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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #727B8A it is the complementary color #8D8475. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #727B8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #727B8A shade: #777B85, #888D98, #999FAB, #AAB1BE and #BBC3D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #727B8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #727B8A shade: #727B8A, #616977, #505764, #3F4551 and #2E333E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #727B8A shade: #707A89, #707389, #757089, #7B7089 and #827089

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #727B8A shade: #707A89, #707389 and #707089

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #727B8A shade matches the following richer shades: #707A89, #5C759E, #4870B2, #346BC6 and #2066DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #727B8A shade: #707A89, #857F75, #998461, #AD894D and #C18E39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #727B8A shade: #708789, #708189, #707A89, #707389 and #747089

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #727B8A shade: #4B525C, #5E6673, #707A89, #878F9D and #9DA4AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #727B8A shade: #727B8A, #857089 and #848970

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #727B8A shade: #727B8A, #89707A and #7A8970

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #727B8A shade: #727B8A, #857089, #898070 and #758970

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #727B8A shade: #727B8A, #897087, #898070 and #708973

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 11 / 0 / 46

HEX #727B8A

RGB 114 123 138

HSL 217.5, 0.1%, 0.49%

LAB 51.36, 0.01, -9.27

 

Complementary color

CMYK 0 / 6 / 17 / 45

HEX #8D8475

RGB 141 132 117

HSL 37.5, 0.1%, 0.51%

LAB 55.53, 0.73, 9.32

 

CMYK 11 / 8 / 0 / 48

HEX #777B85

RGB 119 123 133

HSL 222.86, 0.06%, 0.49%

LAB 51.59, 0.63, -5.95

 

CMYK 11 / 7 / 0 / 40

HEX #888D98

RGB 136 141 152

HSL 221.25, 0.07%, 0.56%

LAB 58.56, 0.47, -6.47

 

CMYK 11 / 7 / 0 / 33

HEX #999FAB

RGB 153 159 171

HSL 220, 0.1%, 0.64%

LAB 65.36, 0.31, -6.97

 

CMYK 11 / 7 / 0 / 25

HEX #AAB1BE

RGB 170 177 190

HSL 219, 0.13%, 0.71%

LAB 72.03, 0.15, -7.46

 

CMYK 11 / 7 / 0 / 18

HEX #BBC3D1

RGB 187 195 209

HSL 218.18, 0.19%, 0.78%

LAB 78.58, 0.01, -7.95

 

CMYK 17 / 11 / 0 / 46

HEX #727B8A

RGB 114 123 138

HSL 217.5, 0.1%, 0.49%

LAB 51.36, 0.01, -9.27

 

CMYK 18 / 12 / 0 / 53

HEX #616977

RGB 97 105 119

HSL 218.18, 0.1%, 0.42%

LAB 44.2, 0.18, -8.84

 

CMYK 20 / 13 / 0 / 61

HEX #505764

RGB 80 87 100

HSL 219, 0.11%, 0.35%

LAB 36.82, 0.36, -8.42

 

CMYK 22 / 15 / 0 / 68

HEX #3F4551

RGB 63 69 81

HSL 220, 0.13%, 0.28%

LAB 29.18, 0.56, -8.01

 

CMYK 26 / 18 / 0 / 76

HEX #2E333E

RGB 46 51 62

HSL 221.25, 0.15%, 0.21%

LAB 21.19, 0.8, -7.62

 

CMYK 18 / 11 / 0 / 46

HEX #707A89

RGB 112 122 137

HSL 216, 0.1%, 0.49%

LAB 50.89, -0.34, -9.41

 

CMYK 18 / 16 / 0 / 46

HEX #707389

RGB 112 115 137

HSL 232.8, 0.1%, 0.49%

LAB 48.9, 3.78, -12.4

 

CMYK 15 / 18 / 0 / 46

HEX #757089

RGB 117 112 137

HSL 252, 0.1%, 0.49%

LAB 48.48, 7.3, -12.99

 

CMYK 10 / 18 / 0 / 46

HEX #7B7089

RGB 123 112 137

HSL 266.4, 0.1%, 0.49%

LAB 49.01, 9.42, -12.13

 

CMYK 5 / 18 / 0 / 46

HEX #827089

RGB 130 112 137

HSL 283.2, 0.1%, 0.49%

LAB 49.67, 11.93, -11.08

 

CMYK 18 / 11 / 0 / 46

HEX #707A89

RGB 112 122 137

HSL 216, 0.1%, 0.49%

LAB 50.89, -0.34, -9.41

 

CMYK 18 / 16 / 0 / 46

HEX #707389

RGB 112 115 137

HSL 232.8, 0.1%, 0.49%

LAB 48.9, 3.78, -12.4

 

CMYK 18 / 18 / 0 / 46

HEX #707089

RGB 112 112 137

HSL 240, 0.1%, 0.49%

LAB 48.06, 5.56, -13.67

 

CMYK 18 / 11 / 0 / 46

HEX #707A89

RGB 112 122 137

HSL 216, 0.1%, 0.49%

LAB 50.89, -0.34, -9.41

 

CMYK 42 / 26 / 0 / 38

HEX #5C759E

RGB 92 117 158

HSL 217.27, 0.26%, 0.49%

LAB 48.84, 1.92, -24.98

 

CMYK 60 / 37 / 0 / 30

HEX #4870B2

RGB 72 112 178

HSL 217.36, 0.42%, 0.49%

LAB 47.21, 6.48, -39.3

 

CMYK 74 / 46 / 0 / 22

HEX #346BC6

RGB 52 107 198

HSL 217.4, 0.58%, 0.49%

LAB 46.07, 13.42, -52.73

 

CMYK 85 / 53 / 0 / 15

HEX #2066DA

RGB 32 102 218

HSL 217.42, 0.74%, 0.49%

LAB 45.46, 22.24, -65.2

 

CMYK 18 / 11 / 0 / 46

HEX #707A89

RGB 112 122 137

HSL 216, 0.1%, 0.49%

LAB 50.89, -0.34, -9.41

 

CMYK 0 / 5 / 12 / 48

HEX #857F75

RGB 133 127 117

HSL 37.5, 0.06%, 0.49%

LAB 53.44, 0.42, 6.24

 

CMYK 0 / 14 / 37 / 40

HEX #998461

RGB 153 132 97

HSL 37.5, 0.22%, 0.49%

LAB 56.23, 2.71, 21.86

 

CMYK 0 / 21 / 55 / 32

HEX #AD894D

RGB 173 137 77

HSL 37.5, 0.38%, 0.49%

LAB 59.26, 6.37, 37.06

 

CMYK 0 / 26 / 70 / 24

HEX #C18E39

RGB 193 142 57

HSL 37.5, 0.54%, 0.49%

LAB 62.49, 10.97, 51.07

 

CMYK 18 / 1 / 0 / 46

HEX #708789

RGB 112 135 137

HSL 184.8, 0.1%, 0.49%

LAB 54.64, -7.76, -3.83

 

CMYK 18 / 6 / 0 / 46

HEX #708189

RGB 112 129 137

HSL 199.2, 0.1%, 0.49%

LAB 52.9, -4.37, -6.41

 

CMYK 18 / 11 / 0 / 46

HEX #707A89

RGB 112 122 137

HSL 216, 0.1%, 0.49%

LAB 50.89, -0.34, -9.41

 

CMYK 18 / 16 / 0 / 46

HEX #707389

RGB 112 115 137

HSL 232.8, 0.1%, 0.49%

LAB 48.9, 3.78, -12.4

 

CMYK 15 / 18 / 0 / 46

HEX #747089

RGB 116 112 137

HSL 249.6, 0.1%, 0.49%

LAB 48.4, 6.95, -13.13

 

CMYK 18 / 11 / 0 / 64

HEX #4B525C

RGB 75 82 92

HSL 215.29, 0.1%, 0.33%

LAB 34.61, -0.38, -6.77

 

CMYK 18 / 11 / 0 / 55

HEX #5E6673

RGB 94 102 115

HSL 217.14, 0.1%, 0.41%

LAB 42.94, -0.06, -8.33

 

CMYK 18 / 11 / 0 / 46

HEX #707A89

RGB 112 122 137

HSL 216, 0.1%, 0.49%

LAB 50.89, -0.34, -9.41

 

CMYK 14 / 9 / 0 / 38

HEX #878F9D

RGB 135 143 157

HSL 218.18, 0.1%, 0.57%

LAB 59.19, 0.08, -8.39

 

CMYK 10 / 6 / 0 / 31

HEX #9DA4AF

RGB 157 164 175

HSL 216.67, 0.1%, 0.65%

LAB 67.14, -0.25, -6.54

 

CMYK 17 / 11 / 0 / 46

HEX #727B8A

RGB 114 123 138

HSL 217.5, 0.1%, 0.49%

LAB 51.36, 0.01, -9.27

 

CMYK 3 / 18 / 0 / 46

HEX #857089

RGB 133 112 137

HSL 290.4, 0.1%, 0.49%

LAB 49.96, 13.02, -10.62

 

CMYK 4 / 0 / 18 / 46

HEX #848970

RGB 132 137 112

HSL 72, 0.1%, 0.49%

LAB 56.05, -6.47, 12.81

 

CMYK 17 / 11 / 0 / 46

HEX #727B8A

RGB 114 123 138

HSL 217.5, 0.1%, 0.49%

LAB 51.36, 0.01, -9.27

 

CMYK 0 / 18 / 11 / 46

HEX #89707A

RGB 137 112 122

HSL 336, 0.1%, 0.49%

LAB 49.87, 11.59, -1.82

 

CMYK 11 / 0 / 18 / 46

HEX #7A8970

RGB 122 137 112

HSL 96, 0.1%, 0.49%

LAB 55.28, -10.35, 11.6

 

CMYK 17 / 11 / 0 / 46

HEX #727B8A

RGB 114 123 138

HSL 217.5, 0.1%, 0.49%

LAB 51.36, 0.01, -9.27

 

CMYK 3 / 18 / 0 / 46

HEX #857089

RGB 133 112 137

HSL 290.4, 0.1%, 0.49%

LAB 49.96, 13.02, -10.62

 

CMYK 0 / 7 / 18 / 46

HEX #898070

RGB 137 128 112

HSL 38.4, 0.1%, 0.49%

LAB 53.95, 0.58, 9.92

 

CMYK 15 / 0 / 18 / 46

HEX #758970

RGB 117 137 112

HSL 108, 0.1%, 0.49%

LAB 54.91, -12.24, 11.04

 

CMYK 17 / 11 / 0 / 46

HEX #727B8A

RGB 114 123 138

HSL 217.5, 0.1%, 0.49%

LAB 51.36, 0.01, -9.27

 

CMYK 0 / 18 / 1 / 46

HEX #897087

RGB 137 112 135

HSL 304.8, 0.1%, 0.49%

LAB 50.28, 14.08, -8.91

 

CMYK 0 / 7 / 18 / 46

HEX #898070

RGB 137 128 112

HSL 38.4, 0.1%, 0.49%

LAB 53.95, 0.58, 9.92

 

CMYK 18 / 0 / 16 / 46

HEX #708973

RGB 112 137 115

HSL 127.2, 0.1%, 0.49%

LAB 54.63, -13.52, 8.87

 

Description

Color code: HEX #727B8A | qconv.com Color code: HEX #727B8A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 123 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 123 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 11 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 11% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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