BBF15F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72A918. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72A918 shade: #72A918, #619705, #508500, #3F7300 and #2E6100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72A918 shade: #72AA18, #9AAA18, #AA9218, #AA6B18 and #AA4418

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72A918 shade: #72AA18, #4BAA18, #24AA18, #18AA34 and #18AA5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72A918 shade matches the following richer shades: #72AA18 and #76B909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72A918 shade: #72AA18, #6F9A28, #6B8A38, #677B47 and #636B57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72A918 shade: #AA9118, #9BAA18, #74AA18, #4EAA18 and #27AA18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72A918 shade: #42610E, #5A8513, #72AA18, #8BCE1D and #9FE233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72A918 shade: #72A918, #18AA6B and #A518AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72A918 shade: #72A918, #1874AA and #AA1874

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72A918 shade: #72A918, #18AA6B, #4E18AA and #AA1857

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72A918 shade: #72A918, #18AA96, #4E18AA and #AA182C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 86 / 34

HEX #72A918

RGB 114 169 24

HSL 82.76, 0.75%, 0.38%

LAB 63.36, -38.4, 61.05

 

Complementary color

CMYK 39 / 63 / 0 / 9

HEX #8D56E7

RGB 141 86 231

HSL 262.76, 0.75%, 0.62%

LAB 49.6, 52.81, -65.52

 

CMYK 30 / 0 / 89 / 34

HEX #77A913

RGB 119 169 19

HSL 80, 0.8%, 0.37%

LAB 63.63, -36.63, 62.45

 

CMYK 27 / 0 / 80 / 27

HEX #88BB26

RGB 136 187 38

HSL 80.54, 0.66%, 0.44%

LAB 70.12, -37.42, 63.88

 

CMYK 25 / 0 / 72 / 20

HEX #99CD39

RGB 153 205 57

HSL 81.08, 0.6%, 0.51%

LAB 76.52, -37.99, 64.21

 

CMYK 24 / 0 / 66 / 13

HEX #AADF4C

RGB 170 223 76

HSL 81.63, 0.7%, 0.59%

LAB 82.83, -38.41, 63.9

 

CMYK 22 / 0 / 61 / 5

HEX #BBF15F

RGB 187 241 95

HSL 82.19, 0.84%, 0.66%

LAB 89.06, -38.71, 63.22

 

CMYK 33 / 0 / 86 / 34

HEX #72A918

RGB 114 169 24

HSL 82.76, 0.75%, 0.38%

LAB 63.36, -38.4, 61.05

 

CMYK 36 / 0 / 97 / 41

HEX #619705

RGB 97 151 5

HSL 82.19, 0.94%, 0.31%

LAB 56.77, -37.44, 58.62

 

CMYK 40 / 0 / 100 / 48

HEX #508500

RGB 80 133 0

HSL 83.91, 1%, 0.26%

LAB 50.07, -36.11, 53.85

 

CMYK 45 / 0 / 100 / 55

HEX #3F7300

RGB 63 115 0

HSL 87.13, 1%, 0.23%

LAB 43.24, -34.58, 48.17

 

CMYK 53 / 0 / 100 / 62

HEX #2E6100

RGB 46 97 0

HSL 91.55, 1%, 0.19%

LAB 36.23, -32.91, 42.35

 

CMYK 33 / 0 / 86 / 33

HEX #72AA18

RGB 114 170 24

HSL 83.01, 0.75%, 0.38%

LAB 63.67, -38.84, 61.31

 

CMYK 9 / 0 / 86 / 33

HEX #9AAA18

RGB 154 170 24

HSL 66.58, 0.75%, 0.38%

LAB 66.28, -22.49, 64.57

 

CMYK 0 / 14 / 86 / 33

HEX #AA9218

RGB 170 146 24

HSL 50.14, 0.75%, 0.38%

LAB 60.93, -2.83, 60.69

 

CMYK 0 / 37 / 86 / 33

HEX #AA6B18

RGB 170 107 24

HSL 34.11, 0.75%, 0.38%

LAB 50.84, 18.91, 52.28

 

CMYK 0 / 60 / 86 / 33

HEX #AA4418

RGB 170 68 24

HSL 18.08, 0.75%, 0.38%

LAB 42.38, 39.74, 45.1

 

CMYK 33 / 0 / 86 / 33

HEX #72AA18

RGB 114 170 24

HSL 83.01, 0.75%, 0.38%

LAB 63.67, -38.84, 61.31

 

CMYK 56 / 0 / 86 / 33

HEX #4BAA18

RGB 75 170 24

HSL 99.04, 0.75%, 0.38%

LAB 61.92, -51.74, 59.12

 

CMYK 79 / 0 / 86 / 33

HEX #24AA18

RGB 36 170 24

HSL 115.07, 0.75%, 0.38%

LAB 60.95, -59.88, 57.88

 

CMYK 86 / 0 / 69 / 33

HEX #18AA34

RGB 24 170 52

HSL 131.51, 0.75%, 0.38%

LAB 60.95, -59.27, 48.65

 

CMYK 86 / 0 / 46 / 33

HEX #18AA5B

RGB 24 170 91

HSL 147.53, 0.75%, 0.38%

LAB 61.39, -53.88, 30.71

 

CMYK 33 / 0 / 86 / 33

HEX #72AA18

RGB 114 170 24

HSL 83.01, 0.75%, 0.38%

LAB 63.67, -38.84, 61.31

 

CMYK 36 / 0 / 95 / 27

HEX #76B909

RGB 118 185 9

HSL 82.84, 0.91%, 0.38%

LAB 68.44, -44.16, 67.85

 

CMYK 33 / 0 / 86 / 33

HEX #72AA18

RGB 114 170 24

HSL 83.01, 0.75%, 0.38%

LAB 63.67, -38.84, 61.31

 

CMYK 28 / 0 / 74 / 40

HEX #6F9A28

RGB 111 154 40

HSL 82.63, 0.59%, 0.38%

LAB 58.64, -32, 51.85

 

CMYK 22 / 0 / 59 / 46

HEX #6B8A38

RGB 107 138 56

HSL 82.68, 0.42%, 0.38%

LAB 53.59, -24.64, 39.58

 

CMYK 16 / 0 / 42 / 52

HEX #677B47

RGB 103 123 71

HSL 83.08, 0.27%, 0.38%

LAB 48.89, -16.81, 26.03

 

CMYK 7 / 0 / 19 / 58

HEX #636B57

RGB 99 107 87

HSL 84, 0.1%, 0.38%

LAB 44.03, -7.04, 10.2

 

CMYK 0 / 15 / 86 / 33

HEX #AA9118

RGB 170 145 24

HSL 49.73, 0.75%, 0.38%

LAB 60.66, -2.29, 60.46

 

CMYK 9 / 0 / 86 / 33

HEX #9BAA18

RGB 155 170 24

HSL 66.16, 0.75%, 0.38%

LAB 66.35, -22.06, 64.67

 

CMYK 32 / 0 / 86 / 33

HEX #74AA18

RGB 116 170 24

HSL 82.19, 0.75%, 0.38%

LAB 63.78, -38.08, 61.45

 

CMYK 54 / 0 / 86 / 33

HEX #4EAA18

RGB 78 170 24

HSL 97.81, 0.75%, 0.38%

LAB 62.03, -50.9, 59.25

 

CMYK 77 / 0 / 86 / 33

HEX #27AA18

RGB 39 170 24

HSL 113.84, 0.75%, 0.38%

LAB 61, -59.45, 57.94

 

CMYK 32 / 0 / 86 / 62

HEX #42610E

RGB 66 97 14

HSL 82.41, 0.75%, 0.22%

LAB 37.37, -24.53, 39.71

 

CMYK 32 / 0 / 86 / 48

HEX #5A8513

RGB 90 133 19

HSL 82.63, 0.75%, 0.3%

LAB 50.68, -31.66, 50.71

 

CMYK 33 / 0 / 86 / 33

HEX #72AA18

RGB 114 170 24

HSL 83.01, 0.75%, 0.38%

LAB 63.67, -38.84, 61.31

 

CMYK 33 / 0 / 86 / 19

HEX #8BCE1D

RGB 139 206 29

HSL 82.71, 0.75%, 0.46%

LAB 75.9, -44.9, 71.25

 

CMYK 30 / 0 / 77 / 11

HEX #9FE233

RGB 159 226 51

HSL 82.97, 0.75%, 0.54%

LAB 82.91, -45.24, 72.36

 

CMYK 33 / 0 / 86 / 34

HEX #72A918

RGB 114 169 24

HSL 82.76, 0.75%, 0.38%

LAB 63.36, -38.4, 61.05

 

CMYK 86 / 0 / 37 / 33

HEX #18AA6B

RGB 24 170 107

HSL 154.11, 0.75%, 0.38%

LAB 61.66, -50.8, 22.56

 

CMYK 3 / 86 / 0 / 33

HEX #A518AA

RGB 165 24 170

HSL 297.95, 0.75%, 0.38%

LAB 40.5, 68.49, -44.67

 

CMYK 33 / 0 / 86 / 34

HEX #72A918

RGB 114 169 24

HSL 82.76, 0.75%, 0.38%

LAB 63.36, -38.4, 61.05

 

CMYK 86 / 32 / 0 / 33

HEX #1874AA

RGB 24 116 170

HSL 202.19, 0.75%, 0.38%

LAB 46.43, -5.8, -35.97

 

CMYK 0 / 86 / 32 / 33

HEX #AA1874

RGB 170 24 116

HSL 322.19, 0.75%, 0.38%

LAB 38.66, 62.09, -14.47

 

CMYK 33 / 0 / 86 / 34

HEX #72A918

RGB 114 169 24

HSL 82.76, 0.75%, 0.38%

LAB 63.36, -38.4, 61.05

 

CMYK 86 / 0 / 37 / 33

HEX #18AA6B

RGB 24 170 107

HSL 154.11, 0.75%, 0.38%

LAB 61.66, -50.8, 22.56

 

CMYK 54 / 86 / 0 / 33

HEX #4E18AA

RGB 78 24 170

HSL 262.19, 0.75%, 0.38%

LAB 27.23, 55.28, -66.85

 

CMYK 0 / 86 / 49 / 33

HEX #AA1857

RGB 170 24 87

HSL 334.11, 0.75%, 0.38%

LAB 37.64, 59.21, 2.42

 

CMYK 33 / 0 / 86 / 34

HEX #72A918

RGB 114 169 24

HSL 82.76, 0.75%, 0.38%

LAB 63.36, -38.4, 61.05

 

CMYK 86 / 0 / 12 / 33

HEX #18AA96

RGB 24 170 150

HSL 171.78, 0.75%, 0.38%

LAB 62.63, -40.26, 0.15

 

CMYK 54 / 86 / 0 / 33

HEX #4E18AA

RGB 78 24 170

HSL 262.19, 0.75%, 0.38%

LAB 27.23, 55.28, -66.85

 

CMYK 0 / 86 / 74 / 33

HEX #AA182C

RGB 170 24 44

HSL 351.78, 0.75%, 0.38%

LAB 36.71, 56.49, 28.65

 

Description

Color code: HEX #72A918 | qconv.com Color code: HEX #72A918 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 169 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 169 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 86 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 86% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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