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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #728BD4 it is the complementary color #8D742B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #728BD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #728BD4 shade: #778BCF, #889DE2, #99AFF5, #AAC1FF and #BBD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #728BD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #728BD4 shade: #728BD4, #6179C1, #5067AE, #3F559B and #2E4388

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #728BD4 shade: #738BD4, #7473D4, #8E73D4, #A873D4 and #C373D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #728BD4 shade: #738BD4 and #7373D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #728BD4 shade matches the following richer shades: #738BD4, #6484E3 and #557DF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #728BD4 shade: #738BD4, #8193C5, #909AB6, #9FA1A7 and #AEA898

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #728BD4 shade: #73C0D4, #73A6D4, #738CD4, #7373D4 and #8C73D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #728BD4 shade: #395ABB, #5371CA, #738BD4, #92A5DE and #B2BFE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #728BD4 shade: #728BD4, #CD73D4 and #B3D473

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #728BD4 shade: #728BD4, #D4738C and #8CD473

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #728BD4 shade: #728BD4, #CD73D4, #D4BA73 and #79D473

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #728BD4 shade: #728BD4, #D473BD, #D4BA73 and #73D489

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 34 / 0 / 17

HEX #728BD4

RGB 114 139 212

HSL 224.69, 0.53%, 0.64%

LAB 58.79, 10.56, -40.31

 

Complementary color

CMYK 0 / 18 / 70 / 45

HEX #8D742B

RGB 141 116 43

HSL 44.69, 0.53%, 0.36%

LAB 49.89, 1.33, 42.51

 

CMYK 43 / 33 / 0 / 19

HEX #778BCF

RGB 119 139 207

HSL 226.36, 0.48%, 0.64%

LAB 58.87, 10.37, -37.33

 

CMYK 40 / 31 / 0 / 11

HEX #889DE2

RGB 136 157 226

HSL 226, 0.61%, 0.71%

LAB 65.62, 9.73, -37.29

 

CMYK 38 / 29 / 0 / 4

HEX #99AFF5

RGB 153 175 245

HSL 225.65, 0.82%, 0.78%

LAB 72.25, 9.18, -37.28

 

CMYK 33 / 24 / 0 / 0

HEX #AAC1FF

RGB 170 193 255

HSL 223.76, 1%, 0.83%

LAB 78.41, 6.41, -33.04

 

CMYK 27 / 17 / 0 / 0

HEX #BBD3FF

RGB 187 211 255

HSL 218.82, 1%, 0.87%

LAB 84.16, 1.53, -24.13

 

CMYK 46 / 34 / 0 / 17

HEX #728BD4

RGB 114 139 212

HSL 224.69, 0.53%, 0.64%

LAB 58.79, 10.56, -40.31

 

CMYK 50 / 37 / 0 / 24

HEX #6179C1

RGB 97 121 193

HSL 225, 0.44%, 0.57%

LAB 51.91, 11.42, -40.43

 

CMYK 54 / 41 / 0 / 32

HEX #5067AE

RGB 80 103 174

HSL 225.32, 0.37%, 0.5%

LAB 44.89, 12.46, -40.61

 

CMYK 59 / 45 / 0 / 39

HEX #3F559B

RGB 63 85 155

HSL 225.65, 0.42%, 0.43%

LAB 37.7, 13.78, -40.85

 

CMYK 66 / 51 / 0 / 47

HEX #2E4388

RGB 46 67 136

HSL 226, 0.49%, 0.36%

LAB 30.33, 15.48, -41.13

 

CMYK 46 / 34 / 0 / 17

HEX #738BD4

RGB 115 139 212

HSL 225.15, 0.53%, 0.64%

LAB 58.85, 10.81, -40.2

 

CMYK 45 / 46 / 0 / 17

HEX #7473D4

RGB 116 115 212

HSL 240.62, 0.53%, 0.64%

LAB 52.65, 25.38, -50

 

CMYK 33 / 46 / 0 / 17

HEX #8E73D4

RGB 142 115 212

HSL 256.7, 0.53%, 0.64%

LAB 54.83, 31.96, -46.41

 

CMYK 21 / 46 / 0 / 17

HEX #A873D4

RGB 168 115 212

HSL 272.78, 0.53%, 0.64%

LAB 57.4, 39.1, -42.17

 

CMYK 8 / 46 / 0 / 17

HEX #C373D4

RGB 195 115 212

HSL 289.48, 0.53%, 0.64%

LAB 60.44, 46.82, -37.19

 

CMYK 46 / 34 / 0 / 17

HEX #738BD4

RGB 115 139 212

HSL 225.15, 0.53%, 0.64%

LAB 58.85, 10.81, -40.2

 

CMYK 46 / 46 / 0 / 17

HEX #7373D4

RGB 115 115 212

HSL 240, 0.53%, 0.64%

LAB 52.58, 25.14, -50.13

 

CMYK 46 / 34 / 0 / 17

HEX #738BD4

RGB 115 139 212

HSL 225.15, 0.53%, 0.64%

LAB 58.85, 10.81, -40.2

 

CMYK 56 / 42 / 0 / 11

HEX #6484E3

RGB 100 132 227

HSL 224.88, 0.69%, 0.64%

LAB 56.84, 16.23, -51.83

 

CMYK 65 / 48 / 0 / 5

HEX #557DF2

RGB 85 125 242

HSL 224.71, 0.86%, 0.64%

LAB 55.08, 22.73, -63.04

 

CMYK 46 / 34 / 0 / 17

HEX #738BD4

RGB 115 139 212

HSL 225.15, 0.53%, 0.64%

LAB 58.85, 10.81, -40.2

 

CMYK 35 / 25 / 0 / 23

HEX #8193C5

RGB 129 147 197

HSL 224.12, 0.37%, 0.64%

LAB 61.28, 5.69, -27.92

 

CMYK 21 / 15 / 0 / 29

HEX #909AB6

RGB 144 154 182

HSL 224.21, 0.21%, 0.64%

LAB 63.69, 2.54, -15.72

 

CMYK 5 / 4 / 0 / 35

HEX #9FA1A7

RGB 159 161 167

HSL 225, 0.04%, 0.64%

LAB 66.25, 0.46, -3.37

 

CMYK 0 / 3 / 13 / 32

HEX #AEA898

RGB 174 168 152

HSL 43.64, 0.12%, 0.64%

LAB 68.95, -0.66, 9.03

 

CMYK 46 / 9 / 0 / 17

HEX #73C0D4

RGB 115 192 212

HSL 192.37, 0.53%, 0.64%

LAB 73.61, -18.54, -17.45

 

CMYK 46 / 22 / 0 / 17

HEX #73A6D4

RGB 115 166 212

HSL 208.45, 0.53%, 0.64%

LAB 66.27, -4.64, -28.66

 

CMYK 46 / 34 / 0 / 17

HEX #738CD4

RGB 115 140 212

HSL 224.54, 0.53%, 0.64%

LAB 59.12, 10.22, -39.78

 

CMYK 46 / 46 / 0 / 17

HEX #7373D4

RGB 115 115 212

HSL 240, 0.53%, 0.64%

LAB 52.58, 25.14, -50.13

 

CMYK 34 / 46 / 0 / 17

HEX #8C73D4

RGB 140 115 212

HSL 255.46, 0.53%, 0.64%

LAB 54.65, 31.43, -46.71

 

CMYK 70 / 52 / 0 / 27

HEX #395ABB

RGB 57 90 187

HSL 224.77, 0.53%, 0.48%

LAB 40.85, 20.98, -54.76

 

CMYK 59 / 44 / 0 / 21

HEX #5371CA

RGB 83 113 202

HSL 224.87, 0.53%, 0.56%

LAB 49.39, 16.2, -49.64

 

CMYK 46 / 34 / 0 / 17

HEX #738BD4

RGB 115 139 212

HSL 225.15, 0.53%, 0.64%

LAB 58.85, 10.81, -40.2

 

CMYK 34 / 26 / 0 / 13

HEX #92A5DE

RGB 146 165 222

HSL 225, 0.54%, 0.72%

LAB 68.24, 6.84, -30.98

 

CMYK 23 / 17 / 0 / 9

HEX #B2BFE7

RGB 178 191 231

HSL 225.28, 0.52%, 0.8%

LAB 77.58, 4.05, -21.38

 

CMYK 46 / 34 / 0 / 17

HEX #728BD4

RGB 114 139 212

HSL 224.69, 0.53%, 0.64%

LAB 58.79, 10.56, -40.31

 

CMYK 3 / 46 / 0 / 17

HEX #CD73D4

RGB 205 115 212

HSL 295.67, 0.53%, 0.64%

LAB 61.65, 49.71, -35.21

 

CMYK 16 / 0 / 46 / 17

HEX #B3D473

RGB 179 212 115

HSL 80.41, 0.53%, 0.64%

LAB 80.69, -26.4, 44.21

 

CMYK 46 / 34 / 0 / 17

HEX #728BD4

RGB 114 139 212

HSL 224.69, 0.53%, 0.64%

LAB 58.79, 10.56, -40.31

 

CMYK 0 / 46 / 34 / 17

HEX #D4738C

RGB 212 115 140

HSL 344.54, 0.53%, 0.64%

LAB 60.03, 40.7, 3.53

 

CMYK 34 / 0 / 46 / 17

HEX #8CD473

RGB 140 212 115

HSL 104.54, 0.53%, 0.64%

LAB 78.4, -40.34, 40.87

 

CMYK 46 / 34 / 0 / 17

HEX #728BD4

RGB 114 139 212

HSL 224.69, 0.53%, 0.64%

LAB 58.79, 10.56, -40.31

 

CMYK 3 / 46 / 0 / 17

HEX #CD73D4

RGB 205 115 212

HSL 295.67, 0.53%, 0.64%

LAB 61.65, 49.71, -35.21

 

CMYK 0 / 12 / 46 / 17

HEX #D4BA73

RGB 212 186 115

HSL 43.92, 0.53%, 0.64%

LAB 76.29, -0.15, 39.28

 

CMYK 43 / 0 / 46 / 17

HEX #79D473

RGB 121 212 115

HSL 116.29, 0.53%, 0.64%

LAB 77.51, -46.33, 39.56

 

CMYK 46 / 34 / 0 / 17

HEX #728BD4

RGB 114 139 212

HSL 224.69, 0.53%, 0.64%

LAB 58.79, 10.56, -40.31

 

CMYK 0 / 46 / 11 / 17

HEX #D473BD

RGB 212 115 189

HSL 314.23, 0.53%, 0.64%

LAB 61.6, 47.78, -22.23

 

CMYK 0 / 12 / 46 / 17

HEX #D4BA73

RGB 212 186 115

HSL 43.92, 0.53%, 0.64%

LAB 76.29, -0.15, 39.28

 

CMYK 46 / 0 / 35 / 17

HEX #73D489

RGB 115 212 137

HSL 133.61, 0.53%, 0.64%

LAB 77.6, -44.63, 28.47

 

Description

Color code: HEX #728BD4 | qconv.com Color code: HEX #728BD4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 139 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 139 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 34 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 34% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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