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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #724CD2CE it is the complementary color #8DB32DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #724CD2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #724CD2CE shade: #774CCDCE, #885EE0CE, #9970F3CE, #AA82FFCE and #BB94FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #724CD2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #724CD2CE shade: #724CD2CE, #613ABFCE, #5028ACCE, #3F1699CE and #2E0486CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #724CD2CE shade: #724BD2, #964BD2, #BA4BD2, #D24BC6 and #D24BA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #724CD2CE shade: #724BD2, #4D4BD2 and #4B4BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #724CD2CE shade matches the following richer shades: #724BD2, #6A39E4 and #6227F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #724CD2CE shade: #724BD2, #7A5EC0, #8170AE, #89829C and #91948A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #724CD2CE shade: #4B6DD2, #4E4BD2, #724BD2, #964BD2 and #B94BD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #724CD2CE shade: #4B29A2, #5A31C3, #724BD2, #8C6CDA and #A68DE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #724CD2CE shade: #724CD2, #D24B91 and #5BD24B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #724CD2CE shade: #724CD2, #D2724B and #4BD272

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #724CD2CE shade: #724CD2, #D24B91, #ACD24B and #4BD28D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #724CD2CE shade: #724CD2, #D24B69, #ACD24B and #4BD2B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 52 / 0 / 14

HEX #724CD2CE

RGBA 114 76 210 0.81

HSLA 257.01, 0.6%, 0.56%, 0.81

LABA 43.36, 47.16, -63.82, 0.81

 

Complementary color

CMYK 17 / 0 / 61 / 24

HEX #8DB32DCE

RGBA 141 179 45 0.81

HSLA 77.01, 0.6%, 0.44%, 0.81

LABA 68.09, -31.44, 59.9, 0.81

 

CMYK 34 / 51 / 0 / 16

HEX #774CCDCE

RGBA 119 76 205 0.81

HSLA 260, 0.56%, 0.55%, 0.81

LABA 43.51, 46.8, -60.68, 0.81

 

CMYK 32 / 47 / 0 / 10

HEX #885EE0CE

RGBA 136 94 224 0.81

HSLA 259.38, 0.68%, 0.62%, 0.81

LABA 50.24, 45.62, -60.56, 0.81

 

CMYK 30 / 44 / 0 / 4

HEX #9970F3CE

RGBA 153 112 243 0.81

HSLA 258.78, 0.85%, 0.7%, 0.81

LABA 56.91, 44.48, -60.4, 0.81

 

CMYK 27 / 40 / 0 / 0

HEX #AA82FFCE

RGBA 170 130 255 0.81

HSLA 259.2, 1%, 0.75%, 0.81

LABA 63.12, 41.64, -57.01, 0.81

 

CMYK 22 / 34 / 0 / 0

HEX #BB94FFCE

RGBA 187 148 255 0.81

HSLA 261.87, 1%, 0.79%, 0.81

LABA 68.73, 36.09, -48.03, 0.81

 

CMYK 37 / 52 / 0 / 14

HEX #724CD2CE

RGBA 114 76 210 0.81

HSLA 257.01, 0.6%, 0.56%, 0.81

LABA 43.36, 47.16, -63.82, 0.81

 

CMYK 40 / 56 / 0 / 20

HEX #613ABFCE

RGBA 97 58 191 0.81

HSLA 257.59, 0.53%, 0.49%, 0.81

LABA 36.61, 48.42, -63.86, 0.81

 

CMYK 43 / 62 / 0 / 26

HEX #5028ACCE

RGBA 80 40 172 0.81

HSLA 258.18, 0.62%, 0.42%, 0.81

LABA 29.92, 49.48, -63.62, 0.81

 

CMYK 48 / 69 / 0 / 32

HEX #3F1699CE

RGBA 63 22 153 0.81

HSLA 258.78, 0.75%, 0.34%, 0.81

LABA 23.44, 49.91, -62.82, 0.81

 

CMYK 53 / 79 / 0 / 38

HEX #2E0486CE

RGBA 46 4 134 0.81

HSLA 259.38, 0.94%, 0.27%, 0.81

LABA 17.41, 49.08, -61.04, 0.81

 

CMYK 46 / 64 / 0 / 18

HEX #724BD2

RGB 114 75 210

HSL 257.33, 0.6%, 0.56%

LAB 43.16, 47.71, -64.15

 

CMYK 29 / 64 / 0 / 18

HEX #964BD2

RGB 150 75 210

HSL 273.33, 0.6%, 0.56%

LAB 47.2, 55.17, -57.42

 

CMYK 11 / 64 / 0 / 18

HEX #BA4BD2

RGB 186 75 210

HSL 289.33, 0.6%, 0.56%

LAB 51.98, 63.31, -49.49

 

CMYK 0 / 64 / 6 / 18

HEX #D24BC6

RGB 210 75 198

HSL 305.33, 0.6%, 0.56%

LAB 54.88, 66.95, -37.81

 

CMYK 0 / 64 / 23 / 18

HEX #D24BA1

RGB 210 75 161

HSL 321.78, 0.6%, 0.56%

LAB 53.28, 61.54, -18.79

 

CMYK 46 / 64 / 0 / 18

HEX #724BD2

RGB 114 75 210

HSL 257.33, 0.6%, 0.56%

LAB 43.16, 47.71, -64.15

 

CMYK 63 / 64 / 0 / 18

HEX #4D4BD2

RGB 77 75 210

HSL 240.89, 0.6%, 0.56%

LAB 40.02, 41.4, -69.4

 

CMYK 64 / 64 / 0 / 18

HEX #4B4BD2

RGB 75 75 210

HSL 240, 0.6%, 0.56%

LAB 39.88, 41.11, -69.63

 

CMYK 46 / 64 / 0 / 18

HEX #724BD2

RGB 114 75 210

HSL 257.33, 0.6%, 0.56%

LAB 43.16, 47.71, -64.15

 

CMYK 54 / 75 / 0 / 11

HEX #6A39E4

RGB 106 57 228

HSL 257.19, 0.76%, 0.56%

LAB 40.56, 60.44, -78.73

 

CMYK 60 / 84 / 0 / 4

HEX #6227F6

RGB 98 39 246

HSL 257.1, 0.92%, 0.56%

LAB 39.07, 71.45, -91.39

 

CMYK 46 / 64 / 0 / 18

HEX #724BD2

RGB 114 75 210

HSL 257.33, 0.6%, 0.56%

LAB 43.16, 47.71, -64.15

 

CMYK 36 / 51 / 0 / 25

HEX #7A5EC0

RGB 122 94 192

HSL 257.14, 0.44%, 0.56%

LAB 46.91, 33.7, -47.68

 

CMYK 26 / 36 / 0 / 32

HEX #8170AE

RGB 129 112 174

HSL 256.45, 0.28%, 0.56%

LAB 51.05, 20.24, -30.66

 

CMYK 12 / 17 / 0 / 39

HEX #89829C

RGB 137 130 156

HSL 256.15, 0.12%, 0.56%

LAB 55.77, 7.99, -12.93

 

CMYK 2 / 0 / 7 / 42

HEX #91948A

RGB 145 148 138

HSL 78, 0.04%, 0.56%

LAB 60.81, -2.99, 4.9

 

CMYK 64 / 48 / 0 / 18

HEX #4B6DD2

RGB 75 109 210

HSL 224.89, 0.6%, 0.56%

LAB 48.37, 19.96, -55.87

 

CMYK 63 / 64 / 0 / 18

HEX #4E4BD2

RGB 78 75 210

HSL 241.33, 0.6%, 0.56%

LAB 40.09, 41.55, -69.28

 

CMYK 46 / 64 / 0 / 18

HEX #724BD2

RGB 114 75 210

HSL 257.33, 0.6%, 0.56%

LAB 43.16, 47.71, -64.15

 

CMYK 29 / 64 / 0 / 18

HEX #964BD2

RGB 150 75 210

HSL 273.33, 0.6%, 0.56%

LAB 47.2, 55.17, -57.42

 

CMYK 12 / 64 / 0 / 18

HEX #B94BD2

RGB 185 75 210

HSL 288.89, 0.6%, 0.56%

LAB 51.84, 63.08, -49.73

 

CMYK 54 / 75 / 0 / 36

HEX #4B29A2

RGB 75 41 162

HSL 256.86, 0.6%, 0.4%

LAB 28.62, 45.41, -59.74

 

CMYK 54 / 75 / 0 / 24

HEX #5A31C3

RGB 90 49 195

HSL 256.85, 0.6%, 0.48%

LAB 34.62, 52.99, -69.49

 

CMYK 46 / 64 / 0 / 18

HEX #724BD2

RGB 114 75 210

HSL 257.33, 0.6%, 0.56%

LAB 43.16, 47.71, -64.15

 

CMYK 36 / 50 / 0 / 15

HEX #8C6CDA

RGB 140 108 218

HSL 257.45, 0.6%, 0.64%

LAB 53.34, 37.06, -52.17

 

CMYK 27 / 38 / 0 / 11

HEX #A68DE3

RGB 166 141 227

HSL 257.44, 0.61%, 0.72%

LAB 63.92, 27.43, -40.33

 

CMYK 46 / 64 / 0 / 18

HEX #724CD2

RGB 114 76 210

HSL 257.01, 0.6%, 0.56%

LAB 43.36, 47.16, -63.82

 

CMYK 0 / 64 / 31 / 18

HEX #D24B91

RGB 210 75 145

HSL 328.89, 0.6%, 0.56%

LAB 52.71, 59.5, -10.22

 

CMYK 57 / 0 / 64 / 18

HEX #5BD24B

RGB 91 210 75

HSL 112.89, 0.6%, 0.56%

LAB 75.34, -58.54, 55.19

 

CMYK 46 / 64 / 0 / 18

HEX #724CD2

RGB 114 76 210

HSL 257.01, 0.6%, 0.56%

LAB 43.36, 47.16, -63.82

 

CMYK 0 / 46 / 64 / 18

HEX #D2724B

RGB 210 114 75

HSL 17.33, 0.6%, 0.56%

LAB 58.27, 34.35, 38

 

CMYK 64 / 0 / 46 / 18

HEX #4BD272

RGB 75 210 114

HSL 137.33, 0.6%, 0.56%

LAB 75.33, -57.11, 36.97

 

CMYK 46 / 64 / 0 / 18

HEX #724CD2

RGB 114 76 210

HSL 257.01, 0.6%, 0.56%

LAB 43.36, 47.16, -63.82

 

CMYK 0 / 64 / 31 / 18

HEX #D24B91

RGB 210 75 145

HSL 328.89, 0.6%, 0.56%

LAB 52.71, 59.5, -10.22

 

CMYK 18 / 0 / 64 / 18

HEX #ACD24B

RGB 172 210 75

HSL 76.89, 0.6%, 0.56%

LAB 79.25, -31.78, 60.56

 

CMYK 64 / 0 / 33 / 18

HEX #4BD28D

RGB 75 210 141

HSL 149.33, 0.6%, 0.56%

LAB 75.77, -52.29, 23.7

 

CMYK 46 / 64 / 0 / 18

HEX #724CD2

RGB 114 76 210

HSL 257.01, 0.6%, 0.56%

LAB 43.36, 47.16, -63.82

 

CMYK 0 / 64 / 50 / 18

HEX #D24B69

RGB 210 75 105

HSL 346.67, 0.6%, 0.56%

LAB 51.56, 55.35, 12.03

 

CMYK 18 / 0 / 64 / 18

HEX #ACD24B

RGB 172 210 75

HSL 76.89, 0.6%, 0.56%

LAB 79.25, -31.78, 60.56

 

CMYK 64 / 0 / 14 / 18

HEX #4BD2B5

RGB 75 210 181

HSL 167.11, 0.6%, 0.56%

LAB 76.63, -43.35, 3.65

 

Description

Color code: HEX #724CD2CE | qconv.com Color code: HEX #724CD2CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 76 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 76 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 52 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 52% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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