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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #722C83 it is the complementary color #8DD37C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #722C83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #722C83 shade: #772C7E, #883E91, #9950A4, #AA62B7 and #BB74CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #722C83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #722C83 shade: #722C83, #611A70, #50085D, #3F004A and #2E0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #722C83 shade: #712B82, #822B7C, #822B64, #822B4D and #822B35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #722C83 shade: #712B82, #5A2B82, #422B82 and #2B2B82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #722C83 shade matches the following richer shades: #712B82, #7A1D90, #820F9E and #8B01AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #722C83 shade: #712B82, #693974, #604766, #575558 and #4F634A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #722C83 shade: #422B82, #5A2B82, #712B82, #822B7C and #822B65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #722C83 shade: #3B1744, #562163, #712B82, #8C36A1 and #A740BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #722C83 shade: #722C83, #822B2B and #2B824E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #722C83 shade: #722C83, #82712B and #2B8271

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #722C83 shade: #722C83, #822B2B, #3D822B and #2B8282

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #722C83 shade: #722C83, #82452B, #3D822B and #2B6882

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 66 / 0 / 49

HEX #722C83

RGB 114 44 131

HSL 288.28, 0.5%, 0.34%

LAB 31.85, 44.16, -35.22

 

Complementary color

CMYK 33 / 0 / 41 / 17

HEX #8DD37C

RGB 141 211 124

HSL 108.28, 0.5%, 0.66%

LAB 78.29, -38.35, 36.24

 

CMYK 6 / 65 / 0 / 51

HEX #772C7E

RGB 119 44 126

HSL 294.88, 0.48%, 0.33%

LAB 32.32, 44.44, -31.29

 

CMYK 6 / 57 / 0 / 43

HEX #883E91

RGB 136 62 145

HSL 293.49, 0.4%, 0.41%

LAB 39.11, 44.09, -32.11

 

CMYK 7 / 51 / 0 / 36

HEX #9950A4

RGB 153 80 164

HSL 292.14, 0.34%, 0.48%

LAB 45.89, 43.46, -32.67

 

CMYK 7 / 46 / 0 / 28

HEX #AA62B7

RGB 170 98 183

HSL 290.82, 0.37%, 0.55%

LAB 52.62, 42.73, -33.1

 

CMYK 7 / 43 / 0 / 21

HEX #BB74CA

RGB 187 116 202

HSL 289.53, 0.45%, 0.62%

LAB 59.27, 41.96, -33.44

 

CMYK 13 / 66 / 0 / 49

HEX #722C83

RGB 114 44 131

HSL 288.28, 0.5%, 0.34%

LAB 31.85, 44.16, -35.22

 

CMYK 13 / 77 / 0 / 56

HEX #611A70

RGB 97 26 112

HSL 289.53, 0.62%, 0.27%

LAB 25.11, 43.96, -34.12

 

CMYK 14 / 91 / 0 / 64

HEX #50085D

RGB 80 8 93

HSL 290.82, 0.84%, 0.2%

LAB 18.67, 42.44, -32.2

 

CMYK 15 / 100 / 0 / 71

HEX #3F004A

RGB 63 0 74

HSL 291.08, 1%, 0.15%

LAB 12.93, 38.19, -28.7

 

CMYK 16 / 100 / 0 / 78

HEX #2E0037

RGB 46 0 55

HSL 290.18, 1%, 0.11%

LAB 7.74, 31.36, -23.76

 

CMYK 13 / 67 / 0 / 49

HEX #712B82

RGB 113 43 130

HSL 288.28, 0.5%, 0.34%

LAB 31.46, 44.16, -35.21

 

CMYK 0 / 67 / 5 / 49

HEX #822B7C

RGB 130 43 124

HSL 304.14, 0.5%, 0.34%

LAB 33.83, 47.41, -27.53

 

CMYK 0 / 67 / 23 / 49

HEX #822B64

RGB 130 43 100

HSL 320.69, 0.5%, 0.34%

LAB 32.69, 43.53, -14.11

 

CMYK 0 / 67 / 41 / 49

HEX #822B4D

RGB 130 43 77

HSL 336.55, 0.5%, 0.34%

LAB 31.83, 40.49, -0.5

 

CMYK 0 / 67 / 59 / 49

HEX #822B35

RGB 130 43 53

HSL 353.1, 0.5%, 0.34%

LAB 31.19, 38.13, 14.3

 

CMYK 13 / 67 / 0 / 49

HEX #712B82

RGB 113 43 130

HSL 288.28, 0.5%, 0.34%

LAB 31.46, 44.16, -35.21

 

CMYK 31 / 67 / 0 / 49

HEX #5A2B82

RGB 90 43 130

HSL 272.41, 0.5%, 0.34%

LAB 28.15, 38.52, -40.71

 

CMYK 49 / 67 / 0 / 49

HEX #422B82

RGB 66 43 130

HSL 255.86, 0.5%, 0.34%

LAB 25.25, 33.16, -45.54

 

CMYK 67 / 67 / 0 / 49

HEX #2B2B82

RGB 43 43 130

HSL 240, 0.5%, 0.34%

LAB 23.18, 28.98, -49.01

 

CMYK 13 / 67 / 0 / 49

HEX #712B82

RGB 113 43 130

HSL 288.28, 0.5%, 0.34%

LAB 31.46, 44.16, -35.21

 

CMYK 15 / 80 / 0 / 44

HEX #7A1D90

RGB 122 29 144

HSL 288.52, 0.66%, 0.34%

LAB 31.87, 54.52, -43.16

 

CMYK 18 / 91 / 0 / 38

HEX #820F9E

RGB 130 15 158

HSL 288.25, 0.83%, 0.34%

LAB 33.04, 62.07, -49.77

 

CMYK 19 / 99 / 0 / 33

HEX #8B01AC

RGB 139 1 172

HSL 288.42, 0.99%, 0.34%

LAB 34.98, 67.94, -55

 

CMYK 13 / 67 / 0 / 49

HEX #712B82

RGB 113 43 130

HSL 288.28, 0.5%, 0.34%

LAB 31.46, 44.16, -35.21

 

CMYK 9 / 51 / 0 / 55

HEX #693974

RGB 105 57 116

HSL 288.81, 0.34%, 0.34%

LAB 32.24, 31.55, -25.28

 

CMYK 6 / 30 / 0 / 60

HEX #604766

RGB 96 71 102

HSL 288.39, 0.18%, 0.34%

LAB 33.88, 16.82, -13.98

 

CMYK 1 / 3 / 0 / 65

HEX #575558

RGB 87 85 88

HSL 280, 0.02%, 0.34%

LAB 36.42, 1.45, -1.46

 

CMYK 20 / 0 / 25 / 61

HEX #4F634A

RGB 79 99 74

HSL 108, 0.14%, 0.34%

LAB 39.72, -12.91, 11.78

 

CMYK 49 / 67 / 0 / 49

HEX #422B82

RGB 66 43 130

HSL 255.86, 0.5%, 0.34%

LAB 25.25, 33.16, -45.54

 

CMYK 31 / 67 / 0 / 49

HEX #5A2B82

RGB 90 43 130

HSL 272.41, 0.5%, 0.34%

LAB 28.15, 38.52, -40.71

 

CMYK 13 / 67 / 0 / 49

HEX #712B82

RGB 113 43 130

HSL 288.28, 0.5%, 0.34%

LAB 31.46, 44.16, -35.21

 

CMYK 0 / 67 / 5 / 49

HEX #822B7C

RGB 130 43 124

HSL 304.14, 0.5%, 0.34%

LAB 33.83, 47.41, -27.53

 

CMYK 0 / 67 / 22 / 49

HEX #822B65

RGB 130 43 101

HSL 320, 0.5%, 0.34%

LAB 32.73, 43.68, -14.69

 

CMYK 13 / 66 / 0 / 73

HEX #3B1744

RGB 59 23 68

HSL 288, 0.49%, 0.18%

LAB 15.28, 25.85, -20.81

 

CMYK 13 / 67 / 0 / 61

HEX #562163

RGB 86 33 99

HSL 288.18, 0.5%, 0.26%

LAB 23.56, 35.34, -28.26

 

CMYK 13 / 67 / 0 / 49

HEX #712B82

RGB 113 43 130

HSL 288.28, 0.5%, 0.34%

LAB 31.46, 44.16, -35.21

 

CMYK 13 / 66 / 0 / 37

HEX #8C36A1

RGB 140 54 161

HSL 288.22, 0.5%, 0.42%

LAB 39.22, 52.1, -41.56

 

CMYK 13 / 66 / 0 / 25

HEX #A740BF

RGB 167 64 191

HSL 288.66, 0.5%, 0.5%

LAB 46.5, 59.97, -47.43

 

CMYK 13 / 66 / 0 / 49

HEX #722C83

RGB 114 44 131

HSL 288.28, 0.5%, 0.34%

LAB 31.85, 44.16, -35.22

 

CMYK 0 / 67 / 67 / 49

HEX #822B2B

RGB 130 43 43

HSL 0, 0.5%, 0.34%

LAB 30.99, 37.41, 20.51

 

CMYK 67 / 0 / 40 / 49

HEX #2B824E

RGB 43 130 78

HSL 144.14, 0.5%, 0.34%

LAB 48.3, -38.34, 20.77

 

CMYK 13 / 66 / 0 / 49

HEX #722C83

RGB 114 44 131

HSL 288.28, 0.5%, 0.34%

LAB 31.85, 44.16, -35.22

 

CMYK 0 / 13 / 67 / 49

HEX #82712B

RGB 130 113 43

HSL 48.28, 0.5%, 0.34%

LAB 47.92, -2.06, 40.07

 

CMYK 67 / 0 / 13 / 49

HEX #2B8271

RGB 43 130 113

HSL 168.28, 0.5%, 0.34%

LAB 49.09, -30.03, 1.65

 

CMYK 13 / 66 / 0 / 49

HEX #722C83

RGB 114 44 131

HSL 288.28, 0.5%, 0.34%

LAB 31.85, 44.16, -35.22

 

CMYK 0 / 67 / 67 / 49

HEX #822B2B

RGB 130 43 43

HSL 0, 0.5%, 0.34%

LAB 30.99, 37.41, 20.51

 

CMYK 53 / 0 / 67 / 49

HEX #3D822B

RGB 61 130 43

HSL 107.59, 0.5%, 0.34%

LAB 48.43, -38.98, 39.23

 

CMYK 67 / 0 / 0 / 49

HEX #2B8282

RGB 43 130 130

HSL 180, 0.5%, 0.34%

LAB 49.61, -25.11, -7.57

 

CMYK 13 / 66 / 0 / 49

HEX #722C83

RGB 114 44 131

HSL 288.28, 0.5%, 0.34%

LAB 31.85, 44.16, -35.22

 

CMYK 0 / 47 / 67 / 49

HEX #82452B

RGB 130 69 43

HSL 17.93, 0.5%, 0.34%

LAB 36.32, 23.7, 27.01

 

CMYK 53 / 0 / 67 / 49

HEX #3D822B

RGB 61 130 43

HSL 107.59, 0.5%, 0.34%

LAB 48.43, -38.98, 39.23

 

CMYK 67 / 20 / 0 / 49

HEX #2B6882

RGB 43 104 130

HSL 197.93, 0.5%, 0.34%

LAB 41.26, -10.95, -20.24

 

Description

Color code: HEX #722C83 | qconv.com Color code: HEX #722C83 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 44 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 44 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 66 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 66% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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