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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7283EB it is the complementary color #8D7C14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7283EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7283EB shade: #7783E6, #8895F9, #99A7FF, #AAB9FF and #BBCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7283EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7283EB shade: #7283EB, #6171D8, #505FC5, #3F4DB2 and #2E3B9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7283EB shade: #7081EB, #8070EB, #A170EB, #C270EB and #E370EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7283EB shade: #7081EB and #7070EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7283EB shade matches the following richer shades: #7081EB and #6378F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7283EB shade: #7081EB, #7D8BDD, #8B94D0, #989EC3 and #A5A7B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7283EB shade: #70C4EB, #70A3EB, #7083EB, #7E70EB and #9F70EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7283EB shade: #2842E0, #4C62E5, #7081EB, #94A1F0 and #B8C1F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7283EB shade: #7283EB, #EB70E4 and #B4EB70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7283EB shade: #7283EB, #EB7083 and #83EB70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7283EB shade: #7283EB, #EB70E4, #EBD870 and #70EB76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7283EB shade: #7283EB, #EB70C0, #EBD870 and #70EB9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 44 / 0 / 8

HEX #7283EB

RGB 114 131 235

HSL 231.57, 0.75%, 0.68%

LAB 57.85, 22.29, -54.62

 

Complementary color

CMYK 0 / 12 / 86 / 45

HEX #8D7C14

RGB 141 124 20

HSL 51.57, 0.75%, 0.32%

LAB 51.98, -4.21, 53.13

 

CMYK 48 / 43 / 0 / 10

HEX #7783E6

RGB 119 131 230

HSL 233.51, 0.69%, 0.68%

LAB 57.91, 21.88, -51.73

 

CMYK 45 / 40 / 0 / 2

HEX #8895F9

RGB 136 149 249

HSL 233.1, 0.9%, 0.75%

LAB 64.62, 20.85, -51.51

 

CMYK 40 / 35 / 0 / 0

HEX #99A7FF

RGB 153 167 255

HSL 231.76, 1%, 0.8%

LAB 70.61, 16.37, -45.25

 

CMYK 33 / 27 / 0 / 0

HEX #AAB9FF

RGB 170 185 255

HSL 229.41, 1%, 0.83%

LAB 76.35, 10.8, -36.21

 

CMYK 27 / 20 / 0 / 0

HEX #BBCBFF

RGB 187 203 255

HSL 225.88, 1%, 0.87%

LAB 82.11, 5.8, -27.26

 

CMYK 51 / 44 / 0 / 8

HEX #7283EB

RGB 114 131 235

HSL 231.57, 0.75%, 0.68%

LAB 57.85, 22.29, -54.62

 

CMYK 55 / 48 / 0 / 15

HEX #6171D8

RGB 97 113 216

HSL 231.93, 0.6%, 0.61%

LAB 51.05, 23.61, -54.91

 

CMYK 59 / 52 / 0 / 23

HEX #505FC5

RGB 80 95 197

HSL 232.31, 0.5%, 0.54%

LAB 44.12, 25.2, -55.23

 

CMYK 65 / 57 / 0 / 30

HEX #3F4DB2

RGB 63 77 178

HSL 232.7, 0.48%, 0.47%

LAB 37.08, 27.11, -55.56

 

CMYK 71 / 63 / 0 / 38

HEX #2E3B9F

RGB 46 59 159

HSL 233.1, 0.55%, 0.4%

LAB 29.94, 29.44, -55.85

 

CMYK 52 / 45 / 0 / 8

HEX #7081EB

RGB 112 129 235

HSL 231.71, 0.75%, 0.68%

LAB 57.21, 23.06, -55.65

 

CMYK 46 / 52 / 0 / 8

HEX #8070EB

RGB 128 112 235

HSL 247.8, 0.75%, 0.68%

LAB 54.21, 36.62, -60.4

 

CMYK 31 / 52 / 0 / 8

HEX #A170EB

RGB 161 112 235

HSL 263.9, 0.75%, 0.68%

LAB 57.23, 44.37, -55.39

 

CMYK 17 / 52 / 0 / 8

HEX #C270EB

RGB 194 112 235

HSL 280, 0.75%, 0.68%

LAB 60.83, 52.78, -49.45

 

CMYK 3 / 52 / 0 / 8

HEX #E370EB

RGB 227 112 235

HSL 296.1, 0.75%, 0.68%

LAB 64.9, 61.47, -42.76

 

CMYK 52 / 45 / 0 / 8

HEX #7081EB

RGB 112 129 235

HSL 231.71, 0.75%, 0.68%

LAB 57.21, 23.06, -55.65

 

CMYK 52 / 52 / 0 / 8

HEX #7070EB

RGB 112 112 235

HSL 240, 0.75%, 0.68%

LAB 52.98, 33.24, -62.44

 

CMYK 52 / 45 / 0 / 8

HEX #7081EB

RGB 112 129 235

HSL 231.71, 0.75%, 0.68%

LAB 57.21, 23.06, -55.65

 

CMYK 60 / 52 / 0 / 3

HEX #6378F8

RGB 99 120 248

HSL 231.54, 0.91%, 0.68%

LAB 54.93, 30.12, -66.58

 

CMYK 52 / 45 / 0 / 8

HEX #7081EB

RGB 112 129 235

HSL 231.71, 0.75%, 0.68%

LAB 57.21, 23.06, -55.65

 

CMYK 43 / 37 / 0 / 13

HEX #7D8BDD

RGB 125 139 221

HSL 231.25, 0.59%, 0.68%

LAB 59.93, 15.93, -43.49

 

CMYK 33 / 29 / 0 / 18

HEX #8B94D0

RGB 139 148 208

HSL 232.17, 0.42%, 0.68%

LAB 62.7, 10.87, -31.84

 

CMYK 22 / 19 / 0 / 24

HEX #989EC3

RGB 152 158 195

HSL 231.63, 0.26%, 0.68%

LAB 65.8, 5.87, -19.73

 

CMYK 9 / 8 / 0 / 29

HEX #A5A7B6

RGB 165 167 182

HSL 232.94, 0.1%, 0.68%

LAB 68.76, 2.28, -7.95

 

CMYK 52 / 17 / 0 / 8

HEX #70C4EB

RGB 112 196 235

HSL 199.02, 0.75%, 0.68%

LAB 75.4, -14.91, -27.18

 

CMYK 52 / 31 / 0 / 8

HEX #70A3EB

RGB 112 163 235

HSL 215.12, 0.75%, 0.68%

LAB 66.24, 3.12, -41.37

 

CMYK 52 / 44 / 0 / 8

HEX #7083EB

RGB 112 131 235

HSL 230.73, 0.75%, 0.68%

LAB 57.73, 21.86, -54.83

 

CMYK 46 / 52 / 0 / 8

HEX #7E70EB

RGB 126 112 235

HSL 246.83, 0.75%, 0.68%

LAB 54.05, 36.18, -60.67

 

CMYK 32 / 52 / 0 / 8

HEX #9F70EB

RGB 159 112 235

HSL 262.93, 0.75%, 0.68%

LAB 57.03, 43.88, -55.72

 

CMYK 82 / 71 / 0 / 12

HEX #2842E0

RGB 40 66 224

HSL 231.52, 0.75%, 0.52%

LAB 37.35, 47.7, -81.88

 

CMYK 67 / 57 / 0 / 10

HEX #4C62E5

RGB 76 98 229

HSL 231.37, 0.75%, 0.6%

LAB 46.88, 33.57, -69.05

 

CMYK 52 / 45 / 0 / 8

HEX #7081EB

RGB 112 129 235

HSL 231.71, 0.75%, 0.68%

LAB 57.21, 23.06, -55.65

 

CMYK 38 / 33 / 0 / 6

HEX #94A1F0

RGB 148 161 240

HSL 231.52, 0.75%, 0.76%

LAB 68.08, 14.42, -41.08

 

CMYK 25 / 21 / 0 / 4

HEX #B8C1F5

RGB 184 193 245

HSL 231.15, 0.75%, 0.84%

LAB 79, 7.99, -26.7

 

CMYK 51 / 44 / 0 / 8

HEX #7283EB

RGB 114 131 235

HSL 231.57, 0.75%, 0.68%

LAB 57.85, 22.29, -54.62

 

CMYK 0 / 52 / 3 / 8

HEX #EB70E4

RGB 235 112 228

HSL 303.41, 0.75%, 0.68%

LAB 65.63, 62.4, -37.65

 

CMYK 23 / 0 / 52 / 8

HEX #B4EB70

RGB 180 235 112

HSL 86.83, 0.75%, 0.68%

LAB 87.14, -37.06, 53.45

 

CMYK 51 / 44 / 0 / 8

HEX #7283EB

RGB 114 131 235

HSL 231.57, 0.75%, 0.68%

LAB 57.85, 22.29, -54.62

 

CMYK 0 / 52 / 44 / 8

HEX #EB7083

RGB 235 112 131

HSL 350.73, 0.75%, 0.68%

LAB 62.41, 49.24, 12.55

 

CMYK 44 / 0 / 52 / 8

HEX #83EB70

RGB 131 235 112

HSL 110.73, 0.75%, 0.68%

LAB 84.7, -53.22, 49.95

 

CMYK 51 / 44 / 0 / 8

HEX #7283EB

RGB 114 131 235

HSL 231.57, 0.75%, 0.68%

LAB 57.85, 22.29, -54.62

 

CMYK 0 / 52 / 3 / 8

HEX #EB70E4

RGB 235 112 228

HSL 303.41, 0.75%, 0.68%

LAB 65.63, 62.4, -37.65

 

CMYK 0 / 8 / 52 / 8

HEX #EBD870

RGB 235 216 112

HSL 50.73, 0.75%, 0.68%

LAB 85.98, -6.53, 53.05

 

CMYK 52 / 0 / 50 / 8

HEX #70EB76

RGB 112 235 118

HSL 122.93, 0.75%, 0.68%

LAB 84.05, -57.64, 46.18

 

CMYK 51 / 44 / 0 / 8

HEX #7283EB

RGB 114 131 235

HSL 231.57, 0.75%, 0.68%

LAB 57.85, 22.29, -54.62

 

CMYK 0 / 52 / 18 / 8

HEX #EB70C0

RGB 235 112 192

HSL 320.98, 0.75%, 0.68%

LAB 64.21, 56.75, -19.67

 

CMYK 0 / 8 / 52 / 8

HEX #EBD870

RGB 235 216 112

HSL 50.73, 0.75%, 0.68%

LAB 85.98, -6.53, 53.05

 

CMYK 52 / 0 / 34 / 8

HEX #70EB9B

RGB 112 235 155

HSL 140.98, 0.75%, 0.68%

LAB 84.6, -51.86, 28.59

 

Description

Color code: HEX #7283EB | qconv.com Color code: HEX #7283EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 131 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 131 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 44 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 44% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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