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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7216FA it is the complementary color #8DE905. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7216FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7216FA shade: #7716F5, #8828FF, #993AFF, #AA4CFF and #BB5EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7216FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7216FA shade: #7216FA, #6104E7, #5000D4, #3F00C1 and #2E00AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7216FA shade: #7114FA, #AF14FA, #ED14FA, #FA14C9 and #FA148B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7216FA shade: #7114FA, #3314FA and #1414FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7216FA shade matches the following richer shades: #7114FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7216FA shade: #7114FA, #7527E7, #783BD3, #7C4EC0 and #8062AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7216FA shade: #1433FA, #3314FA, #7014FA, #AE14FA and #EB14FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7216FA shade: #4C04B8, #5D05E0, #7114FA, #893DFB and #A265FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7216FA shade: #7216FA, #FA1470 and #14FA14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7216FA shade: #7216FA, #FA7014 and #14FA70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7216FA shade: #7216FA, #FA1470, #9EFA14 and #14FA9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7216FA shade: #7216FA, #FA142B, #9EFA14 and #14FAE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 91 / 0 / 2

HEX #7216FA

RGB 114 22 250

HSL 264.21, 0.96%, 0.53%

LAB 39.67, 78.17, -92.6

 

Complementary color

CMYK 39 / 0 / 98 / 9

HEX #8DE905

RGB 141 233 5

HSL 84.21, 0.96%, 0.47%

LAB 83.94, -55.61, 80.97

 

CMYK 51 / 91 / 0 / 4

HEX #7716F5

RGB 119 22 245

HSL 266.1, 0.92%, 0.52%

LAB 39.73, 77.46, -89.68

 

CMYK 47 / 84 / 0 / 0

HEX #8828FF

RGB 136 40 255

HSL 266.79, 1%, 0.58%

LAB 44.19, 77.01, -87.85

 

CMYK 40 / 77 / 0 / 0

HEX #993AFF

RGB 153 58 255

HSL 268.93, 1%, 0.61%

LAB 48.28, 73.27, -81.06

 

CMYK 33 / 70 / 0 / 0

HEX #AA4CFF

RGB 170 76 255

HSL 271.51, 1%, 0.65%

LAB 52.88, 68.89, -73.48

 

CMYK 27 / 63 / 0 / 0

HEX #BB5EFF

RGB 187 94 255

HSL 274.66, 1%, 0.68%

LAB 57.84, 64.22, -65.36

 

CMYK 54 / 91 / 0 / 2

HEX #7216FA

RGB 114 22 250

HSL 264.21, 0.96%, 0.53%

LAB 39.67, 78.17, -92.6

 

CMYK 58 / 98 / 0 / 9

HEX #6104E7

RGB 97 4 231

HSL 264.58, 0.97%, 0.46%

LAB 34.8, 75.42, -89.98

 

CMYK 62 / 100 / 0 / 17

HEX #5000D4

RGB 80 0 212

HSL 262.64, 1%, 0.42%

LAB 30.54, 70.74, -86.18

 

CMYK 67 / 100 / 0 / 24

HEX #3F00C1

RGB 63 0 193

HSL 259.59, 1%, 0.38%

LAB 26.47, 65.5, -81.88

 

CMYK 74 / 100 / 0 / 32

HEX #2E00AE

RGB 46 0 174

HSL 255.86, 1%, 0.34%

LAB 22.43, 60.25, -77.32

 

CMYK 55 / 92 / 0 / 2

HEX #7114FA

RGB 113 20 250

HSL 264.26, 0.96%, 0.53%

LAB 39.43, 78.47, -93

 

CMYK 30 / 92 / 0 / 2

HEX #AF14FA

RGB 175 20 250

HSL 280.43, 0.96%, 0.53%

LAB 47.64, 84.68, -79.19

 

CMYK 5 / 92 / 0 / 2

HEX #ED14FA

RGB 237 20 250

HSL 296.61, 0.96%, 0.53%

LAB 57.47, 93.38, -62.8

 

CMYK 0 / 92 / 20 / 2

HEX #FA14C9

RGB 250 20 201

HSL 312.78, 0.96%, 0.53%

LAB 57.12, 89.06, -35.55

 

CMYK 0 / 92 / 44 / 2

HEX #FA148B

RGB 250 20 139

HSL 328.96, 0.96%, 0.53%

LAB 54.75, 82.81, -2.84

 

CMYK 55 / 92 / 0 / 2

HEX #7114FA

RGB 113 20 250

HSL 264.26, 0.96%, 0.53%

LAB 39.43, 78.47, -93

 

CMYK 80 / 92 / 0 / 2

HEX #3314FA

RGB 51 20 250

HSL 248.09, 0.96%, 0.53%

LAB 34.2, 75.3, -101.84

 

CMYK 92 / 92 / 0 / 2

HEX #1414FA

RGB 20 20 250

HSL 240, 0.96%, 0.53%

LAB 33.03, 74.7, -103.83

 

CMYK 55 / 92 / 0 / 2

HEX #7114FA

RGB 113 20 250

HSL 264.26, 0.96%, 0.53%

LAB 39.43, 78.47, -93

 

CMYK 55 / 92 / 0 / 2

HEX #7114FA

RGB 113 20 250

HSL 264.26, 0.96%, 0.53%

LAB 39.43, 78.47, -93

 

CMYK 49 / 83 / 0 / 9

HEX #7527E7

RGB 117 39 231

HSL 264.38, 0.8%, 0.53%

LAB 39.58, 69.65, -81.99

 

CMYK 43 / 72 / 0 / 17

HEX #783BD3

RGB 120 59 211

HSL 264.08, 0.63%, 0.53%

LAB 40.94, 57.18, -68.32

 

CMYK 35 / 59 / 0 / 25

HEX #7C4EC0

RGB 124 78 192

HSL 264.21, 0.48%, 0.53%

LAB 43.57, 43.35, -53.03

 

CMYK 26 / 43 / 0 / 32

HEX #8062AD

RGB 128 98 173

HSL 264, 0.31%, 0.53%

LAB 47.42, 28.01, -35.77

 

CMYK 92 / 80 / 0 / 2

HEX #1433FA

RGB 20 51 250

HSL 231.91, 0.96%, 0.53%

LAB 36.78, 63.46, -97.58

 

CMYK 80 / 92 / 0 / 2

HEX #3314FA

RGB 51 20 250

HSL 248.09, 0.96%, 0.53%

LAB 34.2, 75.3, -101.84

 

CMYK 55 / 92 / 0 / 2

HEX #7014FA

RGB 112 20 250

HSL 264, 0.96%, 0.53%

LAB 39.32, 78.39, -93.19

 

CMYK 30 / 92 / 0 / 2

HEX #AE14FA

RGB 174 20 250

HSL 280.17, 0.96%, 0.53%

LAB 47.5, 84.56, -79.44

 

CMYK 6 / 92 / 0 / 2

HEX #EB14FA

RGB 235 20 250

HSL 296.09, 0.96%, 0.53%

LAB 57.14, 93.07, -63.35

 

CMYK 59 / 98 / 0 / 28

HEX #4C04B8

RGB 76 4 184

HSL 264, 0.96%, 0.37%

LAB 26.97, 63.32, -75.67

 

CMYK 58 / 98 / 0 / 12

HEX #5D05E0

RGB 93 5 224

HSL 264.11, 0.96%, 0.45%

LAB 33.6, 73.46, -87.98

 

CMYK 55 / 92 / 0 / 2

HEX #7114FA

RGB 113 20 250

HSL 264.26, 0.96%, 0.53%

LAB 39.43, 78.47, -93

 

CMYK 45 / 76 / 0 / 2

HEX #893DFB

RGB 137 61 251

HSL 264, 0.96%, 0.61%

LAB 46.47, 68.86, -81.87

 

CMYK 36 / 60 / 0 / 1

HEX #A265FC

RGB 162 101 252

HSL 264.24, 0.96%, 0.69%

LAB 56.1, 54.7, -66.64

 

CMYK 54 / 91 / 0 / 2

HEX #7216FA

RGB 114 22 250

HSL 264.21, 0.96%, 0.53%

LAB 39.67, 78.17, -92.6

 

CMYK 0 / 92 / 55 / 2

HEX #FA1470

RGB 250 20 112

HSL 336, 0.96%, 0.53%

LAB 54.02, 80.83, 12.34

 

CMYK 92 / 0 / 92 / 2

HEX #14FA14

RGB 20 250 20

HSL 120, 0.96%, 0.53%

LAB 86.29, -83.9, 80.28

 

CMYK 54 / 91 / 0 / 2

HEX #7216FA

RGB 114 22 250

HSL 264.21, 0.96%, 0.53%

LAB 39.67, 78.17, -92.6

 

CMYK 0 / 55 / 92 / 2

HEX #FA7014

RGB 250 112 20

HSL 24, 0.96%, 0.53%

LAB 63.31, 48.83, 67.9

 

CMYK 92 / 0 / 55 / 2

HEX #14FA70

RGB 20 250 112

HSL 144, 0.96%, 0.53%

LAB 86.84, -76.91, 51.96

 

CMYK 54 / 91 / 0 / 2

HEX #7216FA

RGB 114 22 250

HSL 264.21, 0.96%, 0.53%

LAB 39.67, 78.17, -92.6

 

CMYK 0 / 92 / 55 / 2

HEX #FA1470

RGB 250 20 112

HSL 336, 0.96%, 0.53%

LAB 54.02, 80.83, 12.34

 

CMYK 37 / 0 / 92 / 2

HEX #9EFA14

RGB 158 250 20

HSL 84, 0.96%, 0.53%

LAB 89.72, -56.36, 84.5

 

CMYK 92 / 0 / 37 / 2

HEX #14FA9E

RGB 20 250 158

HSL 156, 0.96%, 0.53%

LAB 87.48, -69.33, 30.65

 

CMYK 54 / 91 / 0 / 2

HEX #7216FA

RGB 114 22 250

HSL 264.21, 0.96%, 0.53%

LAB 39.67, 78.17, -92.6

 

CMYK 0 / 92 / 83 / 2

HEX #FA142B

RGB 250 20 43

HSL 354, 0.96%, 0.53%

LAB 52.95, 77.85, 51.17

 

CMYK 37 / 0 / 92 / 2

HEX #9EFA14

RGB 158 250 20

HSL 84, 0.96%, 0.53%

LAB 89.72, -56.36, 84.5

 

CMYK 92 / 0 / 9 / 2

HEX #14FAE3

RGB 20 250 227

HSL 174, 0.96%, 0.53%

LAB 88.95, -53.28, -2.78

 

Description

Color code: HEX #7216FA | qconv.com Color code: HEX #7216FA | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 22 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 22 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 91 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 91% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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