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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71C01E it is the complementary color #8E3FE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71C01E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71C01E shade: #76C019, #87D22C, #98E43F, #A9F652 and #BAFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71C01E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71C01E shade: #71C01E, #60AE0B, #4F9C00, #3E8A00 and #2D7800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71C01E shade: #72C21E, #9EC21E, #C2BA1E, #C28D1E and #C2611E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71C01E shade: #72C21E, #46C21E, #1EC223, #1EC24F and #1EC27B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71C01E shade matches the following richer shades: #72C21E and #73D40C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71C01E shade: #72C21E, #72B030, #719E43, #718C55 and #707967

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71C01E shade: #C2BA1E, #9FC21E, #73C21E, #47C21E and #1EC221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71C01E shade: #487B13, #5D9E19, #72C21E, #87DE2C and #9BE44F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71C01E shade: #71C01E, #1EC28E and #C21EB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71C01E shade: #71C01E, #1E73C2 and #C21E73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71C01E shade: #71C01E, #1EC28E, #6D1EC2 and #C21E52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71C01E shade: #71C01E, #1EC2BF, #6D1EC2 and #C21E21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 84 / 25

HEX #71C01E

RGB 113 192 30

HSL 89.26, 0.73%, 0.44%

LAB 70.39, -48.23, 65.75

 

Complementary color

CMYK 37 / 72 / 0 / 12

HEX #8E3FE1

RGB 142 63 225

HSL 269.26, 0.73%, 0.56%

LAB 45.28, 62.61, -69.14

 

CMYK 39 / 0 / 87 / 25

HEX #76C019

RGB 118 192 25

HSL 86.59, 0.77%, 0.43%

LAB 70.61, -46.69, 67.13

 

CMYK 36 / 0 / 79 / 18

HEX #87D22C

RGB 135 210 44

HSL 87.11, 0.65%, 0.5%

LAB 76.94, -47.42, 68.39

 

CMYK 33 / 0 / 72 / 11

HEX #98E43F

RGB 152 228 63

HSL 87.64, 0.75%, 0.57%

LAB 83.19, -47.95, 68.7

 

CMYK 31 / 0 / 67 / 4

HEX #A9F652

RGB 169 246 82

HSL 88.17, 0.9%, 0.64%

LAB 89.37, -48.31, 68.42

 

CMYK 27 / 0 / 60 / 0

HEX #BAFF65

RGB 186 255 101

HSL 86.88, 1%, 0.7%

LAB 92.97, -44.73, 65.03

 

CMYK 41 / 0 / 84 / 25

HEX #71C01E

RGB 113 192 30

HSL 89.26, 0.73%, 0.44%

LAB 70.39, -48.23, 65.75

 

CMYK 45 / 0 / 94 / 32

HEX #60AE0B

RGB 96 174 11

HSL 88.71, 0.88%, 0.36%

LAB 63.98, -47.27, 63.58

 

CMYK 49 / 0 / 100 / 39

HEX #4F9C00

RGB 79 156 0

HSL 89.62, 1%, 0.31%

LAB 57.5, -45.94, 59.62

 

CMYK 55 / 0 / 100 / 46

HEX #3E8A00

RGB 62 138 0

HSL 93.04, 1%, 0.27%

LAB 50.92, -44.24, 54.16

 

CMYK 63 / 0 / 100 / 53

HEX #2D7800

RGB 45 120 0

HSL 97.5, 1%, 0.24%

LAB 44.22, -42.3, 48.63

 

CMYK 41 / 0 / 85 / 24

HEX #72C21E

RGB 114 194 30

HSL 89.27, 0.73%, 0.44%

LAB 71.05, -48.7, 66.35

 

CMYK 19 / 0 / 85 / 24

HEX #9EC21E

RGB 158 194 30

HSL 73.17, 0.73%, 0.44%

LAB 73.51, -32.19, 69.44

 

CMYK 0 / 4 / 85 / 24

HEX #C2BA1E

RGB 194 186 30

HSL 57.07, 0.73%, 0.44%

LAB 73.99, -13.04, 70.93

 

CMYK 0 / 27 / 85 / 24

HEX #C28D1E

RGB 194 141 30

HSL 40.61, 0.73%, 0.44%

LAB 62.18, 10.88, 61.08

 

CMYK 0 / 50 / 85 / 24

HEX #C2611E

RGB 194 97 30

HSL 24.51, 0.73%, 0.44%

LAB 51.96, 34.75, 52.4

 

CMYK 41 / 0 / 85 / 24

HEX #72C21E

RGB 114 194 30

HSL 89.27, 0.73%, 0.44%

LAB 71.05, -48.7, 66.35

 

CMYK 64 / 0 / 85 / 24

HEX #46C21E

RGB 70 194 30

HSL 105.37, 0.73%, 0.44%

LAB 69.45, -61.1, 64.33

 

CMYK 85 / 0 / 82 / 24

HEX #1EC223

RGB 30 194 35

HSL 121.83, 0.73%, 0.44%

LAB 68.74, -67.21, 62.15

 

CMYK 85 / 0 / 59 / 24

HEX #1EC24F

RGB 30 194 79

HSL 137.93, 0.73%, 0.44%

LAB 69.06, -63.22, 45.98

 

CMYK 85 / 0 / 37 / 24

HEX #1EC27B

RGB 30 194 123

HSL 154.02, 0.73%, 0.44%

LAB 69.68, -55.91, 24.79

 

CMYK 41 / 0 / 85 / 24

HEX #72C21E

RGB 114 194 30

HSL 89.27, 0.73%, 0.44%

LAB 71.05, -48.7, 66.35

 

CMYK 46 / 0 / 94 / 17

HEX #73D40C

RGB 115 212 12

HSL 89.1, 0.89%, 0.44%

LAB 76.53, -55.86, 73.97

 

CMYK 41 / 0 / 85 / 24

HEX #72C21E

RGB 114 194 30

HSL 89.27, 0.73%, 0.44%

LAB 71.05, -48.7, 66.35

 

CMYK 35 / 0 / 73 / 31

HEX #72B030

RGB 114 176 48

HSL 89.06, 0.57%, 0.44%

LAB 65.63, -40.26, 55.9

 

CMYK 28 / 0 / 58 / 38

HEX #719E43

RGB 113 158 67

HSL 89.67, 0.4%, 0.44%

LAB 60.22, -30.9, 42

 

CMYK 19 / 0 / 39 / 45

HEX #718C55

RGB 113 140 85

HSL 89.45, 0.24%, 0.44%

LAB 54.99, -19.79, 26.3

 

CMYK 7 / 0 / 15 / 53

HEX #707967

RGB 112 121 103

HSL 90, 0.08%, 0.44%

LAB 49.62, -6.94, 8.74

 

CMYK 0 / 4 / 85 / 24

HEX #C2BA1E

RGB 194 186 30

HSL 57.07, 0.73%, 0.44%

LAB 73.99, -13.04, 70.93

 

CMYK 18 / 0 / 85 / 24

HEX #9FC21E

RGB 159 194 30

HSL 72.8, 0.73%, 0.44%

LAB 73.58, -31.78, 69.53

 

CMYK 41 / 0 / 85 / 24

HEX #73C21E

RGB 115 194 30

HSL 88.9, 0.73%, 0.44%

LAB 71.09, -48.36, 66.41

 

CMYK 63 / 0 / 85 / 24

HEX #47C21E

RGB 71 194 30

HSL 105, 0.73%, 0.44%

LAB 69.48, -60.88, 64.37

 

CMYK 85 / 0 / 83 / 24

HEX #1EC221

RGB 30 194 33

HSL 121.1, 0.73%, 0.44%

LAB 68.73, -67.31, 62.66

 

CMYK 41 / 0 / 85 / 52

HEX #487B13

RGB 72 123 19

HSL 89.42, 0.73%, 0.28%

LAB 46.43, -34.07, 46.54

 

CMYK 41 / 0 / 84 / 38

HEX #5D9E19

RGB 93 158 25

HSL 89.32, 0.73%, 0.36%

LAB 58.84, -41.32, 56.42

 

CMYK 41 / 0 / 85 / 24

HEX #72C21E

RGB 114 194 30

HSL 89.27, 0.73%, 0.44%

LAB 71.05, -48.7, 66.35

 

CMYK 39 / 0 / 80 / 13

HEX #87DE2C

RGB 135 222 44

HSL 89.33, 0.73%, 0.52%

LAB 80.5, -52.3, 71.66

 

CMYK 32 / 0 / 65 / 11

HEX #9BE44F

RGB 155 228 79

HSL 89.4, 0.73%, 0.6%

LAB 83.45, -45.82, 63.12

 

CMYK 41 / 0 / 84 / 25

HEX #71C01E

RGB 113 192 30

HSL 89.26, 0.73%, 0.44%

LAB 70.39, -48.23, 65.75

 

CMYK 85 / 0 / 27 / 24

HEX #1EC28E

RGB 30 194 142

HSL 160.98, 0.73%, 0.44%

LAB 70.04, -51.77, 15.15

 

CMYK 0 / 85 / 7 / 24

HEX #C21EB4

RGB 194 30 180

HSL 305.12, 0.73%, 0.44%

LAB 46.57, 74.3, -40.63

 

CMYK 41 / 0 / 84 / 25

HEX #71C01E

RGB 113 192 30

HSL 89.26, 0.73%, 0.44%

LAB 70.39, -48.23, 65.75

 

CMYK 85 / 41 / 0 / 24

HEX #1E73C2

RGB 30 115 194

HSL 208.9, 0.73%, 0.44%

LAB 47.54, 4.51, -48.12

 

CMYK 0 / 85 / 41 / 24

HEX #C21E73

RGB 194 30 115

HSL 328.9, 0.73%, 0.44%

LAB 43.71, 66.42, -5.78

 

CMYK 41 / 0 / 84 / 25

HEX #71C01E

RGB 113 192 30

HSL 89.26, 0.73%, 0.44%

LAB 70.39, -48.23, 65.75

 

CMYK 85 / 0 / 27 / 24

HEX #1EC28E

RGB 30 194 142

HSL 160.98, 0.73%, 0.44%

LAB 70.04, -51.77, 15.15

 

CMYK 44 / 85 / 0 / 24

HEX #6D1EC2

RGB 109 30 194

HSL 268.9, 0.73%, 0.44%

LAB 34.14, 62.86, -69.61

 

CMYK 0 / 85 / 58 / 24

HEX #C21E52

RGB 194 30 82

HSL 340.98, 0.73%, 0.44%

LAB 42.77, 63.72, 13.52

 

CMYK 41 / 0 / 84 / 25

HEX #71C01E

RGB 113 192 30

HSL 89.26, 0.73%, 0.44%

LAB 70.39, -48.23, 65.75

 

CMYK 85 / 0 / 2 / 24

HEX #1EC2BF

RGB 30 194 191

HSL 178.9, 0.73%, 0.44%

LAB 71.3, -38.78, -9.71

 

CMYK 44 / 85 / 0 / 24

HEX #6D1EC2

RGB 109 30 194

HSL 268.9, 0.73%, 0.44%

LAB 34.14, 62.86, -69.61

 

CMYK 0 / 85 / 83 / 24

HEX #C21E21

RGB 194 30 33

HSL 358.9, 0.73%, 0.44%

LAB 42.01, 61.47, 42.12

 

Description

Color code: HEX #71C01E | qconv.com Color code: HEX #71C01E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 192 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 192 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 84 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 84% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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