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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #725263 it is the complementary color #8DAD9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #725263. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #725263 shade: #77525E, #886471, #997684, #AA8897 and #BB9AAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #725263. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #725263 shade: #725263, #614050, #502E3D, #3F1C2A and #2E0A17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #725263 shade: #705162, #70515A and #705151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #725263 shade: #705162, #70516A, #6E5170, #665170 and #5D5170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #725263 shade matches the following richer shades: #705162, #804263, #903264, #9F2265 and #AF1366

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #725263 shade: #705162, #616161, #517160, #41805F and #32905E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #725263 shade: #6E5170, #70516A, #705162, #70515A and #705151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #725263 shade: #412F38, #58404D, #705162, #886377 and #9D778B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #725263 shade: #725263, #706651 and #516E70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #725263 shade: #725263, #627051 and #516270

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #725263 shade: #725263, #706651, #517060 and #515C70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #725263 shade: #725263, #706F51, #517060 and #515270

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 13 / 55

HEX #725263

RGB 114 82 99

HSL 328.13, 0.16%, 0.38%

LAB 38.75, 16.3, -4.57

 

Complementary color

CMYK 18 / 0 / 10 / 32

HEX #8DAD9C

RGB 141 173 156

HSL 148.13, 0.16%, 0.62%

LAB 67.98, -14.42, 5.12

 

CMYK 0 / 31 / 21 / 53

HEX #77525E

RGB 119 82 94

HSL 340.54, 0.18%, 0.39%

LAB 39.18, 17.4, -0.75

 

CMYK 0 / 26 / 17 / 47

HEX #886471

RGB 136 100 113

HSL 338.33, 0.15%, 0.46%

LAB 46.37, 16.66, -1.6

 

CMYK 0 / 23 / 14 / 40

HEX #997684

RGB 153 118 132

HSL 336, 0.15%, 0.53%

LAB 53.38, 16.01, -2.37

 

CMYK 0 / 20 / 11 / 33

HEX #AA8897

RGB 170 136 151

HSL 333.53, 0.17%, 0.6%

LAB 60.24, 15.44, -3.07

 

CMYK 0 / 18 / 9 / 27

HEX #BB9AAA

RGB 187 154 170

HSL 330.91, 0.2%, 0.67%

LAB 66.96, 14.93, -3.72

 

CMYK 0 / 28 / 13 / 55

HEX #725263

RGB 114 82 99

HSL 328.13, 0.16%, 0.38%

LAB 38.75, 16.3, -4.57

 

CMYK 0 / 34 / 18 / 62

HEX #614050

RGB 97 64 80

HSL 330.91, 0.2%, 0.32%

LAB 31.32, 17.08, -3.78

 

CMYK 0 / 43 / 24 / 69

HEX #502E3D

RGB 80 46 61

HSL 333.53, 0.27%, 0.25%

LAB 23.66, 17.98, -2.84

 

CMYK 0 / 56 / 33 / 75

HEX #3F1C2A

RGB 63 28 42

HSL 336, 0.38%, 0.18%

LAB 15.77, 18.99, -1.57

 

CMYK 0 / 78 / 50 / 82

HEX #2E0A17

RGB 46 10 23

HSL 338.33, 0.64%, 0.11%

LAB 7.77, 19.83, 0.47

 

CMYK 0 / 28 / 13 / 56

HEX #705162

RGB 112 81 98

HSL 327.1, 0.16%, 0.38%

LAB 38.22, 15.93, -4.75

 

CMYK 0 / 28 / 20 / 56

HEX #70515A

RGB 112 81 90

HSL 342.58, 0.16%, 0.38%

LAB 37.96, 14.48, -0.14

 

CMYK 0 / 28 / 28 / 56

HEX #705151

RGB 112 81 81

HSL 0, 0.16%, 0.38%

LAB 37.71, 12.98, 5.11

 

CMYK 0 / 28 / 13 / 56

HEX #705162

RGB 112 81 98

HSL 327.1, 0.16%, 0.38%

LAB 38.22, 15.93, -4.75

 

CMYK 0 / 28 / 5 / 56

HEX #70516A

RGB 112 81 106

HSL 311.61, 0.16%, 0.38%

LAB 38.5, 17.49, -9.31

 

CMYK 2 / 28 / 0 / 56

HEX #6E5170

RGB 110 81 112

HSL 296.13, 0.16%, 0.38%

LAB 38.5, 17.98, -13.06

 

CMYK 9 / 28 / 0 / 56

HEX #665170

RGB 102 81 112

HSL 280.65, 0.16%, 0.38%

LAB 37.63, 15.05, -14.47

 

CMYK 17 / 28 / 0 / 56

HEX #5D5170

RGB 93 81 112

HSL 263.23, 0.16%, 0.38%

LAB 36.71, 11.81, -15.95

 

CMYK 0 / 28 / 13 / 56

HEX #705162

RGB 112 81 98

HSL 327.1, 0.16%, 0.38%

LAB 38.22, 15.93, -4.75

 

CMYK 0 / 48 / 23 / 50

HEX #804263

RGB 128 66 99

HSL 328.06, 0.32%, 0.38%

LAB 36.72, 31.06, -7.4

 

CMYK 0 / 65 / 31 / 44

HEX #903264

RGB 144 50 100

HSL 328.09, 0.48%, 0.38%

LAB 36.23, 44.71, -8.5

 

CMYK 0 / 79 / 36 / 38

HEX #9F2265

RGB 159 34 101

HSL 327.84, 0.65%, 0.38%

LAB 36.85, 55.14, -7.95

 

CMYK 0 / 89 / 42 / 31

HEX #AF1366

RGB 175 19 102

HSL 328.08, 0.8%, 0.38%

LAB 38.79, 62.75, -5.34

 

CMYK 0 / 28 / 13 / 56

HEX #705162

RGB 112 81 98

HSL 327.1, 0.16%, 0.38%

LAB 38.22, 15.93, -4.75

 

CMYK 0 / 0 / 0 / 62

HEX #616161

RGB 97 97 97

HSL 0, 0%, 0.38%

LAB 41.14, 0, -0.01

 

CMYK 28 / 0 / 15 / 56

HEX #517160

RGB 81 113 96

HSL 148.13, 0.16%, 0.38%

LAB 44.81, -15.45, 5.74

 

CMYK 49 / 0 / 26 / 50

HEX #41805F

RGB 65 128 95

HSL 148.57, 0.33%, 0.38%

LAB 48.75, -28.49, 11.77

 

CMYK 65 / 0 / 35 / 44

HEX #32905E

RGB 50 144 94

HSL 148.09, 0.48%, 0.38%

LAB 53.42, -39.58, 18.68

 

CMYK 2 / 28 / 0 / 56

HEX #6E5170

RGB 110 81 112

HSL 296.13, 0.16%, 0.38%

LAB 38.5, 17.98, -13.06

 

CMYK 0 / 28 / 5 / 56

HEX #70516A

RGB 112 81 106

HSL 311.61, 0.16%, 0.38%

LAB 38.5, 17.49, -9.31

 

CMYK 0 / 28 / 13 / 56

HEX #705162

RGB 112 81 98

HSL 327.1, 0.16%, 0.38%

LAB 38.22, 15.93, -4.75

 

CMYK 0 / 28 / 20 / 56

HEX #70515A

RGB 112 81 90

HSL 342.58, 0.16%, 0.38%

LAB 37.96, 14.48, -0.14

 

CMYK 0 / 28 / 28 / 56

HEX #705151

RGB 112 81 81

HSL 0, 0.16%, 0.38%

LAB 37.71, 12.98, 5.11

 

CMYK 0 / 28 / 14 / 75

HEX #412F38

RGB 65 47 56

HSL 330, 0.16%, 0.22%

LAB 21.73, 9.96, -2.51

 

CMYK 0 / 27 / 13 / 65

HEX #58404D

RGB 88 64 77

HSL 327.5, 0.16%, 0.3%

LAB 30.1, 12.82, -3.77

 

CMYK 0 / 28 / 13 / 56

HEX #705162

RGB 112 81 98

HSL 327.1, 0.16%, 0.38%

LAB 38.22, 15.93, -4.75

 

CMYK 0 / 27 / 13 / 47

HEX #886377

RGB 136 99 119

HSL 327.57, 0.16%, 0.46%

LAB 46.3, 18.31, -5.32

 

CMYK 0 / 24 / 11 / 38

HEX #9D778B

RGB 157 119 139

HSL 328.42, 0.16%, 0.54%

LAB 54.27, 18.18, -5.1

 

CMYK 0 / 28 / 13 / 55

HEX #725263

RGB 114 82 99

HSL 328.13, 0.16%, 0.38%

LAB 38.75, 16.3, -4.57

 

CMYK 0 / 9 / 28 / 56

HEX #706651

RGB 112 102 81

HSL 40.65, 0.16%, 0.38%

LAB 43.57, 0.32, 13.33

 

CMYK 28 / 2 / 0 / 56

HEX #516E70

RGB 81 110 112

HSL 183.87, 0.16%, 0.38%

LAB 44.33, -9.97, -4.55

 

CMYK 0 / 28 / 13 / 55

HEX #725263

RGB 114 82 99

HSL 328.13, 0.16%, 0.38%

LAB 38.75, 16.3, -4.57

 

CMYK 13 / 0 / 28 / 56

HEX #627051

RGB 98 112 81

HSL 87.1, 0.16%, 0.38%

LAB 45.33, -11.34, 15.54

 

CMYK 28 / 13 / 0 / 56

HEX #516270

RGB 81 98 112

HSL 207.1, 0.16%, 0.38%

LAB 40.66, -2.91, -10.03

 

CMYK 0 / 28 / 13 / 55

HEX #725263

RGB 114 82 99

HSL 328.13, 0.16%, 0.38%

LAB 38.75, 16.3, -4.57

 

CMYK 0 / 9 / 28 / 56

HEX #706651

RGB 112 102 81

HSL 40.65, 0.16%, 0.38%

LAB 43.57, 0.32, 13.33

 

CMYK 28 / 0 / 14 / 56

HEX #517060

RGB 81 112 96

HSL 149.03, 0.16%, 0.38%

LAB 44.49, -14.9, 5.29

 

CMYK 28 / 18 / 0 / 56

HEX #515C70

RGB 81 92 112

HSL 218.71, 0.16%, 0.38%

LAB 38.85, 0.75, -12.77

 

CMYK 0 / 28 / 13 / 55

HEX #725263

RGB 114 82 99

HSL 328.13, 0.16%, 0.38%

LAB 38.75, 16.3, -4.57

 

CMYK 0 / 1 / 28 / 56

HEX #706F51

RGB 112 111 81

HSL 58.06, 0.16%, 0.38%

LAB 46.19, -4.93, 16.9

 

CMYK 28 / 0 / 14 / 56

HEX #517060

RGB 81 112 96

HSL 149.03, 0.16%, 0.38%

LAB 44.49, -14.9, 5.29

 

CMYK 28 / 27 / 0 / 56

HEX #515270

RGB 81 82 112

HSL 238.06, 0.16%, 0.38%

LAB 35.9, 7.01, -17.29

 

Description

Color code: HEX #725263 | qconv.com Color code: HEX #725263 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 82 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 82 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 13 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 13% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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