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Color name
HEX #725ADE

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #725ADE it is the complementary color #8DA521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #725ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #725ADE shade: #775AD9, #886CEC, #997EFF, #AA90FF and #BBA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #725ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #725ADE shade: #725ADE, #6148CB, #5036B8, #3F24A5 and #2E1292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #725ADE shade: #7159DE, #9559DE, #B959DE, #DD59DE and #DE59BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #725ADE shade: #7159DE and #5959DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #725ADE shade matches the following richer shades: #7159DE, #6749EE and #5D39FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #725ADE shade: #7159DE, #7B69CE, #8679BE, #9089AE and #9A999E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #725ADE shade: #598ADE, #5966DE, #6F59DE, #9359DE and #B659DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #725ADE shade: #4226BF, #5436D7, #7159DE, #8F7BE5 and #AC9EEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #725ADE shade: #725ADE, #DE59AD and #78DE59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #725ADE shade: #725ADE, #DE6F59 and #59DE6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #725ADE shade: #725ADE, #DE59AD, #C8DE59 and #59DE8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #725ADE shade: #725ADE, #DE5985, #C8DE59 and #59DEB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 59 / 0 / 13

HEX #725ADE

RGB 114 90 222

HSL 250.91, 0.67%, 0.61%

LAB 47.19, 42.7, -64.47

 

Complementary color

CMYK 15 / 0 / 80 / 35

HEX #8DA521

RGB 141 165 33

HSL 70.91, 0.67%, 0.39%

LAB 63.9, -25.28, 59.82

 

CMYK 45 / 59 / 0 / 15

HEX #775AD9

RGB 119 90 217

HSL 253.7, 0.63%, 0.6%

LAB 47.29, 42.28, -61.43

 

CMYK 42 / 54 / 0 / 7

HEX #886CEC

RGB 136 108 236

HSL 253.13, 0.77%, 0.67%

LAB 54.04, 40.99, -61.19

 

CMYK 40 / 51 / 0 / 0

HEX #997EFF

RGB 153 126 255

HSL 252.56, 1%, 0.75%

LAB 60.71, 39.8, -60.95

 

CMYK 33 / 44 / 0 / 0

HEX #AA90FF

RGB 170 144 255

HSL 254.05, 1%, 0.78%

LAB 66.3, 33.8, -51.96

 

CMYK 27 / 36 / 0 / 0

HEX #BBA2FF

RGB 187 162 255

HSL 256.13, 1%, 0.82%

LAB 71.98, 28.32, -42.93

 

CMYK 49 / 59 / 0 / 13

HEX #725ADE

RGB 114 90 222

HSL 250.91, 0.67%, 0.61%

LAB 47.19, 42.7, -64.47

 

CMYK 52 / 65 / 0 / 20

HEX #6148CB

RGB 97 72 203

HSL 251.45, 0.56%, 0.54%

LAB 40.39, 44.21, -64.68

 

CMYK 57 / 71 / 0 / 28

HEX #5036B8

RGB 80 54 184

HSL 252, 0.55%, 0.47%

LAB 33.57, 45.77, -64.77

 

CMYK 62 / 78 / 0 / 35

HEX #3F24A5

RGB 63 36 165

HSL 252.56, 0.64%, 0.39%

LAB 26.83, 47.18, -64.53

 

CMYK 68 / 88 / 0 / 43

HEX #2E1292

RGB 46 18 146

HSL 253.13, 0.78%, 0.32%

LAB 20.4, 47.92, -63.59

 

CMYK 49 / 60 / 0 / 13

HEX #7159DE

RGB 113 89 222

HSL 250.83, 0.67%, 0.61%

LAB 46.88, 43.08, -64.97

 

CMYK 33 / 60 / 0 / 13

HEX #9559DE

RGB 149 89 222

HSL 267.07, 0.67%, 0.61%

LAB 50.46, 50.72, -59.01

 

CMYK 17 / 60 / 0 / 13

HEX #B959DE

RGB 185 89 222

HSL 283.31, 0.67%, 0.61%

LAB 54.8, 59.15, -51.82

 

CMYK 0 / 60 / 0 / 13

HEX #DD59DE

RGB 221 89 222

HSL 299.55, 0.67%, 0.61%

LAB 59.7, 67.91, -43.74

 

CMYK 0 / 60 / 16 / 13

HEX #DE59BB

RGB 222 89 187

HSL 315.79, 0.67%, 0.61%

LAB 58.29, 62.65, -26.05

 

CMYK 49 / 60 / 0 / 13

HEX #7159DE

RGB 113 89 222

HSL 250.83, 0.67%, 0.61%

LAB 46.88, 43.08, -64.97

 

CMYK 60 / 60 / 0 / 13

HEX #5959DE

RGB 89 89 222

HSL 240, 0.67%, 0.61%

LAB 45, 38.74, -68.11

 

CMYK 49 / 60 / 0 / 13

HEX #7159DE

RGB 113 89 222

HSL 250.83, 0.67%, 0.61%

LAB 46.88, 43.08, -64.97

 

CMYK 57 / 69 / 0 / 7

HEX #6749EE

RGB 103 73 238

HSL 250.91, 0.83%, 0.61%

LAB 43.98, 54.89, -78.79

 

CMYK 63 / 78 / 0 / 0

HEX #5D39FE

RGB 93 57 254

HSL 250.96, 0.99%, 0.61%

LAB 41.86, 66.05, -91.29

 

CMYK 49 / 60 / 0 / 13

HEX #7159DE

RGB 113 89 222

HSL 250.83, 0.67%, 0.61%

LAB 46.88, 43.08, -64.97

 

CMYK 40 / 49 / 0 / 19

HEX #7B69CE

RGB 123 105 206

HSL 250.69, 0.51%, 0.61%

LAB 50.42, 31.32, -50.12

 

CMYK 29 / 36 / 0 / 25

HEX #8679BE

RGB 134 121 190

HSL 251.3, 0.35%, 0.61%

LAB 54.51, 20.49, -34.44

 

CMYK 17 / 21 / 0 / 32

HEX #9089AE

RGB 144 137 174

HSL 251.35, 0.19%, 0.61%

LAB 58.86, 10.37, -18.52

 

CMYK 3 / 3 / 0 / 38

HEX #9A999E

RGB 154 153 158

HSL 252, 0.03%, 0.61%

LAB 63.44, 1.34, -2.49

 

CMYK 60 / 38 / 0 / 13

HEX #598ADE

RGB 89 138 222

HSL 217.89, 0.67%, 0.61%

LAB 57.63, 8.83, -47.82

 

CMYK 60 / 54 / 0 / 13

HEX #5966DE

RGB 89 102 222

HSL 234.14, 0.67%, 0.61%

LAB 48.13, 30.81, -63.02

 

CMYK 50 / 60 / 0 / 13

HEX #6F59DE

RGB 111 89 222

HSL 249.92, 0.67%, 0.61%

LAB 46.71, 42.69, -65.26

 

CMYK 34 / 60 / 0 / 13

HEX #9359DE

RGB 147 89 222

HSL 266.17, 0.67%, 0.61%

LAB 50.24, 50.27, -59.37

 

CMYK 18 / 60 / 0 / 13

HEX #B659DE

RGB 182 89 222

HSL 281.95, 0.67%, 0.61%

LAB 54.41, 58.43, -52.46

 

CMYK 65 / 80 / 0 / 25

HEX #4226BF

RGB 66 38 191

HSL 250.98, 0.67%, 0.45%

LAB 30.17, 54.19, -74.55

 

CMYK 61 / 75 / 0 / 16

HEX #5436D7

RGB 84 54 215

HSL 251.18, 0.67%, 0.53%

LAB 36.8, 55.46, -77.54

 

CMYK 49 / 60 / 0 / 13

HEX #7159DE

RGB 113 89 222

HSL 250.83, 0.67%, 0.61%

LAB 46.88, 43.08, -64.97

 

CMYK 38 / 46 / 0 / 10

HEX #8F7BE5

RGB 143 123 229

HSL 251.32, 0.67%, 0.69%

LAB 57.72, 32.09, -51.37

 

CMYK 27 / 33 / 0 / 7

HEX #AC9EEC

RGB 172 158 236

HSL 250.77, 0.67%, 0.77%

LAB 68.95, 21.72, -37.39

 

CMYK 49 / 59 / 0 / 13

HEX #725ADE

RGB 114 90 222

HSL 250.91, 0.67%, 0.61%

LAB 47.19, 42.7, -64.47

 

CMYK 0 / 60 / 22 / 13

HEX #DE59AD

RGB 222 89 173

HSL 322.11, 0.67%, 0.61%

LAB 57.74, 60.67, -18.81

 

CMYK 46 / 0 / 60 / 13

HEX #78DE59

RGB 120 222 89

HSL 106.02, 0.67%, 0.61%

LAB 80.16, -53.81, 54.88

 

CMYK 49 / 59 / 0 / 13

HEX #725ADE

RGB 114 90 222

HSL 250.91, 0.67%, 0.61%

LAB 47.19, 42.7, -64.47

 

CMYK 0 / 50 / 60 / 13

HEX #DE6F59

RGB 222 111 89

HSL 9.92, 0.67%, 0.61%

LAB 59.54, 41.46, 32.27

 

CMYK 60 / 0 / 50 / 13

HEX #59DE6F

RGB 89 222 111

HSL 129.92, 0.67%, 0.61%

LAB 79.34, -59.12, 43.54

 

CMYK 49 / 59 / 0 / 13

HEX #725ADE

RGB 114 90 222

HSL 250.91, 0.67%, 0.61%

LAB 47.19, 42.7, -64.47

 

CMYK 0 / 60 / 22 / 13

HEX #DE59AD

RGB 222 89 173

HSL 322.11, 0.67%, 0.61%

LAB 57.74, 60.67, -18.81

 

CMYK 10 / 0 / 60 / 13

HEX #C8DE59

RGB 200 222 89

HSL 69.92, 0.67%, 0.61%

LAB 84.61, -25.39, 61.08

 

CMYK 60 / 0 / 38 / 13

HEX #59DE8A

RGB 89 222 138

HSL 142.11, 0.67%, 0.61%

LAB 79.73, -54.83, 30.63

 

CMYK 49 / 59 / 0 / 13

HEX #725ADE

RGB 114 90 222

HSL 250.91, 0.67%, 0.61%

LAB 47.19, 42.7, -64.47

 

CMYK 0 / 60 / 40 / 13

HEX #DE5985

RGB 222 89 133

HSL 340.15, 0.67%, 0.61%

LAB 56.45, 55.81, 2.63

 

CMYK 10 / 0 / 60 / 13

HEX #C8DE59

RGB 200 222 89

HSL 69.92, 0.67%, 0.61%

LAB 84.61, -25.39, 61.08

 

CMYK 60 / 0 / 20 / 13

HEX #59DEB2

RGB 89 222 178

HSL 160.15, 0.67%, 0.61%

LAB 80.51, -46.74, 10.85

 

Description

Color code: HEX #725ADE | qconv.com Color code: HEX #725ADE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 90 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 90 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 59 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 59% 0% 13% C M Y K

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Provide designers and agencies with accurate color values.

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