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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #723C82 it is the complementary color #8DC37D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #723C82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #723C82 shade: #773C7D, #884E90, #9960A3, #AA72B6 and #BB84C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #723C82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #723C82 shade: #723C82, #612A6F, #50185C, #3F0649 and #2E0036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #723C82 shade: #713B81, #813B7E, #813B6C, #813B59 and #813B46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #723C82 shade: #713B81, #5E3B81, #4C3B81 and #3B3B81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #723C82 shade matches the following richer shades: #713B81, #7A2C91, #821DA0 and #8A0EAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #723C82 shade: #713B81, #694B72, #615A63, #586953 and #507944

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #723C82 shade: #4C3B81, #5E3B81, #713B81, #813B7F and #813B6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #723C82 shade: #402149, #592E65, #713B81, #8A489E and #A05BB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #723C82 shade: #723C82, #813B3E and #3B8155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #723C82 shade: #723C82, #81713B and #3B8171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #723C82 shade: #723C82, #813B3E, #4C813B and #3B817F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #723C82 shade: #723C82, #814E3B, #4C813B and #3B6F81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 54 / 0 / 49

HEX #723C82

RGB 114 60 130

HSL 286.29, 0.37%, 0.37%

LAB 34.84, 35.68, -29.84

 

Complementary color

CMYK 28 / 0 / 36 / 24

HEX #8DC37D

RGB 141 195 125

HSL 106.29, 0.37%, 0.63%

LAB 73.66, -30.82, 29.69

 

CMYK 5 / 52 / 0 / 51

HEX #773C7D

RGB 119 60 125

HSL 294.46, 0.35%, 0.36%

LAB 35.27, 36.13, -26.02

 

CMYK 6 / 46 / 0 / 44

HEX #884E90

RGB 136 78 144

HSL 292.73, 0.3%, 0.44%

LAB 42.3, 35.36, -26.5

 

CMYK 6 / 41 / 0 / 36

HEX #9960A3

RGB 153 96 163

HSL 291.04, 0.27%, 0.51%

LAB 49.23, 34.56, -26.87

 

CMYK 7 / 37 / 0 / 29

HEX #AA72B6

RGB 170 114 182

HSL 289.41, 0.32%, 0.58%

LAB 56.05, 33.77, -27.2

 

CMYK 7 / 34 / 0 / 21

HEX #BB84C9

RGB 187 132 201

HSL 287.83, 0.39%, 0.65%

LAB 62.75, 33.03, -27.49

 

CMYK 12 / 54 / 0 / 49

HEX #723C82

RGB 114 60 130

HSL 286.29, 0.37%, 0.37%

LAB 34.84, 35.68, -29.84

 

CMYK 13 / 62 / 0 / 56

HEX #612A6F

RGB 97 42 111

HSL 287.83, 0.45%, 0.3%

LAB 27.7, 36.36, -29.35

 

CMYK 13 / 74 / 0 / 64

HEX #50185C

RGB 80 24 92

HSL 289.41, 0.59%, 0.23%

LAB 20.56, 36.57, -28.49

 

CMYK 14 / 92 / 0 / 71

HEX #3F0649

RGB 63 6 73

HSL 291.04, 0.85%, 0.15%

LAB 13.64, 35.65, -26.86

 

CMYK 15 / 100 / 0 / 79

HEX #2E0036

RGB 46 0 54

HSL 291.11, 1%, 0.11%

LAB 7.65, 31.14, -23.17

 

CMYK 12 / 54 / 0 / 49

HEX #713B81

RGB 113 59 129

HSL 286.29, 0.37%, 0.37%

LAB 34.44, 35.72, -29.86

 

CMYK 0 / 54 / 2 / 49

HEX #813B7E

RGB 129 59 126

HSL 302.57, 0.37%, 0.37%

LAB 36.56, 39.9, -24.52

 

CMYK 0 / 54 / 16 / 49

HEX #813B6C

RGB 129 59 108

HSL 318, 0.37%, 0.37%

LAB 35.75, 36.69, -14.53

 

CMYK 0 / 54 / 31 / 49

HEX #813B59

RGB 129 59 89

HSL 334.29, 0.37%, 0.37%

LAB 35.04, 33.75, -3.55

 

CMYK 0 / 54 / 46 / 49

HEX #813B46

RGB 129 59 70

HSL 350.57, 0.37%, 0.37%

LAB 34.47, 31.33, 7.8

 

CMYK 12 / 54 / 0 / 49

HEX #713B81

RGB 113 59 129

HSL 286.29, 0.37%, 0.37%

LAB 34.44, 35.72, -29.86

 

CMYK 27 / 54 / 0 / 49

HEX #5E3B81

RGB 94 59 129

HSL 270, 0.37%, 0.37%

LAB 32.02, 30.19, -33.86

 

CMYK 41 / 54 / 0 / 49

HEX #4C3B81

RGB 76 59 129

HSL 254.57, 0.37%, 0.37%

LAB 30.03, 25.24, -37.14

 

CMYK 54 / 54 / 0 / 49

HEX #3B3B81

RGB 59 59 129

HSL 240, 0.37%, 0.37%

LAB 28.49, 21.05, -39.7

 

CMYK 12 / 54 / 0 / 49

HEX #713B81

RGB 113 59 129

HSL 286.29, 0.37%, 0.37%

LAB 34.44, 35.72, -29.86

 

CMYK 16 / 70 / 0 / 43

HEX #7A2C91

RGB 122 44 145

HSL 286.34, 0.53%, 0.37%

LAB 33.95, 49, -40.44

 

CMYK 19 / 82 / 0 / 37

HEX #821DA0

RGB 130 29 160

HSL 286.26, 0.69%, 0.37%

LAB 34.32, 59.13, -48.92

 

CMYK 21 / 92 / 0 / 31

HEX #8A0EAF

RGB 138 14 175

HSL 286.21, 0.85%, 0.37%

LAB 35.62, 66.61, -55.76

 

CMYK 12 / 54 / 0 / 49

HEX #713B81

RGB 113 59 129

HSL 286.29, 0.37%, 0.37%

LAB 34.44, 35.72, -29.86

 

CMYK 8 / 34 / 0 / 55

HEX #694B72

RGB 105 75 114

HSL 286.15, 0.21%, 0.37%

LAB 36.46, 20.3, -17.46

 

CMYK 2 / 9 / 0 / 61

HEX #615A63

RGB 97 90 99

HSL 286.67, 0.05%, 0.37%

LAB 39.16, 4.68, -4.15

 

CMYK 16 / 0 / 21 / 59

HEX #586953

RGB 88 105 83

HSL 106.36, 0.12%, 0.37%

LAB 42.46, -11.04, 10.28

 

CMYK 34 / 0 / 44 / 53

HEX #507944

RGB 80 121 68

HSL 106.42, 0.28%, 0.37%

LAB 46.71, -25.24, 24.6

 

CMYK 41 / 54 / 0 / 49

HEX #4C3B81

RGB 76 59 129

HSL 254.57, 0.37%, 0.37%

LAB 30.03, 25.24, -37.14

 

CMYK 27 / 54 / 0 / 49

HEX #5E3B81

RGB 94 59 129

HSL 270, 0.37%, 0.37%

LAB 32.02, 30.19, -33.86

 

CMYK 12 / 54 / 0 / 49

HEX #713B81

RGB 113 59 129

HSL 286.29, 0.37%, 0.37%

LAB 34.44, 35.72, -29.86

 

CMYK 0 / 54 / 2 / 49

HEX #813B7F

RGB 129 59 127

HSL 301.71, 0.37%, 0.37%

LAB 36.61, 40.09, -25.07

 

CMYK 0 / 54 / 16 / 49

HEX #813B6C

RGB 129 59 108

HSL 318, 0.37%, 0.37%

LAB 35.75, 36.69, -14.53

 

CMYK 12 / 55 / 0 / 71

HEX #402149

RGB 64 33 73

HSL 286.5, 0.38%, 0.21%

LAB 18.62, 22.64, -18.92

 

CMYK 12 / 54 / 0 / 60

HEX #592E65

RGB 89 46 101

HSL 286.91, 0.37%, 0.29%

LAB 26.78, 29.53, -24.43

 

CMYK 12 / 54 / 0 / 49

HEX #713B81

RGB 113 59 129

HSL 286.29, 0.37%, 0.37%

LAB 34.44, 35.72, -29.86

 

CMYK 13 / 54 / 0 / 38

HEX #8A489E

RGB 138 72 158

HSL 286.05, 0.37%, 0.45%

LAB 42.01, 42.16, -35.35

 

CMYK 11 / 49 / 0 / 29

HEX #A05BB4

RGB 160 91 180

HSL 286.52, 0.37%, 0.53%

LAB 49.8, 42.93, -35.87

 

CMYK 12 / 54 / 0 / 49

HEX #723C82

RGB 114 60 130

HSL 286.29, 0.37%, 0.37%

LAB 34.84, 35.68, -29.84

 

CMYK 0 / 54 / 52 / 49

HEX #813B3E

RGB 129 59 62

HSL 357.43, 0.37%, 0.37%

LAB 34.28, 30.49, 12.65

 

CMYK 54 / 0 / 34 / 49

HEX #3B8155

RGB 59 129 85

HSL 142.29, 0.37%, 0.37%

LAB 48.62, -32.72, 17.33

 

CMYK 12 / 54 / 0 / 49

HEX #723C82

RGB 114 60 130

HSL 286.29, 0.37%, 0.37%

LAB 34.84, 35.68, -29.84

 

CMYK 0 / 12 / 54 / 49

HEX #81713B

RGB 129 113 59

HSL 46.29, 0.37%, 0.37%

LAB 48, -1.24, 31.98

 

CMYK 54 / 0 / 12 / 49

HEX #3B8171

RGB 59 129 113

HSL 166.29, 0.37%, 0.37%

LAB 49.28, -26.2, 1.99

 

CMYK 12 / 54 / 0 / 49

HEX #723C82

RGB 114 60 130

HSL 286.29, 0.37%, 0.37%

LAB 34.84, 35.68, -29.84

 

CMYK 0 / 54 / 52 / 49

HEX #813B3E

RGB 129 59 62

HSL 357.43, 0.37%, 0.37%

LAB 34.28, 30.49, 12.65

 

CMYK 41 / 0 / 54 / 49

HEX #4C813B

RGB 76 129 59

HSL 105.43, 0.37%, 0.37%

LAB 48.95, -31.8, 32.19

 

CMYK 54 / 0 / 2 / 49

HEX #3B817F

RGB 59 129 127

HSL 178.29, 0.37%, 0.37%

LAB 49.69, -22.38, -5.63

 

CMYK 12 / 54 / 0 / 49

HEX #723C82

RGB 114 60 130

HSL 286.29, 0.37%, 0.37%

LAB 34.84, 35.68, -29.84

 

CMYK 0 / 40 / 54 / 49

HEX #814E3B

RGB 129 78 59

HSL 16.29, 0.37%, 0.37%

LAB 38.61, 19.35, 20.27

 

CMYK 41 / 0 / 54 / 49

HEX #4C813B

RGB 76 129 59

HSL 105.43, 0.37%, 0.37%

LAB 48.95, -31.8, 32.19

 

CMYK 54 / 14 / 0 / 49

HEX #3B6F81

RGB 59 111 129

HSL 195.43, 0.37%, 0.37%

LAB 44.07, -11.96, -15.28

 

Description

Color code: HEX #723C82 | qconv.com Color code: HEX #723C82 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 60 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 60 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 54 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 54% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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