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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #727C164C it is the complementary color #8D83E94C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #727C164C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #727C164C shade: #777C114C, #888E244C, #99A0374C, #AAB24A4C and #BBC45D4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #727C164C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #727C164C shade: #727C164C, #616A034C, #5058004C, #3F46004C and #2E34004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #727C164C shade: #747E16, #7E6C16, #7E5016, #7E3416 and #7E1816

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #727C164C shade: #747E16, #587E16, #3C7E16, #207E16 and #167E28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #727C164C shade matches the following richer shades: #747E16 and #7D8A0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #727C164C shade: #747E16, #6A7222, #60662E, #575A3A and #4D4E46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #727C164C shade: #7E4F16, #7E6B16, #757E16, #597E16 and #3E7E16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #727C164C shade: #33380A, #535B10, #747E16, #94A11C and #B4C423

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #727C164C shade: #727C16, #167E34 and #5D167E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #727C164C shade: #727C16, #16757E and #7E1675

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #727C164C shade: #727C16, #167E34, #1F167E and #7E1660

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #727C164C shade: #727C16, #167E53, #1F167E and #7E1641

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 25 / 15

HEX #727C164C

RGBA 114 124 22 0.3

HSLA 65.88, 0.7%, 0.29%, 0.3

LABA 49.56, -16.69, 49.5, 0.3

 

Complementary color

CMYK 12 / 13 / 0 / 3

HEX #8D83E94C

RGBA 141 131 233 0.3

HSLA 245.88, 0.7%, 0.71%, 0.3

LABA 59.69, 28.03, -50.48, 0.3

 

CMYK 1 / 0 / 26 / 15

HEX #777C114C

RGBA 119 124 17 0.3

HSLA 62.8, 0.76%, 0.28%, 0.3

LABA 49.95, -14.57, 51.41, 0.3

 

CMYK 1 / 0 / 22 / 13

HEX #888E244C

RGBA 136 142 36 0.3

HSLA 63.4, 0.6%, 0.35%, 0.3

LABA 56.79, -15.64, 52.13, 0.3

 

CMYK 1 / 0 / 20 / 11

HEX #99A0374C

RGBA 153 160 55 0.3

HSLA 64, 0.49%, 0.42%, 0.3

LABA 63.5, -16.45, 51.8, 0.3

 

CMYK 1 / 0 / 18 / 9

HEX #AAB24A4C

RGBA 170 178 74 0.3

HSLA 64.62, 0.41%, 0.49%, 0.3

LABA 70.09, -17.08, 51, 0.3

 

CMYK 1 / 0 / 16 / 7

HEX #BBC45D4C

RGBA 187 196 93 0.3

HSLA 65.24, 0.47%, 0.57%, 0.3

LABA 76.58, -17.58, 49.97, 0.3

 

CMYK 2 / 0 / 25 / 15

HEX #727C164C

RGBA 114 124 22 0.3

HSLA 65.88, 0.7%, 0.29%, 0.3

LABA 49.56, -16.69, 49.5, 0.3

 

CMYK 3 / 0 / 29 / 18

HEX #616A034C

RGBA 97 106 3 0.3

HSLA 65.24, 0.94%, 0.21%, 0.3

LABA 42.55, -15.52, 47.86, 0.3

 

CMYK 3 / 0 / 30 / 20

HEX #5058004C

RGBA 80 88 0 0.3

HSLA 65.45, 1%, 0.17%, 0.3

LABA 35.37, -13.88, 42.65, 0.3

 

CMYK 3 / 0 / 30 / 22

HEX #3F46004C

RGBA 63 70 0 0.3

HSLA 66, 1%, 0.14%, 0.3

LABA 27.95, -12.09, 36.37, 0.3

 

CMYK 3 / 0 / 30 / 24

HEX #2E34004C

RGBA 46 52 0 0.3

HSLA 66.92, 1%, 0.1%, 0.3

LABA 20.19, -10.24, 28.2, 0.3

 

CMYK 8 / 0 / 83 / 51

HEX #747E16

RGB 116 126 22

HSL 65.77, 0.7%, 0.29%

LAB 50.33, -16.84, 50.24

 

CMYK 0 / 14 / 83 / 51

HEX #7E6C16

RGB 126 108 22

HSL 49.62, 0.7%, 0.29%

LAB 45.93, -2.19, 46.69

 

CMYK 0 / 37 / 83 / 51

HEX #7E5016

RGB 126 80 22

HSL 33.46, 0.7%, 0.29%

LAB 38.25, 14.29, 39.72

 

CMYK 0 / 59 / 83 / 51

HEX #7E3416

RGB 126 52 22

HSL 17.31, 0.7%, 0.29%

LAB 31.69, 30.29, 33.5

 

CMYK 0 / 81 / 83 / 51

HEX #7E1816

RGB 126 24 22

HSL 1.15, 0.7%, 0.29%

LAB 27.15, 42.55, 28.99

 

CMYK 8 / 0 / 83 / 51

HEX #747E16

RGB 116 126 22

HSL 65.77, 0.7%, 0.29%

LAB 50.33, -16.84, 50.24

 

CMYK 30 / 0 / 83 / 51

HEX #587E16

RGB 88 126 22

HSL 81.92, 0.7%, 0.29%

LAB 48.33, -29.05, 47.7

 

CMYK 52 / 0 / 83 / 51

HEX #3C7E16

RGB 60 126 22

HSL 98.08, 0.7%, 0.29%

LAB 46.9, -39.31, 45.85

 

CMYK 75 / 0 / 83 / 51

HEX #207E16

RGB 32 126 22

HSL 114.23, 0.7%, 0.29%

LAB 46.02, -46.4, 44.72

 

CMYK 83 / 0 / 68 / 51

HEX #167E28

RGB 22 126 40

HSL 130.38, 0.7%, 0.29%

LAB 45.97, -46.4, 37.6

 

CMYK 8 / 0 / 83 / 51

HEX #747E16

RGB 116 126 22

HSL 65.77, 0.7%, 0.29%

LAB 50.33, -16.84, 50.24

 

CMYK 9 / 0 / 93 / 46

HEX #7D8A0A

RGB 125 138 10

HSL 66.09, 0.86%, 0.29%

LAB 54.61, -19.38, 56.89

 

CMYK 8 / 0 / 83 / 51

HEX #747E16

RGB 116 126 22

HSL 65.77, 0.7%, 0.29%

LAB 50.33, -16.84, 50.24

 

CMYK 7 / 0 / 70 / 55

HEX #6A7222

RGB 106 114 34

HSL 66, 0.54%, 0.29%

LAB 45.93, -14.36, 41.39

 

CMYK 6 / 0 / 55 / 60

HEX #60662E

RGB 96 102 46

HSL 66.43, 0.38%, 0.29%

LAB 41.51, -11.31, 30.49

 

CMYK 3 / 0 / 36 / 65

HEX #575A3A

RGB 87 90 58

HSL 65.63, 0.22%, 0.29%

LAB 37.2, -7.02, 18.13

 

CMYK 1 / 0 / 10 / 69

HEX #4D4E46

RGB 77 78 70

HSL 67.5, 0.05%, 0.29%

LAB 32.85, -2.08, 4.59

 

CMYK 0 / 37 / 83 / 51

HEX #7E4F16

RGB 126 79 22

HSL 32.88, 0.7%, 0.29%

LAB 38, 14.88, 39.48

 

CMYK 0 / 15 / 83 / 51

HEX #7E6B16

RGB 126 107 22

HSL 49.04, 0.7%, 0.29%

LAB 45.65, -1.62, 46.44

 

CMYK 7 / 0 / 83 / 51

HEX #757E16

RGB 117 126 22

HSL 65.19, 0.7%, 0.29%

LAB 50.41, -16.39, 50.35

 

CMYK 29 / 0 / 83 / 51

HEX #597E16

RGB 89 126 22

HSL 81.35, 0.7%, 0.29%

LAB 48.39, -28.64, 47.78

 

CMYK 51 / 0 / 83 / 51

HEX #3E7E16

RGB 62 126 22

HSL 96.92, 0.7%, 0.29%

LAB 46.98, -38.67, 45.96

 

CMYK 9 / 0 / 82 / 78

HEX #33380A

RGB 51 56 10

HSL 66.52, 0.7%, 0.13%

LAB 22.14, -9.34, 26.39

 

CMYK 9 / 0 / 82 / 64

HEX #535B10

RGB 83 91 16

HSL 66.4, 0.7%, 0.21%

LAB 36.67, -13.49, 38.87

 

CMYK 8 / 0 / 83 / 51

HEX #747E16

RGB 116 126 22

HSL 65.77, 0.7%, 0.29%

LAB 50.33, -16.84, 50.24

 

CMYK 8 / 0 / 83 / 37

HEX #94A11C

RGB 148 161 28

HSL 65.86, 0.7%, 0.37%

LAB 63.23, -20.46, 60.83

 

CMYK 8 / 0 / 82 / 23

HEX #B4C423

RGB 180 196 35

HSL 65.96, 0.7%, 0.45%

LAB 75.64, -23.88, 70.69

 

CMYK 8 / 0 / 82 / 51

HEX #727C16

RGB 114 124 22

HSL 65.88, 0.7%, 0.29%

LAB 49.56, -16.69, 49.5

 

CMYK 83 / 0 / 59 / 51

HEX #167E34

RGB 22 126 52

HSL 137.31, 0.7%, 0.29%

LAB 46.1, -44.84, 31.96

 

CMYK 26 / 83 / 0 / 51

HEX #5D167E

RGB 93 22 126

HSL 280.96, 0.7%, 0.29%

LAB 24.97, 47.57, -43.3

 

CMYK 8 / 0 / 82 / 51

HEX #727C16

RGB 114 124 22

HSL 65.88, 0.7%, 0.29%

LAB 49.56, -16.69, 49.5

 

CMYK 83 / 7 / 0 / 51

HEX #16757E

RGB 22 117 126

HSL 185.19, 0.7%, 0.29%

LAB 44.8, -22.48, -12.47

 

CMYK 0 / 83 / 7 / 51

HEX #7E1675

RGB 126 22 117

HSL 305.19, 0.7%, 0.29%

LAB 30.14, 52.65, -28.99

 

CMYK 8 / 0 / 82 / 51

HEX #727C16

RGB 114 124 22

HSL 65.88, 0.7%, 0.29%

LAB 49.56, -16.69, 49.5

 

CMYK 83 / 0 / 59 / 51

HEX #167E34

RGB 22 126 52

HSL 137.31, 0.7%, 0.29%

LAB 46.1, -44.84, 31.96

 

CMYK 75 / 83 / 0 / 51

HEX #1F167E

RGB 31 22 126

HSL 245.19, 0.7%, 0.29%

LAB 17.33, 38.8, -56.14

 

CMYK 0 / 83 / 24 / 51

HEX #7E1660

RGB 126 22 96

HSL 317.31, 0.7%, 0.29%

LAB 29.04, 49.54, -17.2

 

CMYK 8 / 0 / 82 / 51

HEX #727C16

RGB 114 124 22

HSL 65.88, 0.7%, 0.29%

LAB 49.56, -16.69, 49.5

 

CMYK 83 / 0 / 34 / 51

HEX #167E53

RGB 22 126 83

HSL 155.19, 0.7%, 0.29%

LAB 46.6, -38.99, 15.57

 

CMYK 75 / 83 / 0 / 51

HEX #1F167E

RGB 31 22 126

HSL 245.19, 0.7%, 0.29%

LAB 17.33, 38.8, -56.14

 

CMYK 0 / 83 / 48 / 51

HEX #7E1641

RGB 126 22 65

HSL 335.19, 0.7%, 0.29%

LAB 27.82, 45.93, 1.52

 

Description

Color code: HEX #727C164C | qconv.com Color code: HEX #727C164C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 124 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 124 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 25 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 25% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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