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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71C822 it is the complementary color #8E37DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71C822. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71C822 shade: #76C81D, #87DA30, #98EC43, #A9FE56 and #BAFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71C822. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71C822 shade: #71C822, #60B60F, #4FA400, #3E9200 and #2D8000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71C822 shade: #71C922, #9EC922, #C9C622, #C99922 and #C96C22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71C822 shade: #71C922, #44C922, #22C92D, #22C95A and #22C986

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71C822 shade matches the following richer shades: #71C922 and #70DC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71C822 shade: #71C922, #72B635, #73A348, #74905B and #757D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71C822 shade: #C9C622, #9FC922, #73C922, #46C922 and #22C92A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71C822 shade: #498216, #5DA51C, #71C922, #86DD37 and #9BE35A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71C822 shade: #71C822, #22C999 and #C922B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71C822 shade: #71C822, #2273C9 and #C92273

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71C822 shade: #71C822, #22C999, #7822C9 and #C92251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71C822 shade: #71C822, #22C6C9, #7822C9 and #C92522

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 83 / 22

HEX #71C822

RGB 113 200 34

HSL 91.45, 0.71%, 0.46%

LAB 72.85, -51.26, 66.97

 

Complementary color

CMYK 36 / 75 / 0 / 13

HEX #8E37DD

RGB 142 55 221

HSL 271.45, 0.71%, 0.54%

LAB 43.8, 65.01, -69.26

 

CMYK 41 / 0 / 86 / 22

HEX #76C81D

RGB 118 200 29

HSL 88.77, 0.75%, 0.45%

LAB 73.06, -49.8, 68.4

 

CMYK 38 / 0 / 78 / 15

HEX #87DA30

RGB 135 218 48

HSL 89.29, 0.7%, 0.52%

LAB 79.33, -50.51, 69.46

 

CMYK 36 / 0 / 72 / 7

HEX #98EC43

RGB 152 236 67

HSL 89.82, 0.82%, 0.59%

LAB 85.54, -51.01, 69.66

 

CMYK 33 / 0 / 66 / 0

HEX #A9FE56

RGB 169 254 86

HSL 90.36, 0.99%, 0.67%

LAB 91.68, -51.35, 69.33

 

CMYK 27 / 0 / 59 / 0

HEX #BAFF69

RGB 186 255 105

HSL 87.6, 1%, 0.71%

LAB 93.01, -44.39, 63.39

 

CMYK 44 / 0 / 83 / 22

HEX #71C822

RGB 113 200 34

HSL 91.45, 0.71%, 0.46%

LAB 72.85, -51.26, 66.97

 

CMYK 47 / 0 / 92 / 29

HEX #60B60F

RGB 96 182 15

HSL 90.9, 0.85%, 0.39%

LAB 66.5, -50.31, 65.07

 

CMYK 52 / 0 / 100 / 36

HEX #4FA400

RGB 79 164 0

HSL 91.1, 1%, 0.32%

LAB 60.08, -49.01, 61.64

 

CMYK 58 / 0 / 100 / 43

HEX #3E9200

RGB 62 146 0

HSL 94.52, 1%, 0.29%

LAB 53.58, -47.25, 56.26

 

CMYK 65 / 0 / 100 / 50

HEX #2D8000

RGB 45 128 0

HSL 98.91, 1%, 0.25%

LAB 46.97, -45.21, 50.8

 

CMYK 44 / 0 / 83 / 21

HEX #71C922

RGB 113 201 34

HSL 91.62, 0.71%, 0.46%

LAB 73.15, -51.65, 67.24

 

CMYK 21 / 0 / 83 / 21

HEX #9EC922

RGB 158 201 34

HSL 75.45, 0.71%, 0.46%

LAB 75.55, -35.29, 70.27

 

CMYK 0 / 1 / 83 / 21

HEX #C9C622

RGB 201 198 34

HSL 58.92, 0.71%, 0.46%

LAB 77.83, -15.98, 73.45

 

CMYK 0 / 24 / 83 / 21

HEX #C99922

RGB 201 153 34

HSL 42.75, 0.71%, 0.46%

LAB 65.99, 7.56, 63.42

 

CMYK 0 / 46 / 83 / 21

HEX #C96C22

RGB 201 108 34

HSL 26.59, 0.71%, 0.46%

LAB 55.34, 31.95, 54.18

 

CMYK 44 / 0 / 83 / 21

HEX #71C922

RGB 113 201 34

HSL 91.62, 0.71%, 0.46%

LAB 73.15, -51.65, 67.24

 

CMYK 66 / 0 / 83 / 21

HEX #44C922

RGB 68 201 34

HSL 107.78, 0.71%, 0.46%

LAB 71.63, -63.65, 65.3

 

CMYK 83 / 0 / 78 / 21

HEX #22C92D

RGB 34 201 45

HSL 123.95, 0.71%, 0.46%

LAB 71.08, -68.25, 61.47

 

CMYK 83 / 0 / 55 / 21

HEX #22C95A

RGB 34 201 90

HSL 140.12, 0.71%, 0.46%

LAB 71.45, -63.62, 43.7

 

CMYK 83 / 0 / 33 / 21

HEX #22C986

RGB 34 201 134

HSL 155.93, 0.71%, 0.46%

LAB 72.12, -55.87, 22.29

 

CMYK 44 / 0 / 83 / 21

HEX #71C922

RGB 113 201 34

HSL 91.62, 0.71%, 0.46%

LAB 73.15, -51.65, 67.24

 

CMYK 49 / 0 / 93 / 14

HEX #70DC0F

RGB 112 220 15

HSL 91.61, 0.87%, 0.46%

LAB 78.85, -59.69, 75.46

 

CMYK 44 / 0 / 83 / 21

HEX #71C922

RGB 113 201 34

HSL 91.62, 0.71%, 0.46%

LAB 73.15, -51.65, 67.24

 

CMYK 37 / 0 / 71 / 29

HEX #72B635

RGB 114 182 53

HSL 91.63, 0.55%, 0.46%

LAB 67.49, -42.5, 55.93

 

CMYK 29 / 0 / 56 / 36

HEX #73A348

RGB 115 163 72

HSL 91.65, 0.39%, 0.46%

LAB 61.92, -31.97, 41.6

 

CMYK 19 / 0 / 37 / 44

HEX #74905B

RGB 116 144 91

HSL 91.7, 0.23%, 0.46%

LAB 56.5, -19.82, 25.01

 

CMYK 6 / 0 / 12 / 51

HEX #757D6E

RGB 117 125 110

HSL 92, 0.06%, 0.46%

LAB 51.35, -5.95, 7.16

 

CMYK 0 / 1 / 83 / 21

HEX #C9C622

RGB 201 198 34

HSL 58.92, 0.71%, 0.46%

LAB 77.83, -15.98, 73.45

 

CMYK 21 / 0 / 83 / 21

HEX #9FC922

RGB 159 201 34

HSL 75.09, 0.71%, 0.46%

LAB 75.61, -34.89, 70.34

 

CMYK 43 / 0 / 83 / 21

HEX #73C922

RGB 115 201 34

HSL 90.9, 0.71%, 0.46%

LAB 73.24, -51, 67.35

 

CMYK 65 / 0 / 83 / 21

HEX #46C922

RGB 70 201 34

HSL 107.07, 0.71%, 0.46%

LAB 71.68, -63.24, 65.37

 

CMYK 83 / 0 / 79 / 21

HEX #22C92A

RGB 34 201 42

HSL 122.87, 0.71%, 0.46%

LAB 71.06, -68.45, 62.37

 

CMYK 44 / 0 / 83 / 49

HEX #498216

RGB 73 130 22

HSL 91.67, 0.71%, 0.3%

LAB 48.81, -36.61, 47.83

 

CMYK 44 / 0 / 83 / 35

HEX #5DA51C

RGB 93 165 28

HSL 91.53, 0.71%, 0.38%

LAB 61.06, -44.09, 57.62

 

CMYK 44 / 0 / 83 / 21

HEX #71C922

RGB 113 201 34

HSL 91.62, 0.71%, 0.46%

LAB 73.15, -51.65, 67.24

 

CMYK 39 / 0 / 75 / 13

HEX #86DD37

RGB 134 221 55

HSL 91.45, 0.71%, 0.54%

LAB 80.21, -51.68, 68.14

 

CMYK 32 / 0 / 60 / 11

HEX #9BE35A

RGB 155 227 90

HSL 91.53, 0.71%, 0.62%

LAB 83.26, -44.49, 58.38

 

CMYK 44 / 0 / 83 / 22

HEX #71C822

RGB 113 200 34

HSL 91.45, 0.71%, 0.46%

LAB 72.85, -51.26, 66.97

 

CMYK 83 / 0 / 24 / 21

HEX #22C999

RGB 34 201 153

HSL 162.75, 0.71%, 0.46%

LAB 72.5, -51.6, 12.69

 

CMYK 0 / 83 / 10 / 21

HEX #C922B5

RGB 201 34 181

HSL 307.19, 0.71%, 0.46%

LAB 48.13, 74.99, -38.67

 

CMYK 44 / 0 / 83 / 22

HEX #71C822

RGB 113 200 34

HSL 91.45, 0.71%, 0.46%

LAB 72.85, -51.26, 66.97

 

CMYK 83 / 43 / 0 / 21

HEX #2273C9

RGB 34 115 201

HSL 210.9, 0.71%, 0.46%

LAB 48.03, 7.55, -51.35

 

CMYK 0 / 83 / 43 / 21

HEX #C92273

RGB 201 34 115

HSL 330.9, 0.71%, 0.46%

LAB 45.36, 67.24, -3.18

 

CMYK 44 / 0 / 83 / 22

HEX #71C822

RGB 113 200 34

HSL 91.45, 0.71%, 0.46%

LAB 72.85, -51.26, 66.97

 

CMYK 83 / 0 / 24 / 21

HEX #22C999

RGB 34 201 153

HSL 162.75, 0.71%, 0.46%

LAB 72.5, -51.6, 12.69

 

CMYK 40 / 83 / 0 / 21

HEX #7822C9

RGB 120 34 201

HSL 270.9, 0.71%, 0.46%

LAB 36.66, 64.66, -69.52

 

CMYK 0 / 83 / 60 / 21

HEX #C92251

RGB 201 34 81

HSL 343.11, 0.71%, 0.46%

LAB 44.46, 64.59, 16.67

 

CMYK 44 / 0 / 83 / 22

HEX #71C822

RGB 113 200 34

HSL 91.45, 0.71%, 0.46%

LAB 72.85, -51.26, 66.97

 

CMYK 83 / 1 / 0 / 21

HEX #22C6C9

RGB 34 198 201

HSL 181.08, 0.71%, 0.46%

LAB 72.86, -37.36, -12.82

 

CMYK 40 / 83 / 0 / 21

HEX #7822C9

RGB 120 34 201

HSL 270.9, 0.71%, 0.46%

LAB 36.66, 64.66, -69.52

 

CMYK 0 / 82 / 83 / 21

HEX #C92522

RGB 201 37 34

HSL 1.08, 0.71%, 0.46%

LAB 44.03, 61.79, 43.98

 

Description

Color code: HEX #71C822 | qconv.com Color code: HEX #71C822 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 200 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 200 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 83 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 83% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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