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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7245F2 it is the complementary color #8DBA0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7245F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7245F2 shade: #7745ED, #8857FF, #9969FF, #AA7BFF and #BB8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7245F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7245F2 shade: #7245F2, #6133DF, #5021CC, #3F0FB9 and #2E00A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7245F2 shade: #7245F2, #A145F2, #CF45F2, #F245E6 and #F245B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7245F2 shade: #7245F2 and #4545F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7245F2 shade matches the following richer shades: #7245F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7245F2 shade: #7245F2, #7A55E2, #8165D2, #8975C2 and #9185B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7245F2 shade: #4576F2, #4548F2, #7045F2, #9E45F2 and #CD45F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7245F2 shade: #430FD6, #551EEF, #7245F2, #8F6CF5 and #AD92F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7245F2 shade: #7245F2, #F245A4 and #5FF245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7245F2 shade: #7245F2, #F27045 and #45F270

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7245F2 shade: #7245F2, #F245A4, #C7F245 and #45F293

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7245F2 shade: #7245F2, #F24570, #C7F245 and #45F2C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 71 / 0 / 5

HEX #7245F2

RGB 114 69 242

HSL 255.61, 0.87%, 0.61%

LAB 44.58, 59.64, -80.01

 

Complementary color

CMYK 24 / 0 / 93 / 27

HEX #8DBA0D

RGB 141 186 13

HSL 75.61, 0.87%, 0.39%

LAB 70.04, -35.76, 69.2

 

CMYK 50 / 71 / 0 / 7

HEX #7745ED

RGB 119 69 237

HSL 257.86, 0.82%, 0.6%

LAB 44.65, 59.03, -77.07

 

CMYK 47 / 66 / 0 / 0

HEX #8857FF

RGB 136 87 255

HSL 257.5, 1%, 0.67%

LAB 51, 57.62, -76.7

 

CMYK 40 / 59 / 0 / 0

HEX #9969FF

RGB 153 105 255

HSL 259.2, 1%, 0.71%

LAB 56.18, 51.43, -68.22

 

CMYK 33 / 52 / 0 / 0

HEX #AA7BFF

RGB 170 123 255

HSL 261.36, 1%, 0.74%

LAB 61.6, 45.5, -59.44

 

CMYK 27 / 45 / 0 / 0

HEX #BB8DFF

RGB 187 141 255

HSL 264.21, 1%, 0.78%

LAB 67.15, 39.94, -50.51

 

CMYK 53 / 71 / 0 / 5

HEX #7245F2

RGB 114 69 242

HSL 255.61, 0.87%, 0.61%

LAB 44.58, 59.64, -80.01

 

CMYK 57 / 77 / 0 / 13

HEX #6133DF

RGB 97 51 223

HSL 256.05, 0.73%, 0.54%

LAB 38.26, 60.66, -79.68

 

CMYK 61 / 84 / 0 / 20

HEX #5021CC

RGB 80 33 204

HSL 256.49, 0.72%, 0.46%

LAB 32.15, 61.15, -78.85

 

CMYK 66 / 92 / 0 / 27

HEX #3F0FB9

RGB 63 15 185

HSL 256.94, 0.85%, 0.39%

LAB 26.45, 60.52, -77.17

 

CMYK 72 / 100 / 0 / 35

HEX #2E00A6

RGB 46 0 166

HSL 256.63, 1%, 0.33%

LAB 21.33, 58.28, -74.31

 

CMYK 53 / 71 / 0 / 5

HEX #7245F2

RGB 114 69 242

HSL 255.61, 0.87%, 0.61%

LAB 44.58, 59.64, -80.01

 

CMYK 33 / 71 / 0 / 5

HEX #A145F2

RGB 161 69 242

HSL 271.91, 0.87%, 0.61%

LAB 49.79, 67.32, -71.29

 

CMYK 14 / 71 / 0 / 5

HEX #CF45F2

RGB 207 69 242

HSL 287.86, 0.87%, 0.61%

LAB 56.02, 76.03, -60.92

 

CMYK 0 / 71 / 5 / 5

HEX #F245E6

RGB 242 69 230

HSL 304.16, 0.87%, 0.61%

LAB 60.65, 81.25, -46.53

 

CMYK 0 / 71 / 24 / 5

HEX #F245B7

RGB 242 69 183

HSL 320.46, 0.87%, 0.61%

LAB 58.56, 74.84, -23.06

 

CMYK 53 / 71 / 0 / 5

HEX #7245F2

RGB 114 69 242

HSL 255.61, 0.87%, 0.61%

LAB 44.58, 59.64, -80.01

 

CMYK 71 / 71 / 0 / 5

HEX #4545F2

RGB 69 69 242

HSL 240, 0.87%, 0.61%

LAB 41.11, 54.23, -85.85

 

CMYK 53 / 71 / 0 / 5

HEX #7245F2

RGB 114 69 242

HSL 255.61, 0.87%, 0.61%

LAB 44.58, 59.64, -80.01

 

CMYK 53 / 71 / 0 / 5

HEX #7245F2

RGB 114 69 242

HSL 255.61, 0.87%, 0.61%

LAB 44.58, 59.64, -80.01

 

CMYK 46 / 62 / 0 / 11

HEX #7A55E2

RGB 122 85 226

HSL 255.74, 0.71%, 0.61%

LAB 47.14, 48.22, -66.78

 

CMYK 39 / 52 / 0 / 18

HEX #8165D2

RGB 129 101 210

HSL 255.41, 0.55%, 0.61%

LAB 50.25, 36.25, -52.64

 

CMYK 29 / 40 / 0 / 24

HEX #8975C2

RGB 137 117 194

HSL 255.58, 0.39%, 0.61%

LAB 53.96, 24.75, -37.57

 

CMYK 19 / 25 / 0 / 30

HEX #9185B2

RGB 145 133 178

HSL 256, 0.23%, 0.61%

LAB 58.05, 13.93, -22.03

 

CMYK 71 / 51 / 0 / 5

HEX #4576F2

RGB 69 118 242

HSL 223.01, 0.87%, 0.61%

LAB 52.55, 24.73, -67.17

 

CMYK 71 / 70 / 0 / 5

HEX #4548F2

RGB 69 72 242

HSL 238.96, 0.87%, 0.61%

LAB 41.71, 52.57, -84.87

 

CMYK 54 / 71 / 0 / 5

HEX #7045F2

RGB 112 69 242

HSL 254.91, 0.87%, 0.61%

LAB 44.39, 59.35, -80.33

 

CMYK 35 / 71 / 0 / 5

HEX #9E45F2

RGB 158 69 242

HSL 270.87, 0.87%, 0.61%

LAB 49.42, 66.78, -71.92

 

CMYK 15 / 71 / 0 / 5

HEX #CD45F2

RGB 205 69 242

HSL 287.17, 0.87%, 0.61%

LAB 55.73, 75.63, -61.4

 

CMYK 69 / 93 / 0 / 16

HEX #430FD6

RGB 67 15 214

HSL 255.68, 0.87%, 0.45%

LAB 30.38, 68.02, -87.65

 

CMYK 64 / 87 / 0 / 6

HEX #551EEF

RGB 85 30 239

HSL 255.79, 0.87%, 0.53%

LAB 36.16, 71.52, -92.31

 

CMYK 53 / 71 / 0 / 5

HEX #7245F2

RGB 114 69 242

HSL 255.61, 0.87%, 0.61%

LAB 44.58, 59.64, -80.01

 

CMYK 42 / 56 / 0 / 4

HEX #8F6CF5

RGB 143 108 245

HSL 255.33, 0.87%, 0.69%

LAB 55.23, 44.99, -64.26

 

CMYK 30 / 41 / 0 / 3

HEX #AD92F7

RGB 173 146 247

HSL 256.04, 0.86%, 0.77%

LAB 66.64, 31.46, -47.03

 

CMYK 53 / 71 / 0 / 5

HEX #7245F2

RGB 114 69 242

HSL 255.61, 0.87%, 0.61%

LAB 44.58, 59.64, -80.01

 

CMYK 0 / 71 / 32 / 5

HEX #F245A4

RGB 242 69 164

HSL 327.05, 0.87%, 0.61%

LAB 57.86, 72.62, -13.11

 

CMYK 61 / 0 / 71 / 5

HEX #5FF245

RGB 95 242 69

HSL 110.98, 0.87%, 0.61%

LAB 85.18, -69.27, 67.91

 

CMYK 53 / 71 / 0 / 5

HEX #7245F2

RGB 114 69 242

HSL 255.61, 0.87%, 0.61%

LAB 44.58, 59.64, -80.01

 

CMYK 0 / 54 / 71 / 5

HEX #F27045

RGB 242 112 69

HSL 14.91, 0.87%, 0.61%

LAB 62.42, 47.26, 47.12

 

CMYK 71 / 0 / 54 / 5

HEX #45F270

RGB 69 242 112

HSL 134.91, 0.87%, 0.61%

LAB 84.97, -69.68, 49.84

 

CMYK 53 / 71 / 0 / 5

HEX #7245F2

RGB 114 69 242

HSL 255.61, 0.87%, 0.61%

LAB 44.58, 59.64, -80.01

 

CMYK 0 / 71 / 32 / 5

HEX #F245A4

RGB 242 69 164

HSL 327.05, 0.87%, 0.61%

LAB 57.86, 72.62, -13.11

 

CMYK 18 / 0 / 71 / 5

HEX #C7F245

RGB 199 242 69

HSL 74.91, 0.87%, 0.61%

LAB 89.89, -36.33, 74.16

 

CMYK 71 / 0 / 39 / 5

HEX #45F293

RGB 69 242 147

HSL 147.05, 0.87%, 0.61%

LAB 85.44, -64.21, 33.56

 

CMYK 53 / 71 / 0 / 5

HEX #7245F2

RGB 114 69 242

HSL 255.61, 0.87%, 0.61%

LAB 44.58, 59.64, -80.01

 

CMYK 0 / 71 / 54 / 5

HEX #F24570

RGB 242 69 112

HSL 345.09, 0.87%, 0.61%

LAB 56.39, 67.81, 15.4

 

CMYK 18 / 0 / 71 / 5

HEX #C7F245

RGB 199 242 69

HSL 74.91, 0.87%, 0.61%

LAB 89.89, -36.33, 74.16

 

CMYK 71 / 0 / 18 / 5

HEX #45F2C7

RGB 69 242 199

HSL 165.09, 0.87%, 0.61%

LAB 86.45, -53.31, 8.25

 

Description

Color code: HEX #7245F2 | qconv.com Color code: HEX #7245F2 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 69 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 69 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 71 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 71% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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