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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71D777 it is the complementary color #8E2888. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71D777. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71D777 shade: #76D772, #87E985, #98FB98, #A9FFAB and #BAFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71D777. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71D777 shade: #71D777, #60C564, #4FB351, #3EA13E and #2D8F2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71D777 shade: #70D776, #85D770, #A1D770, #BDD770 and #D7D570

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71D777 shade: #70D776, #70D792, #70D7AD, #70D7C9 and #70C8D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71D777 shade matches the following richer shades: #70D776, #61E569 and #52F45C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71D777 shade: #70D776, #7FC883, #8DB990, #9CAA9D and #AB9BAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71D777 shade: #A1D770, #86D770, #70D775, #70D790 and #70D7AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71D777 shade: #36BE3E, #50CE57, #70D776, #90E095 and #B0E9B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71D777 shade: #71D777, #70BDD7 and #D77094

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71D777 shade: #71D777, #7570D7 and #D77570

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71D777 shade: #71D777, #70BDD7, #D770D1 and #D78970

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71D777 shade: #71D777, #709ED7, #D770D1 and #D7A870

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 45 / 16

HEX #71D777

RGB 113 215 119

HSL 123.53, 0.56%, 0.64%

LAB 78.14, -49.3, 38.3

 

Complementary color

CMYK 0 / 72 / 4 / 44

HEX #8E2888

RGB 142 40 136

HSL 303.53, 0.56%, 0.36%

LAB 36.07, 53.67, -31.33

 

CMYK 45 / 0 / 47 / 16

HEX #76D772

RGB 118 215 114

HSL 117.62, 0.56%, 0.65%

LAB 78.27, -48.6, 40.98

 

CMYK 42 / 0 / 43 / 9

HEX #87E985

RGB 135 233 133

HSL 118.8, 0.69%, 0.72%

LAB 84.55, -48.47, 39.73

 

CMYK 39 / 0 / 39 / 2

HEX #98FB98

RGB 152 251 152

HSL 120, 0.93%, 0.79%

LAB 90.75, -48.3, 38.52

 

CMYK 34 / 0 / 33 / 0

HEX #A9FFAB

RGB 169 255 171

HSL 121.4, 1%, 0.83%

LAB 92.97, -42.03, 32.16

 

CMYK 27 / 0 / 25 / 0

HEX #BAFFBE

RGB 186 255 190

HSL 123.48, 1%, 0.86%

LAB 94.17, -33.69, 24.35

 

CMYK 47 / 0 / 45 / 16

HEX #71D777

RGB 113 215 119

HSL 123.53, 0.56%, 0.64%

LAB 78.14, -49.3, 38.3

 

CMYK 51 / 0 / 49 / 23

HEX #60C564

RGB 96 197 100

HSL 122.38, 0.47%, 0.57%

LAB 71.78, -49.33, 39.6

 

CMYK 56 / 0 / 55 / 30

HEX #4FB351

RGB 79 179 81

HSL 121.2, 0.4%, 0.51%

LAB 65.35, -49.21, 40.92

 

CMYK 61 / 0 / 61 / 37

HEX #3EA13E

RGB 62 161 62

HSL 120, 0.44%, 0.44%

LAB 58.85, -48.85, 42.18

 

CMYK 69 / 0 / 70 / 44

HEX #2D8F2B

RGB 45 143 43

HSL 118.8, 0.54%, 0.36%

LAB 52.26, -48.08, 43.22

 

CMYK 48 / 0 / 45 / 16

HEX #70D776

RGB 112 215 118

HSL 123.5, 0.56%, 0.64%

LAB 78.08, -49.72, 38.72

 

CMYK 38 / 0 / 48 / 16

HEX #85D770

RGB 133 215 112

HSL 107.77, 0.56%, 0.64%

LAB 78.9, -44.31, 42.89

 

CMYK 25 / 0 / 48 / 16

HEX #A1D770

RGB 161 215 112

HSL 91.46, 0.56%, 0.64%

LAB 80.37, -34.8, 45.03

 

CMYK 12 / 0 / 48 / 16

HEX #BDD770

RGB 189 215 112

HSL 75.15, 0.56%, 0.64%

LAB 82.16, -24.34, 47.62

 

CMYK 0 / 1 / 48 / 16

HEX #D7D570

RGB 215 213 112

HSL 58.83, 0.56%, 0.64%

LAB 83.55, -13.09, 49.75

 

CMYK 48 / 0 / 45 / 16

HEX #70D776

RGB 112 215 118

HSL 123.5, 0.56%, 0.64%

LAB 78.08, -49.72, 38.72

 

CMYK 48 / 0 / 32 / 16

HEX #70D792

RGB 112 215 146

HSL 139.81, 0.56%, 0.64%

LAB 78.53, -45.13, 25.03

 

CMYK 48 / 0 / 20 / 16

HEX #70D7AD

RGB 112 215 173

HSL 155.53, 0.56%, 0.64%

LAB 79.08, -39.78, 11.57

 

CMYK 48 / 0 / 7 / 16

HEX #70D7C9

RGB 112 215 201

HSL 171.84, 0.56%, 0.64%

LAB 79.76, -33.37, -2.36

 

CMYK 48 / 7 / 0 / 16

HEX #70C8D7

RGB 112 200 215

HSL 188.74, 0.56%, 0.64%

LAB 75.86, -22.5, -15.69

 

CMYK 48 / 0 / 45 / 16

HEX #70D776

RGB 112 215 118

HSL 123.5, 0.56%, 0.64%

LAB 78.08, -49.72, 38.72

 

CMYK 58 / 0 / 54 / 10

HEX #61E569

RGB 97 229 105

HSL 123.64, 0.72%, 0.64%

LAB 81.62, -60.7, 49.2

 

CMYK 66 / 0 / 62 / 4

HEX #52F45C

RGB 82 244 92

HSL 123.7, 0.88%, 0.64%

LAB 85.64, -70.53, 59.47

 

CMYK 48 / 0 / 45 / 16

HEX #70D776

RGB 112 215 118

HSL 123.5, 0.56%, 0.64%

LAB 78.08, -49.72, 38.72

 

CMYK 37 / 0 / 35 / 22

HEX #7FC883

RGB 127 200 131

HSL 123.29, 0.4%, 0.64%

LAB 74.48, -36.81, 27.52

 

CMYK 24 / 0 / 22 / 27

HEX #8DB990

RGB 141 185 144

HSL 124.09, 0.24%, 0.64%

LAB 71.13, -22.83, 16.14

 

CMYK 8 / 0 / 8 / 33

HEX #9CAA9D

RGB 156 170 157

HSL 124.29, 0.08%, 0.64%

LAB 68.21, -7.43, 5.02

 

CMYK 0 / 9 / 1 / 33

HEX #AB9BAA

RGB 171 155 170

HSL 303.75, 0.09%, 0.64%

LAB 65.75, 8.62, -5.67

 

CMYK 25 / 0 / 48 / 16

HEX #A1D770

RGB 161 215 112

HSL 91.46, 0.56%, 0.64%

LAB 80.37, -34.8, 45.03

 

CMYK 38 / 0 / 48 / 16

HEX #86D770

RGB 134 215 112

HSL 107.18, 0.56%, 0.64%

LAB 78.95, -43.99, 42.96

 

CMYK 48 / 0 / 46 / 16

HEX #70D775

RGB 112 215 117

HSL 122.91, 0.56%, 0.64%

LAB 78.07, -49.86, 39.2

 

CMYK 48 / 0 / 33 / 16

HEX #70D790

RGB 112 215 144

HSL 138.64, 0.56%, 0.64%

LAB 78.5, -45.49, 26.02

 

CMYK 48 / 0 / 20 / 16

HEX #70D7AC

RGB 112 215 172

HSL 154.95, 0.56%, 0.64%

LAB 79.06, -40, 12.07

 

CMYK 72 / 0 / 67 / 25

HEX #36BE3E

RGB 54 190 62

HSL 123.53, 0.56%, 0.48%

LAB 67.99, -60.7, 52.27

 

CMYK 61 / 0 / 58 / 19

HEX #50CE57

RGB 80 206 87

HSL 123.33, 0.56%, 0.56%

LAB 73.89, -58.38, 48.21

 

CMYK 48 / 0 / 45 / 16

HEX #70D776

RGB 112 215 118

HSL 123.5, 0.56%, 0.64%

LAB 78.08, -49.72, 38.72

 

CMYK 36 / 0 / 33 / 12

HEX #90E095

RGB 144 224 149

HSL 123.75, 0.56%, 0.72%

LAB 82.6, -39.43, 29.2

 

CMYK 24 / 0 / 23 / 9

HEX #B0E9B3

RGB 176 233 179

HSL 123.16, 0.56%, 0.8%

LAB 87.37, -28.45, 20.5

 

CMYK 47 / 0 / 45 / 16

HEX #71D777

RGB 113 215 119

HSL 123.53, 0.56%, 0.64%

LAB 78.14, -49.3, 38.3

 

CMYK 48 / 12 / 0 / 16

HEX #70BDD7

RGB 112 189 215

HSL 195.15, 0.56%, 0.64%

LAB 72.72, -16.87, -20.43

 

CMYK 0 / 48 / 31 / 16

HEX #D77094

RGB 215 112 148

HSL 339.03, 0.56%, 0.64%

LAB 60.05, 44.28, -1.01

 

CMYK 47 / 0 / 45 / 16

HEX #71D777

RGB 113 215 119

HSL 123.53, 0.56%, 0.64%

LAB 78.14, -49.3, 38.3

 

CMYK 46 / 48 / 0 / 16

HEX #7570D7

RGB 117 112 215

HSL 242.91, 0.56%, 0.64%

LAB 52.15, 28.3, -52.5

 

CMYK 0 / 46 / 48 / 16

HEX #D77570

RGB 215 117 112

HSL 2.91, 0.56%, 0.64%

LAB 60.19, 37.68, 19.94

 

CMYK 47 / 0 / 45 / 16

HEX #71D777

RGB 113 215 119

HSL 123.53, 0.56%, 0.64%

LAB 78.14, -49.3, 38.3

 

CMYK 48 / 12 / 0 / 16

HEX #70BDD7

RGB 112 189 215

HSL 195.15, 0.56%, 0.64%

LAB 72.72, -16.87, -20.43

 

CMYK 0 / 48 / 3 / 16

HEX #D770D1

RGB 215 112 209

HSL 303.5, 0.56%, 0.64%

LAB 62.2, 53.56, -32.57

 

CMYK 0 / 36 / 48 / 16

HEX #D78970

RGB 215 137 112

HSL 14.56, 0.56%, 0.64%

LAB 64.57, 27.08, 25.81

 

CMYK 47 / 0 / 45 / 16

HEX #71D777

RGB 113 215 119

HSL 123.53, 0.56%, 0.64%

LAB 78.14, -49.3, 38.3

 

CMYK 48 / 27 / 0 / 16

HEX #709ED7

RGB 112 158 215

HSL 213.2, 0.56%, 0.64%

LAB 64, -0.02, -33.84

 

CMYK 0 / 48 / 3 / 16

HEX #D770D1

RGB 215 112 209

HSL 303.5, 0.56%, 0.64%

LAB 62.2, 53.56, -32.57

 

CMYK 0 / 22 / 48 / 16

HEX #D7A870

RGB 215 168 112

HSL 32.62, 0.56%, 0.64%

LAB 71.98, 10.35, 35.44

 

Description

Color code: HEX #71D777 | qconv.com Color code: HEX #71D777 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 215 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 215 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 45 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 45% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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