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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71A0D3 it is the complementary color #8E5F2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71A0D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71A0D3 shade: #76A0CE, #87B2E1, #98C4F4, #A9D6FF and #BAE8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71A0D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71A0D3 shade: #71A0D3, #608EC0, #4F7CAD, #3E6A9A and #2D5887

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71A0D3 shade: #73A1D4, #7387D4, #7873D4, #9373D4 and #AD73D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71A0D3 shade: #73A1D4, #7387D4 and #7373D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71A0D3 shade matches the following richer shades: #73A1D4, #64A1E3 and #55A0F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71A0D3 shade: #73A1D4, #81A2C5, #90A2B6, #9FA3A7 and #AEA498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71A0D3 shade: #73D4D2, #73BCD4, #73A2D4, #7388D4 and #7773D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71A0D3 shade: #3977BB, #538CCA, #73A1D4, #92B6DE and #B2CBE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71A0D3 shade: #71A0D3, #B873D4 and #C9D473

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71A0D3 shade: #71A0D3, #D473A2 and #A2D473

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71A0D3 shade: #71A0D3, #B873D4, #D4A573 and #8ED473

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71A0D3 shade: #71A0D3, #D473D2, #D4A573 and #73D474

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 24 / 0 / 17

HEX #71A0D3

RGB 113 160 211

HSL 211.22, 0.53%, 0.64%

LAB 64.45, -2.07, -30.92

 

Complementary color

CMYK 0 / 33 / 69 / 44

HEX #8E5F2C

RGB 142 95 44

HSL 31.22, 0.53%, 0.36%

LAB 44.4, 14.01, 36.14

 

CMYK 43 / 22 / 0 / 19

HEX #76A0CE

RGB 118 160 206

HSL 211.36, 0.47%, 0.64%

LAB 64.52, -2.23, -28

 

CMYK 40 / 21 / 0 / 12

HEX #87B2E1

RGB 135 178 225

HSL 211.33, 0.6%, 0.71%

LAB 71.16, -2.58, -28.16

 

CMYK 38 / 20 / 0 / 4

HEX #98C4F4

RGB 152 196 244

HSL 211.3, 0.81%, 0.78%

LAB 77.69, -2.87, -28.34

 

CMYK 34 / 16 / 0 / 0

HEX #A9D6FF

RGB 169 214 255

HSL 208.6, 1%, 0.83%

LAB 83.83, -5.11, -24.73

 

CMYK 27 / 9 / 0 / 0

HEX #BAE8FF

RGB 186 232 255

HSL 200, 1%, 0.86%

LAB 89.57, -9.7, -15.97

 

CMYK 46 / 24 / 0 / 17

HEX #71A0D3

RGB 113 160 211

HSL 211.22, 0.53%, 0.64%

LAB 64.45, -2.07, -30.92

 

CMYK 50 / 26 / 0 / 25

HEX #608EC0

RGB 96 142 192

HSL 211.25, 0.43%, 0.56%

LAB 57.69, -1.56, -30.82

 

CMYK 54 / 28 / 0 / 32

HEX #4F7CAD

RGB 79 124 173

HSL 211.28, 0.37%, 0.49%

LAB 50.8, -0.92, -30.73

 

CMYK 60 / 31 / 0 / 40

HEX #3E6A9A

RGB 62 106 154

HSL 211.3, 0.43%, 0.42%

LAB 43.75, -0.1, -30.68

 

CMYK 67 / 35 / 0 / 47

HEX #2D5887

RGB 45 88 135

HSL 211.33, 0.5%, 0.35%

LAB 36.53, 1.01, -30.65

 

CMYK 46 / 24 / 0 / 17

HEX #73A1D4

RGB 115 161 212

HSL 211.55, 0.53%, 0.64%

LAB 64.87, -1.85, -30.81

 

CMYK 46 / 36 / 0 / 17

HEX #7387D4

RGB 115 135 212

HSL 227.63, 0.53%, 0.64%

LAB 57.78, 13.17, -41.89

 

CMYK 43 / 46 / 0 / 17

HEX #7873D4

RGB 120 115 212

HSL 243.09, 0.53%, 0.64%

LAB 52.96, 26.34, -49.5

 

CMYK 31 / 46 / 0 / 17

HEX #9373D4

RGB 147 115 212

HSL 259.79, 0.53%, 0.64%

LAB 55.3, 33.3, -45.64

 

CMYK 18 / 46 / 0 / 17

HEX #AD73D4

RGB 173 115 212

HSL 275.88, 0.53%, 0.64%

LAB 57.94, 40.51, -41.29

 

CMYK 46 / 24 / 0 / 17

HEX #73A1D4

RGB 115 161 212

HSL 211.55, 0.53%, 0.64%

LAB 64.87, -1.85, -30.81

 

CMYK 46 / 36 / 0 / 17

HEX #7387D4

RGB 115 135 212

HSL 227.63, 0.53%, 0.64%

LAB 57.78, 13.17, -41.89

 

CMYK 46 / 46 / 0 / 17

HEX #7373D4

RGB 115 115 212

HSL 240, 0.53%, 0.64%

LAB 52.58, 25.14, -50.13

 

CMYK 46 / 24 / 0 / 17

HEX #73A1D4

RGB 115 161 212

HSL 211.55, 0.53%, 0.64%

LAB 64.87, -1.85, -30.81

 

CMYK 56 / 29 / 0 / 11

HEX #64A1E3

RGB 100 161 227

HSL 211.18, 0.69%, 0.64%

LAB 64.76, -0.75, -39.34

 

CMYK 65 / 34 / 0 / 5

HEX #55A0F2

RGB 85 160 242

HSL 211.34, 0.86%, 0.64%

LAB 64.55, 1.88, -47.95

 

CMYK 46 / 24 / 0 / 17

HEX #73A1D4

RGB 115 161 212

HSL 211.55, 0.53%, 0.64%

LAB 64.87, -1.85, -30.81

 

CMYK 35 / 18 / 0 / 23

HEX #81A2C5

RGB 129 162 197

HSL 210.88, 0.37%, 0.64%

LAB 65.39, -2.79, -21.62

 

CMYK 21 / 11 / 0 / 29

HEX #90A2B6

RGB 144 162 182

HSL 211.58, 0.21%, 0.64%

LAB 65.86, -1.92, -12.44

 

CMYK 5 / 2 / 0 / 35

HEX #9FA3A7

RGB 159 163 167

HSL 210, 0.04%, 0.64%

LAB 66.79, -0.64, -2.57

 

CMYK 0 / 6 / 13 / 32

HEX #AEA498

RGB 174 164 152

HSL 32.73, 0.12%, 0.64%

LAB 67.89, 1.52, 7.51

 

CMYK 46 / 0 / 1 / 17

HEX #73D4D2

RGB 115 212 210

HSL 178.76, 0.53%, 0.64%

LAB 79.26, -29.03, -7.9

 

CMYK 46 / 11 / 0 / 17

HEX #73BCD4

RGB 115 188 212

HSL 194.85, 0.53%, 0.64%

LAB 72.47, -16.47, -19.17

 

CMYK 46 / 24 / 0 / 17

HEX #73A2D4

RGB 115 162 212

HSL 210.93, 0.53%, 0.64%

LAB 65.15, -2.41, -30.38

 

CMYK 46 / 36 / 0 / 17

HEX #7388D4

RGB 115 136 212

HSL 227.01, 0.53%, 0.64%

LAB 58.04, 12.58, -41.47

 

CMYK 44 / 46 / 0 / 17

HEX #7773D4

RGB 119 115 212

HSL 242.47, 0.53%, 0.64%

LAB 52.88, 26.1, -49.62

 

CMYK 70 / 36 / 0 / 27

HEX #3977BB

RGB 57 119 187

HSL 211.38, 0.53%, 0.48%

LAB 49.07, 2.63, -41.61

 

CMYK 59 / 31 / 0 / 21

HEX #538CCA

RGB 83 140 202

HSL 211.26, 0.53%, 0.56%

LAB 56.94, -0.1, -37.69

 

CMYK 46 / 24 / 0 / 17

HEX #73A1D4

RGB 115 161 212

HSL 211.55, 0.53%, 0.64%

LAB 64.87, -1.85, -30.81

 

CMYK 34 / 18 / 0 / 13

HEX #92B6DE

RGB 146 182 222

HSL 211.58, 0.54%, 0.72%

LAB 72.79, -2.57, -23.99

 

CMYK 23 / 12 / 0 / 9

HEX #B2CBE7

RGB 178 203 231

HSL 211.7, 0.52%, 0.8%

LAB 80.71, -2.38, -16.64

 

CMYK 46 / 24 / 0 / 17

HEX #71A0D3

RGB 113 160 211

HSL 211.22, 0.53%, 0.64%

LAB 64.45, -2.07, -30.92

 

CMYK 13 / 46 / 0 / 17

HEX #B873D4

RGB 184 115 212

HSL 282.68, 0.53%, 0.64%

LAB 59.16, 43.65, -39.28

 

CMYK 5 / 0 / 46 / 17

HEX #C9D473

RGB 201 212 115

HSL 66.8, 0.53%, 0.64%

LAB 82.24, -17.88, 46.47

 

CMYK 46 / 24 / 0 / 17

HEX #71A0D3

RGB 113 160 211

HSL 211.22, 0.53%, 0.64%

LAB 64.45, -2.07, -30.92

 

CMYK 0 / 46 / 24 / 17

HEX #D473A2

RGB 212 115 162

HSL 330.93, 0.53%, 0.64%

LAB 60.66, 43.63, -8.21

 

CMYK 24 / 0 / 46 / 17

HEX #A2D473

RGB 162 212 115

HSL 90.93, 0.53%, 0.64%

LAB 79.62, -32.71, 42.65

 

CMYK 46 / 24 / 0 / 17

HEX #71A0D3

RGB 113 160 211

HSL 211.22, 0.53%, 0.64%

LAB 64.45, -2.07, -30.92

 

CMYK 13 / 46 / 0 / 17

HEX #B873D4

RGB 184 115 212

HSL 282.68, 0.53%, 0.64%

LAB 59.16, 43.65, -39.28

 

CMYK 0 / 22 / 46 / 17

HEX #D4A573

RGB 212 165 115

HSL 30.93, 0.53%, 0.64%

LAB 70.97, 11.04, 32.5

 

CMYK 33 / 0 / 46 / 17

HEX #8ED473

RGB 142 212 115

HSL 103.3, 0.53%, 0.64%

LAB 78.51, -39.68, 41.02

 

CMYK 46 / 24 / 0 / 17

HEX #71A0D3

RGB 113 160 211

HSL 211.22, 0.53%, 0.64%

LAB 64.45, -2.07, -30.92

 

CMYK 0 / 46 / 1 / 17

HEX #D473D2

RGB 212 115 210

HSL 301.24, 0.53%, 0.64%

LAB 62.43, 51.38, -32.8

 

CMYK 0 / 22 / 46 / 17

HEX #D4A573

RGB 212 165 115

HSL 30.93, 0.53%, 0.64%

LAB 70.97, 11.04, 32.5

 

CMYK 46 / 0 / 45 / 17

HEX #73D474

RGB 115 212 116

HSL 120.62, 0.53%, 0.64%

LAB 77.28, -47.93, 38.72

 

Description

Color code: HEX #71A0D3 | qconv.com Color code: HEX #71A0D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 160 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 160 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 24 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 24% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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