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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71E6B5 it is the complementary color #8E194A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71E6B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71E6B5 shade: #76E6B0, #87F8C3, #98FFD6, #A9FFE9 and #BAFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71E6B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71E6B5 shade: #71E6B5, #60D4A2, #4FC28F, #3EB07C and #2D9E69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71E6B5 shade: #70E6B4, #70E695, #70E675, #8BE670 and #ABE670

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71E6B5 shade: #70E6B4, #70E6D4, #70D8E6, #70B8E6 and #7098E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71E6B5 shade matches the following richer shades: #70E6B4 and #62F3B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71E6B5 shade: #70E6B4, #7ED8B2, #8BCBB0, #99BDAE and #A6AFAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71E6B5 shade: #70E674, #70E693, #70E6B3, #70E6D2 and #70DAE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71E6B5 shade: #2AD990, #4DE0A2, #70E6B4, #93ECC7 and #B6F2D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71E6B5 shade: #71E6B5, #708BE6 and #E68470

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71E6B5 shade: #71E6B5, #B370E6 and #E6B370

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71E6B5 shade: #71E6B5, #708BE6, #E670A3 and #E6CA70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71E6B5 shade: #71E6B5, #7870E6, #E670A3 and #DEE670

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 21 / 10

HEX #71E6B5

RGB 113 230 181

HSL 154.87, 0.7%, 0.67%

LAB 83.67, -44.46, 13.86

 

Complementary color

CMYK 0 / 82 / 48 / 44

HEX #8E194A

RGB 142 25 74

HSL 334.87, 0.7%, 0.33%

LAB 31.67, 50.4, 1.51

 

CMYK 49 / 0 / 23 / 10

HEX #76E6B0

RGB 118 230 176

HSL 151.07, 0.69%, 0.68%

LAB 83.75, -44.31, 16.61

 

CMYK 46 / 0 / 21 / 3

HEX #87F8C3

RGB 135 248 195

HSL 151.86, 0.89%, 0.75%

LAB 89.96, -44.14, 15.58

 

CMYK 40 / 0 / 16 / 0

HEX #98FFD6

RGB 152 255 214

HSL 156.12, 1%, 0.8%

LAB 93.04, -39.06, 10.24

 

CMYK 34 / 0 / 9 / 0

HEX #A9FFE9

RGB 169 255 233

HSL 164.65, 1%, 0.83%

LAB 94.24, -30.57, 2.28

 

CMYK 27 / 0 / 1 / 0

HEX #BAFFFC

RGB 186 255 252

HSL 177.39, 1%, 0.86%

LAB 95.58, -21.82, -5.47

 

CMYK 51 / 0 / 21 / 10

HEX #71E6B5

RGB 113 230 181

HSL 154.87, 0.7%, 0.67%

LAB 83.67, -44.46, 13.86

 

CMYK 55 / 0 / 24 / 17

HEX #60D4A2

RGB 96 212 162

HSL 154.14, 0.57%, 0.6%

LAB 77.39, -44.54, 14.95

 

CMYK 59 / 0 / 26 / 24

HEX #4FC28F

RGB 79 194 143

HSL 153.39, 0.49%, 0.54%

LAB 71.03, -44.53, 16.13

 

CMYK 65 / 0 / 30 / 31

HEX #3EB07C

RGB 62 176 124

HSL 152.63, 0.48%, 0.47%

LAB 64.59, -44.37, 17.42

 

CMYK 72 / 0 / 34 / 38

HEX #2D9E69

RGB 45 158 105

HSL 151.86, 0.56%, 0.4%

LAB 58.07, -43.99, 18.85

 

CMYK 51 / 0 / 22 / 10

HEX #70E6B4

RGB 112 230 180

HSL 154.58, 0.7%, 0.67%

LAB 83.62, -44.9, 14.3

 

CMYK 51 / 0 / 35 / 10

HEX #70E695

RGB 112 230 149

HSL 138.81, 0.7%, 0.67%

LAB 83.02, -50.88, 29.54

 

CMYK 51 / 0 / 49 / 10

HEX #70E675

RGB 112 230 117

HSL 122.54, 0.7%, 0.67%

LAB 82.55, -55.84, 44.81

 

CMYK 40 / 0 / 51 / 10

HEX #8BE670

RGB 139 230 112

HSL 106.27, 0.7%, 0.67%

LAB 83.58, -48.76, 48.67

 

CMYK 26 / 0 / 51 / 10

HEX #ABE670

RGB 171 230 112

HSL 90, 0.7%, 0.67%

LAB 85.21, -38.04, 51.03

 

CMYK 51 / 0 / 22 / 10

HEX #70E6B4

RGB 112 230 180

HSL 154.58, 0.7%, 0.67%

LAB 83.62, -44.9, 14.3

 

CMYK 51 / 0 / 8 / 10

HEX #70E6D4

RGB 112 230 212

HSL 170.85, 0.7%, 0.67%

LAB 84.38, -37.65, -1.44

 

CMYK 51 / 6 / 0 / 10

HEX #70D8E6

RGB 112 216 230

HSL 187.12, 0.7%, 0.67%

LAB 80.89, -26.43, -16.17

 

CMYK 51 / 20 / 0 / 10

HEX #70B8E6

RGB 112 184 230

HSL 203.39, 0.7%, 0.67%

LAB 71.85, -9.99, -29.93

 

CMYK 51 / 34 / 0 / 10

HEX #7098E6

RGB 112 152 230

HSL 219.66, 0.7%, 0.67%

LAB 63.02, 7.92, -43.67

 

CMYK 51 / 0 / 22 / 10

HEX #70E6B4

RGB 112 230 180

HSL 154.58, 0.7%, 0.67%

LAB 83.62, -44.9, 14.3

 

CMYK 60 / 0 / 25 / 5

HEX #62F3B7

RGB 98 243 183

HSL 155.17, 0.86%, 0.67%

LAB 87.05, -52.68, 17.51

 

CMYK 51 / 0 / 22 / 10

HEX #70E6B4

RGB 112 230 180

HSL 154.58, 0.7%, 0.67%

LAB 83.62, -44.9, 14.3

 

CMYK 42 / 0 / 18 / 15

HEX #7ED8B2

RGB 126 216 178

HSL 154.67, 0.54%, 0.67%

LAB 80.05, -35.6, 10.37

 

CMYK 32 / 0 / 13 / 20

HEX #8BCBB0

RGB 139 203 176

HSL 154.69, 0.38%, 0.67%

LAB 76.88, -26.16, 7

 

CMYK 19 / 0 / 8 / 26

HEX #99BDAE

RGB 153 189 174

HSL 155, 0.21%, 0.67%

LAB 73.69, -15.13, 3.58

 

CMYK 5 / 0 / 2 / 31

HEX #A6AFAC

RGB 166 175 172

HSL 160, 0.05%, 0.67%

LAB 70.7, -3.73, 0.43

 

CMYK 51 / 0 / 50 / 10

HEX #70E674

RGB 112 230 116

HSL 122.03, 0.7%, 0.67%

LAB 82.54, -55.97, 45.27

 

CMYK 51 / 0 / 36 / 10

HEX #70E693

RGB 112 230 147

HSL 137.8, 0.7%, 0.67%

LAB 82.99, -51.22, 30.51

 

CMYK 51 / 0 / 22 / 10

HEX #70E6B3

RGB 112 230 179

HSL 154.07, 0.7%, 0.67%

LAB 83.6, -45.11, 14.8

 

CMYK 51 / 0 / 9 / 10

HEX #70E6D2

RGB 112 230 210

HSL 169.83, 0.7%, 0.67%

LAB 84.32, -38.14, -0.46

 

CMYK 51 / 5 / 0 / 10

HEX #70DAE6

RGB 112 218 230

HSL 186.1, 0.7%, 0.67%

LAB 81.46, -27.4, -15.32

 

CMYK 81 / 0 / 34 / 15

HEX #2AD990

RGB 42 217 144

HSL 154.97, 0.7%, 0.51%

LAB 77.36, -58.97, 24.19

 

CMYK 66 / 0 / 28 / 12

HEX #4DE0A2

RGB 77 224 162

HSL 154.69, 0.7%, 0.59%

LAB 80.46, -53.21, 19.15

 

CMYK 51 / 0 / 22 / 10

HEX #70E6B4

RGB 112 230 180

HSL 154.58, 0.7%, 0.67%

LAB 83.62, -44.9, 14.3

 

CMYK 38 / 0 / 16 / 7

HEX #93ECC7

RGB 147 236 199

HSL 155.06, 0.7%, 0.75%

LAB 87.15, -34.8, 9.58

 

CMYK 25 / 0 / 10 / 5

HEX #B6F2D9

RGB 182 242 217

HSL 155, 0.7%, 0.83%

LAB 90.99, -23.9, 5.94

 

CMYK 51 / 0 / 21 / 10

HEX #71E6B5

RGB 113 230 181

HSL 154.87, 0.7%, 0.67%

LAB 83.67, -44.46, 13.86

 

CMYK 51 / 40 / 0 / 10

HEX #708BE6

RGB 112 139 230

HSL 226.27, 0.7%, 0.67%

LAB 59.55, 15.55, -49.16

 

CMYK 0 / 43 / 51 / 10

HEX #E68470

RGB 230 132 112

HSL 10.17, 0.7%, 0.67%

LAB 65.35, 35.57, 27.19

 

CMYK 51 / 0 / 21 / 10

HEX #71E6B5

RGB 113 230 181

HSL 154.87, 0.7%, 0.67%

LAB 83.67, -44.46, 13.86

 

CMYK 22 / 51 / 0 / 10

HEX #B370E6

RGB 179 112 230

HSL 274.07, 0.7%, 0.67%

LAB 58.87, 47.78, -49.88

 

CMYK 0 / 22 / 51 / 10

HEX #E6B370

RGB 230 179 112

HSL 34.07, 0.7%, 0.67%

LAB 76.21, 10.63, 41.09

 

CMYK 51 / 0 / 21 / 10

HEX #71E6B5

RGB 113 230 181

HSL 154.87, 0.7%, 0.67%

LAB 83.67, -44.46, 13.86

 

CMYK 51 / 40 / 0 / 10

HEX #708BE6

RGB 112 139 230

HSL 226.27, 0.7%, 0.67%

LAB 59.55, 15.55, -49.16

 

CMYK 0 / 51 / 29 / 10

HEX #E670A3

RGB 230 112 163

HSL 334.07, 0.7%, 0.67%

LAB 62.55, 51.21, -5.71

 

CMYK 0 / 12 / 51 / 10

HEX #E6CA70

RGB 230 202 112

HSL 45.76, 0.7%, 0.67%

LAB 81.97, -1.41, 48.15

 

CMYK 51 / 0 / 21 / 10

HEX #71E6B5

RGB 113 230 181

HSL 154.87, 0.7%, 0.67%

LAB 83.67, -44.46, 13.86

 

CMYK 48 / 51 / 0 / 10

HEX #7870E6

RGB 120 112 230

HSL 244.07, 0.7%, 0.67%

LAB 53.27, 33.41, -59.14

 

CMYK 0 / 51 / 29 / 10

HEX #E670A3

RGB 230 112 163

HSL 334.07, 0.7%, 0.67%

LAB 62.55, 51.21, -5.71

 

CMYK 3 / 0 / 51 / 10

HEX #DEE670

RGB 222 230 112

HSL 64.07, 0.7%, 0.67%

LAB 88.59, -18.71, 55.86

 

Description

Color code: HEX #71E6B5 | qconv.com Color code: HEX #71E6B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 230 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 230 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 21 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 21% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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