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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71E24D it is the complementary color #8E1DB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71E24D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71E24D shade: #76E248, #87F45B, #98FF6E, #A9FF81 and #BAFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71E24D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71E24D shade: #71E24D, #60D03A, #4FBE27, #3EAC14 and #2D9A01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71E24D shade: #70E24B, #98E24B, #C1E24B, #E2DA4B and #E2B14B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71E24D shade: #70E24B, #4BE24F, #4BE278, #4BE2A1 and #4BE2C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71E24D shade matches the following richer shades: #70E24B and #67F33A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71E24D shade: #70E24B, #78D15C, #81C06D, #8AAF7E and #939E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71E24D shade: #C1E24B, #99E24B, #71E24B, #4BE24E and #4BE276

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71E24D shade: #45BC1F, #53DC28, #70E24B, #8CE86F and #A8ED92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71E24D shade: #71E24D, #4BE2DA and #E24BAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71E24D shade: #71E24D, #4B71E2 and #E24B71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71E24D shade: #71E24D, #4BE2DA, #BC4BE2 and #E24B53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71E24D shade: #71E24D, #4BBCE2, #BC4BE2 and #E2714B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 66 / 11

HEX #71E24D

RGB 113 226 77

HSL 105.5, 0.72%, 0.59%

LAB 80.98, -58.47, 60.72

 

Complementary color

CMYK 20 / 84 / 0 / 30

HEX #8E1DB2

RGB 142 29 178

HSL 285.5, 0.72%, 0.41%

LAB 37.56, 64.69, -54.37

 

CMYK 48 / 0 / 68 / 11

HEX #76E248

RGB 118 226 72

HSL 102.08, 0.73%, 0.58%

LAB 81.13, -57.46, 62.87

 

CMYK 45 / 0 / 63 / 4

HEX #87F45B

RGB 135 244 91

HSL 102.75, 0.87%, 0.66%

LAB 87.29, -57.77, 62.18

 

CMYK 40 / 0 / 57 / 0

HEX #98FF6E

RGB 152 255 110

HSL 102.62, 1%, 0.72%

LAB 91.38, -55.16, 58.95

 

CMYK 34 / 0 / 49 / 0

HEX #A9FF81

RGB 169 255 129

HSL 100.95, 1%, 0.75%

LAB 92.37, -47.74, 51.76

 

CMYK 27 / 0 / 42 / 0

HEX #BAFF94

RGB 186 255 148

HSL 98.69, 1%, 0.79%

LAB 93.49, -39.83, 44.34

 

CMYK 50 / 0 / 66 / 11

HEX #71E24D

RGB 113 226 77

HSL 105.5, 0.72%, 0.59%

LAB 80.98, -58.47, 60.72

 

CMYK 54 / 0 / 72 / 18

HEX #60D03A

RGB 96 208 58

HSL 104.8, 0.61%, 0.52%

LAB 74.76, -57.97, 61.23

 

CMYK 58 / 0 / 79 / 25

HEX #4FBE27

RGB 79 190 39

HSL 104.11, 0.66%, 0.45%

LAB 68.49, -57.15, 61.15

 

CMYK 64 / 0 / 88 / 33

HEX #3EAC14

RGB 62 172 20

HSL 103.42, 0.79%, 0.38%

LAB 62.15, -55.89, 60.03

 

CMYK 71 / 0 / 99 / 40

HEX #2D9A01

RGB 45 154 1

HSL 102.75, 0.99%, 0.3%

LAB 55.76, -54.06, 57.62

 

CMYK 50 / 0 / 67 / 11

HEX #70E24B

RGB 112 226 75

HSL 105.3, 0.72%, 0.59%

LAB 80.93, -58.92, 61.44

 

CMYK 33 / 0 / 67 / 11

HEX #98E24B

RGB 152 226 75

HSL 89.4, 0.72%, 0.59%

LAB 82.69, -46.31, 63.83

 

CMYK 15 / 0 / 67 / 11

HEX #C1E24B

RGB 193 226 75

HSL 73.11, 0.72%, 0.59%

LAB 85.12, -30.99, 67.11

 

CMYK 0 / 4 / 67 / 11

HEX #E2DA4B

RGB 226 218 75

HSL 56.82, 0.72%, 0.59%

LAB 85.41, -13.74, 68.19

 

CMYK 0 / 22 / 67 / 11

HEX #E2B14B

RGB 226 177 75

HSL 40.53, 0.72%, 0.59%

LAB 74.9, 7.34, 57.25

 

CMYK 50 / 0 / 67 / 11

HEX #70E24B

RGB 112 226 75

HSL 105.3, 0.72%, 0.59%

LAB 80.93, -58.92, 61.44

 

CMYK 67 / 0 / 65 / 11

HEX #4BE24F

RGB 75 226 79

HSL 121.59, 0.72%, 0.59%

LAB 79.87, -67.19, 58.38

 

CMYK 67 / 0 / 47 / 11

HEX #4BE278

RGB 75 226 120

HSL 137.88, 0.72%, 0.59%

LAB 80.32, -62.01, 40.33

 

CMYK 67 / 0 / 29 / 11

HEX #4BE2A1

RGB 75 226 161

HSL 154.17, 0.72%, 0.59%

LAB 80.99, -54.55, 20.41

 

CMYK 67 / 0 / 11 / 11

HEX #4BE2C9

RGB 75 226 201

HSL 170.07, 0.72%, 0.59%

LAB 81.9, -45.28, 0.63

 

CMYK 50 / 0 / 67 / 11

HEX #70E24B

RGB 112 226 75

HSL 105.3, 0.72%, 0.59%

LAB 80.93, -58.92, 61.44

 

CMYK 58 / 0 / 76 / 5

HEX #67F33A

RGB 103 243 58

HSL 105.41, 0.89%, 0.59%

LAB 85.65, -68.49, 72.04

 

CMYK 50 / 0 / 67 / 11

HEX #70E24B

RGB 112 226 75

HSL 105.3, 0.72%, 0.59%

LAB 80.93, -58.92, 61.44

 

CMYK 43 / 0 / 56 / 18

HEX #78D15C

RGB 120 209 92

HSL 105.64, 0.56%, 0.59%

LAB 76.29, -48.26, 49.09

 

CMYK 33 / 0 / 43 / 25

HEX #81C06D

RGB 129 192 109

HSL 105.54, 0.4%, 0.59%

LAB 71.87, -35.84, 35.51

 

CMYK 21 / 0 / 28 / 31

HEX #8AAF7E

RGB 138 175 126

HSL 105.31, 0.23%, 0.59%

LAB 67.7, -21.96, 21.15

 

CMYK 7 / 0 / 9 / 38

HEX #939E8F

RGB 147 158 143

HSL 104, 0.07%, 0.59%

LAB 63.87, -6.81, 6.49

 

CMYK 15 / 0 / 67 / 11

HEX #C1E24B

RGB 193 226 75

HSL 73.11, 0.72%, 0.59%

LAB 85.12, -30.99, 67.11

 

CMYK 32 / 0 / 67 / 11

HEX #99E24B

RGB 153 226 75

HSL 89.01, 0.72%, 0.59%

LAB 82.74, -45.97, 63.9

 

CMYK 50 / 0 / 67 / 11

HEX #71E24B

RGB 113 226 75

HSL 104.9, 0.72%, 0.59%

LAB 80.97, -58.64, 61.49

 

CMYK 67 / 0 / 65 / 11

HEX #4BE24E

RGB 75 226 78

HSL 121.19, 0.72%, 0.59%

LAB 79.86, -67.29, 58.78

 

CMYK 67 / 0 / 48 / 11

HEX #4BE276

RGB 75 226 118

HSL 137.09, 0.72%, 0.59%

LAB 80.29, -62.32, 41.27

 

CMYK 63 / 0 / 84 / 26

HEX #45BC1F

RGB 69 188 31

HSL 105.48, 0.72%, 0.43%

LAB 67.52, -59.27, 62.35

 

CMYK 62 / 0 / 82 / 14

HEX #53DC28

RGB 83 220 40

HSL 105.67, 0.72%, 0.51%

LAB 77.98, -66.39, 69.7

 

CMYK 50 / 0 / 67 / 11

HEX #70E24B

RGB 112 226 75

HSL 105.3, 0.72%, 0.59%

LAB 80.93, -58.92, 61.44

 

CMYK 40 / 0 / 52 / 9

HEX #8CE86F

RGB 140 232 111

HSL 105.62, 0.72%, 0.67%

LAB 84.19, -49.4, 49.9

 

CMYK 29 / 0 / 38 / 7

HEX #A8ED92

RGB 168 237 146

HSL 105.49, 0.72%, 0.75%

LAB 87.47, -38.05, 37.37

 

CMYK 50 / 0 / 66 / 11

HEX #71E24D

RGB 113 226 77

HSL 105.5, 0.72%, 0.59%

LAB 80.98, -58.47, 60.72

 

CMYK 67 / 0 / 4 / 11

HEX #4BE2DA

RGB 75 226 218

HSL 176.82, 0.72%, 0.59%

LAB 82.35, -40.83, -7.71

 

CMYK 0 / 67 / 23 / 11

HEX #E24BAD

RGB 226 75 173

HSL 321.06, 0.72%, 0.59%

LAB 56.31, 67.42, -20.95

 

CMYK 50 / 0 / 66 / 11

HEX #71E24D

RGB 113 226 77

HSL 105.5, 0.72%, 0.59%

LAB 80.98, -58.47, 60.72

 

CMYK 67 / 50 / 0 / 11

HEX #4B71E2

RGB 75 113 226

HSL 224.9, 0.72%, 0.59%

LAB 50.45, 23.04, -61.58

 

CMYK 0 / 67 / 50 / 11

HEX #E24B71

RGB 226 75 113

HSL 344.9, 0.72%, 0.59%

LAB 54.44, 61, 11.68

 

CMYK 50 / 0 / 66 / 11

HEX #71E24D

RGB 113 226 77

HSL 105.5, 0.72%, 0.59%

LAB 80.98, -58.47, 60.72

 

CMYK 67 / 0 / 4 / 11

HEX #4BE2DA

RGB 75 226 218

HSL 176.82, 0.72%, 0.59%

LAB 82.35, -40.83, -7.71

 

CMYK 17 / 67 / 0 / 11

HEX #BC4BE2

RGB 188 75 226

HSL 284.9, 0.72%, 0.59%

LAB 53.18, 66.82, -56.64

 

CMYK 0 / 67 / 63 / 11

HEX #E24B53

RGB 226 75 83

HSL 356.82, 0.72%, 0.59%

LAB 53.84, 58.84, 28.62

 

CMYK 50 / 0 / 66 / 11

HEX #71E24D

RGB 113 226 77

HSL 105.5, 0.72%, 0.59%

LAB 80.98, -58.47, 60.72

 

CMYK 67 / 17 / 0 / 11

HEX #4BBCE2

RGB 75 188 226

HSL 195.1, 0.72%, 0.59%

LAB 71.52, -20.2, -28.37

 

CMYK 17 / 67 / 0 / 11

HEX #BC4BE2

RGB 188 75 226

HSL 284.9, 0.72%, 0.59%

LAB 53.18, 66.82, -56.64

 

CMYK 0 / 50 / 67 / 11

HEX #E2714B

RGB 226 113 75

HSL 15.1, 0.72%, 0.59%

LAB 60.33, 41.08, 40.99

 

Description

Color code: HEX #71E24D | qconv.com Color code: HEX #71E24D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 226 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 226 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 66 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 66% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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