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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #727C0B it is the complementary color #8D83F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #727C0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #727C0B shade: #777C06, #888E19, #99A02C, #AAB23F and #BBC452

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #727C0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #727C0B shade: #727C0B, #616A00, #505800, #3F4600 and #2E3400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #727C0B shade: #707A0B, #7A660B, #7A480B, #7A2A0B and #7A0C0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #727C0B shade: #707A0B, #527A0B, #347A0B, #167A0B and #0B7A1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #727C0B shade matches the following richer shades: #707A0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #727C0B shade: #707A0B, #676F15, #5E6520, #565A2B and #4D4F36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #727C0B shade: #7A480B, #7A660B, #717A0B, #537A0B and #357A0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #727C0B shade: #2A2E04, #4D5407, #707A0B, #93A00E and #B6C611

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #727C0B shade: #727C0B, #0B7A2A and #570B7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #727C0B shade: #727C0B, #0B717A and #7A0B71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #727C0B shade: #727C0B, #0B7A2A, #140B7A and #7A0B5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #727C0B shade: #727C0B, #0B7A4C, #140B7A and #7A0B39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 91 / 51

HEX #727C0B

RGB 114 124 11

HSL 65.31, 0.84%, 0.26%

LAB 49.52, -17.04, 52.25

 

Complementary color

CMYK 42 / 46 / 0 / 4

HEX #8D83F4

RGB 141 131 244

HSL 245.31, 0.84%, 0.74%

LAB 60.27, 31.08, -55.64

 

CMYK 4 / 0 / 95 / 51

HEX #777C06

RGB 119 124 6

HSL 62.54, 0.91%, 0.25%

LAB 49.92, -14.84, 53.71

 

CMYK 4 / 0 / 82 / 44

HEX #888E19

RGB 136 142 25

HSL 63.08, 0.7%, 0.33%

LAB 56.73, -16.1, 55.63

 

CMYK 4 / 0 / 73 / 37

HEX #99A02C

RGB 153 160 44

HSL 63.62, 0.57%, 0.4%

LAB 63.42, -17.09, 56.06

 

CMYK 4 / 0 / 65 / 30

HEX #AAB23F

RGB 170 178 63

HSL 64.17, 0.48%, 0.47%

LAB 70, -17.86, 55.67

 

CMYK 5 / 0 / 58 / 23

HEX #BBC452

RGB 187 196 82

HSL 64.74, 0.49%, 0.55%

LAB 76.47, -18.47, 54.87

 

CMYK 8 / 0 / 91 / 51

HEX #727C0B

RGB 114 124 11

HSL 65.31, 0.84%, 0.26%

LAB 49.52, -17.04, 52.25

 

CMYK 8 / 0 / 100 / 58

HEX #616A00

RGB 97 106 0

HSL 65.09, 1%, 0.21%

LAB 42.54, -15.61, 48.61

 

CMYK 9 / 0 / 100 / 65

HEX #505800

RGB 80 88 0

HSL 65.45, 1%, 0.17%

LAB 35.37, -13.88, 42.65

 

CMYK 10 / 0 / 100 / 73

HEX #3F4600

RGB 63 70 0

HSL 66, 1%, 0.14%

LAB 27.95, -12.09, 36.37

 

CMYK 12 / 0 / 100 / 80

HEX #2E3400

RGB 46 52 0

HSL 66.92, 1%, 0.1%

LAB 20.19, -10.24, 28.2

 

CMYK 8 / 0 / 91 / 52

HEX #707A0B

RGB 112 122 11

HSL 65.41, 0.83%, 0.26%

LAB 48.75, -16.9, 51.56

 

CMYK 0 / 16 / 91 / 52

HEX #7A660B

RGB 122 102 11

HSL 49.19, 0.83%, 0.26%

LAB 43.75, -0.99, 47.91

 

CMYK 0 / 41 / 91 / 52

HEX #7A480B

RGB 122 72 11

HSL 32.97, 0.83%, 0.26%

LAB 35.59, 16.81, 41.37

 

CMYK 0 / 66 / 91 / 52

HEX #7A2A0B

RGB 122 42 11

HSL 16.76, 0.83%, 0.26%

LAB 28.95, 33.43, 36.04

 

CMYK 0 / 90 / 91 / 52

HEX #7A0C0B

RGB 122 12 11

HSL 0.54, 0.83%, 0.26%

LAB 25.03, 44.25, 32.6

 

CMYK 8 / 0 / 91 / 52

HEX #707A0B

RGB 112 122 11

HSL 65.41, 0.83%, 0.26%

LAB 48.75, -16.9, 51.56

 

CMYK 33 / 0 / 91 / 52

HEX #527A0B

RGB 82 122 11

HSL 81.62, 0.83%, 0.26%

LAB 46.63, -30.04, 48.94

 

CMYK 57 / 0 / 91 / 52

HEX #347A0B

RGB 52 122 11

HSL 97.84, 0.83%, 0.26%

LAB 45.18, -40.69, 47.14

 

CMYK 82 / 0 / 91 / 52

HEX #167A0B

RGB 22 122 11

HSL 114.05, 0.83%, 0.26%

LAB 44.4, -47.3, 46.15

 

CMYK 91 / 0 / 76 / 52

HEX #0B7A1D

RGB 11 122 29

HSL 129.73, 0.83%, 0.26%

LAB 44.35, -47.39, 40.49

 

CMYK 8 / 0 / 91 / 52

HEX #707A0B

RGB 112 122 11

HSL 65.41, 0.83%, 0.26%

LAB 48.75, -16.9, 51.56

 

CMYK 8 / 0 / 91 / 52

HEX #707A0B

RGB 112 122 11

HSL 65.41, 0.83%, 0.26%

LAB 48.75, -16.9, 51.56

 

CMYK 7 / 0 / 81 / 56

HEX #676F15

RGB 103 111 21

HSL 65.33, 0.68%, 0.26%

LAB 44.67, -14.83, 45.09

 

CMYK 7 / 0 / 68 / 60

HEX #5E6520

RGB 94 101 32

HSL 66.09, 0.52%, 0.26%

LAB 40.88, -12.89, 36.74

 

CMYK 4 / 0 / 52 / 65

HEX #565A2B

RGB 86 90 43

HSL 65.11, 0.35%, 0.26%

LAB 36.86, -9.38, 26.4

 

CMYK 3 / 0 / 32 / 69

HEX #4D4F36

RGB 77 79 54

HSL 64.8, 0.19%, 0.26%

LAB 32.78, -5.55, 14.54

 

CMYK 0 / 41 / 91 / 52

HEX #7A480B

RGB 122 72 11

HSL 32.97, 0.83%, 0.26%

LAB 35.59, 16.81, 41.37

 

CMYK 0 / 16 / 91 / 52

HEX #7A660B

RGB 122 102 11

HSL 49.19, 0.83%, 0.26%

LAB 43.75, -0.99, 47.91

 

CMYK 7 / 0 / 91 / 52

HEX #717A0B

RGB 113 122 11

HSL 64.86, 0.83%, 0.26%

LAB 48.83, -16.44, 51.66

 

CMYK 32 / 0 / 91 / 52

HEX #537A0B

RGB 83 122 11

HSL 81.08, 0.83%, 0.26%

LAB 46.69, -29.63, 49.01

 

CMYK 57 / 0 / 91 / 52

HEX #357A0B

RGB 53 122 11

HSL 97.3, 0.83%, 0.26%

LAB 45.22, -40.39, 47.18

 

CMYK 9 / 0 / 91 / 82

HEX #2A2E04

RGB 42 46 4

HSL 65.71, 0.84%, 0.1%

LAB 17.71, -8.35, 23.59

 

CMYK 8 / 0 / 92 / 67

HEX #4D5407

RGB 77 84 7

HSL 65.45, 0.85%, 0.18%

LAB 33.84, -12.83, 39.06

 

CMYK 8 / 0 / 91 / 52

HEX #707A0B

RGB 112 122 11

HSL 65.41, 0.83%, 0.26%

LAB 48.75, -16.9, 51.56

 

CMYK 8 / 0 / 91 / 37

HEX #93A00E

RGB 147 160 14

HSL 65.34, 0.84%, 0.34%

LAB 62.82, -20.76, 63.48

 

CMYK 8 / 0 / 91 / 22

HEX #B6C611

RGB 182 198 17

HSL 65.3, 0.84%, 0.42%

LAB 76.3, -24.44, 74.79

 

CMYK 8 / 0 / 91 / 51

HEX #727C0B

RGB 114 124 11

HSL 65.31, 0.84%, 0.26%

LAB 49.52, -17.04, 52.25

 

CMYK 91 / 0 / 66 / 52

HEX #0B7A2A

RGB 11 122 42

HSL 136.76, 0.83%, 0.26%

LAB 44.46, -45.99, 34.95

 

CMYK 29 / 91 / 0 / 52

HEX #570B7A

RGB 87 11 122

HSL 281.08, 0.83%, 0.26%

LAB 22.55, 48.89, -44.75

 

CMYK 8 / 0 / 91 / 51

HEX #727C0B

RGB 114 124 11

HSL 65.31, 0.84%, 0.26%

LAB 49.52, -17.04, 52.25

 

CMYK 91 / 7 / 0 / 52

HEX #0B717A

RGB 11 113 122

HSL 184.86, 0.83%, 0.26%

LAB 43.19, -22.64, -12.52

 

CMYK 0 / 91 / 7 / 52

HEX #7A0B71

RGB 122 11 113

HSL 304.86, 0.83%, 0.26%

LAB 28.3, 53.65, -29.41

 

CMYK 8 / 0 / 91 / 51

HEX #727C0B

RGB 114 124 11

HSL 65.31, 0.84%, 0.26%

LAB 49.52, -17.04, 52.25

 

CMYK 91 / 0 / 66 / 52

HEX #0B7A2A

RGB 11 122 42

HSL 136.76, 0.83%, 0.26%

LAB 44.46, -45.99, 34.95

 

CMYK 84 / 91 / 0 / 52

HEX #140B7A

RGB 20 11 122

HSL 244.86, 0.83%, 0.26%

LAB 14.36, 41.89, -58.53

 

CMYK 0 / 91 / 26 / 52

HEX #7A0B5A

RGB 122 11 90

HSL 317.3, 0.83%, 0.26%

LAB 27.06, 50.37, -16.39

 

CMYK 8 / 0 / 91 / 51

HEX #727C0B

RGB 114 124 11

HSL 65.31, 0.84%, 0.26%

LAB 49.52, -17.04, 52.25

 

CMYK 91 / 0 / 38 / 52

HEX #0B7A4C

RGB 11 122 76

HSL 155.14, 0.83%, 0.26%

LAB 44.96, -40.02, 17.35

 

CMYK 84 / 91 / 0 / 52

HEX #140B7A

RGB 20 11 122

HSL 244.86, 0.83%, 0.26%

LAB 14.36, 41.89, -58.53

 

CMYK 0 / 91 / 53 / 52

HEX #7A0B39

RGB 122 11 57

HSL 335.14, 0.83%, 0.26%

LAB 25.78, 46.83, 3.9

 

Description

Color code: HEX #727C0B | qconv.com Color code: HEX #727C0B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 124 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 124 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 91 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 91% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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