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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71D737 it is the complementary color #8E28C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71D737. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71D737 shade: #76D732, #87E945, #98FB58, #A9FF6B and #BAFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71D737. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71D737 shade: #71D737, #60C524, #4FB311, #3EA100 and #2D8F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71D737 shade: #71D737, #9CD737, #C8D737, #D7BC37 and #D79137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71D737 shade: #71D737, #46D737, #37D753, #37D77F and #37D7AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71D737 shade matches the following richer shades: #71D737, #6CEB23 and #66FE10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71D737 shade: #71D737, #76C44A, #7CB15E, #819D71 and #868A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71D737 shade: #C7D737, #9DD737, #72D737, #47D737 and #37D752

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71D737 shade: #4D9D1F, #5DBF26, #71D737, #89DE59 and #A2E57C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71D737 shade: #71D737, #37D7BD and #D737B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71D737 shade: #71D737, #3772D7 and #D73772

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71D737 shade: #71D737, #37D7BD, #9D37D7 and #D73752

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71D737 shade: #71D737, #37C2D7, #9D37D7 and #D74C37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 74 / 16

HEX #71D737

RGB 113 215 55

HSL 98.25, 0.67%, 0.53%

LAB 77.51, -55.96, 65.2

 

Complementary color

CMYK 29 / 80 / 0 / 22

HEX #8E28C8

RGB 142 40 200

HSL 278.25, 0.67%, 0.47%

LAB 40.31, 65.85, -62.84

 

CMYK 45 / 0 / 77 / 16

HEX #76D732

RGB 118 215 50

HSL 95.27, 0.67%, 0.52%

LAB 77.69, -54.73, 67.04

 

CMYK 42 / 0 / 70 / 9

HEX #87E945

RGB 135 233 69

HSL 95.85, 0.79%, 0.59%

LAB 83.89, -55.24, 67.05

 

CMYK 39 / 0 / 65 / 2

HEX #98FB58

RGB 152 251 88

HSL 96.44, 0.95%, 0.66%

LAB 90.03, -55.55, 66.57

 

CMYK 34 / 0 / 58 / 0

HEX #A9FF6B

RGB 169 255 107

HSL 94.86, 1%, 0.71%

LAB 92.14, -50.03, 61.32

 

CMYK 27 / 0 / 51 / 0

HEX #BAFF7E

RGB 186 255 126

HSL 92.09, 1%, 0.75%

LAB 93.22, -42.38, 54.37

 

CMYK 47 / 0 / 74 / 16

HEX #71D737

RGB 113 215 55

HSL 98.25, 0.67%, 0.53%

LAB 77.51, -55.96, 65.2

 

CMYK 51 / 0 / 82 / 23

HEX #60C524

RGB 96 197 36

HSL 97.64, 0.69%, 0.46%

LAB 71.25, -55.24, 64.75

 

CMYK 56 / 0 / 91 / 30

HEX #4FB311

RGB 79 179 17

HSL 97.04, 0.83%, 0.38%

LAB 64.92, -54.16, 63.16

 

CMYK 61 / 0 / 100 / 37

HEX #3EA100

RGB 62 161 0

HSL 96.89, 1%, 0.32%

LAB 58.52, -52.63, 60.16

 

CMYK 69 / 0 / 100 / 44

HEX #2D8F00

RGB 45 143 0

HSL 101.12, 1%, 0.28%

LAB 52.07, -50.43, 54.84

 

CMYK 47 / 0 / 74 / 16

HEX #71D737

RGB 113 215 55

HSL 98.25, 0.67%, 0.53%

LAB 77.51, -55.96, 65.2

 

CMYK 27 / 0 / 74 / 16

HEX #9CD737

RGB 156 215 55

HSL 82.13, 0.67%, 0.53%

LAB 79.58, -41.4, 67.92

 

CMYK 7 / 0 / 74 / 16

HEX #C8D737

RGB 200 215 55

HSL 65.63, 0.67%, 0.53%

LAB 82.46, -24.01, 71.67

 

CMYK 0 / 13 / 74 / 16

HEX #D7BC37

RGB 215 188 55

HSL 49.88, 0.67%, 0.53%

LAB 76.49, -4.13, 66.5

 

CMYK 0 / 33 / 74 / 16

HEX #D79137

RGB 215 145 55

HSL 33.75, 0.67%, 0.53%

LAB 65.73, 18.76, 56.05

 

CMYK 47 / 0 / 74 / 16

HEX #71D737

RGB 113 215 55

HSL 98.25, 0.67%, 0.53%

LAB 77.51, -55.96, 65.2

 

CMYK 67 / 0 / 74 / 16

HEX #46D737

RGB 70 215 55

HSL 114.38, 0.67%, 0.53%

LAB 76.18, -66.56, 63.44

 

CMYK 74 / 0 / 61 / 16

HEX #37D753

RGB 55 215 83

HSL 130.5, 0.67%, 0.53%

LAB 76.09, -66.5, 52.38

 

CMYK 74 / 0 / 41 / 16

HEX #37D77F

RGB 55 215 127

HSL 147, 0.67%, 0.53%

LAB 76.65, -60.02, 32.03

 

CMYK 74 / 0 / 21 / 16

HEX #37D7AA

RGB 55 215 170

HSL 163.13, 0.67%, 0.53%

LAB 77.47, -51, 10.67

 

CMYK 47 / 0 / 74 / 16

HEX #71D737

RGB 113 215 55

HSL 98.25, 0.67%, 0.53%

LAB 77.51, -55.96, 65.2

 

CMYK 54 / 0 / 85 / 8

HEX #6CEB23

RGB 108 235 35

HSL 98.1, 0.83%, 0.53%

LAB 83.3, -65.59, 75.88

 

CMYK 60 / 0 / 94 / 0

HEX #66FE10

RGB 102 254 16

HSL 98.32, 0.99%, 0.53%

LAB 88.8, -73.9, 83.33

 

CMYK 47 / 0 / 74 / 16

HEX #71D737

RGB 113 215 55

HSL 98.25, 0.67%, 0.53%

LAB 77.51, -55.96, 65.2

 

CMYK 40 / 0 / 62 / 23

HEX #76C44A

RGB 118 196 74

HSL 98.36, 0.51%, 0.53%

LAB 72.11, -45.34, 52.34

 

CMYK 30 / 0 / 47 / 31

HEX #7CB15E

RGB 124 177 94

HSL 98.31, 0.35%, 0.53%

LAB 66.93, -32.65, 36.85

 

CMYK 18 / 0 / 28 / 38

HEX #819D71

RGB 129 157 113

HSL 98.18, 0.18%, 0.53%

LAB 61.63, -18.19, 19.9

 

CMYK 3 / 0 / 4 / 46

HEX #868A84

RGB 134 138 132

HSL 100, 0.02%, 0.53%

LAB 56.99, -2.65, 2.69

 

CMYK 7 / 0 / 74 / 16

HEX #C7D737

RGB 199 215 55

HSL 66, 0.67%, 0.53%

LAB 82.39, -24.42, 71.58

 

CMYK 27 / 0 / 74 / 16

HEX #9DD737

RGB 157 215 55

HSL 81.75, 0.67%, 0.53%

LAB 79.64, -41.03, 68

 

CMYK 47 / 0 / 74 / 16

HEX #72D737

RGB 114 215 55

HSL 97.88, 0.67%, 0.53%

LAB 77.55, -55.66, 65.26

 

CMYK 67 / 0 / 74 / 16

HEX #47D737

RGB 71 215 55

HSL 114, 0.67%, 0.53%

LAB 76.2, -66.37, 63.47

 

CMYK 74 / 0 / 62 / 16

HEX #37D752

RGB 55 215 82

HSL 130.13, 0.67%, 0.53%

LAB 76.08, -66.61, 52.8

 

CMYK 51 / 0 / 80 / 38

HEX #4D9D1F

RGB 77 157 31

HSL 98.1, 0.67%, 0.37%

LAB 57.84, -45.89, 53.53

 

CMYK 51 / 0 / 80 / 25

HEX #5DBF26

RGB 93 191 38

HSL 98.43, 0.67%, 0.45%

LAB 69.28, -53.77, 62.35

 

CMYK 47 / 0 / 74 / 16

HEX #71D737

RGB 113 215 55

HSL 98.25, 0.67%, 0.53%

LAB 77.51, -55.96, 65.2

 

CMYK 38 / 0 / 60 / 13

HEX #89DE59

RGB 137 222 89

HSL 98.35, 0.67%, 0.61%

LAB 80.9, -48.53, 55.92

 

CMYK 29 / 0 / 46 / 10

HEX #A2E57C

RGB 162 229 124

HSL 98.29, 0.67%, 0.69%

LAB 84.57, -39.36, 44.44

 

CMYK 47 / 0 / 74 / 16

HEX #71D737

RGB 113 215 55

HSL 98.25, 0.67%, 0.53%

LAB 77.51, -55.96, 65.2

 

CMYK 74 / 0 / 12 / 16

HEX #37D7BD

RGB 55 215 189

HSL 170.25, 0.67%, 0.53%

LAB 77.93, -46.26, 1.19

 

CMYK 0 / 74 / 17 / 16

HEX #D737B2

RGB 215 55 178

HSL 313.88, 0.67%, 0.53%

LAB 52.28, 72.17, -30.23

 

CMYK 47 / 0 / 74 / 16

HEX #71D737

RGB 113 215 55

HSL 98.25, 0.67%, 0.53%

LAB 77.51, -55.96, 65.2

 

CMYK 74 / 47 / 0 / 16

HEX #3772D7

RGB 55 114 215

HSL 217.88, 0.67%, 0.53%

LAB 49.2, 15.68, -57.43

 

CMYK 0 / 74 / 47 / 16

HEX #D73772

RGB 215 55 114

HSL 337.88, 0.67%, 0.53%

LAB 49.97, 65.02, 4.47

 

CMYK 47 / 0 / 74 / 16

HEX #71D737

RGB 113 215 55

HSL 98.25, 0.67%, 0.53%

LAB 77.51, -55.96, 65.2

 

CMYK 74 / 0 / 12 / 16

HEX #37D7BD

RGB 55 215 189

HSL 170.25, 0.67%, 0.53%

LAB 77.93, -46.26, 1.19

 

CMYK 27 / 74 / 0 / 16

HEX #9D37D7

RGB 157 55 215

HSL 278.25, 0.67%, 0.53%

LAB 45.37, 66.33, -63.19

 

CMYK 0 / 74 / 62 / 16

HEX #D73752

RGB 215 55 82

HSL 349.88, 0.67%, 0.53%

LAB 49.24, 62.65, 22.89

 

CMYK 47 / 0 / 74 / 16

HEX #71D737

RGB 113 215 55

HSL 98.25, 0.67%, 0.53%

LAB 77.51, -55.96, 65.2

 

CMYK 74 / 10 / 0 / 16

HEX #37C2D7

RGB 55 194 215

HSL 187.88, 0.67%, 0.53%

LAB 72.43, -29.27, -21.04

 

CMYK 27 / 74 / 0 / 16

HEX #9D37D7

RGB 157 55 215

HSL 278.25, 0.67%, 0.53%

LAB 45.37, 66.33, -63.19

 

CMYK 0 / 65 / 74 / 16

HEX #D74C37

RGB 215 76 55

HSL 7.88, 0.67%, 0.53%

LAB 51.71, 53.4, 41.48

 

Description

Color code: HEX #71D737 | qconv.com Color code: HEX #71D737 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 215 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 215 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 74 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 74% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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