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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71EA54 it is the complementary color #8E15AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71EA54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71EA54 shade: #76EA4F, #87FC62, #98FF75, #A9FF88 and #BAFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71EA54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71EA54 shade: #71EA54, #60D841, #4FC62E, #3EB41B and #2DA208

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71EA54 shade: #70EA53, #99EA53, #C1EA53, #EAE953 and #EAC153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71EA54 shade: #70EA53, #53EA5E, #53EA87, #53EAB0 and #53EAD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71EA54 shade matches the following richer shades: #70EA53 and #66F943

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71EA54 shade: #70EA53, #79DA62, #83CA72, #8DBB82 and #96AB91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71EA54 shade: #C1EA53, #99EA53, #71EA53, #53EA5D and #53EA85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71EA54 shade: #3DD01A, #51E52E, #70EA53, #8EEE77 and #ADF39C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71EA54 shade: #71EA54, #53EAEA and #EA53AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71EA54 shade: #71EA54, #5371EA and #EA5371

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71EA54 shade: #71EA54, #53EAEA, #CB53EA and #EA5353

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71EA54 shade: #71EA54, #53BCEA, #CB53EA and #EA8053

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 64 / 8

HEX #71EA54

RGB 113 234 84

HSL 108.4, 0.78%, 0.62%

LAB 83.44, -60.82, 60.57

 

Complementary color

CMYK 17 / 88 / 0 / 33

HEX #8E15AB

RGB 142 21 171

HSL 288.4, 0.78%, 0.38%

LAB 36.42, 65.25, -52.05

 

CMYK 50 / 0 / 66 / 8

HEX #76EA4F

RGB 118 234 79

HSL 104.9, 0.79%, 0.61%

LAB 83.58, -59.9, 62.77

 

CMYK 46 / 0 / 61 / 1

HEX #87FC62

RGB 135 252 98

HSL 105.58, 0.96%, 0.69%

LAB 89.7, -60.19, 61.96

 

CMYK 40 / 0 / 54 / 0

HEX #98FF75

RGB 152 255 117

HSL 104.78, 1%, 0.73%

LAB 91.45, -54.42, 55.94

 

CMYK 34 / 0 / 47 / 0

HEX #A9FF88

RGB 169 255 136

HSL 103.36, 1%, 0.77%

LAB 92.46, -46.91, 48.59

 

CMYK 27 / 0 / 39 / 0

HEX #BAFF9B

RGB 186 255 155

HSL 101.4, 1%, 0.8%

LAB 93.59, -38.92, 41.06

 

CMYK 52 / 0 / 64 / 8

HEX #71EA54

RGB 113 234 84

HSL 108.4, 0.78%, 0.62%

LAB 83.44, -60.82, 60.57

 

CMYK 56 / 0 / 70 / 15

HEX #60D841

RGB 96 216 65

HSL 107.68, 0.66%, 0.55%

LAB 77.27, -60.33, 61.24

 

CMYK 60 / 0 / 77 / 22

HEX #4FC62E

RGB 79 198 46

HSL 106.97, 0.62%, 0.48%

LAB 71.04, -59.54, 61.43

 

CMYK 66 / 0 / 85 / 29

HEX #3EB41B

RGB 62 180 27

HSL 106.27, 0.74%, 0.41%

LAB 64.76, -58.31, 60.78

 

CMYK 72 / 0 / 95 / 36

HEX #2DA208

RGB 45 162 8

HSL 105.58, 0.91%, 0.33%

LAB 58.43, -56.47, 58.73

 

CMYK 52 / 0 / 65 / 8

HEX #70EA53

RGB 112 234 83

HSL 108.48, 0.78%, 0.62%

LAB 83.4, -61.18, 60.92

 

CMYK 35 / 0 / 65 / 8

HEX #99EA53

RGB 153 234 83

HSL 92.19, 0.78%, 0.62%

LAB 85.12, -48.72, 63.28

 

CMYK 18 / 0 / 65 / 8

HEX #C1EA53

RGB 193 234 83

HSL 76.29, 0.78%, 0.62%

LAB 87.39, -34.17, 66.38

 

CMYK 0 / 0 / 65 / 8

HEX #EAE953

RGB 234 233 83

HSL 59.6, 0.78%, 0.62%

LAB 90.04, -17.4, 70.05

 

CMYK 0 / 18 / 65 / 8

HEX #EAC153

RGB 234 193 83

HSL 43.71, 0.78%, 0.62%

LAB 79.76, 2.79, 59.2

 

CMYK 52 / 0 / 65 / 8

HEX #70EA53

RGB 112 234 83

HSL 108.48, 0.78%, 0.62%

LAB 83.4, -61.18, 60.92

 

CMYK 65 / 0 / 60 / 8

HEX #53EA5E

RGB 83 234 94

HSL 124.37, 0.78%, 0.62%

LAB 82.64, -66.77, 55.23

 

CMYK 65 / 0 / 42 / 8

HEX #53EA87

RGB 83 234 135

HSL 140.66, 0.78%, 0.62%

LAB 83.14, -61.07, 36.59

 

CMYK 65 / 0 / 25 / 8

HEX #53EAB0

RGB 83 234 176

HSL 156.95, 0.78%, 0.62%

LAB 83.87, -53.22, 16.63

 

CMYK 65 / 0 / 8 / 8

HEX #53EAD8

RGB 83 234 216

HSL 172.85, 0.78%, 0.62%

LAB 84.81, -43.74, -3

 

CMYK 52 / 0 / 65 / 8

HEX #70EA53

RGB 112 234 83

HSL 108.48, 0.78%, 0.62%

LAB 83.4, -61.18, 60.92

 

CMYK 59 / 0 / 73 / 2

HEX #66F943

RGB 102 249 67

HSL 108.46, 0.94%, 0.62%

LAB 87.48, -70.18, 70.96

 

CMYK 52 / 0 / 65 / 8

HEX #70EA53

RGB 112 234 83

HSL 108.48, 0.78%, 0.62%

LAB 83.4, -61.18, 60.92

 

CMYK 44 / 0 / 55 / 15

HEX #79DA62

RGB 121 218 98

HSL 108.5, 0.62%, 0.62%

LAB 79.09, -50.95, 49.63

 

CMYK 35 / 0 / 44 / 21

HEX #83CA72

RGB 131 202 114

HSL 108.41, 0.45%, 0.62%

LAB 75, -39, 36.98

 

CMYK 25 / 0 / 30 / 27

HEX #8DBB82

RGB 141 187 130

HSL 108.42, 0.3%, 0.62%

LAB 71.43, -26.2, 24.08

 

CMYK 12 / 0 / 15 / 33

HEX #96AB91

RGB 150 171 145

HSL 108.46, 0.13%, 0.62%

LAB 67.76, -12.31, 10.96

 

CMYK 18 / 0 / 65 / 8

HEX #C1EA53

RGB 193 234 83

HSL 76.29, 0.78%, 0.62%

LAB 87.39, -34.17, 66.38

 

CMYK 35 / 0 / 65 / 8

HEX #99EA53

RGB 153 234 83

HSL 92.19, 0.78%, 0.62%

LAB 85.12, -48.72, 63.28

 

CMYK 52 / 0 / 65 / 8

HEX #71EA53

RGB 113 234 83

HSL 108.08, 0.78%, 0.62%

LAB 83.43, -60.91, 60.97

 

CMYK 65 / 0 / 60 / 8

HEX #53EA5D

RGB 83 234 93

HSL 123.97, 0.78%, 0.62%

LAB 82.63, -66.88, 55.65

 

CMYK 65 / 0 / 43 / 8

HEX #53EA85

RGB 83 234 133

HSL 139.87, 0.78%, 0.62%

LAB 83.11, -61.4, 37.54

 

CMYK 71 / 0 / 88 / 18

HEX #3DD01A

RGB 61 208 26

HSL 108.46, 0.78%, 0.46%

LAB 73.66, -67.54, 68.81

 

CMYK 65 / 0 / 80 / 10

HEX #51E52E

RGB 81 229 46

HSL 108.52, 0.78%, 0.54%

LAB 80.73, -69.45, 70.63

 

CMYK 52 / 0 / 65 / 8

HEX #70EA53

RGB 112 234 83

HSL 108.48, 0.78%, 0.62%

LAB 83.4, -61.18, 60.92

 

CMYK 40 / 0 / 50 / 7

HEX #8EEE77

RGB 142 238 119

HSL 108.4, 0.78%, 0.7%

LAB 86.12, -50.31, 48.52

 

CMYK 29 / 0 / 36 / 5

HEX #ADF39C

RGB 173 243 156

HSL 108.28, 0.78%, 0.78%

LAB 89.57, -37.68, 35.19

 

CMYK 52 / 0 / 64 / 8

HEX #71EA54

RGB 113 234 84

HSL 108.4, 0.78%, 0.62%

LAB 83.44, -60.82, 60.57

 

CMYK 65 / 0 / 0 / 8

HEX #53EAEA

RGB 83 234 234

HSL 180, 0.78%, 0.62%

LAB 85.31, -38.97, -11.74

 

CMYK 0 / 65 / 26 / 8

HEX #EA53AD

RGB 234 83 173

HSL 324.24, 0.78%, 0.62%

LAB 58.69, 66.5, -17.2

 

CMYK 52 / 0 / 64 / 8

HEX #71EA54

RGB 113 234 84

HSL 108.4, 0.78%, 0.62%

LAB 83.44, -60.82, 60.57

 

CMYK 65 / 52 / 0 / 8

HEX #5371EA

RGB 83 113 234

HSL 228.08, 0.78%, 0.62%

LAB 51.37, 27.06, -64.57

 

CMYK 0 / 65 / 52 / 8

HEX #EA5371

RGB 234 83 113

HSL 348.08, 0.78%, 0.62%

LAB 56.95, 60.27, 15.37

 

CMYK 52 / 0 / 64 / 8

HEX #71EA54

RGB 113 234 84

HSL 108.4, 0.78%, 0.62%

LAB 83.44, -60.82, 60.57

 

CMYK 65 / 0 / 0 / 8

HEX #53EAEA

RGB 83 234 234

HSL 180, 0.78%, 0.62%

LAB 85.31, -38.97, -11.74

 

CMYK 13 / 65 / 0 / 8

HEX #CB53EA

RGB 203 83 234

HSL 287.68, 0.78%, 0.62%

LAB 56.9, 68.33, -55.07

 

CMYK 0 / 65 / 65 / 8

HEX #EA5353

RGB 234 83 83

HSL 0, 0.78%, 0.62%

LAB 56.39, 58.2, 32.11

 

CMYK 52 / 0 / 64 / 8

HEX #71EA54

RGB 113 234 84

HSL 108.4, 0.78%, 0.62%

LAB 83.44, -60.82, 60.57

 

CMYK 65 / 20 / 0 / 8

HEX #53BCEA

RGB 83 188 234

HSL 198.28, 0.78%, 0.62%

LAB 72.06, -16.46, -31.87

 

CMYK 13 / 65 / 0 / 8

HEX #CB53EA

RGB 203 83 234

HSL 287.68, 0.78%, 0.62%

LAB 56.9, 68.33, -55.07

 

CMYK 0 / 45 / 65 / 8

HEX #EA8053

RGB 234 128 83

HSL 17.88, 0.78%, 0.62%

LAB 64.61, 37.02, 42.08

 

Description

Color code: HEX #71EA54 | qconv.com Color code: HEX #71EA54 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 234 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 234 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 64 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 64% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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