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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71E8B0 it is the complementary color #8E174F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71E8B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71E8B0 shade: #76E8AB, #87FABE, #98FFD1, #A9FFE4 and #BAFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71E8B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71E8B0 shade: #71E8B0, #60D69D, #4FC48A, #3EB277 and #2DA064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71E8B0 shade: #73E8B1, #73E891, #74E873, #94E873 and #B3E873

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71E8B0 shade: #73E8B1, #73E8D1, #73E0E8, #73C0E8 and #73A1E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71E8B0 shade matches the following richer shades: #73E8B1 and #65F5B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71E8B0 shade: #73E8B1, #80DBB0, #8DCEAF, #9AC1AF and #A7B3AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71E8B0 shade: #75E873, #73E890, #73E8AF, #73E8CF and #73E2E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71E8B0 shade: #2CDD89, #4FE29D, #73E8B1, #96EEC5 and #BAF4D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71E8B0 shade: #71E8B0, #7394E8 and #E88073

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71E8B0 shade: #71E8B0, #AF73E8 and #E8AF73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71E8B0 shade: #71E8B0, #7394E8, #E873AB and #E8C773

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71E8B0 shade: #71E8B0, #7573E8, #E873AB and #E6E873

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 24 / 9

HEX #71E8B0

RGB 113 232 176

HSL 151.76, 0.72%, 0.68%

LAB 84.15, -46.36, 17.15

 

Complementary color

CMYK 0 / 84 / 44 / 44

HEX #8E174F

RGB 142 23 79

HSL 331.76, 0.72%, 0.32%

LAB 31.64, 51.42, -1.82

 

CMYK 49 / 0 / 26 / 9

HEX #76E8AB

RGB 118 232 171

HSL 147.89, 0.71%, 0.69%

LAB 84.23, -46.17, 19.88

 

CMYK 46 / 0 / 24 / 2

HEX #87FABE

RGB 135 250 190

HSL 148.7, 0.92%, 0.75%

LAB 90.43, -46, 18.8

 

CMYK 40 / 0 / 18 / 0

HEX #98FFD1

RGB 152 255 209

HSL 153.2, 1%, 0.8%

LAB 92.93, -40.07, 12.65

 

CMYK 34 / 0 / 11 / 0

HEX #A9FFE4

RGB 169 255 228

HSL 161.16, 1%, 0.83%

LAB 94.12, -31.62, 4.69

 

CMYK 27 / 0 / 3 / 0

HEX #BAFFF7

RGB 186 255 247

HSL 173.04, 1%, 0.86%

LAB 95.44, -22.89, -3.08

 

CMYK 51 / 0 / 24 / 9

HEX #71E8B0

RGB 113 232 176

HSL 151.76, 0.72%, 0.68%

LAB 84.15, -46.36, 17.15

 

CMYK 55 / 0 / 27 / 16

HEX #60D69D

RGB 96 214 157

HSL 151.02, 0.59%, 0.61%

LAB 77.88, -46.44, 18.28

 

CMYK 60 / 0 / 30 / 23

HEX #4FC48A

RGB 79 196 138

HSL 150.26, 0.5%, 0.54%

LAB 71.54, -46.42, 19.52

 

CMYK 65 / 0 / 33 / 30

HEX #3EB277

RGB 62 178 119

HSL 149.48, 0.48%, 0.47%

LAB 65.12, -46.25, 20.86

 

CMYK 72 / 0 / 38 / 37

HEX #2DA064

RGB 45 160 100

HSL 148.7, 0.56%, 0.4%

LAB 58.62, -45.83, 22.34

 

CMYK 50 / 0 / 24 / 9

HEX #73E8B1

RGB 115 232 177

HSL 151.79, 0.72%, 0.68%

LAB 84.24, -45.69, 16.76

 

CMYK 50 / 0 / 38 / 9

HEX #73E891

RGB 115 232 145

HSL 135.38, 0.72%, 0.68%

LAB 83.65, -51.63, 32.42

 

CMYK 50 / 0 / 50 / 9

HEX #74E873

RGB 116 232 115

HSL 119.49, 0.72%, 0.68%

LAB 83.27, -55.84, 46.67

 

CMYK 36 / 0 / 50 / 9

HEX #94E873

RGB 148 232 115

HSL 103.08, 0.72%, 0.68%

LAB 84.61, -46.4, 48.62

 

CMYK 23 / 0 / 50 / 9

HEX #B3E873

RGB 179 232 115

HSL 87.18, 0.72%, 0.68%

LAB 86.27, -35.75, 51.02

 

CMYK 50 / 0 / 24 / 9

HEX #73E8B1

RGB 115 232 177

HSL 151.79, 0.72%, 0.68%

LAB 84.24, -45.69, 16.76

 

CMYK 50 / 0 / 10 / 9

HEX #73E8D1

RGB 115 232 209

HSL 168.21, 0.72%, 0.68%

LAB 84.98, -38.64, 1.03

 

CMYK 50 / 3 / 0 / 9

HEX #73E0E8

RGB 115 224 232

HSL 184.1, 0.72%, 0.68%

LAB 83.33, -29.16, -13.56

 

CMYK 50 / 17 / 0 / 9

HEX #73C0E8

RGB 115 192 232

HSL 200.51, 0.72%, 0.68%

LAB 74.3, -13.01, -27.24

 

CMYK 50 / 31 / 0 / 9

HEX #73A1E8

RGB 115 161 232

HSL 216.41, 0.72%, 0.68%

LAB 65.72, 4.02, -40.53

 

CMYK 50 / 0 / 24 / 9

HEX #73E8B1

RGB 115 232 177

HSL 151.79, 0.72%, 0.68%

LAB 84.24, -45.69, 16.76

 

CMYK 59 / 0 / 27 / 4

HEX #65F5B2

RGB 101 245 178

HSL 152.08, 0.88%, 0.68%

LAB 87.62, -53.93, 20.89

 

CMYK 50 / 0 / 24 / 9

HEX #73E8B1

RGB 115 232 177

HSL 151.79, 0.72%, 0.68%

LAB 84.24, -45.69, 16.76

 

CMYK 42 / 0 / 20 / 14

HEX #80DBB0

RGB 128 219 176

HSL 151.65, 0.56%, 0.68%

LAB 80.95, -36.85, 12.73

 

CMYK 32 / 0 / 15 / 19

HEX #8DCEAF

RGB 141 206 175

HSL 151.38, 0.4%, 0.68%

LAB 77.82, -27.22, 8.89

 

CMYK 20 / 0 / 9 / 24

HEX #9AC1AF

RGB 154 193 175

HSL 152.31, 0.24%, 0.68%

LAB 74.89, -16.66, 4.78

 

CMYK 7 / 0 / 3 / 30

HEX #A7B3AE

RGB 167 179 174

HSL 155, 0.07%, 0.68%

LAB 71.9, -5.14, 1.1

 

CMYK 50 / 0 / 50 / 9

HEX #75E873

RGB 117 232 115

HSL 118.97, 0.72%, 0.68%

LAB 83.3, -55.57, 46.72

 

CMYK 50 / 0 / 38 / 9

HEX #73E890

RGB 115 232 144

HSL 134.87, 0.72%, 0.68%

LAB 83.64, -51.8, 32.91

 

CMYK 50 / 0 / 25 / 9

HEX #73E8AF

RGB 115 232 175

HSL 150.77, 0.72%, 0.68%

LAB 84.2, -46.1, 17.75

 

CMYK 50 / 0 / 11 / 9

HEX #73E8CF

RGB 115 232 207

HSL 167.18, 0.72%, 0.68%

LAB 84.93, -39.11, 2.01

 

CMYK 50 / 3 / 0 / 9

HEX #73E2E8

RGB 115 226 232

HSL 183.08, 0.72%, 0.68%

LAB 83.89, -30.12, -12.71

 

CMYK 80 / 0 / 38 / 13

HEX #2CDD89

RGB 44 221 137

HSL 151.53, 0.72%, 0.52%

LAB 78.49, -61.61, 29.33

 

CMYK 65 / 0 / 31 / 11

HEX #4FE29D

RGB 79 226 157

HSL 151.84, 0.72%, 0.6%

LAB 81.01, -54.69, 22.53

 

CMYK 50 / 0 / 24 / 9

HEX #73E8B1

RGB 115 232 177

HSL 151.79, 0.72%, 0.68%

LAB 84.24, -45.69, 16.76

 

CMYK 37 / 0 / 17 / 7

HEX #96EEC5

RGB 150 238 197

HSL 152.05, 0.72%, 0.76%

LAB 87.81, -35.3, 11.57

 

CMYK 24 / 0 / 11 / 4

HEX #BAF4D8

RGB 186 244 216

HSL 151.03, 0.73%, 0.84%

LAB 91.73, -23.84, 7.55

 

CMYK 51 / 0 / 24 / 9

HEX #71E8B0

RGB 113 232 176

HSL 151.76, 0.72%, 0.68%

LAB 84.15, -46.36, 17.15

 

CMYK 50 / 36 / 0 / 9

HEX #7394E8

RGB 115 148 232

HSL 223.08, 0.72%, 0.68%

LAB 62.21, 11.53, -46.04

 

CMYK 0 / 45 / 50 / 9

HEX #E88073

RGB 232 128 115

HSL 6.67, 0.72%, 0.68%

LAB 64.83, 38.66, 24.87

 

CMYK 51 / 0 / 24 / 9

HEX #71E8B0

RGB 113 232 176

HSL 151.76, 0.72%, 0.68%

LAB 84.15, -46.36, 17.15

 

CMYK 25 / 50 / 0 / 9

HEX #AF73E8

RGB 175 115 232

HSL 270.77, 0.72%, 0.68%

LAB 59.16, 45.58, -50.56

 

CMYK 0 / 25 / 50 / 9

HEX #E8AF73

RGB 232 175 115

HSL 30.77, 0.72%, 0.68%

LAB 75.48, 13.83, 38.69

 

CMYK 51 / 0 / 24 / 9

HEX #71E8B0

RGB 113 232 176

HSL 151.76, 0.72%, 0.68%

LAB 84.15, -46.36, 17.15

 

CMYK 50 / 36 / 0 / 9

HEX #7394E8

RGB 115 148 232

HSL 223.08, 0.72%, 0.68%

LAB 62.21, 11.53, -46.04

 

CMYK 0 / 50 / 26 / 9

HEX #E873AB

RGB 232 115 171

HSL 331.28, 0.72%, 0.68%

LAB 63.64, 51.45, -8.64

 

CMYK 0 / 14 / 50 / 9

HEX #E8C773

RGB 232 199 115

HSL 43.08, 0.72%, 0.68%

LAB 81.42, 1.22, 46.06

 

CMYK 51 / 0 / 24 / 9

HEX #71E8B0

RGB 113 232 176

HSL 151.76, 0.72%, 0.68%

LAB 84.15, -46.36, 17.15

 

CMYK 50 / 50 / 0 / 9

HEX #7573E8

RGB 117 115 232

HSL 241.03, 0.72%, 0.68%

LAB 53.89, 31.58, -59.28

 

CMYK 0 / 50 / 26 / 9

HEX #E873AB

RGB 232 115 171

HSL 331.28, 0.72%, 0.68%

LAB 63.64, 51.45, -8.64

 

CMYK 1 / 0 / 50 / 9

HEX #E6E873

RGB 230 232 115

HSL 61.03, 0.72%, 0.68%

LAB 89.75, -16.26, 56

 

Description

Color code: HEX #71E8B0 | qconv.com Color code: HEX #71E8B0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 232 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 232 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 24 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 24% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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