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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #729519 it is the complementary color #8D6AE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #729519. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #729519 shade: #779514, #88A727, #99B93A, #AACB4D and #BBDD60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #729519. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #729519 shade: #729519, #618306, #507100, #3F5F00 and #2E4D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #729519 shade: #719419, #939419, #947519, #945319 and #943219

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #729519 shade: #719419, #509419, #2F9419, #199424 and #199446

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #729519 shade matches the following richer shades: #719419 and #78A20B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #729519 shade: #719419, #6B8627, #657835, #5F6A43 and #595C51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #729519 shade: #947319, #949419, #739419, #539419 and #329419

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #729519 shade: #3B4E0D, #567113, #719419, #8DB81F and #A7DA26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #729519 shade: #729519, #199453 and #841994

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #729519 shade: #729519, #197394 and #941973

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #729519 shade: #729519, #199453, #3A1994 and #94195B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #729519 shade: #729519, #199478, #3A1994 and #941936

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 83 / 42

HEX #729519

RGB 114 149 25

HSL 76.94, 0.71%, 0.34%

LAB 57.21, -29.18, 55.43

 

Complementary color

CMYK 39 / 54 / 0 / 10

HEX #8D6AE6

RGB 141 106 230

HSL 256.94, 0.71%, 0.66%

LAB 53.69, 41.63, -58.37

 

CMYK 20 / 0 / 87 / 42

HEX #779514

RGB 119 149 20

HSL 73.95, 0.76%, 0.33%

LAB 57.53, -27.26, 57.1

 

CMYK 19 / 0 / 77 / 35

HEX #88A727

RGB 136 167 39

HSL 74.53, 0.62%, 0.4%

LAB 64.18, -28.08, 58.08

 

CMYK 17 / 0 / 69 / 27

HEX #99B93A

RGB 153 185 58

HSL 75.12, 0.52%, 0.48%

LAB 70.72, -28.68, 58.03

 

CMYK 16 / 0 / 62 / 20

HEX #AACB4D

RGB 170 203 77

HSL 75.71, 0.55%, 0.55%

LAB 77.16, -29.13, 57.44

 

CMYK 15 / 0 / 57 / 13

HEX #BBDD60

RGB 187 221 96

HSL 76.32, 0.65%, 0.62%

LAB 83.51, -29.46, 56.57

 

CMYK 23 / 0 / 83 / 42

HEX #729519

RGB 114 149 25

HSL 76.94, 0.71%, 0.34%

LAB 57.21, -29.18, 55.43

 

CMYK 26 / 0 / 95 / 49

HEX #618306

RGB 97 131 6

HSL 76.32, 0.91%, 0.27%

LAB 50.44, -28.23, 53.42

 

CMYK 29 / 0 / 100 / 56

HEX #507100

RGB 80 113 0

HSL 77.52, 1%, 0.22%

LAB 43.53, -26.91, 48.81

 

CMYK 34 / 0 / 100 / 63

HEX #3F5F00

RGB 63 95 0

HSL 80.21, 1%, 0.19%

LAB 36.44, -25.41, 42.91

 

CMYK 40 / 0 / 100 / 70

HEX #2E4D00

RGB 46 77 0

HSL 84.16, 1%, 0.15%

LAB 29.13, -23.85, 36.82

 

CMYK 24 / 0 / 83 / 42

HEX #719419

RGB 113 148 25

HSL 77.07, 0.71%, 0.34%

LAB 56.84, -29.12, 55.07

 

CMYK 1 / 0 / 83 / 42

HEX #939419

RGB 147 148 25

HSL 60.49, 0.71%, 0.34%

LAB 59.39, -14.3, 58.28

 

CMYK 0 / 21 / 83 / 42

HEX #947519

RGB 148 117 25

HSL 44.88, 0.71%, 0.34%

LAB 50.79, 3.17, 50.87

 

CMYK 0 / 44 / 83 / 42

HEX #945319

RGB 148 83 25

HSL 28.29, 0.71%, 0.34%

LAB 42.08, 22.71, 43.09

 

CMYK 0 / 66 / 83 / 42

HEX #943219

RGB 148 50 25

HSL 12.2, 0.71%, 0.34%

LAB 35.3, 39.96, 36.79

 

CMYK 24 / 0 / 83 / 42

HEX #719419

RGB 113 148 25

HSL 77.07, 0.71%, 0.34%

LAB 56.84, -29.12, 55.07

 

CMYK 46 / 0 / 83 / 42

HEX #509419

RGB 80 148 25

HSL 93.17, 0.71%, 0.34%

LAB 55.03, -41.63, 52.76

 

CMYK 68 / 0 / 83 / 42

HEX #2F9419

RGB 47 148 25

HSL 109.27, 0.71%, 0.34%

LAB 53.87, -50.78, 51.28

 

CMYK 83 / 0 / 76 / 42

HEX #199424

RGB 25 148 36

HSL 125.37, 0.71%, 0.34%

LAB 53.51, -53.68, 47.16

 

CMYK 83 / 0 / 53 / 42

HEX #199446

RGB 25 148 70

HSL 141.95, 0.71%, 0.34%

LAB 53.84, -49.55, 32.12

 

CMYK 24 / 0 / 83 / 42

HEX #719419

RGB 113 148 25

HSL 77.07, 0.71%, 0.34%

LAB 56.84, -29.12, 55.07

 

CMYK 26 / 0 / 93 / 36

HEX #78A20B

RGB 120 162 11

HSL 76.69, 0.87%, 0.34%

LAB 61.53, -33.23, 62.12

 

CMYK 24 / 0 / 83 / 42

HEX #719419

RGB 113 148 25

HSL 77.07, 0.71%, 0.34%

LAB 56.84, -29.12, 55.07

 

CMYK 20 / 0 / 71 / 47

HEX #6B8627

RGB 107 134 39

HSL 77.05, 0.55%, 0.34%

LAB 52.2, -24.04, 45.71

 

CMYK 16 / 0 / 56 / 53

HEX #657835

RGB 101 120 53

HSL 77.01, 0.39%, 0.34%

LAB 47.57, -18.21, 34.03

 

CMYK 10 / 0 / 37 / 58

HEX #5F6A43

RGB 95 106 67

HSL 76.92, 0.23%, 0.34%

LAB 42.98, -11.41, 20.54

 

CMYK 3 / 0 / 12 / 64

HEX #595C51

RGB 89 92 81

HSL 76.36, 0.06%, 0.34%

LAB 38.5, -3.44, 5.92

 

CMYK 0 / 22 / 83 / 42

HEX #947319

RGB 148 115 25

HSL 43.9, 0.71%, 0.34%

LAB 50.25, 4.31, 50.39

 

CMYK 0 / 0 / 83 / 42

HEX #949419

RGB 148 148 25

HSL 60, 0.71%, 0.34%

LAB 59.48, -13.85, 58.39

 

CMYK 22 / 0 / 83 / 42

HEX #739419

RGB 115 148 25

HSL 76.1, 0.71%, 0.34%

LAB 56.97, -28.28, 55.24

 

CMYK 44 / 0 / 83 / 42

HEX #539419

RGB 83 148 25

HSL 91.71, 0.71%, 0.34%

LAB 55.16, -40.61, 52.93

 

CMYK 66 / 0 / 83 / 42

HEX #329419

RGB 50 148 25

HSL 107.8, 0.71%, 0.34%

LAB 53.95, -50.12, 51.38

 

CMYK 24 / 0 / 83 / 69

HEX #3B4E0D

RGB 59 78 13

HSL 77.54, 0.71%, 0.18%

LAB 30.42, -17.86, 33.46

 

CMYK 24 / 0 / 83 / 56

HEX #567113

RGB 86 113 19

HSL 77.23, 0.71%, 0.26%

LAB 44, -23.67, 44.64

 

CMYK 24 / 0 / 83 / 42

HEX #719419

RGB 113 148 25

HSL 77.07, 0.71%, 0.34%

LAB 56.84, -29.12, 55.07

 

CMYK 23 / 0 / 83 / 28

HEX #8DB81F

RGB 141 184 31

HSL 76.86, 0.71%, 0.42%

LAB 69.5, -34.37, 65.32

 

CMYK 23 / 0 / 83 / 15

HEX #A7DA26

RGB 167 218 38

HSL 77, 0.71%, 0.5%

LAB 81.02, -39.28, 74.27

 

CMYK 23 / 0 / 83 / 42

HEX #729519

RGB 114 149 25

HSL 76.94, 0.71%, 0.34%

LAB 57.21, -29.18, 55.43

 

CMYK 83 / 0 / 44 / 42

HEX #199453

RGB 25 148 83

HSL 148.29, 0.71%, 0.34%

LAB 54.04, -47.27, 25.48

 

CMYK 11 / 83 / 0 / 42

HEX #841994

RGB 132 25 148

HSL 292.2, 0.71%, 0.34%

LAB 33.43, 58.37, -43.02

 

CMYK 23 / 0 / 83 / 42

HEX #729519

RGB 114 149 25

HSL 76.94, 0.71%, 0.34%

LAB 57.21, -29.18, 55.43

 

CMYK 83 / 22 / 0 / 42

HEX #197394

RGB 25 115 148

HSL 196.1, 0.71%, 0.34%

LAB 45.09, -13.35, -25.12

 

CMYK 0 / 83 / 22 / 42

HEX #941973

RGB 148 25 115

HSL 316.1, 0.71%, 0.34%

LAB 34.46, 56.6, -20.67

 

CMYK 23 / 0 / 83 / 42

HEX #729519

RGB 114 149 25

HSL 76.94, 0.71%, 0.34%

LAB 57.21, -29.18, 55.43

 

CMYK 83 / 0 / 44 / 42

HEX #199453

RGB 25 148 83

HSL 148.29, 0.71%, 0.34%

LAB 54.04, -47.27, 25.48

 

CMYK 61 / 83 / 0 / 42

HEX #3A1994

RGB 58 25 148

HSL 256.1, 0.71%, 0.34%

LAB 22.77, 46.76, -60.86

 

CMYK 0 / 83 / 39 / 42

HEX #94195B

RGB 148 25 91

HSL 327.8, 0.71%, 0.34%

LAB 33.45, 53.71, -6.84

 

CMYK 23 / 0 / 83 / 42

HEX #729519

RGB 114 149 25

HSL 76.94, 0.71%, 0.34%

LAB 57.21, -29.18, 55.43

 

CMYK 83 / 0 / 19 / 42

HEX #199478

RGB 25 148 120

HSL 166.34, 0.71%, 0.34%

LAB 54.81, -38.77, 5.8

 

CMYK 61 / 83 / 0 / 42

HEX #3A1994

RGB 58 25 148

HSL 256.1, 0.71%, 0.34%

LAB 22.77, 46.76, -60.86

 

CMYK 0 / 83 / 64 / 42

HEX #941936

RGB 148 25 54

HSL 345.85, 0.71%, 0.34%

LAB 32.39, 50.54, 15.88

 

Description

Color code: HEX #729519 | qconv.com Color code: HEX #729519 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 149 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 149 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 83 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 83% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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