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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71FFDACE it is the complementary color #8E0025CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71FFDACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71FFDACE shade: #76FFD5CE, #87FFE8CE, #98FFFBCE, #A9FFFFCE and #BAFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71FFDACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71FFDACE shade: #71FFDACE, #60EDC7CE, #4FDBB4CE, #3EC9A1CE and #2DB78ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71FFDACE shade: #70FFDA, #70FFB3, #70FF8D, #7AFF70 and #A1FF70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71FFDACE shade: #70FFDA, #70FEFF, #70D7FF, #70B1FF and #708AFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71FFDACE shade matches the following richer shades: #70FFDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71FFDACE shade: #70FFDA, #7CF3D4, #87E8CF, #93DCC9 and #9ED1C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71FFDACE shade: #70FF8D, #70FFB3, #70FFD9, #70FFFF and #70D9FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71FFDACE shade: #1EFFC4, #47FFCF, #70FFDA, #99FFE5 and #C3FFEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71FFDACE shade: #71FFDA, #707AFF and #FFA070

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71FFDACE shade: #71FFDA, #D970FF and #FFD970

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71FFDACE shade: #71FFDA, #707AFF, #FF7096 and #FFF570

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71FFDACE shade: #71FFDA, #9270FF, #FF7096 and #DEFF70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 12 / 0

HEX #71FFDACE

RGBA 113 255 218 0.81

HSLA 164.37, 1%, 0.72%, 0.81

LABA 91.73, -47.11, 6.11, 0.81

 

Complementary color

CMYK 0 / 81 / 60 / 36

HEX #8E0025CE

RGBA 142 0 37 0.81

HSLA 344.37, 1%, 0.28%, 0.81

LABA 29.12, 52.74, 22.66, 0.81

 

CMYK 44 / 0 / 13 / 0

HEX #76FFD5CE

RGBA 118 255 213 0.81

HSLA 161.61, 1%, 0.73%, 0.81

LABA 91.76, -47.23, 8.77, 0.81

 

CMYK 38 / 0 / 7 / 0

HEX #87FFE8CE

RGBA 135 255 232 0.81

HSLA 168.5, 1%, 0.76%, 0.81

LABA 92.79, -39.27, 0.51, 0.81

 

CMYK 33 / 0 / 1 / 0

HEX #98FFFBCE

RGBA 152 255 251 0.81

HSLA 177.67, 1%, 0.8%, 0.81

LABA 93.95, -30.9, -7.53, 0.81

 

CMYK 27 / 0 / 0 / 0

HEX #A9FFFFCE

RGBA 169 255 255 0.81

HSLA 180, 1%, 0.83%, 0.81

LABA 94.81, -25.74, -8.24, 0.81

 

CMYK 22 / 0 / 0 / 0

HEX #BAFFFFCE

RGBA 186 255 255 0.81

HSLA 180, 1%, 0.86%, 0.81

LABA 95.66, -21.17, -6.9, 0.81

 

CMYK 45 / 0 / 12 / 0

HEX #71FFDACE

RGBA 113 255 218 0.81

HSLA 164.37, 1%, 0.72%, 0.81

LABA 91.73, -47.11, 6.11, 0.81

 

CMYK 48 / 0 / 13 / 6

HEX #60EDC7CE

RGBA 96 237 199 0.81

HSLA 163.83, 0.8%, 0.65%, 0.81

LABA 85.59, -47.01, 7.1, 0.81

 

CMYK 52 / 0 / 14 / 11

HEX #4FDBB4CE

RGBA 79 219 180 0.81

HSLA 163.29, 0.66%, 0.58%, 0.81

LABA 79.4, -46.79, 8.17, 0.81

 

CMYK 56 / 0 / 16 / 17

HEX #3EC9A1CE

RGBA 62 201 161 0.81

HSLA 162.73, 0.56%, 0.52%, 0.81

LABA 73.14, -46.42, 9.34, 0.81

 

CMYK 61 / 0 / 18 / 23

HEX #2DB78ECE

RGBA 45 183 142 0.81

HSLA 162.17, 0.61%, 0.45%, 0.81

LABA 66.81, -45.81, 10.63, 0.81

 

CMYK 56 / 0 / 15 / 0

HEX #70FFDA

RGB 112 255 218

HSL 164.48, 1%, 0.72%

LAB 91.7, -47.31, 6.07

 

CMYK 56 / 0 / 30 / 0

HEX #70FFB3

RGB 112 255 179

HSL 148.11, 1%, 0.72%

LAB 90.88, -55.51, 24.92

 

CMYK 56 / 0 / 45 / 0

HEX #70FF8D

RGB 112 255 141

HSL 132.17, 1%, 0.72%

LAB 90.27, -61.97, 42.97

 

CMYK 52 / 0 / 56 / 0

HEX #7AFF70

RGB 122 255 112

HSL 115.8, 1%, 0.72%

LAB 90.24, -63.37, 56.45

 

CMYK 37 / 0 / 56 / 0

HEX #A1FF70

RGB 161 255 112

HSL 99.44, 1%, 0.72%

LAB 91.8, -52.14, 58.67

 

CMYK 56 / 0 / 15 / 0

HEX #70FFDA

RGB 112 255 218

HSL 164.48, 1%, 0.72%

LAB 91.7, -47.31, 6.07

 

CMYK 56 / 0 / 0 / 0

HEX #70FEFF

RGB 112 254 255

HSL 180.42, 1%, 0.72%

LAB 92.38, -37.8, -12.1

 

CMYK 56 / 16 / 0 / 0

HEX #70D7FF

RGB 112 215 255

HSL 196.78, 1%, 0.72%

LAB 81.44, -18.98, -28.63

 

CMYK 56 / 31 / 0 / 0

HEX #70B1FF

RGB 112 177 255

HSL 212.73, 1%, 0.72%

LAB 70.95, 1.34, -44.89

 

CMYK 56 / 46 / 0 / 0

HEX #708AFF

RGB 112 138 255

HSL 229.09, 1%, 0.72%

LAB 60.64, 23.96, -61.22

 

CMYK 56 / 0 / 15 / 0

HEX #70FFDA

RGB 112 255 218

HSL 164.48, 1%, 0.72%

LAB 91.7, -47.31, 6.07

 

CMYK 56 / 0 / 15 / 0

HEX #70FFDA

RGB 112 255 218

HSL 164.48, 1%, 0.72%

LAB 91.7, -47.31, 6.07

 

CMYK 49 / 0 / 13 / 5

HEX #7CF3D4

RGB 124 243 212

HSL 164.37, 0.83%, 0.72%

LAB 88.51, -40.91, 4.63

 

CMYK 42 / 0 / 11 / 9

HEX #87E8CF

RGB 135 232 207

HSL 164.54, 0.68%, 0.72%

LAB 85.69, -34.39, 3.21

 

CMYK 33 / 0 / 9 / 14

HEX #93DCC9

RGB 147 220 201

HSL 164.38, 0.51%, 0.72%

LAB 82.7, -26.81, 2.11

 

CMYK 24 / 0 / 6 / 18

HEX #9ED1C4

RGB 158 209 196

HSL 164.71, 0.36%, 0.72%

LAB 80.1, -19.21, 1.06

 

CMYK 56 / 0 / 45 / 0

HEX #70FF8D

RGB 112 255 141

HSL 132.17, 1%, 0.72%

LAB 90.27, -61.97, 42.97

 

CMYK 56 / 0 / 30 / 0

HEX #70FFB3

RGB 112 255 179

HSL 148.11, 1%, 0.72%

LAB 90.88, -55.51, 24.92

 

CMYK 56 / 0 / 15 / 0

HEX #70FFD9

RGB 112 255 217

HSL 164.06, 1%, 0.72%

LAB 91.67, -47.54, 6.55

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 56 / 15 / 0 / 0

HEX #70D9FF

RGB 112 217 255

HSL 195.94, 1%, 0.72%

LAB 82, -20, -27.77

 

CMYK 88 / 0 / 23 / 0

HEX #1EFFC4

RGB 30 255 196

HSL 164.27, 1%, 0.56%

LAB 89.76, -62.55, 14.45

 

CMYK 72 / 0 / 19 / 0

HEX #47FFCF

RGB 71 255 207

HSL 164.35, 1%, 0.64%

LAB 90.49, -56.4, 9.89

 

CMYK 56 / 0 / 15 / 0

HEX #70FFDA

RGB 112 255 218

HSL 164.48, 1%, 0.72%

LAB 91.7, -47.31, 6.07

 

CMYK 40 / 0 / 10 / 0

HEX #99FFE5

RGB 153 255 229

HSL 164.71, 1%, 0.8%

LAB 93.43, -35.63, 3.07

 

CMYK 24 / 0 / 6 / 0

HEX #C3FFEF

RGB 195 255 239

HSL 164, 1%, 0.88%

LAB 95.73, -21.93, 1.51

 

CMYK 56 / 0 / 15 / 0

HEX #71FFDA

RGB 113 255 218

HSL 164.37, 1%, 0.72%

LAB 91.73, -47.11, 6.11

 

CMYK 56 / 52 / 0 / 0

HEX #707AFF

RGB 112 122 255

HSL 235.8, 1%, 0.72%

LAB 56.67, 33.49, -67.6

 

CMYK 0 / 37 / 56 / 0

HEX #FFA070

RGB 255 160 112

HSL 20.14, 1%, 0.72%

LAB 74.55, 30.68, 39.63

 

CMYK 56 / 0 / 15 / 0

HEX #71FFDA

RGB 113 255 218

HSL 164.37, 1%, 0.72%

LAB 91.73, -47.11, 6.11

 

CMYK 15 / 56 / 0 / 0

HEX #D970FF

RGB 217 112 255

HSL 284.06, 1%, 0.72%

LAB 64.61, 62.67, -54.33

 

CMYK 0 / 15 / 56 / 0

HEX #FFD970

RGB 255 217 112

HSL 44.06, 1%, 0.72%

LAB 88, 1.07, 55.86

 

CMYK 56 / 0 / 15 / 0

HEX #71FFDA

RGB 113 255 218

HSL 164.37, 1%, 0.72%

LAB 91.73, -47.11, 6.11

 

CMYK 56 / 52 / 0 / 0

HEX #707AFF

RGB 112 122 255

HSL 235.8, 1%, 0.72%

LAB 56.67, 33.49, -67.6

 

CMYK 0 / 56 / 41 / 0

HEX #FF7096

RGB 255 112 150

HSL 344.06, 1%, 0.72%

LAB 65.79, 57.81, 6.87

 

CMYK 0 / 4 / 56 / 0

HEX #FFF570

RGB 255 245 112

HSL 55.8, 1%, 0.72%

LAB 95.05, -12.92, 63.96

 

CMYK 56 / 0 / 15 / 0

HEX #71FFDA

RGB 113 255 218

HSL 164.37, 1%, 0.72%

LAB 91.73, -47.11, 6.11

 

CMYK 43 / 56 / 0 / 0

HEX #9270FF

RGB 146 112 255

HSL 254.27, 1%, 0.72%

LAB 57, 46.11, -66.94

 

CMYK 0 / 56 / 41 / 0

HEX #FF7096

RGB 255 112 150

HSL 344.06, 1%, 0.72%

LAB 65.79, 57.81, 6.87

 

CMYK 13 / 0 / 56 / 0

HEX #DEFF70

RGB 222 255 112

HSL 73.85, 1%, 0.72%

LAB 95.25, -30.58, 63.54

 

Description

Color code: HEX #71FFDACE | qconv.com Color code: HEX #71FFDACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 255 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 255 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 12 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 12% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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