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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #721487 it is the complementary color #8DEB78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #721487. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #721487 shade: #771482, #882695, #9938A8, #AA4ABB and #BB5CCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #721487. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #721487 shade: #721487, #610274, #500061, #3F004E and #2E003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #721487 shade: #701485, #85147B, #85145D, #85143E and #851420

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #721487 shade: #701485, #521485, #331485, #151485 and #141485

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #721487 shade matches the following richer shades: #701485 and #780891

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #721487 shade: #701485, #692079, #612D6C, #593960 and #514554

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #721487 shade: #341485, #521485, #701485, #85147C and #85145D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #721487 shade: #34093D, #520F61, #701485, #8F19A9 and #AD1FCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #721487 shade: #721487, #851614 and #148543

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #721487 shade: #721487, #857014 and #148570

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #721487 shade: #721487, #851614, #298514 and #148385

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #721487 shade: #721487, #853814, #298514 and #146185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 85 / 0 / 47

HEX #721487

RGB 114 20 135

HSL 289.04, 0.74%, 0.3%

LAB 28.97, 53.9, -42.32

 

Complementary color

CMYK 40 / 0 / 49 / 8

HEX #8DEB78

RGB 141 235 120

HSL 109.04, 0.74%, 0.7%

LAB 85.22, -49.25, 46.92

 

CMYK 8 / 85 / 0 / 49

HEX #771482

RGB 119 20 130

HSL 294, 0.73%, 0.29%

LAB 29.5, 53.93, -38.3

 

CMYK 9 / 74 / 0 / 42

HEX #882695

RGB 136 38 149

HSL 292.97, 0.59%, 0.37%

LAB 35.58, 55.31, -40.16

 

CMYK 9 / 67 / 0 / 34

HEX #9938A8

RGB 153 56 168

HSL 291.96, 0.5%, 0.44%

LAB 41.89, 55.69, -41.38

 

CMYK 9 / 60 / 0 / 27

HEX #AA4ABB

RGB 170 74 187

HSL 290.97, 0.45%, 0.51%

LAB 48.3, 55.52, -42.22

 

CMYK 9 / 55 / 0 / 19

HEX #BB5CCE

RGB 187 92 206

HSL 290, 0.54%, 0.58%

LAB 54.74, 55.05, -42.83

 

CMYK 16 / 85 / 0 / 47

HEX #721487

RGB 114 20 135

HSL 289.04, 0.74%, 0.3%

LAB 28.97, 53.9, -42.32

 

CMYK 16 / 98 / 0 / 55

HEX #610274

RGB 97 2 116

HSL 290, 0.97%, 0.23%

LAB 23.15, 51.3, -39.84

 

CMYK 18 / 100 / 0 / 62

HEX #500061

RGB 80 0 97

HSL 289.48, 1%, 0.19%

LAB 18.23, 45.47, -35.58

 

CMYK 19 / 100 / 0 / 69

HEX #3F004E

RGB 63 0 78

HSL 288.46, 1%, 0.15%

LAB 13.27, 38.98, -30.92

 

CMYK 22 / 100 / 0 / 77

HEX #2E003B

RGB 46 0 59

HSL 286.78, 1%, 0.12%

LAB 8.1, 32.21, -26.08

 

CMYK 16 / 85 / 0 / 48

HEX #701485

RGB 112 20 133

HSL 288.85, 0.74%, 0.3%

LAB 28.48, 53.15, -41.88

 

CMYK 0 / 85 / 8 / 48

HEX #85147B

RGB 133 20 123

HSL 305.31, 0.74%, 0.3%

LAB 31.62, 55.62, -30.37

 

CMYK 0 / 85 / 30 / 48

HEX #85145D

RGB 133 20 93

HSL 321.24, 0.74%, 0.3%

LAB 30.1, 51.41, -13.49

 

CMYK 0 / 85 / 53 / 48

HEX #85143E

RGB 133 20 62

HSL 337.7, 0.74%, 0.3%

LAB 28.99, 48.19, 5.41

 

CMYK 0 / 85 / 76 / 48

HEX #851420

RGB 133 20 32

HSL 353.63, 0.74%, 0.3%

LAB 28.36, 46.29, 24.52

 

CMYK 16 / 85 / 0 / 48

HEX #701485

RGB 112 20 133

HSL 288.85, 0.74%, 0.3%

LAB 28.48, 53.15, -41.88

 

CMYK 38 / 85 / 0 / 48

HEX #521485

RGB 82 20 133

HSL 272.92, 0.74%, 0.3%

LAB 23.63, 47.97, -49.98

 

CMYK 62 / 85 / 0 / 48

HEX #331485

RGB 51 20 133

HSL 256.46, 0.74%, 0.3%

LAB 19.63, 43.83, -56.71

 

CMYK 84 / 85 / 0 / 48

HEX #151485

RGB 21 20 133

HSL 240.53, 0.74%, 0.3%

LAB 17.24, 41.44, -60.74

 

CMYK 85 / 85 / 0 / 48

HEX #141485

RGB 20 20 133

HSL 240, 0.74%, 0.3%

LAB 17.19, 41.4, -60.82

 

CMYK 16 / 85 / 0 / 48

HEX #701485

RGB 112 20 133

HSL 288.85, 0.74%, 0.3%

LAB 28.48, 53.15, -41.88

 

CMYK 17 / 94 / 0 / 43

HEX #780891

RGB 120 8 145

HSL 289.05, 0.9%, 0.3%

LAB 29.94, 59.23, -46.92

 

CMYK 16 / 85 / 0 / 48

HEX #701485

RGB 112 20 133

HSL 288.85, 0.74%, 0.3%

LAB 28.48, 53.15, -41.88

 

CMYK 13 / 74 / 0 / 53

HEX #692079

RGB 105 32 121

HSL 289.21, 0.58%, 0.3%

LAB 27.89, 45.22, -35.34

 

CMYK 10 / 58 / 0 / 58

HEX #612D6C

RGB 97 45 108

HSL 289.52, 0.41%, 0.3%

LAB 28.12, 34.09, -26.76

 

CMYK 7 / 41 / 0 / 62

HEX #593960

RGB 89 57 96

HSL 289.23, 0.25%, 0.3%

LAB 29.15, 21.7, -17.51

 

CMYK 4 / 18 / 0 / 67

HEX #514554

RGB 81 69 84

HSL 288, 0.1%, 0.3%

LAB 30.99, 8.26, -7.05

 

CMYK 61 / 85 / 0 / 48

HEX #341485

RGB 52 20 133

HSL 256.99, 0.74%, 0.3%

LAB 19.74, 43.94, -56.53

 

CMYK 38 / 85 / 0 / 48

HEX #521485

RGB 82 20 133

HSL 272.92, 0.74%, 0.3%

LAB 23.63, 47.97, -49.98

 

CMYK 16 / 85 / 0 / 48

HEX #701485

RGB 112 20 133

HSL 288.85, 0.74%, 0.3%

LAB 28.48, 53.15, -41.88

 

CMYK 0 / 85 / 7 / 48

HEX #85147C

RGB 133 20 124

HSL 304.78, 0.74%, 0.3%

LAB 31.67, 55.78, -30.91

 

CMYK 0 / 85 / 30 / 48

HEX #85145D

RGB 133 20 93

HSL 321.24, 0.74%, 0.3%

LAB 30.1, 51.41, -13.49

 

CMYK 15 / 85 / 0 / 76

HEX #34093D

RGB 52 9 61

HSL 289.62, 0.74%, 0.14%

LAB 11.01, 29.37, -22.76

 

CMYK 15 / 85 / 0 / 62

HEX #520F61

RGB 82 15 97

HSL 289.02, 0.73%, 0.22%

LAB 20.04, 41.6, -32.63

 

CMYK 16 / 85 / 0 / 48

HEX #701485

RGB 112 20 133

HSL 288.85, 0.74%, 0.3%

LAB 28.48, 53.15, -41.88

 

CMYK 15 / 85 / 0 / 34

HEX #8F19A9

RGB 143 25 169

HSL 289.17, 0.74%, 0.38%

LAB 36.74, 64.18, -50.32

 

CMYK 16 / 85 / 0 / 20

HEX #AD1FCD

RGB 173 31 205

HSL 288.97, 0.74%, 0.46%

LAB 44.62, 74.31, -58.53

 

CMYK 16 / 85 / 0 / 47

HEX #721487

RGB 114 20 135

HSL 289.04, 0.74%, 0.3%

LAB 28.97, 53.9, -42.32

 

CMYK 0 / 83 / 85 / 48

HEX #851614

RGB 133 22 20

HSL 1.06, 0.74%, 0.3%

LAB 28.41, 45.3, 31.9

 

CMYK 85 / 0 / 50 / 48

HEX #148543

RGB 20 133 67

HSL 144.96, 0.74%, 0.3%

LAB 48.67, -45.19, 27.24

 

CMYK 16 / 85 / 0 / 47

HEX #721487

RGB 114 20 135

HSL 289.04, 0.74%, 0.3%

LAB 28.97, 53.9, -42.32

 

CMYK 0 / 16 / 85 / 48

HEX #857014

RGB 133 112 20

HSL 48.85, 0.74%, 0.3%

LAB 47.78, -1.22, 49.24

 

CMYK 85 / 0 / 16 / 48

HEX #148570

RGB 20 133 112

HSL 168.85, 0.74%, 0.3%

LAB 49.61, -34.78, 2.93

 

CMYK 16 / 85 / 0 / 47

HEX #721487

RGB 114 20 135

HSL 289.04, 0.74%, 0.3%

LAB 28.97, 53.9, -42.32

 

CMYK 0 / 83 / 85 / 48

HEX #851614

RGB 133 22 20

HSL 1.06, 0.74%, 0.3%

LAB 28.41, 45.3, 31.9

 

CMYK 69 / 0 / 85 / 48

HEX #298514

RGB 41 133 20

HSL 108.85, 0.74%, 0.3%

LAB 48.63, -47.13, 47.82

 

CMYK 85 / 2 / 0 / 48

HEX #148385

RGB 20 131 133

HSL 181.06, 0.74%, 0.3%

LAB 49.59, -27.5, -9.41

 

CMYK 16 / 85 / 0 / 47

HEX #721487

RGB 114 20 135

HSL 289.04, 0.74%, 0.3%

LAB 28.97, 53.9, -42.32

 

CMYK 0 / 58 / 85 / 48

HEX #853814

RGB 133 56 20

HSL 19.12, 0.74%, 0.3%

LAB 33.7, 31, 36.82

 

CMYK 69 / 0 / 85 / 48

HEX #298514

RGB 41 133 20

HSL 108.85, 0.74%, 0.3%

LAB 48.63, -47.13, 47.82

 

CMYK 85 / 27 / 0 / 48

HEX #146185

RGB 20 97 133

HSL 199.12, 0.74%, 0.3%

LAB 38.54, -8.9, -26.33

 

Description

Color code: HEX #721487 | qconv.com Color code: HEX #721487 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 20 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 20 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 85 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 85% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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