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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #722C76 it is the complementary color #8DD389. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #722C76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #722C76 shade: #772C71, #883E84, #995097, #AA62AA and #BB74BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #722C76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #722C76 shade: #722C76, #611A63, #500850, #3F003D and #2E002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #722C76 shade: #732C77, #772C67, #772C53, #772C3E and #772C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #722C76 shade: #732C77, #5F2C77, #4B2C77, #362C77 and #2C2C77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #722C76 shade matches the following richer shades: #732C77, #7F1F84, #8B1292 and #96049F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #722C76 shade: #732C77, #67396A, #5C465D, #505450 and #446142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #722C76 shade: #4A2C77, #5E2C77, #722C77, #772C68 and #772C54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #722C76 shade: #39163B, #562159, #732C77, #903795 and #AD42B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #722C76 shade: #722C76, #77362C and #2C7754

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #722C76 shade: #722C76, #77722C and #2C7772

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #722C76 shade: #722C76, #77362C, #31772C and #2C6D77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #722C76 shade: #722C76, #774D2C, #31772C and #2C5777

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 63 / 0 / 54

HEX #722C76

RGB 114 44 118

HSL 296.76, 0.46%, 0.32%

LAB 31.08, 41.53, -28.27

 

Complementary color

CMYK 33 / 0 / 35 / 17

HEX #8DD389

RGB 141 211 137

HSL 116.76, 0.46%, 0.68%

LAB 78.5, -36.42, 29.87

 

CMYK 0 / 63 / 5 / 53

HEX #772C71

RGB 119 44 113

HSL 304.8, 0.46%, 0.32%

LAB 31.61, 41.99, -24.22

 

CMYK 0 / 54 / 3 / 47

HEX #883E84

RGB 136 62 132

HSL 303.24, 0.37%, 0.39%

LAB 38.46, 41.59, -25.19

 

CMYK 0 / 48 / 1 / 40

HEX #995097

RGB 153 80 151

HSL 301.64, 0.31%, 0.46%

LAB 45.28, 40.94, -25.89

 

CMYK 0 / 42 / 0 / 33

HEX #AA62AA

RGB 170 98 170

HSL 300, 0.3%, 0.53%

LAB 52.04, 40.19, -26.44

 

CMYK 1 / 39 / 0 / 26

HEX #BB74BD

RGB 187 116 189

HSL 298.36, 0.36%, 0.6%

LAB 58.72, 39.43, -26.9

 

CMYK 3 / 63 / 0 / 54

HEX #722C76

RGB 114 44 118

HSL 296.76, 0.46%, 0.32%

LAB 31.08, 41.53, -28.27

 

CMYK 2 / 74 / 0 / 61

HEX #611A63

RGB 97 26 99

HSL 298.36, 0.58%, 0.25%

LAB 24.26, 41.41, -27.04

 

CMYK 0 / 90 / 0 / 69

HEX #500850

RGB 80 8 80

HSL 300, 0.82%, 0.17%

LAB 17.73, 39.98, -24.94

 

CMYK 0 / 100 / 3 / 75

HEX #3F003D

RGB 63 0 61

HSL 301.9, 1%, 0.12%

LAB 11.92, 35.77, -21.18

 

CMYK 0 / 100 / 9 / 82

HEX #2E002A

RGB 46 0 42

HSL 305.22, 1%, 0.09%

LAB 6.76, 28.56, -15.68

 

CMYK 3 / 63 / 0 / 53

HEX #732C77

RGB 115 44 119

HSL 296.8, 0.46%, 0.32%

LAB 31.3, 42, -28.56

 

CMYK 0 / 63 / 13 / 53

HEX #772C67

RGB 119 44 103

HSL 312.8, 0.46%, 0.32%

LAB 31.12, 40.24, -18.61

 

CMYK 0 / 63 / 30 / 53

HEX #772C53

RGB 119 44 83

HSL 328.8, 0.46%, 0.32%

LAB 30.27, 37.14, -6.94

 

CMYK 0 / 63 / 48 / 53

HEX #772C3E

RGB 119 44 62

HSL 345.6, 0.46%, 0.32%

LAB 29.59, 34.53, 5.88

 

CMYK 0 / 63 / 63 / 53

HEX #772C2C

RGB 119 44 44

HSL 0, 0.46%, 0.32%

LAB 29.17, 32.88, 17.14

 

CMYK 3 / 63 / 0 / 53

HEX #732C77

RGB 115 44 119

HSL 296.8, 0.46%, 0.32%

LAB 31.3, 42, -28.56

 

CMYK 20 / 63 / 0 / 53

HEX #5F2C77

RGB 95 44 119

HSL 280.8, 0.46%, 0.32%

LAB 28.29, 36.56, -33.52

 

CMYK 37 / 63 / 0 / 53

HEX #4B2C77

RGB 75 44 119

HSL 264.8, 0.46%, 0.32%

LAB 25.65, 31.36, -37.89

 

CMYK 55 / 63 / 0 / 53

HEX #362C77

RGB 54 44 119

HSL 248, 0.46%, 0.32%

LAB 23.4, 26.49, -41.65

 

CMYK 63 / 63 / 0 / 53

HEX #2C2C77

RGB 44 44 119

HSL 240, 0.46%, 0.32%

LAB 22.54, 24.51, -43.07

 

CMYK 3 / 63 / 0 / 53

HEX #732C77

RGB 115 44 119

HSL 296.8, 0.46%, 0.32%

LAB 31.3, 42, -28.56

 

CMYK 4 / 77 / 0 / 48

HEX #7F1F84

RGB 127 31 132

HSL 297.03, 0.62%, 0.32%

LAB 32.16, 52.68, -35.21

 

CMYK 5 / 88 / 0 / 43

HEX #8B1292

RGB 139 18 146

HSL 296.72, 0.78%, 0.32%

LAB 33.98, 60.96, -40.85

 

CMYK 6 / 97 / 0 / 38

HEX #96049F

RGB 150 4 159

HSL 296.52, 0.95%, 0.32%

LAB 36.13, 67.05, -45.22

 

CMYK 3 / 63 / 0 / 53

HEX #732C77

RGB 115 44 119

HSL 296.8, 0.46%, 0.32%

LAB 31.3, 42, -28.56

 

CMYK 3 / 46 / 0 / 58

HEX #67396A

RGB 103 57 106

HSL 296.33, 0.3%, 0.32%

LAB 31.46, 28.74, -20.18

 

CMYK 1 / 25 / 0 / 64

HEX #5C465D

RGB 92 70 93

HSL 297.39, 0.14%, 0.32%

LAB 32.8, 13.94, -9.96

 

CMYK 5 / 0 / 5 / 67

HEX #505450

RGB 80 84 80

HSL 120, 0.02%, 0.32%

LAB 35.25, -2.47, 1.78

 

CMYK 30 / 0 / 32 / 62

HEX #446142

RGB 68 97 66

HSL 116.13, 0.19%, 0.32%

LAB 38.15, -17.6, 14.34

 

CMYK 38 / 63 / 0 / 53

HEX #4A2C77

RGB 74 44 119

HSL 264, 0.46%, 0.32%

LAB 25.53, 31.11, -38.09

 

CMYK 21 / 63 / 0 / 53

HEX #5E2C77

RGB 94 44 119

HSL 280, 0.46%, 0.32%

LAB 28.15, 36.3, -33.75

 

CMYK 4 / 63 / 0 / 53

HEX #722C77

RGB 114 44 119

HSL 296, 0.46%, 0.32%

LAB 31.14, 41.72, -28.81

 

CMYK 0 / 63 / 13 / 53

HEX #772C68

RGB 119 44 104

HSL 312, 0.46%, 0.32%

LAB 31.17, 40.41, -19.17

 

CMYK 0 / 63 / 29 / 53

HEX #772C54

RGB 119 44 84

HSL 328, 0.46%, 0.32%

LAB 30.31, 37.28, -7.54

 

CMYK 3 / 63 / 0 / 77

HEX #39163B

RGB 57 22 59

HSL 296.76, 0.46%, 0.16%

LAB 14.17, 23.71, -16.26

 

CMYK 3 / 63 / 0 / 65

HEX #562159

RGB 86 33 89

HSL 296.79, 0.46%, 0.24%

LAB 22.96, 33.2, -22.64

 

CMYK 3 / 63 / 0 / 53

HEX #732C77

RGB 115 44 119

HSL 296.8, 0.46%, 0.32%

LAB 31.3, 42, -28.56

 

CMYK 3 / 63 / 0 / 42

HEX #903795

RGB 144 55 149

HSL 296.81, 0.46%, 0.4%

LAB 39.3, 50.34, -34.17

 

CMYK 3 / 63 / 0 / 30

HEX #AD42B3

RGB 173 66 179

HSL 296.81, 0.46%, 0.48%

LAB 47.02, 58.33, -39.55

 

CMYK 3 / 63 / 0 / 54

HEX #722C76

RGB 114 44 118

HSL 296.76, 0.46%, 0.32%

LAB 31.08, 41.53, -28.27

 

CMYK 0 / 55 / 63 / 53

HEX #77362C

RGB 119 54 44

HSL 8, 0.46%, 0.32%

LAB 31.21, 27.57, 19.75

 

CMYK 63 / 0 / 29 / 53

HEX #2C7754

RGB 44 119 84

HSL 152, 0.46%, 0.32%

LAB 44.76, -32.02, 12.54

 

CMYK 3 / 63 / 0 / 54

HEX #722C76

RGB 114 44 118

HSL 296.76, 0.46%, 0.32%

LAB 31.08, 41.53, -28.27

 

CMYK 0 / 4 / 63 / 53

HEX #77722C

RGB 119 114 44

HSL 56, 0.46%, 0.32%

LAB 47.16, -7.66, 38.45

 

CMYK 63 / 0 / 4 / 53

HEX #2C7772

RGB 44 119 114

HSL 176, 0.46%, 0.32%

LAB 45.56, -24.11, -4.12

 

CMYK 3 / 63 / 0 / 54

HEX #722C76

RGB 114 44 118

HSL 296.76, 0.46%, 0.32%

LAB 31.08, 41.53, -28.27

 

CMYK 0 / 55 / 63 / 53

HEX #77362C

RGB 119 54 44

HSL 8, 0.46%, 0.32%

LAB 31.21, 27.57, 19.75

 

CMYK 59 / 0 / 63 / 53

HEX #31772C

RGB 49 119 44

HSL 116, 0.46%, 0.32%

LAB 44.27, -37.81, 34

 

CMYK 63 / 8 / 0 / 53

HEX #2C6D77

RGB 44 109 119

HSL 188, 0.46%, 0.32%

LAB 42.47, -17.26, -11.75

 

CMYK 3 / 63 / 0 / 54

HEX #722C76

RGB 114 44 118

HSL 296.76, 0.46%, 0.32%

LAB 31.08, 41.53, -28.27

 

CMYK 0 / 35 / 63 / 53

HEX #774D2C

RGB 119 77 44

HSL 26.4, 0.46%, 0.32%

LAB 36.76, 14.11, 26.58

 

CMYK 59 / 0 / 63 / 53

HEX #31772C

RGB 49 119 44

HSL 116, 0.46%, 0.32%

LAB 44.27, -37.81, 34

 

CMYK 63 / 27 / 0 / 53

HEX #2C5777

RGB 44 87 119

HSL 205.6, 0.46%, 0.32%

LAB 35.37, -4.35, -22.64

 

Description

Color code: HEX #722C76 | qconv.com Color code: HEX #722C76 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 44 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 44 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 63 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 63% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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