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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #722EB6 it is the complementary color #8DD149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #722EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #722EB6 shade: #772EB1, #8840C4, #9952D7, #AA64EA and #BB76FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #722EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #722EB6 shade: #722EB6, #611CA3, #500A90, #3F007D and #2E006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #722EB6 shade: #732EB8, #982EB8, #B82EB2, #B82E8D and #B82E68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #722EB6 shade: #732EB8, #4E2EB8 and #2E2EB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #722EB6 shade matches the following richer shades: #732EB8, #731BCA and #7309DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #722EB6 shade: #732EB8, #7340A5, #735392, #736680 and #73786D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #722EB6 shade: #2E32B8, #4E2EB8, #732EB8, #972EB8 and #B82EB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #722EB6 shade: #491D76, #5E2697, #732EB8, #8740CF and #9C61D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #722EB6 shade: #722EB6, #B82E57 and #2EB83C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #722EB6 shade: #722EB6, #B8732E and #2EB873

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #722EB6 shade: #722EB6, #B82E57, #73B82E and #2EB88E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #722EB6 shade: #722EB6, #B82E2E, #73B82E and #2EB8B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 75 / 0 / 29

HEX #722EB6

RGB 114 46 182

HSL 270, 0.6%, 0.45%

LAB 35.81, 54.82, -59.78

 

Complementary color

CMYK 33 / 0 / 65 / 18

HEX #8DD149

RGB 141 209 73

HSL 90, 0.6%, 0.55%

LAB 77.13, -43.07, 58.56

 

CMYK 33 / 74 / 0 / 31

HEX #772EB1

RGB 119 46 177

HSL 273.44, 0.59%, 0.44%

LAB 36.08, 54.55, -56.34

 

CMYK 31 / 67 / 0 / 23

HEX #8840C4

RGB 136 64 196

HSL 272.73, 0.53%, 0.51%

LAB 42.59, 54.21, -56.85

 

CMYK 29 / 62 / 0 / 16

HEX #9952D7

RGB 153 82 215

HSL 272.03, 0.62%, 0.58%

LAB 49.15, 53.54, -57.12

 

CMYK 27 / 57 / 0 / 8

HEX #AA64EA

RGB 170 100 234

HSL 271.34, 0.76%, 0.65%

LAB 55.69, 52.73, -57.25

 

CMYK 26 / 53 / 0 / 1

HEX #BB76FD

RGB 187 118 253

HSL 270.67, 0.97%, 0.73%

LAB 62.18, 51.85, -57.31

 

CMYK 37 / 75 / 0 / 29

HEX #722EB6

RGB 114 46 182

HSL 270, 0.6%, 0.45%

LAB 35.81, 54.82, -59.78

 

CMYK 40 / 83 / 0 / 36

HEX #611CA3

RGB 97 28 163

HSL 270.67, 0.71%, 0.37%

LAB 29.45, 54.61, -58.87

 

CMYK 44 / 93 / 0 / 44

HEX #500A90

RGB 80 10 144

HSL 271.34, 0.87%, 0.3%

LAB 23.46, 53.08, -57.15

 

CMYK 50 / 100 / 0 / 51

HEX #3F007D

RGB 63 0 125

HSL 270.24, 1%, 0.25%

LAB 18.09, 49.37, -54.13

 

CMYK 57 / 100 / 0 / 58

HEX #2E006A

RGB 46 0 106

HSL 266.04, 1%, 0.21%

LAB 13.36, 43.33, -49.72

 

CMYK 38 / 75 / 0 / 28

HEX #732EB8

RGB 115 46 184

HSL 270, 0.6%, 0.45%

LAB 36.1, 55.48, -60.48

 

CMYK 17 / 75 / 0 / 28

HEX #982EB8

RGB 152 46 184

HSL 286.09, 0.6%, 0.45%

LAB 41.36, 62.42, -51.71

 

CMYK 0 / 75 / 3 / 28

HEX #B82EB2

RGB 184 46 178

HSL 302.61, 0.6%, 0.45%

LAB 46.12, 67.99, -40.27

 

CMYK 0 / 75 / 23 / 28

HEX #B82E8D

RGB 184 46 141

HSL 318.7, 0.6%, 0.45%

LAB 44.33, 62.66, -20.96

 

CMYK 0 / 75 / 43 / 28

HEX #B82E68

RGB 184 46 104

HSL 334.78, 0.6%, 0.45%

LAB 42.98, 58.45, -0.23

 

CMYK 38 / 75 / 0 / 28

HEX #732EB8

RGB 115 46 184

HSL 270, 0.6%, 0.45%

LAB 36.1, 55.48, -60.48

 

CMYK 58 / 75 / 0 / 28

HEX #4E2EB8

RGB 78 46 184

HSL 253.91, 0.6%, 0.45%

LAB 31.89, 49.69, -67.55

 

CMYK 75 / 75 / 0 / 28

HEX #2E2EB8

RGB 46 46 184

HSL 240, 0.6%, 0.45%

LAB 29.4, 46.15, -71.73

 

CMYK 38 / 75 / 0 / 28

HEX #732EB8

RGB 115 46 184

HSL 270, 0.6%, 0.45%

LAB 36.1, 55.48, -60.48

 

CMYK 43 / 87 / 0 / 21

HEX #731BCA

RGB 115 27 202

HSL 270.17, 0.76%, 0.45%

LAB 35.39, 66.29, -72.21

 

CMYK 48 / 96 / 0 / 13

HEX #7309DD

RGB 115 9 221

HSL 270, 0.92%, 0.45%

LAB 36.1, 73.9, -82.03

 

CMYK 38 / 75 / 0 / 28

HEX #732EB8

RGB 115 46 184

HSL 270, 0.6%, 0.45%

LAB 36.1, 55.48, -60.48

 

CMYK 30 / 61 / 0 / 35

HEX #7340A5

RGB 115 64 165

HSL 270.3, 0.44%, 0.45%

LAB 37.89, 42.01, -46.28

 

CMYK 21 / 43 / 0 / 43

HEX #735392

RGB 115 83 146

HSL 270.48, 0.28%, 0.45%

LAB 41.07, 26.32, -29.82

 

CMYK 10 / 20 / 0 / 50

HEX #736680

RGB 115 102 128

HSL 270, 0.11%, 0.45%

LAB 45.23, 10.53, -12.56

 

CMYK 4 / 0 / 9 / 53

HEX #73786D

RGB 115 120 109

HSL 87.27, 0.05%, 0.45%

LAB 49.72, -4.07, 5.39

 

CMYK 75 / 73 / 0 / 28

HEX #2E32B8

RGB 46 50 184

HSL 238.26, 0.6%, 0.45%

LAB 30.21, 43.87, -70.39

 

CMYK 58 / 75 / 0 / 28

HEX #4E2EB8

RGB 78 46 184

HSL 253.91, 0.6%, 0.45%

LAB 31.89, 49.69, -67.55

 

CMYK 38 / 75 / 0 / 28

HEX #732EB8

RGB 115 46 184

HSL 270, 0.6%, 0.45%

LAB 36.1, 55.48, -60.48

 

CMYK 18 / 75 / 0 / 28

HEX #972EB8

RGB 151 46 184

HSL 285.65, 0.6%, 0.45%

LAB 41.21, 62.22, -51.96

 

CMYK 0 / 75 / 3 / 28

HEX #B82EB3

RGB 184 46 179

HSL 302.17, 0.6%, 0.45%

LAB 46.18, 68.15, -40.77

 

CMYK 38 / 75 / 0 / 54

HEX #491D76

RGB 73 29 118

HSL 269.66, 0.61%, 0.29%

LAB 22.31, 38.87, -42.67

 

CMYK 38 / 75 / 0 / 41

HEX #5E2697

RGB 94 38 151

HSL 269.73, 0.6%, 0.37%

LAB 29.41, 47.14, -51.64

 

CMYK 38 / 75 / 0 / 28

HEX #732EB8

RGB 115 46 184

HSL 270, 0.6%, 0.45%

LAB 36.1, 55.48, -60.48

 

CMYK 35 / 69 / 0 / 19

HEX #8740CF

RGB 135 64 207

HSL 269.79, 0.6%, 0.53%

LAB 43.25, 56.6, -62.17

 

CMYK 27 / 55 / 0 / 16

HEX #9C61D7

RGB 156 97 215

HSL 270, 0.6%, 0.61%

LAB 52.42, 46.45, -51.85

 

CMYK 37 / 75 / 0 / 29

HEX #722EB6

RGB 114 46 182

HSL 270, 0.6%, 0.45%

LAB 35.81, 54.82, -59.78

 

CMYK 0 / 75 / 53 / 28

HEX #B82E57

RGB 184 46 87

HSL 342.17, 0.6%, 0.45%

LAB 42.51, 56.94, 9.72

 

CMYK 75 / 0 / 67 / 28

HEX #2EB83C

RGB 46 184 60

HSL 126.09, 0.6%, 0.45%

LAB 65.89, -60.22, 50.78

 

CMYK 37 / 75 / 0 / 29

HEX #722EB6

RGB 114 46 182

HSL 270, 0.6%, 0.45%

LAB 35.81, 54.82, -59.78

 

CMYK 0 / 38 / 75 / 28

HEX #B8732E

RGB 184 115 46

HSL 30, 0.6%, 0.45%

LAB 54.71, 21.41, 47.69

 

CMYK 75 / 0 / 38 / 28

HEX #2EB873

RGB 46 184 115

HSL 150, 0.6%, 0.45%

LAB 66.6, -52.02, 24.94

 

CMYK 37 / 75 / 0 / 29

HEX #722EB6

RGB 114 46 182

HSL 270, 0.6%, 0.45%

LAB 35.81, 54.82, -59.78

 

CMYK 0 / 75 / 53 / 28

HEX #B82E57

RGB 184 46 87

HSL 342.17, 0.6%, 0.45%

LAB 42.51, 56.94, 9.72

 

CMYK 38 / 0 / 75 / 28

HEX #73B82E

RGB 115 184 46

HSL 90, 0.6%, 0.45%

LAB 68.11, -43.46, 59.07

 

CMYK 75 / 0 / 23 / 28

HEX #2EB88E

RGB 46 184 142

HSL 161.74, 0.6%, 0.45%

LAB 67.14, -46.1, 11.1

 

CMYK 37 / 75 / 0 / 29

HEX #722EB6

RGB 114 46 182

HSL 270, 0.6%, 0.45%

LAB 35.81, 54.82, -59.78

 

CMYK 0 / 75 / 75 / 28

HEX #B82E2E

RGB 184 46 46

HSL 0, 0.6%, 0.45%

LAB 41.75, 54.47, 33.95

 

CMYK 38 / 0 / 75 / 28

HEX #73B82E

RGB 115 184 46

HSL 90, 0.6%, 0.45%

LAB 68.11, -43.46, 59.07

 

CMYK 75 / 0 / 0 / 28

HEX #2EB8B8

RGB 46 184 184

HSL 180, 0.6%, 0.45%

LAB 68.26, -34.82, -10.38

 

Description

Color code: HEX #722EB6 | qconv.com Color code: HEX #722EB6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 46 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 46 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 75 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 75% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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