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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71C1C6 it is the complementary color #8E3E39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71C1C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #71C1C6: #76C1C1, #87D3D4, #98E5E7, #A9F7FA and #BAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71C1C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #71C1C6: #71C1C6, #60AFB3, #4F9DA0, #3E8B8D and #2D797A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 3 / 0 / 22

HEX #71C1C6

RGB 113 193 198

HSL 183.53, 0.43%, 0.61%

LAB 73.37, -23.2, -10.2

 

Complementary color

CMYK 0 / 56 / 60 / 44

HEX #8E3E39

RGB 142 62 57

HSL 3.53, 0.43%, 0.39%

LAB 36.91, 33.55, 19.68

 

CMYK 39 / 0 / 0 / 24

HEX #76C1C1

RGB 118 193 193

HSL 180, 0.38%, 0.61%

LAB 73.44, -23.21, -7.35

 

CMYK 36 / 0 / 0 / 17

HEX #87D3D4

RGB 135 211 212

HSL 180.78, 0.47%, 0.68%

LAB 79.89, -23.15, -7.94

 

CMYK 34 / 1 / 0 / 9

HEX #98E5E7

RGB 152 229 231

HSL 181.52, 0.62%, 0.75%

LAB 86.25, -23.08, -8.51

 

CMYK 32 / 1 / 0 / 2

HEX #A9F7FA

RGB 169 247 250

HSL 182.22, 0.89%, 0.82%

LAB 92.51, -23.01, -9.06

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 43 / 3 / 0 / 22

HEX #71C1C6

RGB 113 193 198

HSL 183.53, 0.43%, 0.61%

LAB 73.37, -23.2, -10.2

 

CMYK 46 / 2 / 0 / 30

HEX #60AFB3

RGB 96 175 179

HSL 182.89, 0.35%, 0.54%

LAB 66.83, -23.17, -9.61

 

CMYK 51 / 2 / 0 / 37

HEX #4F9DA0

RGB 79 157 160

HSL 182.22, 0.34%, 0.47%

LAB 60.17, -23.08, -8.96

 

CMYK 56 / 1 / 0 / 45

HEX #3E8B8D

RGB 62 139 141

HSL 181.52, 0.39%, 0.4%

LAB 53.4, -22.9, -8.27

 

CMYK 63 / 1 / 0 / 52

HEX #2D797A

RGB 45 121 122

HSL 180.78, 0.46%, 0.33%

LAB 46.5, -22.56, -7.49

 

CMYK 43 / 3 / 0 / 22

HEX #71C1C6

RGB 113 193 198

HSL 183.53, 0.43%, 0.61%

LAB 73.37, -23.2, -10.2

 

CMYK 43 / 10 / 0 / 22

HEX #70B3C6

RGB 112 179 198

HSL 193.26, 0.43%, 0.61%

LAB 69.3, -16.27, -16.32

 

CMYK 43 / 17 / 0 / 22

HEX #70A5C6

RGB 112 165 198

HSL 203.02, 0.43%, 0.61%

LAB 65.3, -8.77, -22.39

 

CMYK 43 / 24 / 0 / 22

HEX #7097C6

RGB 112 151 198

HSL 212.79, 0.43%, 0.61%

LAB 61.36, -0.97, -28.45

 

CMYK 43 / 31 / 0 / 22

HEX #7089C6

RGB 112 137 198

HSL 222.56, 0.43%, 0.61%

LAB 57.48, 7.12, -34.48

 

CMYK 43 / 3 / 0 / 22

HEX #71C1C6

RGB 113 193 198

HSL 183.53, 0.43%, 0.61%

LAB 73.37, -23.2, -10.2

 

CMYK 43 / 2 / 0 / 2

HEX #8EF3F9

RGB 142 243 249

HSL 183.36, 0.9%, 0.77%

LAB 90.18, -28.03, -12.14

 

CMYK 42 / 2 / 0 / 82

HEX #1A2C2D

RGB 26 44 45

HSL 183.16, 0.27%, 0.14%

LAB 16.55, -7.04, -3

 

CMYK 43 / 2 / 0 / 62

HEX #375E60

RGB 55 94 96

HSL 182.93, 0.27%, 0.3%

LAB 37.23, -13.19, -5.5

 

CMYK 43 / 3 / 0 / 42

HEX #548F93

RGB 84 143 147

HSL 183.81, 0.27%, 0.45%

LAB 55.72, -18.11, -8.17

 

CMYK 43 / 3 / 0 / 22

HEX #71C1C6

RGB 113 193 198

HSL 183.53, 0.43%, 0.61%

LAB 73.37, -23.2, -10.2

 

CMYK 32 / 43 / 0 / 22

HEX #8670C6

RGB 134 112 198

HSL 255.35, 0.43%, 0.61%

LAB 52.66, 27.88, -41.93

 

CMYK 0 / 15 / 43 / 22

HEX #C6A870

RGB 198 168 112

HSL 39.07, 0.43%, 0.61%

LAB 70.3, 3.37, 32.95

 

CMYK 43 / 3 / 0 / 22

HEX #71C1C6

RGB 113 193 198

HSL 183.53, 0.43%, 0.61%

LAB 73.37, -23.2, -10.2

 

CMYK 0 / 43 / 2 / 22

HEX #C670C2

RGB 198 112 194

HSL 302.79, 0.43%, 0.61%

LAB 59.42, 45.87, -28.56

 

CMYK 2 / 0 / 43 / 22

HEX #C2C670

RGB 194 198 112

HSL 62.79, 0.43%, 0.61%

LAB 77.89, -13.95, 42.47

 

CMYK 43 / 3 / 0 / 22

HEX #71C1C6

RGB 113 193 198

HSL 183.53, 0.43%, 0.61%

LAB 73.37, -23.2, -10.2

 

CMYK 32 / 43 / 0 / 22

HEX #8670C6

RGB 134 112 198

HSL 255.35, 0.43%, 0.61%

LAB 52.66, 27.88, -41.93

 

CMYK 0 / 41 / 43 / 22

HEX #C67570

RGB 198 117 112

HSL 3.49, 0.43%, 0.61%

LAB 57.94, 31.2, 16.49

 

CMYK 11 / 0 / 43 / 22

HEX #B0C670

RGB 176 198 112

HSL 75.35, 0.43%, 0.61%

LAB 76.55, -21.06, 40.51

 

CMYK 43 / 3 / 0 / 22

HEX #71C1C6

RGB 113 193 198

HSL 183.53, 0.43%, 0.61%

LAB 73.37, -23.2, -10.2

 

CMYK 20 / 43 / 0 / 22

HEX #9F70C6

RGB 159 112 198

HSL 272.79, 0.43%, 0.61%

LAB 55.11, 35, -37.9

 

CMYK 0 / 41 / 43 / 22

HEX #C67570

RGB 198 117 112

HSL 3.49, 0.43%, 0.61%

LAB 57.94, 31.2, 16.49

 

CMYK 24 / 0 / 43 / 22

HEX #97C670

RGB 151 198 112

HSL 92.79, 0.43%, 0.61%

LAB 74.91, -30.49, 38.1

 

Description

Color code: HEX #71C1C6 | qconv.com Color code: HEX #71C1C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 193 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 193 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 3 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 3% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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