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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #723A14 it is the complementary color #8DC5EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #723A14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #723A14 shade: #773A0F, #884C22, #995E35, #AA7048 and #BB825B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #723A14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #723A14 shade: #723A14, #612801, #501600, #3F0400 and #2E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #723A14 shade: #713914, #712014 and #711414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #723A14 shade: #713914, #715214, #716B14, #5D7114 and #447114

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #723A14 shade matches the following richer shades: #713914 and #7B3709

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #723A14 shade: #713914, #663B1F, #5B3E29, #514034 and #46423F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #723A14 shade: #711420, #712014, #713914, #715214 and #716B14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #723A14 shade: #2B1608, #4E280E, #713914, #944B1A and #B75D20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #723A14 shade: #723A14, #397114 and #141471

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #723A14 shade: #723A14, #147139 and #391471

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #723A14 shade: #723A14, #397114, #144C71 and #4C1471

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #723A14 shade: #723A14, #1D7114, #144C71 and #671471

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 82 / 55

HEX #723A14

RGB 114 58 20

HSL 24.26, 0.7%, 0.26%

LAB 31.01, 21.67, 33.16

 

Complementary color

CMYK 40 / 16 / 0 / 8

HEX #8DC5EB

RGB 141 197 235

HSL 204.26, 0.7%, 0.74%

LAB 77.04, -8.61, -24.56

 

CMYK 0 / 51 / 87 / 53

HEX #773A0F

RGB 119 58 15

HSL 24.81, 0.78%, 0.26%

LAB 31.77, 23.74, 36.48

 

CMYK 0 / 44 / 75 / 47

HEX #884C22

RGB 136 76 34

HSL 24.71, 0.6%, 0.33%

LAB 38.76, 21.77, 34.98

 

CMYK 0 / 39 / 65 / 40

HEX #995E35

RGB 153 94 53

HSL 24.6, 0.49%, 0.4%

LAB 45.68, 20.1, 33.17

 

CMYK 0 / 34 / 58 / 33

HEX #AA7048

RGB 170 112 72

HSL 24.49, 0.4%, 0.47%

LAB 52.51, 18.7, 31.43

 

CMYK 0 / 30 / 51 / 27

HEX #BB825B

RGB 187 130 91

HSL 24.38, 0.41%, 0.55%

LAB 59.24, 17.51, 29.83

 

CMYK 0 / 49 / 82 / 55

HEX #723A14

RGB 114 58 20

HSL 24.26, 0.7%, 0.26%

LAB 31.01, 21.67, 33.16

 

CMYK 0 / 59 / 99 / 62

HEX #612801

RGB 97 40 1

HSL 24.38, 0.98%, 0.19%

LAB 23.87, 23.78, 33.83

 

CMYK 0 / 73 / 100 / 69

HEX #501600

RGB 80 22 0

HSL 16.5, 1%, 0.16%

LAB 16.89, 26.08, 25.54

 

CMYK 0 / 94 / 100 / 75

HEX #3F0400

RGB 63 4 0

HSL 3.81, 1%, 0.12%

LAB 10.13, 27.5, 15.89

 

CMYK 0 / 100 / 100 / 82

HEX #2E0000

RGB 46 0 0

HSL 0, 1%, 0.09%

LAB 5.25, 22.43, 8.29

 

CMYK 0 / 50 / 82 / 56

HEX #713914

RGB 113 57 20

HSL 23.87, 0.7%, 0.26%

LAB 30.61, 21.8, 32.73

 

CMYK 0 / 72 / 82 / 56

HEX #712014

RGB 113 32 20

HSL 7.74, 0.7%, 0.26%

LAB 25.55, 34.93, 27.68

 

CMYK 0 / 82 / 82 / 56

HEX #711414

RGB 113 20 20

HSL 0, 0.7%, 0.26%

LAB 23.87, 39.56, 25.95

 

CMYK 0 / 50 / 82 / 56

HEX #713914

RGB 113 57 20

HSL 23.87, 0.7%, 0.26%

LAB 30.61, 21.8, 32.73

 

CMYK 0 / 27 / 82 / 56

HEX #715214

RGB 113 82 20

HSL 40, 0.7%, 0.26%

LAB 37.11, 6.77, 38.89

 

CMYK 0 / 5 / 82 / 56

HEX #716B14

RGB 113 107 20

HSL 56.13, 0.7%, 0.26%

LAB 44.34, -7.92, 45.46

 

CMYK 18 / 0 / 82 / 56

HEX #5D7114

RGB 93 113 20

HSL 72.9, 0.7%, 0.26%

LAB 44.5, -20.52, 44.97

 

CMYK 40 / 0 / 82 / 56

HEX #447114

RGB 68 113 20

HSL 89.03, 0.7%, 0.26%

LAB 42.9, -31.02, 42.91

 

CMYK 0 / 50 / 82 / 56

HEX #713914

RGB 113 57 20

HSL 23.87, 0.7%, 0.26%

LAB 30.61, 21.8, 32.73

 

CMYK 0 / 55 / 93 / 52

HEX #7B3709

RGB 123 55 9

HSL 24.21, 0.86%, 0.26%

LAB 31.72, 27.02, 39.08

 

CMYK 0 / 50 / 82 / 56

HEX #713914

RGB 113 57 20

HSL 23.87, 0.7%, 0.26%

LAB 30.61, 21.8, 32.73

 

CMYK 0 / 42 / 70 / 60

HEX #663B1F

RGB 102 59 31

HSL 23.66, 0.53%, 0.26%

LAB 29.54, 16.14, 25.06

 

CMYK 0 / 32 / 55 / 64

HEX #5B3E29

RGB 91 62 41

HSL 25.2, 0.38%, 0.26%

LAB 28.98, 9.94, 17.93

 

CMYK 0 / 21 / 36 / 68

HEX #514034

RGB 81 64 52

HSL 24.83, 0.22%, 0.26%

LAB 28.55, 5.35, 10.13

 

CMYK 0 / 6 / 10 / 73

HEX #46423F

RGB 70 66 63

HSL 25.71, 0.05%, 0.26%

LAB 28.27, 1.07, 2.43

 

CMYK 0 / 82 / 72 / 56

HEX #711420

RGB 113 20 32

HSL 352.26, 0.7%, 0.26%

LAB 24.05, 40.11, 18.34

 

CMYK 0 / 72 / 82 / 56

HEX #712014

RGB 113 32 20

HSL 7.74, 0.7%, 0.26%

LAB 25.55, 34.93, 27.68

 

CMYK 0 / 50 / 82 / 56

HEX #713914

RGB 113 57 20

HSL 23.87, 0.7%, 0.26%

LAB 30.61, 21.8, 32.73

 

CMYK 0 / 27 / 82 / 56

HEX #715214

RGB 113 82 20

HSL 40, 0.7%, 0.26%

LAB 37.11, 6.77, 38.89

 

CMYK 0 / 5 / 82 / 56

HEX #716B14

RGB 113 107 20

HSL 56.13, 0.7%, 0.26%

LAB 44.34, -7.92, 45.46

 

CMYK 0 / 49 / 81 / 83

HEX #2B1608

RGB 43 22 8

HSL 24, 0.69%, 0.1%

LAB 9.84, 9.03, 11.62

 

CMYK 0 / 49 / 82 / 69

HEX #4E280E

RGB 78 40 14

HSL 24.38, 0.7%, 0.18%

LAB 20.71, 15.4, 24.01

 

CMYK 0 / 50 / 82 / 56

HEX #713914

RGB 113 57 20

HSL 23.87, 0.7%, 0.26%

LAB 30.61, 21.8, 32.73

 

CMYK 0 / 49 / 82 / 42

HEX #944B1A

RGB 148 75 26

HSL 24.1, 0.7%, 0.34%

LAB 40.25, 27.23, 40.97

 

CMYK 0 / 49 / 83 / 28

HEX #B75D20

RGB 183 93 32

HSL 24.24, 0.7%, 0.42%

LAB 49.5, 32.41, 48.78

 

CMYK 0 / 49 / 82 / 55

HEX #723A14

RGB 114 58 20

HSL 24.26, 0.7%, 0.26%

LAB 31.01, 21.67, 33.16

 

CMYK 50 / 0 / 82 / 56

HEX #397114

RGB 57 113 20

HSL 96.13, 0.7%, 0.26%

LAB 42.35, -35, 42.2

 

CMYK 82 / 82 / 0 / 56

HEX #141471

RGB 20 20 113

HSL 240, 0.7%, 0.26%

LAB 14.63, 34.62, -52.27

 

CMYK 0 / 49 / 82 / 55

HEX #723A14

RGB 114 58 20

HSL 24.26, 0.7%, 0.26%

LAB 31.01, 21.67, 33.16

 

CMYK 82 / 0 / 50 / 56

HEX #147139

RGB 20 113 57

HSL 143.87, 0.7%, 0.26%

LAB 41.62, -39.45, 23.78

 

CMYK 50 / 82 / 0 / 56

HEX #391471

RGB 57 20 113

HSL 263.87, 0.7%, 0.26%

LAB 18.2, 38.91, -46.26

 

CMYK 0 / 49 / 82 / 55

HEX #723A14

RGB 114 58 20

HSL 24.26, 0.7%, 0.26%

LAB 31.01, 21.67, 33.16

 

CMYK 50 / 0 / 82 / 56

HEX #397114

RGB 57 113 20

HSL 96.13, 0.7%, 0.26%

LAB 42.35, -35, 42.2

 

CMYK 82 / 33 / 0 / 56

HEX #144C71

RGB 20 76 113

HSL 203.87, 0.7%, 0.26%

LAB 30.66, -3.68, -26.33

 

CMYK 33 / 82 / 0 / 56

HEX #4C1471

RGB 76 20 113

HSL 276.13, 0.7%, 0.26%

LAB 20.94, 42.18, -41.67

 

CMYK 0 / 49 / 82 / 55

HEX #723A14

RGB 114 58 20

HSL 24.26, 0.7%, 0.26%

LAB 31.01, 21.67, 33.16

 

CMYK 74 / 0 / 82 / 56

HEX #1D7114

RGB 29 113 20

HSL 114.19, 0.7%, 0.26%

LAB 41.41, -42.59, 40.97

 

CMYK 82 / 33 / 0 / 56

HEX #144C71

RGB 20 76 113

HSL 203.87, 0.7%, 0.26%

LAB 30.66, -3.68, -26.33

 

CMYK 9 / 82 / 0 / 56

HEX #671471

RGB 103 20 113

HSL 293.55, 0.7%, 0.26%

LAB 25.49, 47.56, -34.09

 

Description

Color code: HEX #723A14 | qconv.com Color code: HEX #723A14 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 58 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 58 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 82 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 82% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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