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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #723985 it is the complementary color #8DC67A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #723985. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #723985 shade: #773980, #884B93, #995DA6, #AA6FB9 and #BB81CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #723985. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #723985 shade: #723985, #612772, #50155F, #3F034C and #2E0039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #723985 shade: #713984, #843983, #84396E, #84395A and #843946

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #723985 shade: #713984, #5D3984, #493984 and #393984

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #723985 shade matches the following richer shades: #713984, #792993, #801AA3 and #880BB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #723985 shade: #713984, #6A4875, #625766, #5A6656 and #537647

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #723985 shade: #493984, #5D3984, #713984, #843983 and #84396F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #723985 shade: #40204A, #582C67, #713984, #8A45A1 and #9F58B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #723985 shade: #723985, #84393C and #398453

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #723985 shade: #723985, #847139 and #398471

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #723985 shade: #723985, #84393C, #4B8439 and #398480

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #723985 shade: #723985, #844B39, #4B8439 and #397184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 57 / 0 / 48

HEX #723985

RGB 114 57 133

HSL 285, 0.4%, 0.37%

LAB 34.39, 37.99, -32.42

 

Complementary color

CMYK 29 / 0 / 38 / 22

HEX #8DC67A

RGB 141 198 122

HSL 105, 0.4%, 0.63%

LAB 74.48, -32.68, 32.33

 

CMYK 7 / 55 / 0 / 50

HEX #773980

RGB 119 57 128

HSL 292.39, 0.38%, 0.36%

LAB 34.82, 38.36, -28.6

 

CMYK 7 / 49 / 0 / 42

HEX #884B93

RGB 136 75 147

HSL 290.83, 0.32%, 0.44%

LAB 41.8, 37.64, -29.09

 

CMYK 8 / 44 / 0 / 35

HEX #995DA6

RGB 153 93 166

HSL 289.32, 0.29%, 0.51%

LAB 48.7, 36.85, -29.46

 

CMYK 8 / 40 / 0 / 27

HEX #AA6FB9

RGB 170 111 185

HSL 287.84, 0.35%, 0.58%

LAB 55.5, 36.05, -29.76

 

CMYK 8 / 37 / 0 / 20

HEX #BB81CC

RGB 187 129 204

HSL 286.4, 0.42%, 0.65%

LAB 62.19, 35.29, -30.04

 

CMYK 14 / 57 / 0 / 48

HEX #723985

RGB 114 57 133

HSL 285, 0.4%, 0.37%

LAB 34.39, 37.99, -32.42

 

CMYK 15 / 66 / 0 / 55

HEX #612772

RGB 97 39 114

HSL 286.4, 0.49%, 0.3%

LAB 27.32, 38.56, -31.87

 

CMYK 16 / 78 / 0 / 63

HEX #50155F

RGB 80 21 95

HSL 287.84, 0.64%, 0.23%

LAB 20.31, 38.52, -30.88

 

CMYK 17 / 96 / 0 / 70

HEX #3F034C

RGB 63 3 76

HSL 289.32, 0.92%, 0.15%

LAB 13.49, 37.41, -29.18

 

CMYK 19 / 100 / 0 / 78

HEX #2E0039

RGB 46 0 57

HSL 288.42, 1%, 0.11%

LAB 7.92, 31.78, -24.93

 

CMYK 14 / 57 / 0 / 48

HEX #713984

RGB 113 57 132

HSL 284.8, 0.4%, 0.37%

LAB 34.2, 37.49, -32.11

 

CMYK 0 / 57 / 1 / 48

HEX #843983

RGB 132 57 131

HSL 300.8, 0.4%, 0.37%

LAB 36.87, 42.75, -27.09

 

CMYK 0 / 57 / 17 / 48

HEX #84396E

RGB 132 57 110

HSL 317.6, 0.4%, 0.37%

LAB 35.9, 39.03, -15.51

 

CMYK 0 / 57 / 32 / 48

HEX #84395A

RGB 132 57 90

HSL 333.6, 0.4%, 0.37%

LAB 35.14, 36.01, -3.98

 

CMYK 0 / 57 / 47 / 48

HEX #843946

RGB 132 57 70

HSL 349.6, 0.4%, 0.37%

LAB 34.55, 33.54, 7.98

 

CMYK 14 / 57 / 0 / 48

HEX #713984

RGB 113 57 132

HSL 284.8, 0.4%, 0.37%

LAB 34.2, 37.49, -32.11

 

CMYK 30 / 57 / 0 / 48

HEX #5D3984

RGB 93 57 132

HSL 268.8, 0.4%, 0.37%

LAB 31.62, 31.89, -36.36

 

CMYK 45 / 57 / 0 / 48

HEX #493984

RGB 73 57 132

HSL 252.8, 0.4%, 0.37%

LAB 29.43, 26.66, -39.99

 

CMYK 57 / 57 / 0 / 48

HEX #393984

RGB 57 57 132

HSL 240, 0.4%, 0.37%

LAB 28.01, 22.97, -42.36

 

CMYK 14 / 57 / 0 / 48

HEX #713984

RGB 113 57 132

HSL 284.8, 0.4%, 0.37%

LAB 34.2, 37.49, -32.11

 

CMYK 18 / 72 / 0 / 42

HEX #792993

RGB 121 41 147

HSL 285.28, 0.56%, 0.37%

LAB 33.47, 50.47, -42.44

 

CMYK 21 / 84 / 0 / 36

HEX #801AA3

RGB 128 26 163

HSL 284.67, 0.72%, 0.37%

LAB 33.93, 60.2, -51.38

 

CMYK 24 / 94 / 0 / 30

HEX #880BB2

RGB 136 11 178

HSL 284.91, 0.88%, 0.37%

LAB 35.38, 67.32, -57.96

 

CMYK 14 / 57 / 0 / 48

HEX #713984

RGB 113 57 132

HSL 284.8, 0.4%, 0.37%

LAB 34.2, 37.49, -32.11

 

CMYK 9 / 38 / 0 / 54

HEX #6A4875

RGB 106 72 117

HSL 285.33, 0.24%, 0.37%

LAB 35.95, 23.17, -20.11

 

CMYK 4 / 15 / 0 / 60

HEX #625766

RGB 98 87 102

HSL 284, 0.08%, 0.37%

LAB 38.5, 7.58, -6.98

 

CMYK 12 / 0 / 16 / 60

HEX #5A6656

RGB 90 102 86

HSL 105, 0.09%, 0.37%

LAB 41.76, -7.95, 7.51

 

CMYK 30 / 0 / 40 / 54

HEX #537647

RGB 83 118 71

HSL 104.68, 0.25%, 0.37%

LAB 45.98, -22.13, 22

 

CMYK 45 / 57 / 0 / 48

HEX #493984

RGB 73 57 132

HSL 252.8, 0.4%, 0.37%

LAB 29.43, 26.66, -39.99

 

CMYK 30 / 57 / 0 / 48

HEX #5D3984

RGB 93 57 132

HSL 268.8, 0.4%, 0.37%

LAB 31.62, 31.89, -36.36

 

CMYK 14 / 57 / 0 / 48

HEX #713984

RGB 113 57 132

HSL 284.8, 0.4%, 0.37%

LAB 34.2, 37.49, -32.11

 

CMYK 0 / 57 / 1 / 48

HEX #843983

RGB 132 57 131

HSL 300.8, 0.4%, 0.37%

LAB 36.87, 42.75, -27.09

 

CMYK 0 / 57 / 16 / 48

HEX #84396F

RGB 132 57 111

HSL 316.8, 0.4%, 0.37%

LAB 35.94, 39.2, -16.07

 

CMYK 14 / 57 / 0 / 71

HEX #40204A

RGB 64 32 74

HSL 285.71, 0.4%, 0.21%

LAB 18.44, 23.51, -19.89

 

CMYK 15 / 57 / 0 / 60

HEX #582C67

RGB 88 44 103

HSL 284.75, 0.4%, 0.29%

LAB 26.32, 30.84, -26.47

 

CMYK 14 / 57 / 0 / 48

HEX #713984

RGB 113 57 132

HSL 284.8, 0.4%, 0.37%

LAB 34.2, 37.49, -32.11

 

CMYK 14 / 57 / 0 / 37

HEX #8A45A1

RGB 138 69 161

HSL 285, 0.4%, 0.45%

LAB 41.58, 44.37, -37.82

 

CMYK 13 / 52 / 0 / 28

HEX #9F58B7

RGB 159 88 183

HSL 284.84, 0.4%, 0.53%

LAB 49.22, 44.86, -38.54

 

CMYK 14 / 57 / 0 / 48

HEX #723985

RGB 114 57 133

HSL 285, 0.4%, 0.37%

LAB 34.39, 37.99, -32.42

 

CMYK 0 / 57 / 55 / 48

HEX #84393C

RGB 132 57 60

HSL 357.6, 0.4%, 0.37%

LAB 34.31, 32.54, 14.05

 

CMYK 57 / 0 / 37 / 48

HEX #398453

RGB 57 132 83

HSL 140.8, 0.4%, 0.37%

LAB 49.49, -35, 19.63

 

CMYK 14 / 57 / 0 / 48

HEX #723985

RGB 114 57 133

HSL 285, 0.4%, 0.37%

LAB 34.39, 37.99, -32.42

 

CMYK 0 / 14 / 57 / 48

HEX #847139

RGB 132 113 57

HSL 44.8, 0.4%, 0.37%

LAB 48.27, -0.05, 33.45

 

CMYK 57 / 0 / 14 / 48

HEX #398471

RGB 57 132 113

HSL 164.8, 0.4%, 0.37%

LAB 50.17, -28.15, 3.27

 

CMYK 14 / 57 / 0 / 48

HEX #723985

RGB 114 57 133

HSL 285, 0.4%, 0.37%

LAB 34.39, 37.99, -32.42

 

CMYK 0 / 57 / 55 / 48

HEX #84393C

RGB 132 57 60

HSL 357.6, 0.4%, 0.37%

LAB 34.31, 32.54, 14.05

 

CMYK 43 / 0 / 57 / 48

HEX #4B8439

RGB 75 132 57

HSL 105.6, 0.4%, 0.37%

LAB 49.85, -33.76, 34.28

 

CMYK 57 / 0 / 3 / 48

HEX #398480

RGB 57 132 128

HSL 176.8, 0.4%, 0.37%

LAB 50.61, -24.08, -4.87

 

CMYK 14 / 57 / 0 / 48

HEX #723985

RGB 114 57 133

HSL 285, 0.4%, 0.37%

LAB 34.39, 37.99, -32.42

 

CMYK 0 / 43 / 57 / 48

HEX #844B39

RGB 132 75 57

HSL 14.4, 0.4%, 0.37%

LAB 38.26, 22.22, 21.11

 

CMYK 43 / 0 / 57 / 48

HEX #4B8439

RGB 75 132 57

HSL 105.6, 0.4%, 0.37%

LAB 49.85, -33.76, 34.28

 

CMYK 57 / 14 / 0 / 48

HEX #397184

RGB 57 113 132

HSL 195.2, 0.4%, 0.37%

LAB 44.73, -12.62, -16.08

 

Description

Color code: HEX #723985 | qconv.com Color code: HEX #723985 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 57 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 57 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 57 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 57% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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