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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7293FB3F it is the complementary color #8D6C043F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7293FB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7293FB3F shade: #7793F63F, #88A5FF3F, #99B7FF3F, #AAC9FF3F and #BBDBFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7293FB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7293FB3F shade: #7293FB3F, #6181E83F, #506FD53F, #3F5DC23F and #2E4BAF3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7293FB3F shade: #7495FB, #7874FB, #9D74FB, #C174FB and #E574FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7293FB3F shade: #7495FB and #7474FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7293FB3F shade matches the following richer shades: #7495FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7293FB3F shade: #7495FB, #809BEF, #8CA1E4, #97A7D8 and #A3ADCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7293FB3F shade: #74DEFB, #74BAFB, #7496FB, #7774FB and #9B74FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7293FB3F shade: #2457F8, #4C76F9, #7495FB, #9DB3FC and #C5D2FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7293FB3F shade: #7293FB, #F474FB and #CCFB74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7293FB3F shade: #7293FB, #FB7496 and #96FB74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7293FB3F shade: #7293FB, #F474FB, #FBD974 and #7BFB74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7293FB3F shade: #7293FB, #FB74D9, #FBD974 and #74FB96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 10 / 0 / 0

HEX #7293FB3F

RGBA 114 147 251 0.25

HSLA 225.55, 0.94%, 0.72%, 0.25

LABA 62.85, 17.77, -55.49, 0.25

 

Complementary color

CMYK 0 / 6 / 24 / 11

HEX #8D6C043F

RGBA 141 108 4 0.25

HSLA 45.55, 0.94%, 0.28%, 0.25

LABA 47.49, 4.52, 53.26, 0.25

 

CMYK 13 / 10 / 0 / 1

HEX #7793F63F

RGBA 119 147 246 0.25

HSLA 226.77, 0.88%, 0.72%, 0.25

LABA 62.88, 17.27, -52.69, 0.25

 

CMYK 12 / 9 / 0 / 0

HEX #88A5FF3F

RGBA 136 165 255 0.25

HSLA 225.38, 1%, 0.77%, 0.25

LABA 69.01, 13.36, -47.84, 0.25

 

CMYK 10 / 7 / 0 / 0

HEX #99B7FF3F

RGBA 153 183 255 0.25

HSLA 222.35, 1%, 0.8%, 0.25

LABA 74.74, 7.4, -38.81, 0.25

 

CMYK 8 / 5 / 0 / 0

HEX #AAC9FF3F

RGBA 170 201 255 0.25

HSLA 218.12, 1%, 0.83%, 0.25

LABA 80.48, 2.08, -29.85, 0.25

 

CMYK 7 / 4 / 0 / 0

HEX #BBDBFF3F

RGBA 187 219 255 0.25

HSLA 211.76, 1%, 0.87%, 0.25

LABA 86.23, -2.69, -20.99, 0.25

 

CMYK 14 / 10 / 0 / 0

HEX #7293FB3F

RGBA 114 147 251 0.25

HSLA 225.55, 0.94%, 0.72%, 0.25

LABA 62.85, 17.77, -55.49, 0.25

 

CMYK 15 / 11 / 0 / 2

HEX #6181E83F

RGBA 97 129 232 0.25

HSLA 225.78, 0.75%, 0.65%, 0.25

LABA 56.16, 19.06, -55.72, 0.25

 

CMYK 16 / 12 / 0 / 4

HEX #506FD53F

RGBA 80 111 213 0.25

HSLA 226.02, 0.61%, 0.57%, 0.25

LABA 49.35, 20.61, -55.99, 0.25

 

CMYK 17 / 13 / 0 / 6

HEX #3F5DC23F

RGBA 63 93 194 0.25

HSLA 226.26, 0.52%, 0.5%, 0.25

LABA 42.43, 22.5, -56.27, 0.25

 

CMYK 18 / 14 / 0 / 8

HEX #2E4BAF3F

RGBA 46 75 175 0.25

HSLA 226.51, 0.58%, 0.43%, 0.25

LABA 35.42, 24.82, -56.52, 0.25

 

CMYK 54 / 41 / 0 / 2

HEX #7495FB

RGB 116 149 251

HSL 225.33, 0.94%, 0.72%

LAB 63.49, 17.01, -54.48

 

CMYK 52 / 54 / 0 / 2

HEX #7874FB

RGB 120 116 251

HSL 241.78, 0.94%, 0.72%

LAB 55.53, 37.33, -67.2

 

CMYK 37 / 54 / 0 / 2

HEX #9D74FB

RGB 157 116 251

HSL 258.22, 0.94%, 0.72%

LAB 58.62, 45.27, -62.06

 

CMYK 23 / 54 / 0 / 2

HEX #C174FB

RGB 193 116 251

HSL 274.22, 0.94%, 0.72%

LAB 62.33, 53.92, -55.92

 

CMYK 9 / 54 / 0 / 2

HEX #E574FB

RGB 229 116 251

HSL 290.22, 0.94%, 0.72%

LAB 66.61, 63.03, -48.88

 

CMYK 54 / 41 / 0 / 2

HEX #7495FB

RGB 116 149 251

HSL 225.33, 0.94%, 0.72%

LAB 63.49, 17.01, -54.48

 

CMYK 54 / 54 / 0 / 2

HEX #7474FB

RGB 116 116 251

HSL 240, 0.94%, 0.72%

LAB 55.25, 36.56, -67.68

 

CMYK 54 / 41 / 0 / 2

HEX #7495FB

RGB 116 149 251

HSL 225.33, 0.94%, 0.72%

LAB 63.49, 17.01, -54.48

 

CMYK 54 / 41 / 0 / 2

HEX #7495FB

RGB 116 149 251

HSL 225.33, 0.94%, 0.72%

LAB 63.49, 17.01, -54.48

 

CMYK 46 / 35 / 0 / 6

HEX #809BEF

RGB 128 155 239

HSL 225.41, 0.78%, 0.72%

LAB 65.17, 12.57, -45.19

 

CMYK 39 / 29 / 0 / 11

HEX #8CA1E4

RGB 140 161 228

HSL 225.68, 0.62%, 0.72%

LAB 67.03, 9.06, -36.18

 

CMYK 30 / 23 / 0 / 15

HEX #97A7D8

RGB 151 167 216

HSL 225.23, 0.45%, 0.72%

LAB 68.88, 5.62, -26.66

 

CMYK 20 / 16 / 0 / 20

HEX #A3ADCD

RGB 163 173 205

HSL 225.71, 0.3%, 0.72%

LAB 70.93, 3.31, -17.41

 

CMYK 54 / 12 / 0 / 2

HEX #74DEFB

RGB 116 222 251

HSL 192.89, 0.94%, 0.72%

LAB 83.4, -22.85, -23.5

 

CMYK 54 / 26 / 0 / 2

HEX #74BAFB

RGB 116 186 251

HSL 208.89, 0.94%, 0.72%

LAB 73.41, -4.04, -38.86

 

CMYK 54 / 40 / 0 / 2

HEX #7496FB

RGB 116 150 251

HSL 224.89, 0.94%, 0.72%

LAB 63.75, 16.42, -54.06

 

CMYK 53 / 54 / 0 / 2

HEX #7774FB

RGB 119 116 251

HSL 241.33, 0.94%, 0.72%

LAB 55.46, 37.14, -67.32

 

CMYK 38 / 54 / 0 / 2

HEX #9B74FB

RGB 155 116 251

HSL 257.33, 0.94%, 0.72%

LAB 58.44, 44.81, -62.37

 

CMYK 85 / 65 / 0 / 3

HEX #2457F8

RGB 36 87 248

HSL 225.57, 0.94%, 0.56%

LAB 44.19, 43.22, -84.2

 

CMYK 69 / 53 / 0 / 2

HEX #4C76F9

RGB 76 118 249

HSL 225.43, 0.94%, 0.64%

LAB 53.31, 28.12, -69.81

 

CMYK 54 / 41 / 0 / 2

HEX #7495FB

RGB 116 149 251

HSL 225.33, 0.94%, 0.72%

LAB 63.49, 17.01, -54.48

 

CMYK 38 / 29 / 0 / 1

HEX #9DB3FC

RGB 157 179 252

HSL 226.11, 0.94%, 0.8%

LAB 73.83, 9.86, -38.59

 

CMYK 22 / 17 / 0 / 1

HEX #C5D2FD

RGB 197 210 253

HSL 226.07, 0.93%, 0.88%

LAB 84.51, 4.55, -22.48

 

CMYK 55 / 41 / 0 / 2

HEX #7293FB

RGB 114 147 251

HSL 225.55, 0.94%, 0.72%

LAB 62.85, 17.77, -55.49

 

CMYK 3 / 54 / 0 / 2

HEX #F474FB

RGB 244 116 251

HSL 296.89, 0.94%, 0.72%

LAB 68.53, 66.87, -45.73

 

CMYK 19 / 0 / 54 / 2

HEX #CCFB74

RGB 204 251 116

HSL 80.89, 0.94%, 0.72%

LAB 93.06, -35.15, 58.96

 

CMYK 55 / 41 / 0 / 2

HEX #7293FB

RGB 114 147 251

HSL 225.55, 0.94%, 0.72%

LAB 62.85, 17.77, -55.49

 

CMYK 0 / 54 / 40 / 2

HEX #FB7496

RGB 251 116 150

HSL 344.89, 0.94%, 0.72%

LAB 65.91, 54.67, 6.97

 

CMYK 40 / 0 / 54 / 2

HEX #96FB74

RGB 150 251 116

HSL 104.89, 0.94%, 0.72%

LAB 90.2, -53.53, 54.89

 

CMYK 55 / 41 / 0 / 2

HEX #7293FB

RGB 114 147 251

HSL 225.55, 0.94%, 0.72%

LAB 62.85, 17.77, -55.49

 

CMYK 3 / 54 / 0 / 2

HEX #F474FB

RGB 244 116 251

HSL 296.89, 0.94%, 0.72%

LAB 68.53, 66.87, -45.73

 

CMYK 0 / 14 / 54 / 2

HEX #FBD974

RGB 251 217 116

HSL 44.89, 0.94%, 0.72%

LAB 87.68, -0.24, 53.52

 

CMYK 51 / 0 / 54 / 2

HEX #7BFB74

RGB 123 251 116

HSL 116.89, 0.94%, 0.72%

LAB 89.14, -61.16, 53.37

 

CMYK 55 / 41 / 0 / 2

HEX #7293FB

RGB 114 147 251

HSL 225.55, 0.94%, 0.72%

LAB 62.85, 17.77, -55.49

 

CMYK 0 / 54 / 14 / 2

HEX #FB74D9

RGB 251 116 217

HSL 315.11, 0.94%, 0.72%

LAB 68.03, 63.25, -27.65

 

CMYK 0 / 14 / 54 / 2

HEX #FBD974

RGB 251 217 116

HSL 44.89, 0.94%, 0.72%

LAB 87.68, -0.24, 53.52

 

CMYK 54 / 0 / 40 / 2

HEX #74FB96

RGB 116 251 150

HSL 135.11, 0.94%, 0.72%

LAB 89.35, -58.14, 37.42

 

Description

Color code: HEX #7293FB3F | qconv.com Color code: HEX #7293FB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 147 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 147 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 10 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 10% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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