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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #723297 it is the complementary color #8DCD68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #723297. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #723297 shade: #773292, #8844A5, #9956B8, #AA68CB and #BB7ADE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #723297. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #723297 shade: #723297, #612084, #500E71, #3F005E and #2E004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #723297 shade: #713295, #8C3295, #953284, #953269 and #95324E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #723297 shade: #713295, #563295, #3B3295 and #323295

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #723297 shade matches the following richer shades: #713295, #7522A5, #7912B5 and #7E01C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #723297 shade: #713295, #6C4285, #685275, #646265 and #607255

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #723297 shade: #3C3295, #563295, #713295, #8B3295 and #953285

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #723297 shade: #421D57, #592776, #713295, #883CB4 and #9C54C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #723297 shade: #723297, #953242 and #329549

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #723297 shade: #723297, #957132 and #329571

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #723297 shade: #723297, #953242, #569532 and #329585

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #723297 shade: #723297, #953F32, #569532 and #328895

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 67 / 0 / 41

HEX #723297

RGB 114 50 151

HSL 278.02, 0.5%, 0.39%

LAB 34.18, 45.67, -43.81

 

Complementary color

CMYK 31 / 0 / 49 / 20

HEX #8DCD68

RGB 141 205 104

HSL 98.02, 0.5%, 0.61%

LAB 76.27, -38.26, 43.62

 

CMYK 18 / 66 / 0 / 43

HEX #773292

RGB 119 50 146

HSL 283.13, 0.49%, 0.38%

LAB 34.56, 45.74, -40.1

 

CMYK 18 / 59 / 0 / 35

HEX #8844A5

RGB 136 68 165

HSL 282.06, 0.42%, 0.46%

LAB 41.35, 45.21, -40.59

 

CMYK 17 / 53 / 0 / 28

HEX #9956B8

RGB 153 86 184

HSL 281.02, 0.41%, 0.53%

LAB 48.12, 44.48, -40.9

 

CMYK 16 / 49 / 0 / 20

HEX #AA68CB

RGB 170 104 203

HSL 280, 0.49%, 0.6%

LAB 54.82, 43.68, -41.12

 

CMYK 16 / 45 / 0 / 13

HEX #BB7ADE

RGB 187 122 222

HSL 279, 0.6%, 0.67%

LAB 61.44, 42.86, -41.29

 

CMYK 25 / 67 / 0 / 41

HEX #723297

RGB 114 50 151

HSL 278.02, 0.5%, 0.39%

LAB 34.18, 45.67, -43.81

 

CMYK 27 / 76 / 0 / 48

HEX #612084

RGB 97 32 132

HSL 279, 0.61%, 0.32%

LAB 27.41, 45.84, -43.11

 

CMYK 29 / 88 / 0 / 56

HEX #500E71

RGB 80 14 113

HSL 280, 0.78%, 0.25%

LAB 20.87, 44.97, -41.75

 

CMYK 33 / 100 / 0 / 63

HEX #3F005E

RGB 63 0 94

HSL 280.21, 1%, 0.18%

LAB 14.76, 42.34, -39.36

 

CMYK 39 / 100 / 0 / 71

HEX #2E004B

RGB 46 0 75

HSL 276.8, 1%, 0.15%

LAB 9.71, 35.8, -34.79

 

CMYK 24 / 66 / 0 / 42

HEX #713295

RGB 113 50 149

HSL 278.18, 0.5%, 0.39%

LAB 33.9, 44.97, -43.03

 

CMYK 6 / 66 / 0 / 42

HEX #8C3295

RGB 140 50 149

HSL 294.55, 0.5%, 0.39%

LAB 37.89, 51.52, -36.43

 

CMYK 0 / 66 / 11 / 42

HEX #953284

RGB 149 50 132

HSL 310.3, 0.5%, 0.39%

LAB 38.44, 50.87, -25.06

 

CMYK 0 / 66 / 30 / 42

HEX #953269

RGB 149 50 105

HSL 326.67, 0.5%, 0.39%

LAB 37.28, 46.9, -10

 

CMYK 0 / 66 / 48 / 42

HEX #95324E

RGB 149 50 78

HSL 343.03, 0.5%, 0.39%

LAB 36.41, 43.77, 5.89

 

CMYK 24 / 66 / 0 / 42

HEX #713295

RGB 113 50 149

HSL 278.18, 0.5%, 0.39%

LAB 33.9, 44.97, -43.03

 

CMYK 42 / 66 / 0 / 42

HEX #563295

RGB 86 50 149

HSL 261.82, 0.5%, 0.39%

LAB 30.47, 38.87, -48.74

 

CMYK 60 / 66 / 0 / 42

HEX #3B3295

RGB 59 50 149

HSL 245.45, 0.5%, 0.39%

LAB 27.79, 33.68, -53.22

 

CMYK 66 / 66 / 0 / 42

HEX #323295

RGB 50 50 149

HSL 240, 0.5%, 0.39%

LAB 27.1, 32.25, -54.38

 

CMYK 24 / 66 / 0 / 42

HEX #713295

RGB 113 50 149

HSL 278.18, 0.5%, 0.39%

LAB 33.9, 44.97, -43.03

 

CMYK 29 / 79 / 0 / 35

HEX #7522A5

RGB 117 34 165

HSL 278.02, 0.66%, 0.39%

LAB 33.23, 56.2, -53.8

 

CMYK 33 / 90 / 0 / 29

HEX #7912B5

RGB 121 18 181

HSL 277.91, 0.82%, 0.39%

LAB 33.63, 64.66, -62.69

 

CMYK 36 / 99 / 0 / 23

HEX #7E01C5

RGB 126 1 197

HSL 278.27, 0.99%, 0.39%

LAB 34.98, 71.03, -69.9

 

CMYK 24 / 66 / 0 / 42

HEX #713295

RGB 113 50 149

HSL 278.18, 0.5%, 0.39%

LAB 33.9, 44.97, -43.03

 

CMYK 19 / 50 / 0 / 48

HEX #6C4285

RGB 108 66 133

HSL 277.61, 0.34%, 0.39%

LAB 35.55, 31.15, -30.63

 

CMYK 11 / 30 / 0 / 54

HEX #685275

RGB 104 82 117

HSL 277.71, 0.18%, 0.39%

LAB 38.31, 16.3, -16.5

 

CMYK 1 / 3 / 0 / 60

HEX #646265

RGB 100 98 101

HSL 280, 0.02%, 0.39%

LAB 41.82, 1.41, -1.43

 

CMYK 16 / 0 / 25 / 55

HEX #607255

RGB 96 114 85

HSL 97.24, 0.15%, 0.39%

LAB 45.88, -12.57, 13.91

 

CMYK 60 / 66 / 0 / 42

HEX #3C3295

RGB 60 50 149

HSL 246.06, 0.5%, 0.39%

LAB 27.88, 33.84, -53.08

 

CMYK 42 / 66 / 0 / 42

HEX #563295

RGB 86 50 149

HSL 261.82, 0.5%, 0.39%

LAB 30.47, 38.87, -48.74

 

CMYK 24 / 66 / 0 / 42

HEX #713295

RGB 113 50 149

HSL 278.18, 0.5%, 0.39%

LAB 33.9, 44.97, -43.03

 

CMYK 7 / 66 / 0 / 42

HEX #8B3295

RGB 139 50 149

HSL 293.94, 0.5%, 0.39%

LAB 37.73, 51.27, -36.69

 

CMYK 0 / 66 / 11 / 42

HEX #953285

RGB 149 50 133

HSL 309.7, 0.5%, 0.39%

LAB 38.49, 51.03, -25.6

 

CMYK 24 / 67 / 0 / 66

HEX #421D57

RGB 66 29 87

HSL 278.28, 0.5%, 0.23%

LAB 18.91, 29.16, -27.93

 

CMYK 25 / 67 / 0 / 54

HEX #592776

RGB 89 39 118

HSL 277.97, 0.5%, 0.31%

LAB 26.4, 37.42, -35.96

 

CMYK 24 / 66 / 0 / 42

HEX #713295

RGB 113 50 149

HSL 278.18, 0.5%, 0.39%

LAB 33.9, 44.97, -43.03

 

CMYK 24 / 67 / 0 / 29

HEX #883CB4

RGB 136 60 180

HSL 278, 0.5%, 0.47%

LAB 40.83, 52.46, -50.32

 

CMYK 21 / 58 / 0 / 22

HEX #9C54C6

RGB 156 84 198

HSL 277.89, 0.5%, 0.55%

LAB 48.87, 49.39, -47.8

 

CMYK 25 / 67 / 0 / 41

HEX #723297

RGB 114 50 151

HSL 278.02, 0.5%, 0.39%

LAB 34.18, 45.67, -43.81

 

CMYK 0 / 66 / 56 / 42

HEX #953242

RGB 149 50 66

HSL 350.3, 0.5%, 0.39%

LAB 36.11, 42.68, 13.15

 

CMYK 66 / 0 / 51 / 42

HEX #329549

RGB 50 149 73

HSL 133.94, 0.5%, 0.39%

LAB 54.71, -45.45, 31.76

 

CMYK 25 / 67 / 0 / 41

HEX #723297

RGB 114 50 151

HSL 278.02, 0.5%, 0.39%

LAB 34.18, 45.67, -43.81

 

CMYK 0 / 24 / 66 / 42

HEX #957132

RGB 149 113 50

HSL 38.18, 0.5%, 0.39%

LAB 50.01, 7.17, 39.53

 

CMYK 66 / 0 / 24 / 42

HEX #329571

RGB 50 149 113

HSL 158.18, 0.5%, 0.39%

LAB 55.45, -37.5, 10.76

 

CMYK 25 / 67 / 0 / 41

HEX #723297

RGB 114 50 151

HSL 278.02, 0.5%, 0.39%

LAB 34.18, 45.67, -43.81

 

CMYK 0 / 66 / 56 / 42

HEX #953242

RGB 149 50 66

HSL 350.3, 0.5%, 0.39%

LAB 36.11, 42.68, 13.15

 

CMYK 42 / 0 / 66 / 42

HEX #569532

RGB 86 149 50

HSL 98.18, 0.5%, 0.39%

LAB 55.79, -38.27, 44.45

 

CMYK 66 / 0 / 11 / 42

HEX #329585

RGB 50 149 133

HSL 170.3, 0.5%, 0.39%

LAB 55.95, -32.37, 0.08

 

CMYK 25 / 67 / 0 / 41

HEX #723297

RGB 114 50 151

HSL 278.02, 0.5%, 0.39%

LAB 34.18, 45.67, -43.81

 

CMYK 0 / 58 / 66 / 42

HEX #953F32

RGB 149 63 50

HSL 7.88, 0.5%, 0.39%

LAB 38.15, 35.25, 25.77

 

CMYK 42 / 0 / 66 / 42

HEX #569532

RGB 86 149 50

HSL 98.18, 0.5%, 0.39%

LAB 55.79, -38.27, 44.45

 

CMYK 66 / 9 / 0 / 42

HEX #328895

RGB 50 136 149

HSL 187.88, 0.5%, 0.39%

LAB 52.35, -21.18, -14.52

 

Description

Color code: HEX #723297 | qconv.com Color code: HEX #723297 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 50 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 50 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 67 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 67% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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