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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7256C0 it is the complementary color #8DA93F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7256C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7256C0 shade: #7756BB, #8868CE, #997AE1, #AA8CF4 and #BB9EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7256C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7256C0 shade: #7256C0, #6144AD, #50329A, #3F2087 and #2E0E74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7256C0 shade: #7357C1, #9057C1, #AC57C1, #C157B9 and #C1579D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7256C0 shade: #7357C1 and #5757C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7256C0 shade matches the following richer shades: #7357C1, #6B45D4, #6232E6 and #5920F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7256C0 shade: #7357C1, #7C6AAE, #857D9C, #8E8F89 and #96A277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7256C0 shade: #5775C1, #5759C1, #7257C1, #8E57C1 and #AA57C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7256C0 shade: #4E3591, #5E41AF, #7357C1, #8C76CC and #A694D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7256C0 shade: #7256C0, #C15792 and #67C157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7256C0 shade: #7256C0, #C17257 and #57C172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7256C0 shade: #7256C0, #C15792, #A7C157 and #57C187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7256C0 shade: #7256C0, #C15772, #A7C157 and #57C1A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 55 / 0 / 25

HEX #7256C0

RGB 114 86 192

HSL 255.85, 0.46%, 0.55%

LAB 44.29, 36.44, -51.92

 

Complementary color

CMYK 17 / 0 / 63 / 34

HEX #8DA93F

RGB 141 169 63

HSL 75.85, 0.46%, 0.45%

LAB 65.28, -25.47, 49.99

 

CMYK 36 / 54 / 0 / 27

HEX #7756BB

RGB 119 86 187

HSL 259.6, 0.43%, 0.54%

LAB 44.47, 36.28, -48.69

 

CMYK 34 / 50 / 0 / 19

HEX #8868CE

RGB 136 104 206

HSL 258.82, 0.51%, 0.61%

LAB 51.37, 35.19, -48.53

 

CMYK 32 / 46 / 0 / 12

HEX #997AE1

RGB 153 122 225

HSL 258.06, 0.63%, 0.68%

LAB 58.16, 34.2, -48.38

 

CMYK 30 / 43 / 0 / 4

HEX #AA8CF4

RGB 170 140 244

HSL 257.31, 0.83%, 0.75%

LAB 64.83, 33.29, -48.26

 

CMYK 27 / 38 / 0 / 0

HEX #BB9EFF

RGB 187 158 255

HSL 257.94, 1%, 0.81%

LAB 71.04, 30.54, -44.4

 

CMYK 41 / 55 / 0 / 25

HEX #7256C0

RGB 114 86 192

HSL 255.85, 0.46%, 0.55%

LAB 44.29, 36.44, -51.92

 

CMYK 44 / 61 / 0 / 32

HEX #6144AD

RGB 97 68 173

HSL 256.57, 0.44%, 0.47%

LAB 37.29, 37.73, -52.13

 

CMYK 48 / 68 / 0 / 40

HEX #50329A

RGB 80 50 154

HSL 257.31, 0.51%, 0.4%

LAB 30.21, 39.08, -52.26

 

CMYK 53 / 76 / 0 / 47

HEX #3F2087

RGB 63 32 135

HSL 258.06, 0.62%, 0.33%

LAB 23.13, 40.31, -52.15

 

CMYK 60 / 88 / 0 / 55

HEX #2E0E74

RGB 46 14 116

HSL 258.82, 0.78%, 0.25%

LAB 16.28, 40.86, -51.4

 

CMYK 40 / 55 / 0 / 24

HEX #7357C1

RGB 115 87 193

HSL 255.85, 0.46%, 0.55%

LAB 44.68, 36.37, -51.87

 

CMYK 25 / 55 / 0 / 24

HEX #9057C1

RGB 144 87 193

HSL 272.26, 0.46%, 0.55%

LAB 47.75, 43.59, -46.78

 

CMYK 11 / 55 / 0 / 24

HEX #AC57C1

RGB 172 87 193

HSL 288.11, 0.46%, 0.55%

LAB 51.19, 50.98, -41.1

 

CMYK 0 / 55 / 4 / 24

HEX #C157B9

RGB 193 87 185

HSL 304.53, 0.46%, 0.55%

LAB 53.66, 55.22, -32.4

 

CMYK 0 / 55 / 19 / 24

HEX #C1579D

RGB 193 87 157

HSL 320.38, 0.46%, 0.55%

LAB 52.5, 50.72, -17.87

 

CMYK 40 / 55 / 0 / 24

HEX #7357C1

RGB 115 87 193

HSL 255.85, 0.46%, 0.55%

LAB 44.68, 36.37, -51.87

 

CMYK 55 / 55 / 0 / 24

HEX #5757C1

RGB 87 87 193

HSL 240, 0.46%, 0.55%

LAB 42.3, 30.24, -55.83

 

CMYK 40 / 55 / 0 / 24

HEX #7357C1

RGB 115 87 193

HSL 255.85, 0.46%, 0.55%

LAB 44.68, 36.37, -51.87

 

CMYK 50 / 67 / 0 / 17

HEX #6B45D4

RGB 107 69 212

HSL 255.94, 0.62%, 0.55%

LAB 41.43, 50.22, -68.14

 

CMYK 57 / 78 / 0 / 10

HEX #6232E6

RGB 98 50 230

HSL 256, 0.78%, 0.55%

LAB 38.88, 63.1, -82.65

 

CMYK 64 / 87 / 0 / 2

HEX #5920F9

RGB 89 32 249

HSL 255.76, 0.95%, 0.55%

LAB 37.84, 73.71, -95.16

 

CMYK 40 / 55 / 0 / 24

HEX #7357C1

RGB 115 87 193

HSL 255.85, 0.46%, 0.55%

LAB 44.68, 36.37, -51.87

 

CMYK 29 / 39 / 0 / 32

HEX #7C6AAE

RGB 124 106 174

HSL 255.88, 0.3%, 0.55%

LAB 49.07, 22.32, -33.79

 

CMYK 15 / 20 / 0 / 39

HEX #857D9C

RGB 133 125 156

HSL 255.48, 0.14%, 0.55%

LAB 54.08, 9.52, -15.51

 

CMYK 1 / 0 / 4 / 44

HEX #8E8F89

RGB 142 143 137

HSL 70, 0.03%, 0.55%

LAB 59.16, -1.52, 3.05

 

CMYK 7 / 0 / 27 / 36

HEX #96A277

RGB 150 162 119

HSL 76.74, 0.19%, 0.55%

LAB 64.69, -11.86, 21

 

CMYK 55 / 39 / 0 / 24

HEX #5775C1

RGB 87 117 193

HSL 223.02, 0.46%, 0.55%

LAB 50.21, 11.58, -43.16

 

CMYK 55 / 54 / 0 / 24

HEX #5759C1

RGB 87 89 193

HSL 238.87, 0.46%, 0.55%

LAB 42.8, 28.99, -55.02

 

CMYK 41 / 55 / 0 / 24

HEX #7257C1

RGB 114 87 193

HSL 255.28, 0.46%, 0.55%

LAB 44.58, 36.14, -52.03

 

CMYK 26 / 55 / 0 / 24

HEX #8E57C1

RGB 142 87 193

HSL 271.13, 0.46%, 0.55%

LAB 47.52, 43.08, -47.16

 

CMYK 12 / 55 / 0 / 24

HEX #AA57C1

RGB 170 87 193

HSL 286.98, 0.46%, 0.55%

LAB 50.94, 50.44, -41.52

 

CMYK 46 / 63 / 0 / 43

HEX #4E3591

RGB 78 53 145

HSL 256.3, 0.46%, 0.39%

LAB 29.94, 34.25, -47.2

 

CMYK 46 / 63 / 0 / 31

HEX #5E41AF

RGB 94 65 175

HSL 255.82, 0.46%, 0.47%

LAB 36.47, 39.41, -54.65

 

CMYK 40 / 55 / 0 / 24

HEX #7357C1

RGB 115 87 193

HSL 255.85, 0.46%, 0.55%

LAB 44.68, 36.37, -51.87

 

CMYK 31 / 42 / 0 / 20

HEX #8C76CC

RGB 140 118 204

HSL 255.35, 0.46%, 0.63%

LAB 54.96, 27.59, -41.68

 

CMYK 23 / 31 / 0 / 16

HEX #A694D7

RGB 166 148 215

HSL 256.12, 0.46%, 0.71%

LAB 65.12, 20.58, -31.81

 

CMYK 41 / 55 / 0 / 25

HEX #7256C0

RGB 114 86 192

HSL 255.85, 0.46%, 0.55%

LAB 44.29, 36.44, -51.92

 

CMYK 0 / 55 / 24 / 24

HEX #C15792

RGB 193 87 146

HSL 326.6, 0.46%, 0.55%

LAB 52.1, 49.13, -11.99

 

CMYK 47 / 0 / 55 / 24

HEX #67C157

RGB 103 193 87

HSL 110.94, 0.46%, 0.55%

LAB 70.67, -47.42, 44.61

 

CMYK 41 / 55 / 0 / 25

HEX #7256C0

RGB 114 86 192

HSL 255.85, 0.46%, 0.55%

LAB 44.29, 36.44, -51.92

 

CMYK 0 / 41 / 55 / 24

HEX #C17257

RGB 193 114 87

HSL 15.28, 0.46%, 0.55%

LAB 56.15, 28.42, 28.25

 

CMYK 55 / 0 / 41 / 24

HEX #57C172

RGB 87 193 114

HSL 135.28, 0.46%, 0.55%

LAB 70.44, -47.86, 30.74

 

CMYK 41 / 55 / 0 / 25

HEX #7256C0

RGB 114 86 192

HSL 255.85, 0.46%, 0.55%

LAB 44.29, 36.44, -51.92

 

CMYK 0 / 55 / 24 / 24

HEX #C15792

RGB 193 87 146

HSL 326.6, 0.46%, 0.55%

LAB 52.1, 49.13, -11.99

 

CMYK 13 / 0 / 55 / 24

HEX #A7C157

RGB 167 193 87

HSL 74.72, 0.46%, 0.55%

LAB 74.22, -24.69, 49.65

 

CMYK 55 / 0 / 30 / 24

HEX #57C187

RGB 87 193 135

HSL 147.17, 0.46%, 0.55%

LAB 70.81, -44, 20.16

 

CMYK 41 / 55 / 0 / 25

HEX #7256C0

RGB 114 86 192

HSL 255.85, 0.46%, 0.55%

LAB 44.29, 36.44, -51.92

 

CMYK 0 / 55 / 41 / 24

HEX #C15772

RGB 193 87 114

HSL 344.72, 0.46%, 0.55%

LAB 51.12, 45.13, 5.63

 

CMYK 13 / 0 / 55 / 24

HEX #A7C157

RGB 167 193 87

HSL 74.72, 0.46%, 0.55%

LAB 74.22, -24.69, 49.65

 

CMYK 55 / 0 / 13 / 24

HEX #57C1A7

RGB 87 193 167

HSL 165.28, 0.46%, 0.55%

LAB 71.53, -36.92, 3.86

 

Description

Color code: HEX #7256C0 | qconv.com Color code: HEX #7256C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 86 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 86 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 55 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 55% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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