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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71C5E1 it is the complementary color #8E3A1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71C5E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71C5E1 shade: #76C5DC, #87D7EF, #98E9FF, #A9FBFF and #BAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71C5E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71C5E1 shade: #71C5E1, #60B3CE, #4FA1BB, #3E8FA8 and #2D7D95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71C5E1 shade: #70C4E1, #70A6E1, #7088E1, #7770E1 and #9570E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71C5E1 shade: #70C4E1, #70A6E1, #7088E1 and #7070E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71C5E1 shade matches the following richer shades: #70C4E1, #62CBEF and #54D3FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71C5E1 shade: #70C4E1, #7EBDD3, #8CB6C5, #9AAFB7 and #A8A8A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71C5E1 shade: #70E1C1, #70E1DF, #70C4E1, #70A6E1 and #7088E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71C5E1 shade: #2CA8D2, #4EB7D9, #70C4E1, #92D2E8 and #B4E0EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71C5E1 shade: #71C5E1, #A370E1 and #E1D070

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71C5E1 shade: #71C5E1, #E170C4 and #C4E170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71C5E1 shade: #71C5E1, #A370E1, #E18C70 and #AEE170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71C5E1 shade: #71C5E1, #C470E1, #E18C70 and #8CE170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 12 / 0 / 12

HEX #71C5E1

RGB 113 197 225

HSL 195, 0.65%, 0.66%

LAB 75.38, -18.03, -21.82

 

Complementary color

CMYK 0 / 59 / 79 / 44

HEX #8E3A1E

RGB 142 58 30

HSL 15, 0.65%, 0.34%

LAB 35.73, 33.98, 34.23

 

CMYK 46 / 10 / 0 / 14

HEX #76C5DC

RGB 118 197 220

HSL 193.53, 0.59%, 0.66%

LAB 75.42, -18.25, -19.03

 

CMYK 44 / 10 / 0 / 6

HEX #87D7EF

RGB 135 215 239

HSL 193.85, 0.76%, 0.73%

LAB 81.83, -18.4, -19.45

 

CMYK 40 / 9 / 0 / 0

HEX #98E9FF

RGB 152 233 255

HSL 192.82, 1%, 0.8%

LAB 88.05, -19.25, -18.43

 

CMYK 34 / 2 / 0 / 0

HEX #A9FBFF

RGB 169 251 255

HSL 182.79, 1%, 0.83%

LAB 93.73, -23.81, -9.84

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 50 / 12 / 0 / 12

HEX #71C5E1

RGB 113 197 225

HSL 195, 0.65%, 0.66%

LAB 75.38, -18.03, -21.82

 

CMYK 53 / 13 / 0 / 19

HEX #60B3CE

RGB 96 179 206

HSL 194.73, 0.53%, 0.59%

LAB 68.88, -17.74, -21.41

 

CMYK 58 / 14 / 0 / 27

HEX #4FA1BB

RGB 79 161 187

HSL 194.44, 0.44%, 0.52%

LAB 62.29, -17.35, -20.98

 

CMYK 63 / 15 / 0 / 34

HEX #3E8FA8

RGB 62 143 168

HSL 194.15, 0.46%, 0.45%

LAB 55.58, -16.81, -20.52

 

CMYK 70 / 16 / 0 / 42

HEX #2D7D95

RGB 45 125 149

HSL 193.85, 0.54%, 0.38%

LAB 48.75, -16.06, -20.01

 

CMYK 50 / 13 / 0 / 12

HEX #70C4E1

RGB 112 196 225

HSL 195.4, 0.65%, 0.66%

LAB 75.05, -17.73, -22.32

 

CMYK 50 / 26 / 0 / 12

HEX #70A6E1

RGB 112 166 225

HSL 211.33, 0.65%, 0.66%

LAB 66.64, -1.58, -35.26

 

CMYK 50 / 40 / 0 / 12

HEX #7088E1

RGB 112 136 225

HSL 227.26, 0.65%, 0.66%

LAB 58.5, 15.79, -48.04

 

CMYK 47 / 50 / 0 / 12

HEX #7770E1

RGB 119 112 225

HSL 243.72, 0.65%, 0.66%

LAB 52.89, 31.71, -56.95

 

CMYK 34 / 50 / 0 / 12

HEX #9570E1

RGB 149 112 225

HSL 259.65, 0.65%, 0.66%

LAB 55.5, 38.86, -52.63

 

CMYK 50 / 13 / 0 / 12

HEX #70C4E1

RGB 112 196 225

HSL 195.4, 0.65%, 0.66%

LAB 75.05, -17.73, -22.32

 

CMYK 50 / 26 / 0 / 12

HEX #70A6E1

RGB 112 166 225

HSL 211.33, 0.65%, 0.66%

LAB 66.64, -1.58, -35.26

 

CMYK 50 / 40 / 0 / 12

HEX #7088E1

RGB 112 136 225

HSL 227.26, 0.65%, 0.66%

LAB 58.5, 15.79, -48.04

 

CMYK 50 / 50 / 0 / 12

HEX #7070E1

RGB 112 112 225

HSL 240, 0.65%, 0.66%

LAB 52.36, 30.18, -57.82

 

CMYK 50 / 13 / 0 / 12

HEX #70C4E1

RGB 112 196 225

HSL 195.4, 0.65%, 0.66%

LAB 75.05, -17.73, -22.32

 

CMYK 59 / 15 / 0 / 6

HEX #62CBEF

RGB 98 203 239

HSL 195.32, 0.82%, 0.66%

LAB 77.01, -20.13, -26.92

 

CMYK 67 / 17 / 0 / 1

HEX #54D3FD

RGB 84 211 253

HSL 194.91, 0.98%, 0.66%

LAB 79.37, -22.29, -30.82

 

CMYK 50 / 13 / 0 / 12

HEX #70C4E1

RGB 112 196 225

HSL 195.4, 0.65%, 0.66%

LAB 75.05, -17.73, -22.32

 

CMYK 40 / 10 / 0 / 17

HEX #7EBDD3

RGB 126 189 211

HSL 195.53, 0.49%, 0.66%

LAB 73.24, -14.52, -17.41

 

CMYK 29 / 8 / 0 / 23

HEX #8CB6C5

RGB 140 182 197

HSL 195.79, 0.33%, 0.66%

LAB 71.6, -10.46, -12.16

 

CMYK 16 / 4 / 0 / 28

HEX #9AAFB7

RGB 154 175 183

HSL 196.55, 0.17%, 0.66%

LAB 70.14, -5.54, -6.54

 

CMYK 1 / 1 / 0 / 34

HEX #A8A8A9

RGB 168 168 169

HSL 240, 0.01%, 0.66%

LAB 68.89, 0.19, -0.52

 

CMYK 50 / 0 / 14 / 12

HEX #70E1C1

RGB 112 225 193

HSL 163.01, 0.65%, 0.66%

LAB 82.46, -39.85, 5.81

 

CMYK 50 / 0 / 1 / 12

HEX #70E1DF

RGB 112 225 223

HSL 178.94, 0.65%, 0.66%

LAB 83.24, -32.59, -8.93

 

CMYK 50 / 13 / 0 / 12

HEX #70C4E1

RGB 112 196 225

HSL 195.4, 0.65%, 0.66%

LAB 75.05, -17.73, -22.32

 

CMYK 50 / 26 / 0 / 12

HEX #70A6E1

RGB 112 166 225

HSL 211.33, 0.65%, 0.66%

LAB 66.64, -1.58, -35.26

 

CMYK 50 / 40 / 0 / 12

HEX #7088E1

RGB 112 136 225

HSL 227.26, 0.65%, 0.66%

LAB 58.5, 15.79, -48.04

 

CMYK 79 / 20 / 0 / 18

HEX #2CA8D2

RGB 44 168 210

HSL 195.18, 0.65%, 0.5%

LAB 64.32, -18.84, -30.76

 

CMYK 64 / 16 / 0 / 15

HEX #4EB7D9

RGB 78 183 217

HSL 194.68, 0.65%, 0.58%

LAB 69.82, -19.93, -26.07

 

CMYK 50 / 13 / 0 / 12

HEX #70C4E1

RGB 112 196 225

HSL 195.4, 0.65%, 0.66%

LAB 75.05, -17.73, -22.32

 

CMYK 37 / 9 / 0 / 9

HEX #92D2E8

RGB 146 210 232

HSL 195.35, 0.65%, 0.74%

LAB 80.76, -14.86, -17.29

 

CMYK 25 / 6 / 0 / 6

HEX #B4E0EF

RGB 180 224 239

HSL 195.25, 0.65%, 0.82%

LAB 86.63, -10.93, -12.01

 

CMYK 50 / 12 / 0 / 12

HEX #71C5E1

RGB 113 197 225

HSL 195, 0.65%, 0.66%

LAB 75.38, -18.03, -21.82

 

CMYK 28 / 50 / 0 / 12

HEX #A370E1

RGB 163 112 225

HSL 267.08, 0.65%, 0.66%

LAB 56.89, 42.44, -50.33

 

CMYK 0 / 8 / 50 / 12

HEX #E1D070

RGB 225 208 112

HSL 50.97, 0.65%, 0.66%

LAB 83.07, -6.52, 49.37

 

CMYK 50 / 12 / 0 / 12

HEX #71C5E1

RGB 113 197 225

HSL 195, 0.65%, 0.66%

LAB 75.38, -18.03, -21.82

 

CMYK 0 / 50 / 13 / 12

HEX #E170C4

RGB 225 112 196

HSL 315.4, 0.65%, 0.66%

LAB 63, 54.35, -23.9

 

CMYK 13 / 0 / 50 / 12

HEX #C4E170

RGB 196 225 112

HSL 75.4, 0.65%, 0.66%

LAB 85.38, -26.44, 51.61

 

CMYK 50 / 12 / 0 / 12

HEX #71C5E1

RGB 113 197 225

HSL 195, 0.65%, 0.66%

LAB 75.38, -18.03, -21.82

 

CMYK 28 / 50 / 0 / 12

HEX #A370E1

RGB 163 112 225

HSL 267.08, 0.65%, 0.66%

LAB 56.89, 42.44, -50.33

 

CMYK 0 / 38 / 50 / 12

HEX #E18C70

RGB 225 140 112

HSL 14.87, 0.65%, 0.66%

LAB 66.47, 29.42, 28.54

 

CMYK 23 / 0 / 50 / 12

HEX #AEE170

RGB 174 225 112

HSL 87.08, 0.65%, 0.66%

LAB 83.98, -34.69, 49.59

 

CMYK 50 / 12 / 0 / 12

HEX #71C5E1

RGB 113 197 225

HSL 195, 0.65%, 0.66%

LAB 75.38, -18.03, -21.82

 

CMYK 13 / 50 / 0 / 12

HEX #C470E1

RGB 196 112 225

HSL 284.6, 0.65%, 0.66%

LAB 60.57, 51.25, -44.27

 

CMYK 0 / 38 / 50 / 12

HEX #E18C70

RGB 225 140 112

HSL 14.87, 0.65%, 0.66%

LAB 66.47, 29.42, 28.54

 

CMYK 38 / 0 / 50 / 12

HEX #8CE170

RGB 140 225 112

HSL 105.13, 0.65%, 0.66%

LAB 82.16, -46.35, 46.97

 

Description

Color code: HEX #71C5E1 | qconv.com Color code: HEX #71C5E1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 197 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 197 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 12 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 12% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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