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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #729DC6 it is the complementary color #8D6239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #729DC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #729DC6 shade: #779DC1, #88AFD4, #99C1E7, #AAD3FA and #BBE5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #729DC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #729DC6 shade: #729DC6, #618BB3, #5079A0, #3F678D and #2E557A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #729DC6 shade: #729DC5, #7286C5, #7472C5, #8B72C5 and #A172C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #729DC6 shade: #729DC5, #7286C5 and #7272C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #729DC6 shade matches the following richer shades: #729DC5, #629DD5, #529DE6 and #429EF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #729DC6 shade: #729DC5, #829CB5, #929CA5, #A29B95 and #B29B85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #729DC6 shade: #72C5C1, #72B3C5, #729DC5, #7287C5 and #7372C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #729DC6 shade: #4273A2, #5488B9, #729DC5, #8FB1D1 and #ACC5DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #729DC6 shade: #729DC6, #AB72C5 and #BEC572

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #729DC6 shade: #729DC6, #C5729D and #9DC572

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #729DC6 shade: #729DC6, #AB72C5, #C59A72 and #8CC572

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #729DC6 shade: #729DC6, #C472C5, #C59A72 and #73C572

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 21 / 0 / 22

HEX #729DC6

RGB 114 157 198

HSL 209.29, 0.42%, 0.61%

LAB 63.15, -3.83, -25.68

 

Complementary color

CMYK 0 / 30 / 60 / 45

HEX #8D6239

RGB 141 98 57

HSL 29.29, 0.42%, 0.39%

LAB 45.21, 12.76, 30.03

 

CMYK 38 / 19 / 0 / 24

HEX #779DC1

RGB 119 157 193

HSL 209.19, 0.37%, 0.61%

LAB 63.25, -3.86, -22.71

 

CMYK 36 / 17 / 0 / 17

HEX #88AFD4

RGB 136 175 212

HSL 209.21, 0.47%, 0.68%

LAB 69.93, -4.1, -22.94

 

CMYK 34 / 16 / 0 / 9

HEX #99C1E7

RGB 153 193 231

HSL 209.23, 0.62%, 0.75%

LAB 76.49, -4.3, -23.19

 

CMYK 32 / 16 / 0 / 2

HEX #AAD3FA

RGB 170 211 250

HSL 209.25, 0.89%, 0.82%

LAB 82.93, -4.47, -23.45

 

CMYK 27 / 10 / 0 / 0

HEX #BBE5FF

RGB 187 229 255

HSL 202.94, 1%, 0.87%

LAB 88.84, -7.87, -17.06

 

CMYK 42 / 21 / 0 / 22

HEX #729DC6

RGB 114 157 198

HSL 209.29, 0.42%, 0.61%

LAB 63.15, -3.83, -25.68

 

CMYK 46 / 22 / 0 / 30

HEX #618BB3

RGB 97 139 179

HSL 209.27, 0.35%, 0.54%

LAB 56.35, -3.47, -25.5

 

CMYK 50 / 24 / 0 / 37

HEX #5079A0

RGB 80 121 160

HSL 209.25, 0.33%, 0.47%

LAB 49.4, -3.01, -25.35

 

CMYK 55 / 27 / 0 / 45

HEX #3F678D

RGB 63 103 141

HSL 209.23, 0.38%, 0.4%

LAB 42.28, -2.42, -25.22

 

CMYK 62 / 30 / 0 / 52

HEX #2E557A

RGB 46 85 122

HSL 209.21, 0.45%, 0.33%

LAB 34.97, -1.6, -25.11

 

CMYK 42 / 20 / 0 / 23

HEX #729DC5

RGB 114 157 197

HSL 208.92, 0.42%, 0.61%

LAB 63.11, -4.11, -25.18

 

CMYK 42 / 32 / 0 / 23

HEX #7286C5

RGB 114 134 197

HSL 225.54, 0.42%, 0.61%

LAB 56.74, 9.12, -35.05

 

CMYK 41 / 42 / 0 / 23

HEX #7472C5

RGB 116 114 197

HSL 241.45, 0.42%, 0.61%

LAB 51.59, 21.6, -43.15

 

CMYK 29 / 42 / 0 / 23

HEX #8B72C5

RGB 139 114 197

HSL 258.07, 0.42%, 0.61%

LAB 53.55, 27.85, -39.92

 

CMYK 18 / 42 / 0 / 23

HEX #A172C5

RGB 161 114 197

HSL 273.98, 0.42%, 0.61%

LAB 55.73, 34.23, -36.35

 

CMYK 42 / 20 / 0 / 23

HEX #729DC5

RGB 114 157 197

HSL 208.92, 0.42%, 0.61%

LAB 63.11, -4.11, -25.18

 

CMYK 42 / 32 / 0 / 23

HEX #7286C5

RGB 114 134 197

HSL 225.54, 0.42%, 0.61%

LAB 56.74, 9.12, -35.05

 

CMYK 42 / 42 / 0 / 23

HEX #7272C5

RGB 114 114 197

HSL 240, 0.42%, 0.61%

LAB 51.43, 21.08, -43.41

 

CMYK 42 / 20 / 0 / 23

HEX #729DC5

RGB 114 157 197

HSL 208.92, 0.42%, 0.61%

LAB 63.11, -4.11, -25.18

 

CMYK 54 / 26 / 0 / 16

HEX #629DD5

RGB 98 157 213

HSL 209.22, 0.58%, 0.61%

LAB 62.94, -3.25, -34.43

 

CMYK 64 / 32 / 0 / 10

HEX #529DE6

RGB 82 157 230

HSL 209.59, 0.75%, 0.61%

LAB 63.03, -0.89, -43.76

 

CMYK 73 / 36 / 0 / 4

HEX #429EF6

RGB 66 158 246

HSL 209.33, 0.91%, 0.61%

LAB 63.56, 1.63, -51.75

 

CMYK 42 / 20 / 0 / 23

HEX #729DC5

RGB 114 157 197

HSL 208.92, 0.42%, 0.61%

LAB 63.11, -4.11, -25.18

 

CMYK 28 / 14 / 0 / 29

HEX #829CB5

RGB 130 156 181

HSL 209.41, 0.26%, 0.61%

LAB 63.23, -3.21, -15.95

 

CMYK 12 / 5 / 0 / 35

HEX #929CA5

RGB 146 156 165

HSL 208.42, 0.1%, 0.61%

LAB 63.84, -1.69, -5.92

 

CMYK 0 / 4 / 8 / 36

HEX #A29B95

RGB 162 155 149

HSL 27.69, 0.07%, 0.61%

LAB 64.4, 1.46, 4.04

 

CMYK 0 / 13 / 25 / 30

HEX #B29B85

RGB 178 155 133

HSL 29.33, 0.23%, 0.61%

LAB 65.44, 5.01, 14.66

 

CMYK 42 / 0 / 2 / 23

HEX #72C5C1

RGB 114 197 193

HSL 177.11, 0.42%, 0.61%

LAB 74.42, -26.2, -5.92

 

CMYK 42 / 9 / 0 / 23

HEX #72B3C5

RGB 114 179 197

HSL 193.01, 0.42%, 0.61%

LAB 69.36, -16.03, -15.66

 

CMYK 42 / 20 / 0 / 23

HEX #729DC5

RGB 114 157 197

HSL 208.92, 0.42%, 0.61%

LAB 63.11, -4.11, -25.18

 

CMYK 42 / 31 / 0 / 23

HEX #7287C5

RGB 114 135 197

HSL 224.82, 0.42%, 0.61%

LAB 57.01, 8.53, -34.62

 

CMYK 42 / 42 / 0 / 23

HEX #7372C5

RGB 115 114 197

HSL 240.72, 0.42%, 0.61%

LAB 51.51, 21.34, -43.28

 

CMYK 59 / 29 / 0 / 36

HEX #4273A2

RGB 66 115 162

HSL 209.38, 0.42%, 0.45%

LAB 47.01, -2.01, -30.28

 

CMYK 55 / 26 / 0 / 27

HEX #5488B9

RGB 84 136 185

HSL 209.11, 0.42%, 0.53%

LAB 55.07, -3.02, -30.96

 

CMYK 42 / 20 / 0 / 23

HEX #729DC5

RGB 114 157 197

HSL 208.92, 0.42%, 0.61%

LAB 63.11, -4.11, -25.18

 

CMYK 32 / 15 / 0 / 18

HEX #8FB1D1

RGB 143 177 209

HSL 209.09, 0.42%, 0.69%

LAB 70.79, -3.97, -19.94

 

CMYK 22 / 11 / 0 / 13

HEX #ACC5DD

RGB 172 197 221

HSL 209.39, 0.42%, 0.77%

LAB 78.42, -3.26, -14.76

 

CMYK 42 / 21 / 0 / 22

HEX #729DC6

RGB 114 157 198

HSL 209.29, 0.42%, 0.61%

LAB 63.15, -3.83, -25.68

 

CMYK 13 / 42 / 0 / 23

HEX #AB72C5

RGB 171 114 197

HSL 281.2, 0.42%, 0.61%

LAB 56.81, 37.21, -34.58

 

CMYK 4 / 0 / 42 / 23

HEX #BEC572

RGB 190 197 114

HSL 65.06, 0.42%, 0.61%

LAB 77.34, -14.83, 40.72

 

CMYK 42 / 21 / 0 / 22

HEX #729DC6

RGB 114 157 198

HSL 209.29, 0.42%, 0.61%

LAB 63.15, -3.83, -25.68

 

CMYK 0 / 42 / 20 / 23

HEX #C5729D

RGB 197 114 157

HSL 328.92, 0.42%, 0.61%

LAB 58.36, 38.32, -8.97

 

CMYK 20 / 0 / 42 / 23

HEX #9DC572

RGB 157 197 114

HSL 88.92, 0.42%, 0.61%

LAB 75.02, -27.56, 37.31

 

CMYK 42 / 21 / 0 / 22

HEX #729DC6

RGB 114 157 198

HSL 209.29, 0.42%, 0.61%

LAB 63.15, -3.83, -25.68

 

CMYK 13 / 42 / 0 / 23

HEX #AB72C5

RGB 171 114 197

HSL 281.2, 0.42%, 0.61%

LAB 56.81, 37.21, -34.58

 

CMYK 0 / 22 / 42 / 23

HEX #C59A72

RGB 197 154 114

HSL 28.92, 0.42%, 0.61%

LAB 66.67, 10.77, 27.12

 

CMYK 29 / 0 / 42 / 23

HEX #8CC572

RGB 140 197 114

HSL 101.2, 0.42%, 0.61%

LAB 74.01, -33.68, 35.81

 

CMYK 42 / 21 / 0 / 22

HEX #729DC6

RGB 114 157 198

HSL 209.29, 0.42%, 0.61%

LAB 63.15, -3.83, -25.68

 

CMYK 1 / 42 / 0 / 23

HEX #C472C5

RGB 196 114 197

HSL 299.28, 0.42%, 0.61%

LAB 59.71, 44.77, -29.84

 

CMYK 0 / 22 / 42 / 23

HEX #C59A72

RGB 197 154 114

HSL 28.92, 0.42%, 0.61%

LAB 66.67, 10.77, 27.12

 

CMYK 42 / 0 / 42 / 23

HEX #73C572

RGB 115 197 114

HSL 119.28, 0.42%, 0.61%

LAB 72.75, -41.85, 33.95

 

Description

Color code: HEX #729DC6 | qconv.com Color code: HEX #729DC6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 157 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 157 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 21 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 21% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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