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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #722BB6 it is the complementary color #8DD449. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #722BB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #722BB6 shade: #772BB1, #883DC4, #994FD7, #AA61EA and #BB73FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #722BB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #722BB6 shade: #722BB6, #6119A3, #500790, #3F007D and #2E006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #722BB6 shade: #722BB6, #972BB6, #B62BAF, #B62B89 and #B62B64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #722BB6 shade: #722BB6, #4C2BB6 and #2B2BB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #722BB6 shade matches the following richer shades: #722BB6, #7218C8 and #7206DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #722BB6 shade: #722BB6, #713DA4, #714F91, #71617F and #70736D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #722BB6 shade: #2B2FB6, #4B2BB6, #702BB6, #952BB6 and #B62BB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #722BB6 shade: #481B73, #5D2394, #722BB6, #8639D1 and #9B5BD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #722BB6 shade: #722BB6, #B62B54 and #2BB639

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #722BB6 shade: #722BB6, #B6702B and #2BB670

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #722BB6 shade: #722BB6, #B62B54, #70B62B and #2BB68C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #722BB6 shade: #722BB6, #B62B2B, #70B62B and #2BB6B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 76 / 0 / 29

HEX #722BB6

RGB 114 43 182

HSL 270.65, 0.62%, 0.44%

LAB 35.37, 56.09, -60.5

 

Complementary color

CMYK 33 / 0 / 66 / 17

HEX #8DD449

RGB 141 212 73

HSL 90.65, 0.62%, 0.56%

LAB 78.01, -44.36, 59.5

 

CMYK 33 / 76 / 0 / 31

HEX #772BB1

RGB 119 43 177

HSL 274.03, 0.61%, 0.43%

LAB 35.64, 55.8, -57.05

 

CMYK 31 / 69 / 0 / 23

HEX #883DC4

RGB 136 61 196

HSL 273.33, 0.53%, 0.5%

LAB 42.09, 55.61, -57.67

 

CMYK 29 / 63 / 0 / 16

HEX #994FD7

RGB 153 79 215

HSL 272.65, 0.63%, 0.58%

LAB 48.6, 55.03, -58

 

CMYK 27 / 59 / 0 / 8

HEX #AA61EA

RGB 170 97 234

HSL 271.97, 0.77%, 0.65%

LAB 55.11, 54.26, -58.17

 

CMYK 26 / 55 / 0 / 1

HEX #BB73FD

RGB 187 115 253

HSL 271.3, 0.97%, 0.72%

LAB 61.58, 53.41, -58.26

 

CMYK 37 / 76 / 0 / 29

HEX #722BB6

RGB 114 43 182

HSL 270.65, 0.62%, 0.44%

LAB 35.37, 56.09, -60.5

 

CMYK 40 / 85 / 0 / 36

HEX #6119A3

RGB 97 25 163

HSL 271.3, 0.73%, 0.37%

LAB 29.11, 55.61, -59.43

 

CMYK 44 / 95 / 0 / 44

HEX #500790

RGB 80 7 144

HSL 271.97, 0.91%, 0.3%

LAB 23.24, 53.74, -57.51

 

CMYK 50 / 100 / 0 / 51

HEX #3F007D

RGB 63 0 125

HSL 270.24, 1%, 0.25%

LAB 18.09, 49.37, -54.13

 

CMYK 57 / 100 / 0 / 58

HEX #2E006A

RGB 46 0 106

HSL 266.04, 1%, 0.21%

LAB 13.36, 43.33, -49.72

 

CMYK 37 / 76 / 0 / 29

HEX #722BB6

RGB 114 43 182

HSL 270.65, 0.62%, 0.44%

LAB 35.37, 56.09, -60.5

 

CMYK 17 / 76 / 0 / 29

HEX #972BB6

RGB 151 43 182

HSL 286.62, 0.62%, 0.44%

LAB 40.71, 62.88, -51.58

 

CMYK 0 / 76 / 4 / 29

HEX #B62BAF

RGB 182 43 175

HSL 303.02, 0.62%, 0.44%

LAB 45.31, 67.98, -39.8

 

CMYK 0 / 76 / 25 / 29

HEX #B62B89

RGB 182 43 137

HSL 319.42, 0.62%, 0.44%

LAB 43.48, 62.58, -19.87

 

CMYK 0 / 76 / 45 / 29

HEX #B62B64

RGB 182 43 100

HSL 335.4, 0.62%, 0.44%

LAB 42.14, 58.48, 1

 

CMYK 37 / 76 / 0 / 29

HEX #722BB6

RGB 114 43 182

HSL 270.65, 0.62%, 0.44%

LAB 35.37, 56.09, -60.5

 

CMYK 58 / 76 / 0 / 29

HEX #4C2BB6

RGB 76 43 182

HSL 254.24, 0.62%, 0.44%

LAB 30.98, 50.34, -67.86

 

CMYK 76 / 76 / 0 / 29

HEX #2B2BB6

RGB 43 43 182

HSL 240, 0.62%, 0.44%

LAB 28.43, 46.9, -72.15

 

CMYK 37 / 76 / 0 / 29

HEX #722BB6

RGB 114 43 182

HSL 270.65, 0.62%, 0.44%

LAB 35.37, 56.09, -60.5

 

CMYK 43 / 88 / 0 / 22

HEX #7218C8

RGB 114 24 200

HSL 270.68, 0.79%, 0.44%

LAB 34.8, 66.5, -72.01

 

CMYK 48 / 97 / 0 / 15

HEX #7206DA

RGB 114 6 218

HSL 270.57, 0.95%, 0.44%

LAB 35.54, 73.56, -81.24

 

CMYK 37 / 76 / 0 / 29

HEX #722BB6

RGB 114 43 182

HSL 270.65, 0.62%, 0.44%

LAB 35.37, 56.09, -60.5

 

CMYK 31 / 63 / 0 / 36

HEX #713DA4

RGB 113 61 164

HSL 270.29, 0.46%, 0.44%

LAB 36.98, 42.9, -47.15

 

CMYK 22 / 46 / 0 / 43

HEX #714F91

RGB 113 79 145

HSL 270.91, 0.29%, 0.44%

LAB 39.83, 27.86, -31.18

 

CMYK 11 / 24 / 0 / 50

HEX #71617F

RGB 113 97 127

HSL 272, 0.13%, 0.44%

LAB 43.64, 12.61, -14.38

 

CMYK 3 / 0 / 5 / 55

HEX #70736D

RGB 112 115 109

HSL 90, 0.03%, 0.44%

LAB 48.02, -2.35, 2.91

 

CMYK 76 / 74 / 0 / 29

HEX #2B2FB6

RGB 43 47 182

HSL 238.27, 0.62%, 0.44%

LAB 29.22, 44.67, -70.84

 

CMYK 59 / 76 / 0 / 29

HEX #4B2BB6

RGB 75 43 182

HSL 253.81, 0.62%, 0.44%

LAB 30.88, 50.21, -68.02

 

CMYK 38 / 76 / 0 / 29

HEX #702BB6

RGB 112 43 182

HSL 269.78, 0.62%, 0.44%

LAB 35.1, 55.75, -60.94

 

CMYK 18 / 76 / 0 / 29

HEX #952BB6

RGB 149 43 182

HSL 285.76, 0.62%, 0.44%

LAB 40.4, 62.49, -52.1

 

CMYK 0 / 76 / 3 / 29

HEX #B62BB1

RGB 182 43 177

HSL 302.16, 0.62%, 0.44%

LAB 45.42, 68.29, -40.81

 

CMYK 37 / 77 / 0 / 55

HEX #481B73

RGB 72 27 115

HSL 270.68, 0.62%, 0.28%

LAB 21.58, 38.86, -41.95

 

CMYK 37 / 76 / 0 / 42

HEX #5D2394

RGB 93 35 148

HSL 270.8, 0.62%, 0.36%

LAB 28.56, 47.56, -51.2

 

CMYK 37 / 76 / 0 / 29

HEX #722BB6

RGB 114 43 182

HSL 270.65, 0.62%, 0.44%

LAB 35.37, 56.09, -60.5

 

CMYK 36 / 73 / 0 / 18

HEX #8639D1

RGB 134 57 209

HSL 270.39, 0.62%, 0.52%

LAB 42.15, 60.03, -65.11

 

CMYK 28 / 58 / 0 / 15

HEX #9B5BD8

RGB 155 91 216

HSL 270.72, 0.62%, 0.6%

LAB 51.16, 49.63, -54.44

 

CMYK 37 / 76 / 0 / 29

HEX #722BB6

RGB 114 43 182

HSL 270.65, 0.62%, 0.44%

LAB 35.37, 56.09, -60.5

 

CMYK 0 / 76 / 54 / 29

HEX #B62B54

RGB 182 43 84

HSL 342.3, 0.62%, 0.44%

LAB 41.71, 57.11, 10.43

 

CMYK 76 / 0 / 69 / 29

HEX #2BB639

RGB 43 182 57

HSL 126.04, 0.62%, 0.44%

LAB 65.17, -60.31, 51.21

 

CMYK 37 / 76 / 0 / 29

HEX #722BB6

RGB 114 43 182

HSL 270.65, 0.62%, 0.44%

LAB 35.37, 56.09, -60.5

 

CMYK 0 / 38 / 76 / 29

HEX #B6702B

RGB 182 112 43

HSL 29.78, 0.62%, 0.44%

LAB 53.72, 22.07, 47.96

 

CMYK 76 / 0 / 38 / 29

HEX #2BB670

RGB 43 182 112

HSL 149.78, 0.62%, 0.44%

LAB 65.86, -52.25, 25.54

 

CMYK 37 / 76 / 0 / 29

HEX #722BB6

RGB 114 43 182

HSL 270.65, 0.62%, 0.44%

LAB 35.37, 56.09, -60.5

 

CMYK 0 / 76 / 54 / 29

HEX #B62B54

RGB 182 43 84

HSL 342.3, 0.62%, 0.44%

LAB 41.71, 57.11, 10.43

 

CMYK 38 / 0 / 76 / 29

HEX #70B62B

RGB 112 182 43

HSL 90.22, 0.62%, 0.44%

LAB 67.33, -43.84, 59.27

 

CMYK 76 / 0 / 23 / 29

HEX #2BB68C

RGB 43 182 140

HSL 161.87, 0.62%, 0.44%

LAB 66.42, -46.13, 11.16

 

CMYK 37 / 76 / 0 / 29

HEX #722BB6

RGB 114 43 182

HSL 270.65, 0.62%, 0.44%

LAB 35.37, 56.09, -60.5

 

CMYK 0 / 76 / 76 / 29

HEX #B62B2B

RGB 182 43 43

HSL 0, 0.62%, 0.44%

LAB 40.97, 54.73, 34.72

 

CMYK 38 / 0 / 76 / 29

HEX #70B62B

RGB 112 182 43

HSL 90.22, 0.62%, 0.44%

LAB 67.33, -43.84, 59.27

 

CMYK 76 / 0 / 0 / 29

HEX #2BB6B6

RGB 43 182 182

HSL 180, 0.62%, 0.44%

LAB 67.54, -34.8, -10.36

 

Description

Color code: HEX #722BB6 | qconv.com Color code: HEX #722BB6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 43 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 43 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 76 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 76% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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