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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #722B7E it is the complementary color #8DD481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #722B7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #722B7E shade: #772B79, #883D8C, #994F9F, #AA61B2 and #BB73C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #722B7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #722B7E shade: #722B7E, #61196B, #500758, #3F0045 and #2E0032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #722B7E shade: #712B7D, #7D2B73, #7D2B5D, #7D2B47 and #7D2B30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #722B7E shade: #712B7D, #5B2B7D, #452B7D, #2F2B7D and #2B2B7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #722B7E shade matches the following richer shades: #712B7D, #7B1D8B, #851099 and #8F02A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #722B7E shade: #712B7D, #683970, #5E4662, #545455 and #4B6147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #722B7E shade: #452B7D, #5B2B7D, #712B7D, #7D2B74 and #7D2B5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #722B7E shade: #3A1640, #56205F, #712B7D, #8D359C and #A940BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #722B7E shade: #722B7E, #7D2F2B and #2B7D50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #722B7E shade: #722B7E, #7D712B and #2B7D71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #722B7E shade: #722B7E, #7D2F2B, #377D2B and #2B797D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #722B7E shade: #722B7E, #7D482B, #377D2B and #2B617D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 66 / 0 / 51

HEX #722B7E

RGB 114 43 126

HSL 291.33, 0.49%, 0.33%

LAB 31.37, 43.6, -32.84

 

Complementary color

CMYK 33 / 0 / 39 / 17

HEX #8DD481

RGB 141 212 129

HSL 111.33, 0.49%, 0.67%

LAB 78.66, -38.08, 34.19

 

CMYK 2 / 64 / 0 / 53

HEX #772B79

RGB 119 43 121

HSL 298.46, 0.48%, 0.32%

LAB 31.88, 43.93, -28.86

 

CMYK 3 / 56 / 0 / 45

HEX #883D8C

RGB 136 61 140

HSL 296.96, 0.39%, 0.39%

LAB 38.66, 43.61, -29.76

 

CMYK 4 / 50 / 0 / 38

HEX #994F9F

RGB 153 79 159

HSL 295.5, 0.34%, 0.47%

LAB 45.45, 43, -30.4

 

CMYK 4 / 46 / 0 / 30

HEX #AA61B2

RGB 170 97 178

HSL 294.07, 0.34%, 0.54%

LAB 52.19, 42.27, -30.88

 

CMYK 5 / 42 / 0 / 23

HEX #BB73C5

RGB 187 115 197

HSL 292.68, 0.41%, 0.61%

LAB 58.84, 41.51, -31.27

 

CMYK 10 / 66 / 0 / 51

HEX #722B7E

RGB 114 43 126

HSL 291.33, 0.49%, 0.33%

LAB 31.37, 43.6, -32.84

 

CMYK 9 / 77 / 0 / 58

HEX #61196B

RGB 97 25 107

HSL 292.68, 0.62%, 0.26%

LAB 24.63, 43.35, -31.65

 

CMYK 9 / 92 / 0 / 65

HEX #500758

RGB 80 7 88

HSL 294.07, 0.85%, 0.19%

LAB 18.2, 41.75, -29.61

 

CMYK 9 / 100 / 0 / 73

HEX #3F0045

RGB 63 0 69

HSL 294.78, 1%, 0.14%

LAB 12.52, 37.23, -25.87

 

CMYK 8 / 100 / 0 / 80

HEX #2E0032

RGB 46 0 50

HSL 295.2, 1%, 0.1%

LAB 7.33, 30.28, -20.75

 

CMYK 10 / 66 / 0 / 51

HEX #712B7D

RGB 113 43 125

HSL 291.22, 0.49%, 0.33%

LAB 31.16, 43.13, -32.57

 

CMYK 0 / 66 / 8 / 51

HEX #7D2B73

RGB 125 43 115

HSL 307.32, 0.49%, 0.33%

LAB 32.54, 44.49, -23.97

 

CMYK 0 / 66 / 26 / 51

HEX #7D2B5D

RGB 125 43 93

HSL 323.41, 0.49%, 0.33%

LAB 31.53, 40.98, -11.45

 

CMYK 0 / 66 / 43 / 51

HEX #7D2B47

RGB 125 43 71

HSL 339.51, 0.49%, 0.33%

LAB 30.74, 38.12, 1.74

 

CMYK 0 / 66 / 62 / 51

HEX #7D2B30

RGB 125 43 48

HSL 356.34, 0.49%, 0.33%

LAB 30.16, 35.93, 16.04

 

CMYK 10 / 66 / 0 / 51

HEX #712B7D

RGB 113 43 125

HSL 291.22, 0.49%, 0.33%

LAB 31.16, 43.13, -32.57

 

CMYK 27 / 66 / 0 / 51

HEX #5B2B7D

RGB 91 43 125

HSL 275.12, 0.49%, 0.33%

LAB 27.93, 37.51, -37.91

 

CMYK 45 / 66 / 0 / 51

HEX #452B7D

RGB 69 43 125

HSL 259.02, 0.49%, 0.33%

LAB 25.18, 32.28, -42.49

 

CMYK 62 / 66 / 0 / 51

HEX #2F2B7D

RGB 47 43 125

HSL 242.93, 0.49%, 0.33%

LAB 23.04, 27.86, -46.06

 

CMYK 66 / 66 / 0 / 51

HEX #2B2B7D

RGB 43 43 125

HSL 240, 0.49%, 0.33%

LAB 22.73, 27.18, -46.58

 

CMYK 10 / 66 / 0 / 51

HEX #712B7D

RGB 113 43 125

HSL 291.22, 0.49%, 0.33%

LAB 31.16, 43.13, -32.57

 

CMYK 12 / 79 / 0 / 45

HEX #7B1D8B

RGB 123 29 139

HSL 291.27, 0.65%, 0.33%

LAB 31.7, 53.76, -40.34

 

CMYK 13 / 90 / 0 / 40

HEX #851099

RGB 133 16 153

HSL 291.24, 0.81%, 0.33%

LAB 33.26, 61.48, -46.35

 

CMYK 14 / 99 / 0 / 35

HEX #8F02A6

RGB 143 2 166

HSL 291.59, 0.98%, 0.33%

LAB 35.27, 67.35, -50.89

 

CMYK 10 / 66 / 0 / 51

HEX #712B7D

RGB 113 43 125

HSL 291.22, 0.49%, 0.33%

LAB 31.16, 43.13, -32.57

 

CMYK 7 / 49 / 0 / 56

HEX #683970

RGB 104 57 112

HSL 291.27, 0.33%, 0.33%

LAB 31.9, 30.35, -23.3

 

CMYK 4 / 29 / 0 / 62

HEX #5E4662

RGB 94 70 98

HSL 291.43, 0.17%, 0.33%

LAB 33.23, 15.81, -12.47

 

CMYK 1 / 1 / 0 / 67

HEX #545455

RGB 84 84 85

HSL 240, 0.01%, 0.33%

LAB 35.75, 0.22, -0.59

 

CMYK 23 / 0 / 27 / 62

HEX #4B6147

RGB 75 97 71

HSL 110.77, 0.15%, 0.33%

LAB 38.73, -13.94, 12.19

 

CMYK 45 / 66 / 0 / 51

HEX #452B7D

RGB 69 43 125

HSL 259.02, 0.49%, 0.33%

LAB 25.18, 32.28, -42.49

 

CMYK 27 / 66 / 0 / 51

HEX #5B2B7D

RGB 91 43 125

HSL 275.12, 0.49%, 0.33%

LAB 27.93, 37.51, -37.91

 

CMYK 10 / 66 / 0 / 51

HEX #712B7D

RGB 113 43 125

HSL 291.22, 0.49%, 0.33%

LAB 31.16, 43.13, -32.57

 

CMYK 0 / 66 / 7 / 51

HEX #7D2B74

RGB 125 43 116

HSL 306.59, 0.49%, 0.33%

LAB 32.59, 44.66, -24.52

 

CMYK 0 / 66 / 25 / 51

HEX #7D2B5E

RGB 125 43 94

HSL 322.68, 0.49%, 0.33%

LAB 31.57, 41.12, -12.04

 

CMYK 9 / 66 / 0 / 75

HEX #3A1640

RGB 58 22 64

HSL 291.43, 0.49%, 0.17%

LAB 14.64, 25.18, -19.03

 

CMYK 9 / 66 / 0 / 63

HEX #56205F

RGB 86 32 95

HSL 291.43, 0.5%, 0.25%

LAB 23.13, 34.97, -26.33

 

CMYK 10 / 66 / 0 / 51

HEX #712B7D

RGB 113 43 125

HSL 291.22, 0.49%, 0.33%

LAB 31.16, 43.13, -32.57

 

CMYK 10 / 66 / 0 / 39

HEX #8D359C

RGB 141 53 156

HSL 291.26, 0.49%, 0.41%

LAB 38.91, 51.8, -39.03

 

CMYK 10 / 66 / 0 / 27

HEX #A940BB

RGB 169 64 187

HSL 291.22, 0.49%, 0.49%

LAB 46.56, 59.68, -44.99

 

CMYK 10 / 66 / 0 / 51

HEX #722B7E

RGB 114 43 126

HSL 291.33, 0.49%, 0.33%

LAB 31.37, 43.6, -32.84

 

CMYK 0 / 62 / 66 / 51

HEX #7D2F2B

RGB 125 47 43

HSL 2.93, 0.49%, 0.33%

LAB 30.8, 33.6, 20.08

 

CMYK 66 / 0 / 36 / 51

HEX #2B7D50

RGB 43 125 80

HSL 147.07, 0.49%, 0.33%

LAB 46.66, -35.8, 17.45

 

CMYK 10 / 66 / 0 / 51

HEX #722B7E

RGB 114 43 126

HSL 291.33, 0.49%, 0.33%

LAB 31.37, 43.6, -32.84

 

CMYK 0 / 10 / 66 / 51

HEX #7D712B

RGB 125 113 43

HSL 51.22, 0.49%, 0.33%

LAB 47.42, -4.39, 39.39

 

CMYK 66 / 0 / 10 / 51

HEX #2B7D71

RGB 43 125 113

HSL 171.22, 0.49%, 0.33%

LAB 47.46, -27.6, -0.73

 

CMYK 10 / 66 / 0 / 51

HEX #722B7E

RGB 114 43 126

HSL 291.33, 0.49%, 0.33%

LAB 31.37, 43.6, -32.84

 

CMYK 0 / 62 / 66 / 51

HEX #7D2F2B

RGB 125 47 43

HSL 2.93, 0.49%, 0.33%

LAB 30.8, 33.6, 20.08

 

CMYK 56 / 0 / 66 / 51

HEX #377D2B

RGB 55 125 43

HSL 111.22, 0.49%, 0.33%

LAB 46.52, -38.7, 37.07

 

CMYK 66 / 3 / 0 / 51

HEX #2B797D

RGB 43 121 125

HSL 182.93, 0.49%, 0.33%

LAB 46.54, -22, -9.21

 

CMYK 10 / 66 / 0 / 51

HEX #722B7E

RGB 114 43 126

HSL 291.33, 0.49%, 0.33%

LAB 31.37, 43.6, -32.84

 

CMYK 0 / 42 / 66 / 51

HEX #7D482B

RGB 125 72 43

HSL 21.22, 0.49%, 0.33%

LAB 36.31, 19.74, 26.81

 

CMYK 56 / 0 / 66 / 51

HEX #377D2B

RGB 55 125 43

HSL 111.22, 0.49%, 0.33%

LAB 46.52, -38.7, 37.07

 

CMYK 66 / 22 / 0 / 51

HEX #2B617D

RGB 43 97 125

HSL 200.49, 0.49%, 0.33%

LAB 38.8, -8.55, -21

 

Description

Color code: HEX #722B7E | qconv.com Color code: HEX #722B7E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 43 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 43 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 66 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 66% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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