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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71EB7E it is the complementary color #8E1481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71EB7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71EB7E shade: #76EB79, #87FD8C, #98FF9F, #A9FFB2 and #BAFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71EB7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71EB7E shade: #71EB7E, #60D96B, #4FC758, #3EB545 and #2DA332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71EB7E shade: #70EA7D, #84EA70, #A5EA70, #C6EA70 and #E7EA70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71EB7E shade: #70EA7D, #70EA9E, #70EABF, #70EAE0 and #70D3EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71EB7E shade matches the following richer shades: #70EA7D and #62F772

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71EB7E shade: #70EA7D, #7DDD87, #8AD092, #97C29C and #A5B5A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71EB7E shade: #A5EA70, #84EA70, #70EA7C, #70EA9D and #70EABD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71EB7E shade: #27E03B, #4CE55C, #70EA7D, #94EF9E and #B8F4BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71EB7E shade: #71EB7E, #70C5EA and #EA7094

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71EB7E shade: #71EB7E, #7C70EA and #EA7C70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71EB7E shade: #71EB7E, #70C5EA, #EA70DE and #EA9470

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71EB7E shade: #71EB7E, #70A1EA, #EA70DE and #EAB970

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 46 / 8

HEX #71EB7E

RGB 113 235 126

HSL 126.39, 0.75%, 0.68%

LAB 84.19, -56.28, 42.53

 

Complementary color

CMYK 0 / 86 / 9 / 44

HEX #8E1481

RGB 142 20 129

HSL 306.39, 0.75%, 0.32%

LAB 33.64, 58.43, -30.83

 

CMYK 50 / 0 / 49 / 8

HEX #76EB79

RGB 118 235 121

HSL 121.54, 0.75%, 0.69%

LAB 84.3, -55.68, 45.11

 

CMYK 47 / 0 / 45 / 1

HEX #87FD8C

RGB 135 253 140

HSL 122.54, 0.97%, 0.76%

LAB 90.46, -55.64, 43.85

 

CMYK 40 / 0 / 38 / 0

HEX #98FF9F

RGB 152 255 159

HSL 124.08, 1%, 0.8%

LAB 92, -48.93, 36.7

 

CMYK 34 / 0 / 30 / 0

HEX #A9FFB2

RGB 169 255 178

HSL 126.28, 1%, 0.83%

LAB 93.09, -40.91, 28.8

 

CMYK 27 / 0 / 23 / 0

HEX #BAFFC5

RGB 186 255 197

HSL 129.57, 1%, 0.86%

LAB 94.31, -32.51, 20.98

 

CMYK 52 / 0 / 46 / 8

HEX #71EB7E

RGB 113 235 126

HSL 126.39, 0.75%, 0.68%

LAB 84.19, -56.28, 42.53

 

CMYK 56 / 0 / 51 / 15

HEX #60D96B

RGB 96 217 107

HSL 125.45, 0.61%, 0.61%

LAB 77.98, -56.19, 43.84

 

CMYK 60 / 0 / 56 / 22

HEX #4FC758

RGB 79 199 88

HSL 124.5, 0.52%, 0.55%

LAB 71.7, -55.92, 45.15

 

CMYK 66 / 0 / 62 / 29

HEX #3EB545

RGB 62 181 69

HSL 123.53, 0.49%, 0.48%

LAB 65.36, -55.36, 46.4

 

CMYK 72 / 0 / 69 / 36

HEX #2DA332

RGB 45 163 50

HSL 122.54, 0.57%, 0.41%

LAB 58.96, -54.37, 47.44

 

CMYK 52 / 0 / 47 / 8

HEX #70EA7D

RGB 112 234 125

HSL 126.39, 0.74%, 0.68%

LAB 83.85, -56.28, 42.57

 

CMYK 44 / 0 / 52 / 8

HEX #84EA70

RGB 132 234 112

HSL 110.16, 0.74%, 0.68%

LAB 84.44, -52.52, 49.65

 

CMYK 29 / 0 / 52 / 8

HEX #A5EA70

RGB 165 234 112

HSL 93.93, 0.74%, 0.68%

LAB 86.01, -41.92, 51.91

 

CMYK 15 / 0 / 52 / 8

HEX #C6EA70

RGB 198 234 112

HSL 77.7, 0.74%, 0.68%

LAB 87.98, -29.93, 54.72

 

CMYK 1 / 0 / 52 / 8

HEX #E7EA70

RGB 231 234 112

HSL 61.48, 0.74%, 0.68%

LAB 90.32, -17.09, 58.05

 

CMYK 52 / 0 / 47 / 8

HEX #70EA7D

RGB 112 234 125

HSL 126.39, 0.74%, 0.68%

LAB 83.85, -56.28, 42.57

 

CMYK 52 / 0 / 32 / 8

HEX #70EA9E

RGB 112 234 158

HSL 142.62, 0.74%, 0.68%

LAB 84.36, -50.91, 26.73

 

CMYK 52 / 0 / 18 / 8

HEX #70EABF

RGB 112 234 191

HSL 158.85, 0.74%, 0.68%

LAB 85.02, -44.28, 10.54

 

CMYK 52 / 0 / 4 / 8

HEX #70EAE0

RGB 112 234 224

HSL 175.08, 0.74%, 0.68%

LAB 85.84, -36.54, -5.61

 

CMYK 52 / 10 / 0 / 8

HEX #70D3EA

RGB 112 211 234

HSL 191.31, 0.74%, 0.68%

LAB 79.6, -22.86, -20.25

 

CMYK 52 / 0 / 47 / 8

HEX #70EA7D

RGB 112 234 125

HSL 126.39, 0.74%, 0.68%

LAB 83.85, -56.28, 42.57

 

CMYK 60 / 0 / 54 / 3

HEX #62F772

RGB 98 247 114

HSL 126.44, 0.9%, 0.68%

LAB 87.16, -65.84, 51.72

 

CMYK 52 / 0 / 47 / 8

HEX #70EA7D

RGB 112 234 125

HSL 126.39, 0.74%, 0.68%

LAB 83.85, -56.28, 42.57

 

CMYK 43 / 0 / 39 / 13

HEX #7DDD87

RGB 125 221 135

HSL 126.25, 0.59%, 0.68%

LAB 80.64, -46, 33.59

 

CMYK 34 / 0 / 30 / 18

HEX #8AD092

RGB 138 208 146

HSL 126.86, 0.43%, 0.68%

LAB 77.63, -34.52, 24

 

CMYK 22 / 0 / 20 / 24

HEX #97C29C

RGB 151 194 156

HSL 126.98, 0.26%, 0.68%

LAB 74.55, -21.78, 14.54

 

CMYK 9 / 0 / 8 / 29

HEX #A5B5A6

RGB 165 181 166

HSL 123.75, 0.1%, 0.68%

LAB 72.09, -8.42, 5.75

 

CMYK 29 / 0 / 52 / 8

HEX #A5EA70

RGB 165 234 112

HSL 93.93, 0.74%, 0.68%

LAB 86.01, -41.92, 51.91

 

CMYK 44 / 0 / 52 / 8

HEX #84EA70

RGB 132 234 112

HSL 110.16, 0.74%, 0.68%

LAB 84.44, -52.52, 49.65

 

CMYK 52 / 0 / 47 / 8

HEX #70EA7C

RGB 112 234 124

HSL 125.9, 0.74%, 0.68%

LAB 83.83, -56.43, 43.04

 

CMYK 52 / 0 / 33 / 8

HEX #70EA9D

RGB 112 234 157

HSL 142.13, 0.74%, 0.68%

LAB 84.34, -51.09, 27.22

 

CMYK 52 / 0 / 19 / 8

HEX #70EABD

RGB 112 234 189

HSL 157.87, 0.74%, 0.68%

LAB 84.98, -44.72, 11.52

 

CMYK 83 / 0 / 74 / 12

HEX #27E03B

RGB 39 224 59

HSL 126.49, 0.75%, 0.52%

LAB 78.5, -73.5, 64.24

 

CMYK 67 / 0 / 60 / 10

HEX #4CE55C

RGB 76 229 92

HSL 126.27, 0.75%, 0.6%

LAB 80.93, -66.63, 54.1

 

CMYK 52 / 0 / 47 / 8

HEX #70EA7D

RGB 112 234 125

HSL 126.39, 0.74%, 0.68%

LAB 83.85, -56.28, 42.57

 

CMYK 38 / 0 / 34 / 6

HEX #94EF9E

RGB 148 239 158

HSL 126.59, 0.74%, 0.76%

LAB 87.24, -43.4, 30.86

 

CMYK 25 / 0 / 22 / 4

HEX #B8F4BE

RGB 184 244 190

HSL 126, 0.73%, 0.84%

LAB 91.06, -29.2, 20.02

 

CMYK 52 / 0 / 46 / 8

HEX #71EB7E

RGB 113 235 126

HSL 126.39, 0.75%, 0.68%

LAB 84.19, -56.28, 42.53

 

CMYK 52 / 16 / 0 / 8

HEX #70C5EA

RGB 112 197 234

HSL 198.2, 0.74%, 0.68%

LAB 75.65, -15.72, -26.27

 

CMYK 0 / 52 / 37 / 8

HEX #EA7094

RGB 234 112 148

HSL 342.3, 0.74%, 0.68%

LAB 62.69, 50.71, 3.17

 

CMYK 52 / 0 / 46 / 8

HEX #71EB7E

RGB 113 235 126

HSL 126.39, 0.75%, 0.68%

LAB 84.19, -56.28, 42.53

 

CMYK 47 / 52 / 0 / 8

HEX #7C70EA

RGB 124 112 234

HSL 245.9, 0.74%, 0.68%

LAB 53.83, 35.46, -60.47

 

CMYK 0 / 47 / 52 / 8

HEX #EA7C70

RGB 234 124 112

HSL 5.9, 0.74%, 0.68%

LAB 64.22, 41.19, 25.79

 

CMYK 52 / 0 / 46 / 8

HEX #71EB7E

RGB 113 235 126

HSL 126.39, 0.75%, 0.68%

LAB 84.19, -56.28, 42.53

 

CMYK 52 / 16 / 0 / 8

HEX #70C5EA

RGB 112 197 234

HSL 198.2, 0.74%, 0.68%

LAB 75.65, -15.72, -26.27

 

CMYK 0 / 52 / 5 / 8

HEX #EA70DE

RGB 234 112 222

HSL 305.9, 0.74%, 0.68%

LAB 65.24, 61.13, -34.93

 

CMYK 0 / 37 / 52 / 8

HEX #EA9470

RGB 234 148 112

HSL 17.7, 0.74%, 0.68%

LAB 69.36, 28.72, 32.5

 

CMYK 52 / 0 / 46 / 8

HEX #71EB7E

RGB 113 235 126

HSL 126.39, 0.75%, 0.68%

LAB 84.19, -56.28, 42.53

 

CMYK 52 / 31 / 0 / 8

HEX #70A1EA

RGB 112 161 234

HSL 215.9, 0.74%, 0.68%

LAB 65.65, 3.96, -41.75

 

CMYK 0 / 52 / 5 / 8

HEX #EA70DE

RGB 234 112 222

HSL 305.9, 0.74%, 0.68%

LAB 65.24, 61.13, -34.93

 

CMYK 0 / 21 / 52 / 8

HEX #EAB970

RGB 234 185 112

HSL 35.9, 0.74%, 0.68%

LAB 78.09, 9.09, 43.5

 

Description

Color code: HEX #71EB7E | qconv.com Color code: HEX #71EB7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 235 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 235 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 46 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 46% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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