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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7269AC it is the complementary color #8D9653. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7269AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7269AC shade: #7769A7, #887BBA, #998DCD, #AA9FE0 and #BBB1F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7269AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7269AC shade: #7269AC, #615799, #504586, #3F3373 and #2E2160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7269AC shade: #7168AC, #8368AC, #9668AC, #A868AC and #AC689D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7269AC shade: #7168AC and #6868AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7269AC shade matches the following richer shades: #7168AC, #6355BF, #5542D2, #472FE5 and #391CF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7269AC shade: #7168AC, #7F7B99, #8D8E86, #9AA173 and #A8B460

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7269AC shade: #6883AC, #6871AC, #7168AC, #8368AC and #9568AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7269AC shade: #4C447C, #5C5397, #7168AC, #8A82BA and #A39DC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7269AC shade: #7269AC, #AC6895 and #7AAC68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7269AC shade: #7269AC, #AC7168 and #68AC71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7269AC shade: #7269AC, #AC6895, #A3AC68 and #68AC7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7269AC shade: #7269AC, #AC6881, #A3AC68 and #68AC93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 39 / 0 / 33

HEX #7269AC

RGB 114 105 172

HSL 248.06, 0.29%, 0.54%

LAB 47.83, 19.46, -34.63

 

Complementary color

CMYK 6 / 0 / 45 / 41

HEX #8D9653

RGB 141 150 83

HSL 68.06, 0.29%, 0.46%

LAB 59.98, -13.89, 34.13

 

CMYK 29 / 37 / 0 / 35

HEX #7769A7

RGB 119 105 167

HSL 253.55, 0.26%, 0.53%

LAB 48.03, 19.6, -31.37

 

CMYK 27 / 34 / 0 / 27

HEX #887BBA

RGB 136 123 186

HSL 252.38, 0.31%, 0.61%

LAB 55.02, 18.88, -31.35

 

CMYK 25 / 31 / 0 / 20

HEX #998DCD

RGB 153 141 205

HSL 251.25, 0.39%, 0.68%

LAB 61.85, 18.25, -31.38

 

CMYK 24 / 29 / 0 / 12

HEX #AA9FE0

RGB 170 159 224

HSL 250.15, 0.51%, 0.75%

LAB 68.55, 17.69, -31.45

 

CMYK 23 / 27 / 0 / 5

HEX #BBB1F3

RGB 187 177 243

HSL 249.09, 0.73%, 0.82%

LAB 75.13, 17.18, -31.54

 

CMYK 34 / 39 / 0 / 33

HEX #7269AC

RGB 114 105 172

HSL 248.06, 0.29%, 0.54%

LAB 47.83, 19.46, -34.63

 

CMYK 37 / 43 / 0 / 40

HEX #615799

RGB 97 87 153

HSL 249.09, 0.28%, 0.47%

LAB 40.67, 20.36, -34.78

 

CMYK 40 / 49 / 0 / 47

HEX #504586

RGB 80 69 134

HSL 250.15, 0.32%, 0.4%

LAB 33.31, 21.42, -34.99

 

CMYK 45 / 56 / 0 / 55

HEX #3F3373

RGB 63 51 115

HSL 251.25, 0.39%, 0.33%

LAB 25.75, 22.7, -35.26

 

CMYK 52 / 66 / 0 / 62

HEX #2E2160

RGB 46 33 96

HSL 252.38, 0.49%, 0.25%

LAB 17.98, 24.24, -35.55

 

CMYK 34 / 40 / 0 / 33

HEX #7168AC

RGB 113 104 172

HSL 247.94, 0.29%, 0.54%

LAB 47.48, 19.78, -35.18

 

CMYK 24 / 40 / 0 / 33

HEX #8368AC

RGB 131 104 172

HSL 263.82, 0.29%, 0.54%

LAB 49.14, 25.1, -32.47

 

CMYK 13 / 40 / 0 / 33

HEX #9668AC

RGB 150 104 172

HSL 280.59, 0.29%, 0.54%

LAB 51.11, 30.98, -29.25

 

CMYK 2 / 40 / 0 / 33

HEX #A868AC

RGB 168 104 172

HSL 296.47, 0.29%, 0.54%

LAB 53.17, 36.68, -25.88

 

CMYK 0 / 40 / 9 / 33

HEX #AC689D

RGB 172 104 157

HSL 313.24, 0.29%, 0.54%

LAB 53.06, 35.19, -17.26

 

CMYK 34 / 40 / 0 / 33

HEX #7168AC

RGB 113 104 172

HSL 247.94, 0.29%, 0.54%

LAB 47.48, 19.78, -35.18

 

CMYK 40 / 40 / 0 / 33

HEX #6868AC

RGB 104 104 172

HSL 240, 0.29%, 0.54%

LAB 46.74, 17.26, -36.4

 

CMYK 34 / 40 / 0 / 33

HEX #7168AC

RGB 113 104 172

HSL 247.94, 0.29%, 0.54%

LAB 47.48, 19.78, -35.18

 

CMYK 48 / 55 / 0 / 25

HEX #6355BF

RGB 99 85 191

HSL 247.92, 0.45%, 0.54%

LAB 42.63, 33.34, -54.08

 

CMYK 60 / 69 / 0 / 18

HEX #5542D2

RGB 85 66 210

HSL 247.92, 0.62%, 0.54%

LAB 38.69, 47.77, -71.55

 

CMYK 69 / 79 / 0 / 10

HEX #472FE5

RGB 71 47 229

HSL 247.91, 0.78%, 0.54%

LAB 36.04, 61.52, -86.85

 

CMYK 77 / 89 / 0 / 3

HEX #391CF8

RGB 57 28 248

HSL 247.91, 0.94%, 0.54%

LAB 34.96, 72.94, -99.45

 

CMYK 34 / 40 / 0 / 33

HEX #7168AC

RGB 113 104 172

HSL 247.94, 0.29%, 0.54%

LAB 47.48, 19.78, -35.18

 

CMYK 17 / 20 / 0 / 40

HEX #7F7B99

RGB 127 123 153

HSL 248, 0.13%, 0.54%

LAB 52.93, 7.96, -15.57

 

CMYK 1 / 0 / 6 / 44

HEX #8D8E86

RGB 141 142 134

HSL 67.5, 0.03%, 0.54%

LAB 58.72, -1.89, 4.12

 

CMYK 4 / 0 / 29 / 37

HEX #9AA173

RGB 154 161 115

HSL 69.13, 0.2%, 0.54%

LAB 64.64, -10.35, 23.18

 

CMYK 7 / 0 / 47 / 29

HEX #A8B460

RGB 168 180 96

HSL 68.57, 0.36%, 0.54%

LAB 70.74, -16.94, 41.2

 

CMYK 40 / 24 / 0 / 33

HEX #6883AC

RGB 104 131 172

HSL 216.18, 0.29%, 0.54%

LAB 54.19, 1.02, -24.78

 

CMYK 40 / 34 / 0 / 33

HEX #6871AC

RGB 104 113 172

HSL 232.06, 0.29%, 0.54%

LAB 49.17, 11.76, -32.59

 

CMYK 34 / 40 / 0 / 33

HEX #7168AC

RGB 113 104 172

HSL 247.94, 0.29%, 0.54%

LAB 47.48, 19.78, -35.18

 

CMYK 24 / 40 / 0 / 33

HEX #8368AC

RGB 131 104 172

HSL 263.82, 0.29%, 0.54%

LAB 49.14, 25.1, -32.47

 

CMYK 13 / 40 / 0 / 33

HEX #9568AC

RGB 149 104 172

HSL 279.71, 0.29%, 0.54%

LAB 51, 30.67, -29.42

 

CMYK 39 / 45 / 0 / 51

HEX #4C447C

RGB 76 68 124

HSL 248.57, 0.29%, 0.38%

LAB 32.09, 17.92, -30.75

 

CMYK 39 / 45 / 0 / 41

HEX #5C5397

RGB 92 83 151

HSL 247.94, 0.29%, 0.46%

LAB 39.06, 20.88, -36.14

 

CMYK 34 / 40 / 0 / 33

HEX #7168AC

RGB 113 104 172

HSL 247.94, 0.29%, 0.54%

LAB 47.48, 19.78, -35.18

 

CMYK 26 / 30 / 0 / 27

HEX #8A82BA

RGB 138 130 186

HSL 248.57, 0.29%, 0.62%

LAB 56.99, 15.39, -28.27

 

CMYK 19 / 22 / 0 / 21

HEX #A39DC9

RGB 163 157 201

HSL 248.18, 0.29%, 0.7%

LAB 66.61, 11.31, -21.76

 

CMYK 34 / 39 / 0 / 33

HEX #7269AC

RGB 114 105 172

HSL 248.06, 0.29%, 0.54%

LAB 47.83, 19.46, -34.63

 

CMYK 0 / 40 / 13 / 33

HEX #AC6895

RGB 172 104 149

HSL 320.29, 0.29%, 0.54%

LAB 52.78, 33.81, -13.01

 

CMYK 29 / 0 / 40 / 33

HEX #7AAC68

RGB 122 172 104

HSL 104.12, 0.29%, 0.54%

LAB 65.47, -29.62, 29.79

 

CMYK 34 / 39 / 0 / 33

HEX #7269AC

RGB 114 105 172

HSL 248.06, 0.29%, 0.54%

LAB 47.83, 19.46, -34.63

 

CMYK 0 / 34 / 40 / 33

HEX #AC7168

RGB 172 113 104

HSL 7.94, 0.29%, 0.54%

LAB 53.58, 22.22, 14.59

 

CMYK 40 / 0 / 34 / 33

HEX #68AC71

RGB 104 172 113

HSL 127.94, 0.29%, 0.54%

LAB 64.68, -34.18, 23.76

 

CMYK 34 / 39 / 0 / 33

HEX #7269AC

RGB 114 105 172

HSL 248.06, 0.29%, 0.54%

LAB 47.83, 19.46, -34.63

 

CMYK 0 / 40 / 13 / 33

HEX #AC6895

RGB 172 104 149

HSL 320.29, 0.29%, 0.54%

LAB 52.78, 33.81, -13.01

 

CMYK 5 / 0 / 40 / 33

HEX #A3AC68

RGB 163 172 104

HSL 67.94, 0.29%, 0.54%

LAB 68.23, -13.96, 33.9

 

CMYK 40 / 0 / 27 / 33

HEX #68AC7E

RGB 104 172 126

HSL 139.41, 0.29%, 0.54%

LAB 64.93, -31.8, 17.03

 

CMYK 34 / 39 / 0 / 33

HEX #7269AC

RGB 114 105 172

HSL 248.06, 0.29%, 0.54%

LAB 47.83, 19.46, -34.63

 

CMYK 0 / 40 / 25 / 33

HEX #AC6881

RGB 172 104 129

HSL 337.94, 0.29%, 0.54%

LAB 52.13, 30.62, -2.19

 

CMYK 5 / 0 / 40 / 33

HEX #A3AC68

RGB 163 172 104

HSL 67.94, 0.29%, 0.54%

LAB 68.23, -13.96, 33.9

 

CMYK 40 / 0 / 15 / 33

HEX #68AC93

RGB 104 172 147

HSL 157.94, 0.29%, 0.54%

LAB 65.4, -27.43, 6.11

 

Description

Color code: HEX #7269AC | qconv.com Color code: HEX #7269AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 105 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 105 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 39 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 39% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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