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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7197D8 it is the complementary color #8E6827. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7197D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7197D8 shade: #7697D3, #87A9E6, #98BBF9, #A9CDFF and #BADFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7197D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7197D8 shade: #7197D8, #6085C5, #4F73B2, #3E619F and #2D4F8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7197D8 shade: #7398D9, #737DD9, #8473D9, #A073D9 and #BB73D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7197D8 shade: #7398D9, #737DD9 and #7373D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7197D8 shade matches the following richer shades: #7398D9, #6495E7 and #5691F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7197D8 shade: #7398D9, #819CCA, #90A0BC, #9EA4AD and #ADA89F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7197D8 shade: #73D0D9, #73B5D9, #739AD9, #737FD9 and #8273D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7197D8 shade: #366AC3, #5281D0, #7398D9, #93B0E1 and #B4C8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7197D8 shade: #7197D8, #C673D9 and #C3D973

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7197D8 shade: #7197D8, #D9739A and #9AD973

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7197D8 shade: #7197D8, #C673D9, #D9B273 and #86D973

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7197D8 shade: #7197D8, #D973CD, #D9B273 and #73D97F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 30 / 0 / 15

HEX #7197D8

RGB 113 151 216

HSL 217.86, 0.57%, 0.65%

LAB 62.17, 4.52, -37.24

 

Complementary color

CMYK 0 / 27 / 73 / 44

HEX #8E6827

RGB 142 104 39

HSL 37.86, 0.57%, 0.35%

LAB 46.71, 8.47, 41.08

 

CMYK 44 / 28 / 0 / 17

HEX #7697D3

RGB 118 151 211

HSL 218.71, 0.51%, 0.65%

LAB 62.24, 4.29, -34.32

 

CMYK 41 / 27 / 0 / 10

HEX #87A9E6

RGB 135 169 230

HSL 218.53, 0.66%, 0.72%

LAB 68.92, 3.78, -34.36

 

CMYK 39 / 25 / 0 / 2

HEX #98BBF9

RGB 152 187 249

HSL 218.35, 0.89%, 0.79%

LAB 75.49, 3.33, -34.42

 

CMYK 34 / 20 / 0 / 0

HEX #A9CDFF

RGB 169 205 255

HSL 214.88, 1%, 0.83%

LAB 81.47, -0.34, -28.35

 

CMYK 27 / 13 / 0 / 0

HEX #BADFFF

RGB 186 223 255

HSL 207.83, 1%, 0.86%

LAB 87.21, -5.06, -19.52

 

CMYK 48 / 30 / 0 / 15

HEX #7197D8

RGB 113 151 216

HSL 217.86, 0.57%, 0.65%

LAB 62.17, 4.52, -37.24

 

CMYK 51 / 32 / 0 / 23

HEX #6085C5

RGB 96 133 197

HSL 218.02, 0.47%, 0.57%

LAB 55.37, 5.24, -37.27

 

CMYK 56 / 35 / 0 / 30

HEX #4F73B2

RGB 79 115 178

HSL 218.18, 0.39%, 0.5%

LAB 48.43, 6.13, -37.34

 

CMYK 61 / 39 / 0 / 38

HEX #3E619F

RGB 62 97 159

HSL 218.35, 0.44%, 0.43%

LAB 41.34, 7.25, -37.45

 

CMYK 68 / 44 / 0 / 45

HEX #2D4F8C

RGB 45 79 140

HSL 218.53, 0.51%, 0.36%

LAB 34.07, 8.74, -37.6

 

CMYK 47 / 30 / 0 / 15

HEX #7398D9

RGB 115 152 217

HSL 218.24, 0.57%, 0.65%

LAB 62.6, 4.72, -37.12

 

CMYK 47 / 42 / 0 / 15

HEX #737DD9

RGB 115 125 217

HSL 234.12, 0.57%, 0.65%

LAB 55.4, 20.62, -48.45

 

CMYK 39 / 47 / 0 / 15

HEX #8473D9

RGB 132 115 217

HSL 250, 0.57%, 0.65%

LAB 54.21, 30.72, -50.26

 

CMYK 26 / 47 / 0 / 15

HEX #A073D9

RGB 160 115 217

HSL 266.47, 0.57%, 0.65%

LAB 56.83, 38.06, -45.96

 

CMYK 14 / 47 / 0 / 15

HEX #BB73D9

RGB 187 115 217

HSL 282.35, 0.57%, 0.65%

LAB 59.74, 45.55, -41.16

 

CMYK 47 / 30 / 0 / 15

HEX #7398D9

RGB 115 152 217

HSL 218.24, 0.57%, 0.65%

LAB 62.6, 4.72, -37.12

 

CMYK 47 / 42 / 0 / 15

HEX #737DD9

RGB 115 125 217

HSL 234.12, 0.57%, 0.65%

LAB 55.4, 20.62, -48.45

 

CMYK 47 / 47 / 0 / 15

HEX #7373D9

RGB 115 115 217

HSL 240, 0.57%, 0.65%

LAB 52.86, 26.63, -52.51

 

CMYK 47 / 30 / 0 / 15

HEX #7398D9

RGB 115 152 217

HSL 218.24, 0.57%, 0.65%

LAB 62.6, 4.72, -37.12

 

CMYK 57 / 35 / 0 / 9

HEX #6495E7

RGB 100 149 231

HSL 217.56, 0.73%, 0.65%

LAB 61.63, 7.42, -46.46

 

CMYK 65 / 41 / 0 / 4

HEX #5691F6

RGB 86 145 246

HSL 217.88, 0.9%, 0.65%

LAB 60.68, 12.17, -56.29

 

CMYK 47 / 30 / 0 / 15

HEX #7398D9

RGB 115 152 217

HSL 218.24, 0.57%, 0.65%

LAB 62.6, 4.72, -37.12

 

CMYK 36 / 23 / 0 / 21

HEX #819CCA

RGB 129 156 202

HSL 217.81, 0.41%, 0.65%

LAB 63.92, 1.89, -26.65

 

CMYK 23 / 15 / 0 / 26

HEX #90A0BC

RGB 144 160 188

HSL 218.18, 0.25%, 0.65%

LAB 65.52, 0.59, -16.31

 

CMYK 9 / 5 / 0 / 32

HEX #9EA4AD

RGB 158 164 173

HSL 216, 0.08%, 0.65%

LAB 67.15, -0.32, -5.39

 

CMYK 0 / 3 / 8 / 32

HEX #ADA89F

RGB 173 168 159

HSL 38.57, 0.08%, 0.65%

LAB 69.03, 0.17, 5.27

 

CMYK 47 / 4 / 0 / 15

HEX #73D0D9

RGB 115 208 217

HSL 185.29, 0.57%, 0.65%

LAB 78.33, -25.28, -13.05

 

CMYK 47 / 17 / 0 / 15

HEX #73B5D9

RGB 115 181 217

HSL 201.18, 0.57%, 0.65%

LAB 70.67, -11.4, -24.65

 

CMYK 47 / 29 / 0 / 15

HEX #739AD9

RGB 115 154 217

HSL 217.06, 0.57%, 0.65%

LAB 63.15, 3.57, -36.26

 

CMYK 47 / 41 / 0 / 15

HEX #737FD9

RGB 115 127 217

HSL 232.94, 0.57%, 0.65%

LAB 55.92, 19.43, -47.63

 

CMYK 40 / 47 / 0 / 15

HEX #8273D9

RGB 130 115 217

HSL 248.82, 0.57%, 0.65%

LAB 54.05, 30.22, -50.54

 

CMYK 72 / 46 / 0 / 24

HEX #366AC3

RGB 54 106 195

HSL 217.87, 0.57%, 0.49%

LAB 45.68, 13.21, -51.63

 

CMYK 61 / 38 / 0 / 18

HEX #5281D0

RGB 82 129 208

HSL 217.62, 0.57%, 0.57%

LAB 54.08, 8.22, -45.6

 

CMYK 47 / 30 / 0 / 15

HEX #7398D9

RGB 115 152 217

HSL 218.24, 0.57%, 0.65%

LAB 62.6, 4.72, -37.12

 

CMYK 35 / 22 / 0 / 12

HEX #93B0E1

RGB 147 176 225

HSL 217.69, 0.57%, 0.73%

LAB 71.34, 1.76, -27.83

 

CMYK 23 / 15 / 0 / 8

HEX #B4C8EA

RGB 180 200 234

HSL 217.78, 0.56%, 0.81%

LAB 80.15, 0.5, -19.07

 

CMYK 48 / 30 / 0 / 15

HEX #7197D8

RGB 113 151 216

HSL 217.86, 0.57%, 0.65%

LAB 62.17, 4.52, -37.24

 

CMYK 9 / 47 / 0 / 15

HEX #C673D9

RGB 198 115 217

HSL 288.82, 0.57%, 0.65%

LAB 61.03, 48.66, -39.06

 

CMYK 10 / 0 / 47 / 15

HEX #C3D973

RGB 195 217 115

HSL 72.94, 0.57%, 0.65%

LAB 83.16, -22.68, 47.49

 

CMYK 48 / 30 / 0 / 15

HEX #7197D8

RGB 113 151 216

HSL 217.86, 0.57%, 0.65%

LAB 62.17, 4.52, -37.24

 

CMYK 0 / 47 / 29 / 15

HEX #D9739A

RGB 217 115 154

HSL 337.06, 0.57%, 0.65%

LAB 61.09, 44.23, -2.91

 

CMYK 29 / 0 / 47 / 15

HEX #9AD973

RGB 154 217 115

HSL 97.06, 0.57%, 0.65%

LAB 80.59, -37.83, 43.76

 

CMYK 48 / 30 / 0 / 15

HEX #7197D8

RGB 113 151 216

HSL 217.86, 0.57%, 0.65%

LAB 62.17, 4.52, -37.24

 

CMYK 9 / 47 / 0 / 15

HEX #C673D9

RGB 198 115 217

HSL 288.82, 0.57%, 0.65%

LAB 61.03, 48.66, -39.06

 

CMYK 0 / 18 / 47 / 15

HEX #D9B273

RGB 217 178 115

HSL 37.06, 0.57%, 0.65%

LAB 74.72, 6.12, 37.4

 

CMYK 38 / 0 / 47 / 15

HEX #86D973

RGB 134 217 115

HSL 108.82, 0.57%, 0.65%

LAB 79.58, -44.46, 42.27

 

CMYK 48 / 30 / 0 / 15

HEX #7197D8

RGB 113 151 216

HSL 217.86, 0.57%, 0.65%

LAB 62.17, 4.52, -37.24

 

CMYK 0 / 47 / 6 / 15

HEX #D973CD

RGB 217 115 205

HSL 307.06, 0.57%, 0.65%

LAB 62.86, 51.98, -29.28

 

CMYK 0 / 18 / 47 / 15

HEX #D9B273

RGB 217 178 115

HSL 37.06, 0.57%, 0.65%

LAB 74.72, 6.12, 37.4

 

CMYK 47 / 0 / 41 / 15

HEX #73D97F

RGB 115 217 127

HSL 127.06, 0.57%, 0.65%

LAB 78.93, -48.37, 35.32

 

Description

Color code: HEX #7197D8 | qconv.com Color code: HEX #7197D8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 151 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 151 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 30 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 30% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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