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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71F36A it is the complementary color #8E0C95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71F36A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71F36A shade: #76F365, #87FF78, #98FF8B, #A9FF9E and #BAFFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71F36A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71F36A shade: #71F36A, #60E157, #4FCF44, #3EBD31 and #2DAB1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71F36A shade: #6FF368, #95F368, #BAF368, #DFF368 and #F3E168

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71F36A shade: #6FF368, #68F386, #68F3AC, #68F3D1 and #68EFF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71F36A shade matches the following richer shades: #6FF368

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71F36A shade: #6FF368, #7BE675, #87D882, #93CB90 and #9FBE9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71F36A shade: #BBF368, #96F368, #71F368, #68F384 and #68F3A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71F36A shade: #26ED1C, #4BF042, #6FF368, #94F68E and #B8F9B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71F36A shade: #71F36A, #68E0F3 and #F368A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71F36A shade: #71F36A, #6871F3 and #F36871

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71F36A shade: #71F36A, #68E0F3, #EA68F3 and #F37B68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71F36A shade: #71F36A, #68B7F3, #EA68F3 and #F3A468

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 56 / 5

HEX #71F36A

RGB 113 243 106

HSL 116.93, 0.85%, 0.68%

LAB 86.33, -61.88, 54.45

 

Complementary color

CMYK 5 / 92 / 0 / 42

HEX #8E0C95

RGB 142 12 149

HSL 296.93, 0.85%, 0.32%

LAB 34.36, 63.03, -42.04

 

CMYK 51 / 0 / 58 / 5

HEX #76F365

RGB 118 243 101

HSL 112.82, 0.86%, 0.67%

LAB 86.45, -61.15, 56.84

 

CMYK 47 / 0 / 53 / 0

HEX #87FF78

RGB 135 255 120

HSL 113.33, 1%, 0.74%

LAB 90.79, -59.01, 53.64

 

CMYK 40 / 0 / 45 / 0

HEX #98FF8B

RGB 152 255 139

HSL 113.28, 1%, 0.77%

LAB 91.71, -51.78, 46.06

 

CMYK 34 / 0 / 38 / 0

HEX #A9FF9E

RGB 169 255 158

HSL 113.2, 1%, 0.81%

LAB 92.76, -43.99, 38.34

 

CMYK 27 / 0 / 31 / 0

HEX #BAFFB1

RGB 186 255 177

HSL 113.08, 1%, 0.85%

LAB 93.94, -35.76, 30.6

 

CMYK 53 / 0 / 56 / 5

HEX #71F36A

RGB 113 243 106

HSL 116.93, 0.85%, 0.68%

LAB 86.33, -61.88, 54.45

 

CMYK 57 / 0 / 61 / 12

HEX #60E157

RGB 96 225 87

HSL 116.09, 0.7%, 0.61%

LAB 80.19, -61.55, 55.56

 

CMYK 62 / 0 / 67 / 19

HEX #4FCF44

RGB 79 207 68

HSL 115.25, 0.59%, 0.54%

LAB 74, -60.96, 56.48

 

CMYK 67 / 0 / 74 / 26

HEX #3EBD31

RGB 62 189 49

HSL 114.43, 0.59%, 0.47%

LAB 67.76, -60, 57.03

 

CMYK 74 / 0 / 82 / 33

HEX #2DAB1E

RGB 45 171 30

HSL 113.62, 0.7%, 0.39%

LAB 61.46, -58.5, 56.86

 

CMYK 54 / 0 / 57 / 5

HEX #6FF368

RGB 111 243 104

HSL 116.98, 0.85%, 0.68%

LAB 86.25, -62.6, 55.22

 

CMYK 39 / 0 / 57 / 5

HEX #95F368

RGB 149 243 104

HSL 100.58, 0.85%, 0.68%

LAB 87.72, -51.85, 57.32

 

CMYK 23 / 0 / 57 / 5

HEX #BAF368

RGB 186 243 104

HSL 84.6, 0.85%, 0.68%

LAB 89.65, -39.22, 60.02

 

CMYK 8 / 0 / 57 / 5

HEX #DFF368

RGB 223 243 104

HSL 68.63, 0.85%, 0.68%

LAB 92.04, -25.21, 63.37

 

CMYK 0 / 7 / 57 / 5

HEX #F3E168

RGB 243 225 104

HSL 52.23, 0.85%, 0.68%

LAB 88.88, -8.43, 60.24

 

CMYK 54 / 0 / 57 / 5

HEX #6FF368

RGB 111 243 104

HSL 116.98, 0.85%, 0.68%

LAB 86.25, -62.6, 55.22

 

CMYK 57 / 0 / 45 / 5

HEX #68F386

RGB 104 243 134

HSL 132.95, 0.85%, 0.68%

LAB 86.39, -60.3, 41.36

 

CMYK 57 / 0 / 29 / 5

HEX #68F3AC

RGB 104 243 172

HSL 149.35, 0.85%, 0.68%

LAB 87.01, -53.71, 23.13

 

CMYK 57 / 0 / 14 / 5

HEX #68F3D1

RGB 104 243 209

HSL 165.32, 0.85%, 0.68%

LAB 87.8, -45.76, 5.08

 

CMYK 57 / 2 / 0 / 5

HEX #68EFF3

RGB 104 239 243

HSL 181.73, 0.85%, 0.68%

LAB 87.56, -35.46, -13.06

 

CMYK 54 / 0 / 57 / 5

HEX #6FF368

RGB 111 243 104

HSL 116.98, 0.85%, 0.68%

LAB 86.25, -62.6, 55.22

 

CMYK 54 / 0 / 57 / 5

HEX #6FF368

RGB 111 243 104

HSL 116.98, 0.85%, 0.68%

LAB 86.25, -62.6, 55.22

 

CMYK 47 / 0 / 49 / 10

HEX #7BE675

RGB 123 230 117

HSL 116.81, 0.69%, 0.68%

LAB 82.96, -52.87, 45.4

 

CMYK 38 / 0 / 40 / 15

HEX #87D882

RGB 135 216 130

HSL 116.51, 0.52%, 0.68%

LAB 79.54, -41.62, 34.77

 

CMYK 28 / 0 / 29 / 20

HEX #93CB90

RGB 147 203 144

HSL 116.95, 0.36%, 0.68%

LAB 76.64, -29.59, 23.78

 

CMYK 16 / 0 / 17 / 25

HEX #9FBE9D

RGB 159 190 157

HSL 116.36, 0.2%, 0.68%

LAB 73.95, -16.83, 13.23

 

CMYK 23 / 0 / 57 / 5

HEX #BBF368

RGB 187 243 104

HSL 84.17, 0.85%, 0.68%

LAB 89.7, -38.86, 60.11

 

CMYK 38 / 0 / 57 / 5

HEX #96F368

RGB 150 243 104

HSL 100.14, 0.85%, 0.68%

LAB 87.77, -51.53, 57.38

 

CMYK 53 / 0 / 57 / 5

HEX #71F368

RGB 113 243 104

HSL 116.12, 0.85%, 0.68%

LAB 86.31, -62.11, 55.32

 

CMYK 57 / 0 / 46 / 5

HEX #68F384

RGB 104 243 132

HSL 132.09, 0.85%, 0.68%

LAB 86.36, -60.6, 42.3

 

CMYK 57 / 0 / 30 / 5

HEX #68F3A9

RGB 104 243 169

HSL 148.06, 0.85%, 0.68%

LAB 86.95, -54.29, 24.59

 

CMYK 84 / 0 / 88 / 7

HEX #26ED1C

RGB 38 237 28

HSL 117.13, 0.85%, 0.52%

LAB 82.41, -78.94, 75.87

 

CMYK 69 / 0 / 73 / 6

HEX #4BF042

RGB 75 240 66

HSL 116.9, 0.85%, 0.6%

LAB 84.07, -72.82, 67.66

 

CMYK 54 / 0 / 57 / 5

HEX #6FF368

RGB 111 243 104

HSL 116.98, 0.85%, 0.68%

LAB 86.25, -62.6, 55.22

 

CMYK 40 / 0 / 42 / 4

HEX #94F68E

RGB 148 246 142

HSL 116.54, 0.85%, 0.76%

LAB 89, -48.81, 41.13

 

CMYK 26 / 0 / 28 / 2

HEX #B8F9B4

RGB 184 249 180

HSL 116.52, 0.85%, 0.84%

LAB 92.24, -33.18, 26.76

 

CMYK 53 / 0 / 56 / 5

HEX #71F36A

RGB 113 243 106

HSL 116.93, 0.85%, 0.68%

LAB 86.33, -61.88, 54.45

 

CMYK 57 / 8 / 0 / 5

HEX #68E0F3

RGB 104 224 243

HSL 188.2, 0.85%, 0.68%

LAB 83.3, -28.34, -19.47

 

CMYK 0 / 57 / 30 / 5

HEX #F368A9

RGB 243 104 169

HSL 331.94, 0.85%, 0.68%

LAB 63.19, 59.77, -7.99

 

CMYK 53 / 0 / 56 / 5

HEX #71F36A

RGB 113 243 106

HSL 116.93, 0.85%, 0.68%

LAB 86.33, -61.88, 54.45

 

CMYK 57 / 53 / 0 / 5

HEX #6871F3

RGB 104 113 243

HSL 236.12, 0.85%, 0.68%

LAB 53.19, 33.61, -66.59

 

CMYK 0 / 57 / 53 / 5

HEX #F36871

RGB 243 104 113

HSL 356.12, 0.85%, 0.68%

LAB 61.78, 54.12, 22.2

 

CMYK 53 / 0 / 56 / 5

HEX #71F36A

RGB 113 243 106

HSL 116.93, 0.85%, 0.68%

LAB 86.33, -61.88, 54.45

 

CMYK 57 / 8 / 0 / 5

HEX #68E0F3

RGB 104 224 243

HSL 188.2, 0.85%, 0.68%

LAB 83.3, -28.34, -19.47

 

CMYK 4 / 57 / 0 / 5

HEX #EA68F3

RGB 234 104 243

HSL 296.12, 0.85%, 0.68%

LAB 64.85, 68.3, -47.19

 

CMYK 0 / 49 / 57 / 5

HEX #F37B68

RGB 243 123 104

HSL 8.2, 0.85%, 0.68%

LAB 65.14, 44.38, 31.67

 

CMYK 53 / 0 / 56 / 5

HEX #71F36A

RGB 113 243 106

HSL 116.93, 0.85%, 0.68%

LAB 86.33, -61.88, 54.45

 

CMYK 57 / 25 / 0 / 5

HEX #68B7F3

RGB 104 183 243

HSL 205.9, 0.85%, 0.68%

LAB 71.75, -7.24, -37.18

 

CMYK 4 / 57 / 0 / 5

HEX #EA68F3

RGB 234 104 243

HSL 296.12, 0.85%, 0.68%

LAB 64.85, 68.3, -47.19

 

CMYK 0 / 33 / 57 / 5

HEX #F3A468

RGB 243 164 104

HSL 25.9, 0.85%, 0.68%

LAB 73.94, 23.2, 42.69

 

Description

Color code: HEX #71F36A | qconv.com Color code: HEX #71F36A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 243 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 243 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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