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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71D149 it is the complementary color #8E2EB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71D149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71D149 shade: #76D144, #87E357, #98F56A, #A9FF7D and #BAFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71D149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71D149 shade: #71D149, #60BF36, #4FAD23, #3E9B10 and #2D8900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71D149 shade: #70D147, #95D147, #BAD147, #D1C347 and #D19E47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71D149 shade: #70D147, #4BD147, #47D169, #47D18E and #47D1B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71D149 shade matches the following richer shades: #70D147, #68E435 and #61F622

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71D149 shade: #70D147, #78BF5A, #7FAC6D, #87997F and #8E8792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71D149 shade: #BAD147, #95D147, #71D147, #4CD147 and #47D168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71D149 shade: #4B9E28, #5ABF30, #70D147, #8AD968 and #A3E289

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71D149 shade: #71D149, #47D1C3 and #D147A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71D149 shade: #71D149, #4771D1 and #D14771

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71D149 shade: #71D149, #47D1C3, #A847D1 and #D14755

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71D149 shade: #71D149, #47B6D1, #A847D1 and #D16347

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 65 / 18

HEX #71D149

RGB 113 209 73

HSL 102.35, 0.6%, 0.55%

LAB 75.82, -52.29, 56.76

 

Complementary color

CMYK 22 / 75 / 0 / 29

HEX #8E2EB6

RGB 142 46 182

HSL 282.35, 0.6%, 0.45%

LAB 39.72, 60.06, -53.25

 

CMYK 44 / 0 / 67 / 18

HEX #76D144

RGB 118 209 68

HSL 98.72, 0.61%, 0.54%

LAB 75.99, -51.17, 59.01

 

CMYK 41 / 0 / 62 / 11

HEX #87E357

RGB 135 227 87

HSL 99.43, 0.71%, 0.62%

LAB 82.26, -51.41, 58.27

 

CMYK 38 / 0 / 57 / 4

HEX #98F56A

RGB 152 245 106

HSL 100.14, 0.87%, 0.69%

LAB 88.46, -51.52, 57.32

 

CMYK 34 / 0 / 51 / 0

HEX #A9FF7D

RGB 169 255 125

HSL 99.69, 1%, 0.75%

LAB 92.33, -48.19, 53.55

 

CMYK 27 / 0 / 44 / 0

HEX #BAFF90

RGB 186 255 144

HSL 97.3, 1%, 0.78%

LAB 93.44, -40.33, 46.2

 

CMYK 46 / 0 / 65 / 18

HEX #71D149

RGB 113 209 73

HSL 102.35, 0.6%, 0.55%

LAB 75.82, -52.29, 56.76

 

CMYK 50 / 0 / 72 / 25

HEX #60BF36

RGB 96 191 54

HSL 101.61, 0.56%, 0.48%

LAB 69.48, -51.89, 57.32

 

CMYK 54 / 0 / 80 / 32

HEX #4FAD23

RGB 79 173 35

HSL 100.87, 0.66%, 0.41%

LAB 63.07, -51.2, 57.25

 

CMYK 60 / 0 / 90 / 39

HEX #3E9B10

RGB 62 155 16

HSL 100.14, 0.81%, 0.34%

LAB 56.59, -50.08, 56.04

 

CMYK 67 / 0 / 100 / 46

HEX #2D8900

RGB 45 137 0

HSL 100.29, 1%, 0.27%

LAB 50.04, -48.38, 53.23

 

CMYK 46 / 0 / 66 / 18

HEX #70D147

RGB 112 209 71

HSL 102.17, 0.6%, 0.55%

LAB 75.76, -52.76, 57.5

 

CMYK 29 / 0 / 66 / 18

HEX #95D147

RGB 149 209 71

HSL 86.09, 0.6%, 0.55%

LAB 77.55, -40.34, 59.94

 

CMYK 11 / 0 / 66 / 18

HEX #BAD147

RGB 186 209 71

HSL 70, 0.6%, 0.55%

LAB 79.89, -26, 63.12

 

CMYK 0 / 7 / 66 / 18

HEX #D1C347

RGB 209 195 71

HSL 53.91, 0.6%, 0.55%

LAB 77.9, -9.5, 61.62

 

CMYK 0 / 24 / 66 / 18

HEX #D19E47

RGB 209 158 71

HSL 37.83, 0.6%, 0.55%

LAB 68.36, 10, 51.48

 

CMYK 46 / 0 / 66 / 18

HEX #70D147

RGB 112 209 71

HSL 102.17, 0.6%, 0.55%

LAB 75.76, -52.76, 57.5

 

CMYK 64 / 0 / 66 / 18

HEX #4BD147

RGB 75 209 71

HSL 118.26, 0.6%, 0.55%

LAB 74.54, -62.23, 55.83

 

CMYK 66 / 0 / 50 / 18

HEX #47D169

RGB 71 209 105

HSL 134.78, 0.6%, 0.55%

LAB 74.8, -58.89, 40.73

 

CMYK 66 / 0 / 32 / 18

HEX #47D18E

RGB 71 209 142

HSL 150.87, 0.6%, 0.55%

LAB 75.39, -52.41, 22.63

 

CMYK 66 / 0 / 14 / 18

HEX #47D1B3

RGB 71 209 179

HSL 166.96, 0.6%, 0.55%

LAB 76.19, -44.05, 4.06

 

CMYK 46 / 0 / 66 / 18

HEX #70D147

RGB 112 209 71

HSL 102.17, 0.6%, 0.55%

LAB 75.76, -52.76, 57.5

 

CMYK 54 / 0 / 77 / 11

HEX #68E435

RGB 104 228 53

HSL 102.51, 0.76%, 0.55%

LAB 81.12, -63.35, 69.22

 

CMYK 61 / 0 / 86 / 4

HEX #61F622

RGB 97 246 34

HSL 102.17, 0.92%, 0.55%

LAB 86.29, -72, 78.55

 

CMYK 46 / 0 / 66 / 18

HEX #70D147

RGB 112 209 71

HSL 102.17, 0.6%, 0.55%

LAB 75.76, -52.76, 57.5

 

CMYK 37 / 0 / 53 / 25

HEX #78BF5A

RGB 120 191 90

HSL 102.18, 0.44%, 0.55%

LAB 70.87, -40.85, 43.59

 

CMYK 26 / 0 / 37 / 33

HEX #7FAC6D

RGB 127 172 109

HSL 102.86, 0.28%, 0.55%

LAB 65.84, -27.1, 27.68

 

CMYK 12 / 0 / 17 / 40

HEX #87997F

RGB 135 153 127

HSL 101.54, 0.11%, 0.55%

LAB 61.19, -11.45, 11.54

 

CMYK 3 / 8 / 0 / 43

HEX #8E8792

RGB 142 135 146

HSL 278.18, 0.05%, 0.55%

LAB 57.23, 4.77, -4.94

 

CMYK 11 / 0 / 66 / 18

HEX #BAD147

RGB 186 209 71

HSL 70, 0.6%, 0.55%

LAB 79.89, -26, 63.12

 

CMYK 29 / 0 / 66 / 18

HEX #95D147

RGB 149 209 71

HSL 86.09, 0.6%, 0.55%

LAB 77.55, -40.34, 59.94

 

CMYK 46 / 0 / 66 / 18

HEX #71D147

RGB 113 209 71

HSL 101.74, 0.6%, 0.55%

LAB 75.8, -52.46, 57.56

 

CMYK 64 / 0 / 66 / 18

HEX #4CD147

RGB 76 209 71

HSL 117.83, 0.6%, 0.55%

LAB 74.57, -62.02, 55.86

 

CMYK 66 / 0 / 50 / 18

HEX #47D168

RGB 71 209 104

HSL 134.35, 0.6%, 0.55%

LAB 74.79, -59.04, 41.2

 

CMYK 53 / 0 / 75 / 38

HEX #4B9E28

RGB 75 158 40

HSL 102.2, 0.6%, 0.39%

LAB 58.13, -46.31, 50.76

 

CMYK 53 / 0 / 75 / 25

HEX #5ABF30

RGB 90 191 48

HSL 102.38, 0.6%, 0.47%

LAB 69.22, -54.03, 59.11

 

CMYK 46 / 0 / 66 / 18

HEX #70D147

RGB 112 209 71

HSL 102.17, 0.6%, 0.55%

LAB 75.76, -52.76, 57.5

 

CMYK 36 / 0 / 52 / 15

HEX #8AD968

RGB 138 217 104

HSL 101.95, 0.6%, 0.63%

LAB 79.63, -44.53, 47.66

 

CMYK 28 / 0 / 39 / 11

HEX #A3E289

RGB 163 226 137

HSL 102.47, 0.61%, 0.71%

LAB 83.96, -35.98, 37.26

 

CMYK 46 / 0 / 65 / 18

HEX #71D149

RGB 113 209 73

HSL 102.35, 0.6%, 0.55%

LAB 75.82, -52.29, 56.76

 

CMYK 66 / 0 / 7 / 18

HEX #47D1C3

RGB 71 209 195

HSL 173.91, 0.6%, 0.55%

LAB 76.61, -39.94, -3.93

 

CMYK 0 / 66 / 20 / 18

HEX #D147A8

RGB 209 71 168

HSL 317.83, 0.6%, 0.55%

LAB 52.83, 63.8, -23.61

 

CMYK 46 / 0 / 65 / 18

HEX #71D149

RGB 113 209 73

HSL 102.35, 0.6%, 0.55%

LAB 75.82, -52.29, 56.76

 

CMYK 66 / 46 / 0 / 18

HEX #4771D1

RGB 71 113 209

HSL 221.74, 0.6%, 0.55%

LAB 49.2, 16.44, -53.98

 

CMYK 0 / 66 / 46 / 18

HEX #D14771

RGB 209 71 113

HSL 341.74, 0.6%, 0.55%

LAB 50.98, 57.4, 6.38

 

CMYK 46 / 0 / 65 / 18

HEX #71D149

RGB 113 209 73

HSL 102.35, 0.6%, 0.55%

LAB 75.82, -52.29, 56.76

 

CMYK 66 / 0 / 7 / 18

HEX #47D1C3

RGB 71 209 195

HSL 173.91, 0.6%, 0.55%

LAB 76.61, -39.94, -3.93

 

CMYK 20 / 66 / 0 / 18

HEX #A847D1

RGB 168 71 209

HSL 282.17, 0.6%, 0.55%

LAB 48.8, 60.77, -54.14

 

CMYK 0 / 66 / 59 / 18

HEX #D14755

RGB 209 71 85

HSL 353.91, 0.6%, 0.55%

LAB 50.36, 55.13, 22.35

 

CMYK 46 / 0 / 65 / 18

HEX #71D149

RGB 113 209 73

HSL 102.35, 0.6%, 0.55%

LAB 75.82, -52.29, 56.76

 

CMYK 66 / 13 / 0 / 18

HEX #47B6D1

RGB 71 182 209

HSL 191.74, 0.6%, 0.55%

LAB 69.04, -22.99, -22.9

 

CMYK 20 / 66 / 0 / 18

HEX #A847D1

RGB 168 71 209

HSL 282.17, 0.6%, 0.55%

LAB 48.8, 60.77, -54.14

 

CMYK 0 / 53 / 66 / 18

HEX #D16347

RGB 209 99 71

HSL 12.17, 0.6%, 0.55%

LAB 55, 41.4, 36.26

 

Description

Color code: HEX #71D149 | qconv.com Color code: HEX #71D149 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 209 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 209 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 65 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 65% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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