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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #723FA3 it is the complementary color #8DC05C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #723FA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #723FA3 shade: #773F9E, #8851B1, #9963C4, #AA75D7 and #BB87EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #723FA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #723FA3 shade: #723FA3, #612D90, #501B7D, #3F096A and #2E0057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #723FA3 shade: #713FA2, #8C3FA2, #A23F9D, #A23F82 and #A23F67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #723FA3 shade: #713FA2, #573FA2 and #3F3FA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #723FA3 shade matches the following richer shades: #713FA2, #722DB4, #721BC6 and #7208D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #723FA3 shade: #713FA2, #71518F, #70637D, #70756B and #708759

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #723FA3 shade: #3F42A2, #563FA2, #703FA2, #8B3FA2 and #A23F9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #723FA3 shade: #482866, #5C3384, #713FA2, #864FBB and #9A6DC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #723FA3 shade: #723FA3, #A23F5C and #3FA249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #723FA3 shade: #723FA3, #A2703F and #3FA270

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #723FA3 shade: #723FA3, #A23F5C, #70A23F and #3FA284

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #723FA3 shade: #723FA3, #A23F3F, #70A23F and #3FA2A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 61 / 0 / 36

HEX #723FA3

RGB 114 63 163

HSL 270.6, 0.44%, 0.44%

LAB 37.44, 41.82, -45.81

 

Complementary color

CMYK 27 / 0 / 52 / 25

HEX #8DC05C

RGB 141 192 92

HSL 90.6, 0.44%, 0.56%

LAB 72.32, -33.7, 44.64

 

CMYK 25 / 60 / 0 / 38

HEX #773F9E

RGB 119 63 158

HSL 275.37, 0.43%, 0.43%

LAB 37.74, 41.85, -42.28

 

CMYK 23 / 54 / 0 / 31

HEX #8851B1

RGB 136 81 177

HSL 274.38, 0.38%, 0.51%

LAB 44.65, 41, -42.44

 

CMYK 22 / 49 / 0 / 23

HEX #9963C4

RGB 153 99 196

HSL 273.4, 0.45%, 0.58%

LAB 51.48, 40.11, -42.53

 

CMYK 21 / 46 / 0 / 16

HEX #AA75D7

RGB 170 117 215

HSL 272.45, 0.55%, 0.65%

LAB 58.2, 39.24, -42.59

 

CMYK 20 / 42 / 0 / 8

HEX #BB87EA

RGB 187 135 234

HSL 271.52, 0.7%, 0.72%

LAB 64.83, 38.41, -42.64

 

CMYK 30 / 61 / 0 / 36

HEX #723FA3

RGB 114 63 163

HSL 270.6, 0.44%, 0.44%

LAB 37.44, 41.82, -45.81

 

CMYK 33 / 69 / 0 / 44

HEX #612D90

RGB 97 45 144

HSL 271.52, 0.52%, 0.37%

LAB 30.48, 42.61, -45.6

 

CMYK 36 / 78 / 0 / 51

HEX #501B7D

RGB 80 27 125

HSL 272.45, 0.64%, 0.3%

LAB 23.57, 42.95, -45.04

 

CMYK 41 / 92 / 0 / 58

HEX #3F096A

RGB 63 9 106

HSL 273.4, 0.84%, 0.23%

LAB 16.95, 42.12, -43.71

 

CMYK 47 / 100 / 0 / 66

HEX #2E0057

RGB 46 0 87

HSL 271.72, 1%, 0.17%

LAB 11.06, 38.66, -40.83

 

CMYK 30 / 61 / 0 / 36

HEX #713FA2

RGB 113 63 162

HSL 270.3, 0.44%, 0.44%

LAB 37.25, 41.32, -45.52

 

CMYK 14 / 61 / 0 / 36

HEX #8C3FA2

RGB 140 63 162

HSL 286.67, 0.44%, 0.44%

LAB 40.8, 48.12, -39.65

 

CMYK 0 / 61 / 3 / 36

HEX #A23F9D

RGB 162 63 157

HSL 303.03, 0.44%, 0.44%

LAB 43.76, 52.93, -31.77

 

CMYK 0 / 61 / 20 / 36

HEX #A23F82

RGB 162 63 130

HSL 319.39, 0.44%, 0.44%

LAB 42.53, 48.56, -17.34

 

CMYK 0 / 61 / 36 / 36

HEX #A23F67

RGB 162 63 103

HSL 335.76, 0.44%, 0.44%

LAB 41.56, 44.91, -2.14

 

CMYK 30 / 61 / 0 / 36

HEX #713FA2

RGB 113 63 162

HSL 270.3, 0.44%, 0.44%

LAB 37.25, 41.32, -45.52

 

CMYK 46 / 61 / 0 / 36

HEX #573FA2

RGB 87 63 162

HSL 254.55, 0.44%, 0.44%

LAB 34.38, 35.29, -50.3

 

CMYK 61 / 61 / 0 / 36

HEX #3F3FA2

RGB 63 63 162

HSL 240, 0.44%, 0.44%

LAB 32.3, 30.55, -53.76

 

CMYK 30 / 61 / 0 / 36

HEX #713FA2

RGB 113 63 162

HSL 270.3, 0.44%, 0.44%

LAB 37.25, 41.32, -45.52

 

CMYK 37 / 75 / 0 / 29

HEX #722DB4

RGB 114 45 180

HSL 270.67, 0.6%, 0.44%

LAB 35.5, 54.77, -59.1

 

CMYK 42 / 86 / 0 / 22

HEX #721BC6

RGB 114 27 198

HSL 270.53, 0.76%, 0.44%

LAB 34.88, 65.27, -70.71

 

CMYK 47 / 96 / 0 / 15

HEX #7208D8

RGB 114 8 216

HSL 270.58, 0.93%, 0.44%

LAB 35.42, 72.87, -80.29

 

CMYK 30 / 61 / 0 / 36

HEX #713FA2

RGB 113 63 162

HSL 270.3, 0.44%, 0.44%

LAB 37.25, 41.32, -45.52

 

CMYK 21 / 43 / 0 / 44

HEX #71518F

RGB 113 81 143

HSL 270.97, 0.28%, 0.44%

LAB 40.21, 26.16, -29.36

 

CMYK 10 / 21 / 0 / 51

HEX #70637D

RGB 112 99 125

HSL 270, 0.12%, 0.44%

LAB 44.02, 10.58, -12.61

 

CMYK 4 / 0 / 9 / 54

HEX #70756B

RGB 112 117 107

HSL 90, 0.04%, 0.44%

LAB 48.55, -3.9, 4.86

 

CMYK 17 / 0 / 34 / 47

HEX #708759

RGB 112 135 89

HSL 90, 0.21%, 0.44%

LAB 53.49, -16.97, 22.09

 

CMYK 61 / 59 / 0 / 36

HEX #3F42A2

RGB 63 66 162

HSL 238.18, 0.44%, 0.44%

LAB 33.05, 28.63, -52.54

 

CMYK 47 / 61 / 0 / 36

HEX #563FA2

RGB 86 63 162

HSL 253.94, 0.44%, 0.44%

LAB 34.28, 35.07, -50.47

 

CMYK 31 / 61 / 0 / 36

HEX #703FA2

RGB 112 63 162

HSL 269.7, 0.44%, 0.44%

LAB 37.13, 41.08, -45.72

 

CMYK 14 / 61 / 0 / 36

HEX #8B3FA2

RGB 139 63 162

HSL 286.06, 0.44%, 0.44%

LAB 40.66, 47.86, -39.88

 

CMYK 0 / 61 / 2 / 36

HEX #A23F9E

RGB 162 63 158

HSL 302.42, 0.44%, 0.44%

LAB 43.81, 53.11, -32.29

 

CMYK 29 / 61 / 0 / 60

HEX #482866

RGB 72 40 102

HSL 270.97, 0.44%, 0.28%

LAB 23.18, 28.28, -30.94

 

CMYK 30 / 61 / 0 / 48

HEX #5C3384

RGB 92 51 132

HSL 270.37, 0.44%, 0.36%

LAB 30.18, 35.11, -38.68

 

CMYK 30 / 61 / 0 / 36

HEX #713FA2

RGB 113 63 162

HSL 270.3, 0.44%, 0.44%

LAB 37.25, 41.32, -45.52

 

CMYK 28 / 58 / 0 / 27

HEX #864FBB

RGB 134 79 187

HSL 270.56, 0.44%, 0.52%

LAB 44.59, 43.96, -48.41

 

CMYK 22 / 45 / 0 / 22

HEX #9A6DC6

RGB 154 109 198

HSL 270.34, 0.44%, 0.6%

LAB 53.9, 35.25, -39.83

 

CMYK 30 / 61 / 0 / 36

HEX #723FA3

RGB 114 63 163

HSL 270.6, 0.44%, 0.44%

LAB 37.44, 41.82, -45.81

 

CMYK 0 / 61 / 43 / 36

HEX #A23F5C

RGB 162 63 92

HSL 342.42, 0.44%, 0.44%

LAB 41.23, 43.65, 4.24

 

CMYK 61 / 0 / 55 / 36

HEX #3FA249

RGB 63 162 73

HSL 126.06, 0.44%, 0.44%

LAB 59.32, -47.6, 37.47

 

CMYK 30 / 61 / 0 / 36

HEX #723FA3

RGB 114 63 163

HSL 270.6, 0.44%, 0.44%

LAB 37.44, 41.82, -45.81

 

CMYK 0 / 31 / 61 / 36

HEX #A2703F

RGB 162 112 63

HSL 29.7, 0.44%, 0.44%

LAB 51.41, 14.5, 34.79

 

CMYK 61 / 0 / 31 / 36

HEX #3FA270

RGB 63 162 112

HSL 149.7, 0.44%, 0.44%

LAB 59.95, -40.8, 17.63

 

CMYK 30 / 61 / 0 / 36

HEX #723FA3

RGB 114 63 163

HSL 270.6, 0.44%, 0.44%

LAB 37.44, 41.82, -45.81

 

CMYK 0 / 61 / 43 / 36

HEX #A23F5C

RGB 162 63 92

HSL 342.42, 0.44%, 0.44%

LAB 41.23, 43.65, 4.24

 

CMYK 31 / 0 / 61 / 36

HEX #70A23F

RGB 112 162 63

HSL 90.3, 0.44%, 0.44%

LAB 61.35, -33.54, 45.14

 

CMYK 61 / 0 / 19 / 36

HEX #3FA284

RGB 63 162 132

HSL 161.82, 0.44%, 0.44%

LAB 60.39, -36.24, 7.1

 

CMYK 30 / 61 / 0 / 36

HEX #723FA3

RGB 114 63 163

HSL 270.6, 0.44%, 0.44%

LAB 37.44, 41.82, -45.81

 

CMYK 0 / 61 / 61 / 36

HEX #A23F3F

RGB 162 63 63

HSL 0, 0.44%, 0.44%

LAB 40.57, 41.04, 21.36

 

CMYK 31 / 0 / 61 / 36

HEX #70A23F

RGB 112 162 63

HSL 90.3, 0.44%, 0.44%

LAB 61.35, -33.54, 45.14

 

CMYK 61 / 0 / 0 / 36

HEX #3FA2A2

RGB 63 162 162

HSL 180, 0.44%, 0.44%

LAB 61.23, -28.26, -8.58

 

Description

Color code: HEX #723FA3 | qconv.com Color code: HEX #723FA3 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 63 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 63 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 61 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 61% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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