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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71B9E5 it is the complementary color #8E461A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71B9E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71B9E5 shade: #76B9E0, #87CBF3, #98DDFF, #A9EFFF and #BAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71B9E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71B9E5 shade: #71B9E5, #60A7D2, #4F95BF, #3E83AC and #2D7199

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71B9E5 shade: #70B8E4, #7099E4, #707AE4, #8670E4 and #A570E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71B9E5 shade: #70B8E4, #7099E4, #707AE4 and #7070E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71B9E5 shade matches the following richer shades: #70B8E4 and #63BCF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71B9E5 shade: #70B8E4, #7EB5D7, #8CB2C9, #99AFBC and #A7ABAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71B9E5 shade: #70E4D1, #70D9E4, #70BAE4, #709BE4 and #707CE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71B9E5 shade: #2B96D8, #4DA7DE, #70B8E4, #93CAEB and #B6DBF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71B9E5 shade: #71B9E5, #B270E4 and #E4E170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71B9E5 shade: #71B9E5, #E470BA and #BAE470

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71B9E5 shade: #71B9E5, #B270E4, #E49B70 and #A3E470

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71B9E5 shade: #71B9E5, #D570E4, #E49B70 and #80E470

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 19 / 0 / 10

HEX #71B9E5

RGB 113 185 229

HSL 202.76, 0.69%, 0.67%

LAB 72.14, -10.59, -28.94

 

Complementary color

CMYK 0 / 51 / 82 / 44

HEX #8E461A

RGB 142 70 26

HSL 22.76, 0.69%, 0.33%

LAB 38.21, 27.42, 38.71

 

CMYK 47 / 17 / 0 / 12

HEX #76B9E0

RGB 118 185 224

HSL 202.08, 0.63%, 0.67%

LAB 72.18, -10.87, -26.13

 

CMYK 44 / 16 / 0 / 5

HEX #87CBF3

RGB 135 203 243

HSL 202.22, 0.82%, 0.74%

LAB 78.66, -11.14, -26.41

 

CMYK 40 / 13 / 0 / 0

HEX #98DDFF

RGB 152 221 255

HSL 199.81, 1%, 0.8%

LAB 84.8, -13.18, -23.35

 

CMYK 34 / 6 / 0 / 0

HEX #A9EFFF

RGB 169 239 255

HSL 191.16, 1%, 0.83%

LAB 90.5, -17.91, -14.66

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 51 / 19 / 0 / 10

HEX #71B9E5

RGB 113 185 229

HSL 202.76, 0.69%, 0.67%

LAB 72.14, -10.59, -28.94

 

CMYK 54 / 20 / 0 / 18

HEX #60A7D2

RGB 96 167 210

HSL 202.63, 0.56%, 0.6%

LAB 65.57, -10.15, -28.69

 

CMYK 59 / 22 / 0 / 25

HEX #4F95BF

RGB 79 149 191

HSL 202.5, 0.47%, 0.53%

LAB 58.9, -9.57, -28.44

 

CMYK 64 / 24 / 0 / 33

HEX #3E83AC

RGB 62 131 172

HSL 202.36, 0.47%, 0.46%

LAB 52.1, -8.83, -28.18

 

CMYK 71 / 26 / 0 / 40

HEX #2D7199

RGB 45 113 153

HSL 202.22, 0.55%, 0.39%

LAB 45.18, -7.82, -27.91

 

CMYK 51 / 19 / 0 / 11

HEX #70B8E4

RGB 112 184 228

HSL 202.76, 0.68%, 0.67%

LAB 71.78, -10.57, -28.96

 

CMYK 51 / 33 / 0 / 11

HEX #7099E4

RGB 112 153 228

HSL 218.79, 0.68%, 0.67%

LAB 63.2, 6.73, -42.29

 

CMYK 51 / 46 / 0 / 11

HEX #707AE4

RGB 112 122 228

HSL 234.83, 0.68%, 0.67%

LAB 55.04, 25.09, -55.23

 

CMYK 41 / 51 / 0 / 11

HEX #8670E4

RGB 134 112 228

HSL 251.38, 0.68%, 0.67%

LAB 54.3, 36.01, -56.31

 

CMYK 28 / 51 / 0 / 11

HEX #A570E4

RGB 165 112 228

HSL 267.41, 0.68%, 0.67%

LAB 57.26, 43.68, -51.41

 

CMYK 51 / 19 / 0 / 11

HEX #70B8E4

RGB 112 184 228

HSL 202.76, 0.68%, 0.67%

LAB 71.78, -10.57, -28.96

 

CMYK 51 / 33 / 0 / 11

HEX #7099E4

RGB 112 153 228

HSL 218.79, 0.68%, 0.67%

LAB 63.2, 6.73, -42.29

 

CMYK 51 / 46 / 0 / 11

HEX #707AE4

RGB 112 122 228

HSL 234.83, 0.68%, 0.67%

LAB 55.04, 25.09, -55.23

 

CMYK 51 / 51 / 0 / 11

HEX #7070E4

RGB 112 112 228

HSL 240, 0.68%, 0.67%

LAB 52.55, 31.1, -59.22

 

CMYK 51 / 19 / 0 / 11

HEX #70B8E4

RGB 112 184 228

HSL 202.76, 0.68%, 0.67%

LAB 71.78, -10.57, -28.96

 

CMYK 59 / 22 / 0 / 5

HEX #63BCF2

RGB 99 188 242

HSL 202.66, 0.85%, 0.67%

LAB 72.91, -11.2, -34.84

 

CMYK 51 / 19 / 0 / 11

HEX #70B8E4

RGB 112 184 228

HSL 202.76, 0.68%, 0.67%

LAB 71.78, -10.57, -28.96

 

CMYK 41 / 16 / 0 / 16

HEX #7EB5D7

RGB 126 181 215

HSL 202.92, 0.53%, 0.67%

LAB 71.14, -9.22, -22.79

 

CMYK 30 / 11 / 0 / 21

HEX #8CB2C9

RGB 140 178 201

HSL 202.62, 0.36%, 0.67%

LAB 70.62, -7.36, -15.83

 

CMYK 19 / 7 / 0 / 26

HEX #99AFBC

RGB 153 175 188

HSL 202.29, 0.21%, 0.67%

LAB 70.22, -4.78, -9.19

 

CMYK 4 / 2 / 0 / 32

HEX #A7ABAE

RGB 167 171 174

HSL 205.71, 0.04%, 0.67%

LAB 69.75, -0.83, -2.04

 

CMYK 51 / 0 / 8 / 11

HEX #70E4D1

RGB 112 228 209

HSL 170.17, 0.68%, 0.67%

LAB 83.72, -37.46, -0.81

 

CMYK 51 / 5 / 0 / 11

HEX #70D9E4

RGB 112 217 228

HSL 185.69, 0.68%, 0.67%

LAB 81.11, -27.45, -14.77

 

CMYK 51 / 18 / 0 / 11

HEX #70BAE4

RGB 112 186 228

HSL 201.72, 0.68%, 0.67%

LAB 72.34, -11.64, -28.09

 

CMYK 51 / 32 / 0 / 11

HEX #709BE4

RGB 112 155 228

HSL 217.76, 0.68%, 0.67%

LAB 63.74, 5.58, -41.43

 

CMYK 51 / 46 / 0 / 11

HEX #707CE4

RGB 112 124 228

HSL 233.79, 0.68%, 0.67%

LAB 55.54, 23.89, -54.41

 

CMYK 80 / 31 / 0 / 15

HEX #2B96D8

RGB 43 150 216

HSL 202.89, 0.69%, 0.51%

LAB 59.24, -6.97, -42.03

 

CMYK 65 / 25 / 0 / 13

HEX #4DA7DE

RGB 77 167 222

HSL 202.76, 0.69%, 0.59%

LAB 65.35, -9.97, -35.73

 

CMYK 51 / 19 / 0 / 11

HEX #70B8E4

RGB 112 184 228

HSL 202.76, 0.68%, 0.67%

LAB 71.78, -10.57, -28.96

 

CMYK 37 / 14 / 0 / 8

HEX #93CAEB

RGB 147 202 235

HSL 202.5, 0.69%, 0.75%

LAB 78.72, -9.69, -21.97

 

CMYK 24 / 9 / 0 / 5

HEX #B6DBF1

RGB 182 219 241

HSL 202.37, 0.68%, 0.83%

LAB 85.48, -7.32, -14.76

 

CMYK 51 / 19 / 0 / 10

HEX #71B9E5

RGB 113 185 229

HSL 202.76, 0.69%, 0.67%

LAB 72.14, -10.59, -28.94

 

CMYK 22 / 51 / 0 / 11

HEX #B270E4

RGB 178 112 228

HSL 274.14, 0.68%, 0.67%

LAB 58.65, 47.07, -49.11

 

CMYK 0 / 1 / 51 / 11

HEX #E4E170

RGB 228 225 112

HSL 58.45, 0.68%, 0.67%

LAB 87.73, -13.86, 54.97

 

CMYK 51 / 19 / 0 / 10

HEX #71B9E5

RGB 113 185 229

HSL 202.76, 0.69%, 0.67%

LAB 72.14, -10.59, -28.94

 

CMYK 0 / 51 / 18 / 11

HEX #E470BA

RGB 228 112 186

HSL 321.72, 0.68%, 0.67%

LAB 63.03, 53.75, -18.14

 

CMYK 18 / 0 / 51 / 11

HEX #BAE470

RGB 186 228 112

HSL 81.72, 0.68%, 0.67%

LAB 85.55, -31.64, 51.66

 

CMYK 51 / 19 / 0 / 10

HEX #71B9E5

RGB 113 185 229

HSL 202.76, 0.69%, 0.67%

LAB 72.14, -10.59, -28.94

 

CMYK 22 / 51 / 0 / 11

HEX #B270E4

RGB 178 112 228

HSL 274.14, 0.68%, 0.67%

LAB 58.65, 47.07, -49.11

 

CMYK 0 / 32 / 51 / 11

HEX #E49B70

RGB 228 155 112

HSL 22.24, 0.68%, 0.67%

LAB 70.25, 22.61, 33.51

 

CMYK 29 / 0 / 51 / 11

HEX #A3E470

RGB 163 228 112

HSL 93.62, 0.68%, 0.67%

LAB 84.2, -39.96, 49.71

 

CMYK 51 / 19 / 0 / 10

HEX #71B9E5

RGB 113 185 229

HSL 202.76, 0.69%, 0.67%

LAB 72.14, -10.59, -28.94

 

CMYK 7 / 51 / 0 / 11

HEX #D570E4

RGB 213 112 228

HSL 292.24, 0.68%, 0.67%

LAB 62.79, 56.44, -42.31

 

CMYK 0 / 32 / 51 / 11

HEX #E49B70

RGB 228 155 112

HSL 22.24, 0.68%, 0.67%

LAB 70.25, 22.61, 33.51

 

CMYK 44 / 0 / 51 / 11

HEX #80E470

RGB 128 228 112

HSL 111.72, 0.68%, 0.67%

LAB 82.51, -51.27, 47.27

 

Description

Color code: HEX #71B9E5 | qconv.com Color code: HEX #71B9E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 185 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 185 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 19 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 19% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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