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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71ACFC it is the complementary color #8E5303. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71ACFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #71ACFC: #76ACF7, #87BEFF, #98D0FF, #A9E2FF and #BAF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71ACFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #71ACFC: #71ACFC, #609AE9, #4F88D6, #3E76C3 and #2D64B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 32 / 0 / 1

HEX #71ACFC

RGB 113 172 252

HSL 214.53, 0.96%, 0.72%

LAB 69.5, 3.43, -45.53

 

Complementary color

CMYK 0 / 42 / 98 / 44

HEX #8E5303

RGB 142 83 3

HSL 34.53, 0.96%, 0.28%

LAB 41.13, 19.48, 49.11

 

CMYK 52 / 30 / 0 / 3

HEX #76ACF7

RGB 118 172 247

HSL 214.88, 0.89%, 0.72%

LAB 69.52, 2.96, -42.77

 

CMYK 47 / 25 / 0 / 0

HEX #87BEFF

RGB 135 190 255

HSL 212.5, 1%, 0.76%

LAB 75.57, -0.86, -37.59

 

CMYK 40 / 18 / 0 / 0

HEX #98D0FF

RGB 152 208 255

HSL 207.38, 1%, 0.8%

LAB 81.3, -6.4, -28.69

 

CMYK 34 / 11 / 0 / 0

HEX #A9E2FF

RGB 169 226 255

HSL 200.23, 1%, 0.83%

LAB 87.02, -11.34, -19.9

 

CMYK 27 / 4 / 0 / 0

HEX #BAF4FF

RGB 186 244 255

HSL 189.57, 1%, 0.86%

LAB 92.73, -15.75, -11.23

 

CMYK 55 / 32 / 0 / 1

HEX #71ACFC

RGB 113 172 252

HSL 214.53, 0.96%, 0.72%

LAB 69.5, 3.43, -45.53

 

CMYK 59 / 34 / 0 / 9

HEX #609AE9

RGB 96 154 233

HSL 214.6, 0.76%, 0.65%

LAB 62.91, 4.36, -45.56

 

CMYK 63 / 36 / 0 / 16

HEX #4F88D6

RGB 79 136 214

HSL 214.67, 0.62%, 0.57%

LAB 56.21, 5.49, -45.61

 

CMYK 68 / 39 / 0 / 24

HEX #3E76C3

RGB 62 118 195

HSL 214.74, 0.53%, 0.5%

LAB 49.4, 6.9, -45.67

 

CMYK 74 / 43 / 0 / 31

HEX #2D64B0

RGB 45 100 176

HSL 214.81, 0.59%, 0.43%

LAB 42.47, 8.69, -45.74

 

CMYK 55 / 32 / 0 / 1

HEX #71ACFC

RGB 113 172 252

HSL 214.53, 0.96%, 0.72%

LAB 69.5, 3.43, -45.53

 

CMYK 54 / 40 / 0 / 1

HEX #7397FC

RGB 115 151 252

HSL 224.23, 0.96%, 0.72%

LAB 64, 15.94, -54.2

 

CMYK 54 / 49 / 0 / 1

HEX #7380FC

RGB 115 128 252

HSL 234.31, 0.96%, 0.72%

LAB 58.14, 29.55, -63.57

 

CMYK 51 / 54 / 0 / 1

HEX #7C73FC

RGB 124 115 252

HSL 243.94, 0.96%, 0.72%

LAB 55.66, 39.01, -67.53

 

CMYK 42 / 54 / 0 / 1

HEX #9373FC

RGB 147 115 252

HSL 254.01, 0.96%, 0.72%

LAB 57.55, 43.83, -64.38

 

CMYK 55 / 32 / 0 / 1

HEX #71ACFC

RGB 113 172 252

HSL 214.53, 0.96%, 0.72%

LAB 69.5, 3.43, -45.53

 

CMYK 54 / 31 / 0 / 81

HEX #162130

RGB 22 33 48

HSL 214.62, 0.37%, 0.14%

LAB 12.43, 0.28, -11.44

 

CMYK 56 / 31 / 0 / 61

HEX #2C4463

RGB 44 68 99

HSL 213.82, 0.38%, 0.28%

LAB 28.3, 0.76, -21.07

 

CMYK 55 / 32 / 0 / 41

HEX #436696

RGB 67 102 150

HSL 214.7, 0.38%, 0.43%

LAB 42.61, 2.12, -30.07

 

CMYK 55 / 32 / 0 / 21

HEX #5A89C9

RGB 90 137 201

HSL 214.59, 0.51%, 0.57%

LAB 56.37, 2.79, -38

 

CMYK 55 / 32 / 0 / 1

HEX #71ACFC

RGB 113 172 252

HSL 214.53, 0.96%, 0.72%

LAB 69.5, 3.43, -45.53

 

CMYK 13 / 54 / 0 / 1

HEX #DC73FC

RGB 220 115 252

HSL 285.99, 0.96%, 0.72%

LAB 65.36, 61.41, -51.47

 

CMYK 9 / 0 / 54 / 1

HEX #E5FC73

RGB 229 252 115

HSL 70.07, 0.96%, 0.72%

LAB 94.96, -26.26, 62.02

 

CMYK 55 / 32 / 0 / 1

HEX #71ACFC

RGB 113 172 252

HSL 214.53, 0.96%, 0.72%

LAB 69.5, 3.43, -45.53

 

CMYK 0 / 54 / 31 / 1

HEX #FC73AE

RGB 252 115 174

HSL 334.16, 0.96%, 0.72%

LAB 66.53, 58.17, -5.74

 

CMYK 31 / 0 / 54 / 1

HEX #AEFC73

RGB 174 252 115

HSL 94.16, 0.96%, 0.72%

LAB 91.62, -46.32, 57.3

 

CMYK 55 / 32 / 0 / 1

HEX #71ACFC

RGB 113 172 252

HSL 214.53, 0.96%, 0.72%

LAB 69.5, 3.43, -45.53

 

CMYK 13 / 54 / 0 / 1

HEX #DC73FC

RGB 220 115 252

HSL 285.99, 0.96%, 0.72%

LAB 65.36, 61.41, -51.47

 

CMYK 0 / 24 / 54 / 1

HEX #FCC073

RGB 252 192 115

HSL 33.72, 0.96%, 0.72%

LAB 81.64, 12.99, 46.77

 

CMYK 42 / 0 / 54 / 1

HEX #93FC73

RGB 147 252 115

HSL 105.99, 0.96%, 0.72%

LAB 90.35, -54.95, 55.48

 

CMYK 55 / 32 / 0 / 1

HEX #71ACFC

RGB 113 172 252

HSL 214.53, 0.96%, 0.72%

LAB 69.5, 3.43, -45.53

 

CMYK 0 / 54 / 4 / 1

HEX #FC73F3

RGB 252 115 243

HSL 303.94, 0.96%, 0.72%

LAB 69.06, 68.05, -40.42

 

CMYK 0 / 24 / 54 / 1

HEX #FCC073

RGB 252 192 115

HSL 33.72, 0.96%, 0.72%

LAB 81.64, 12.99, 46.77

 

CMYK 54 / 0 / 51 / 1

HEX #73FC7C

RGB 115 252 124

HSL 123.94, 0.96%, 0.72%

LAB 89.26, -62.53, 49.78

 

Description

Color code: HEX #71ACFC | qconv.com Color code: HEX #71ACFC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 172 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 172 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 32 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 32% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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