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Color name
HEX #718A17

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #718A17 it is the complementary color #8E75E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #718A17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #718A17 shade: #768A12, #879C25, #98AE38, #A9C04B and #BAD25E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #718A17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #718A17 shade: #718A17, #607804, #4F6600, #3E5400 and #2D4200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #718A17 shade: #728C18, #8C8518, #8C6618, #8C4718 and #8C2818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #718A17 shade: #728C18, #538C18, #348C18, #188C1B and #188C3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #718A17 shade matches the following richer shades: #728C18 and #7A990A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #718A17 shade: #728C18, #6B7E25, #637132, #5C643F and #54574C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #718A17 shade: #8C6718, #8C8618, #728C18, #548C18 and #358C18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #718A17 shade: #39450C, #556812, #728C18, #8FAF1E and #ACD224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #718A17 shade: #718A17, #188C48 and #76188C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #718A17 shade: #718A17, #18728C and #8C1872

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #718A17 shade: #718A17, #188C48, #31188C and #8C185B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #718A17 shade: #718A17, #188C6B, #31188C and #8C1838

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 83 / 46

HEX #718A17

RGB 113 138 23

HSL 73.04, 0.71%, 0.32%

LAB 53.76, -24.31, 52.9

 

Complementary color

CMYK 39 / 50 / 0 / 9

HEX #8E75E8

RGB 142 117 232

HSL 253.04, 0.71%, 0.68%

LAB 56.39, 36.12, -55.17

 

CMYK 14 / 0 / 87 / 46

HEX #768A12

RGB 118 138 18

HSL 70, 0.77%, 0.31%

LAB 54.1, -22.3, 54.64

 

CMYK 13 / 0 / 76 / 39

HEX #879C25

RGB 135 156 37

HSL 70.59, 0.62%, 0.38%

LAB 60.84, -23.2, 55.58

 

CMYK 13 / 0 / 68 / 32

HEX #98AE38

RGB 152 174 56

HSL 71.19, 0.51%, 0.45%

LAB 67.45, -23.88, 55.46

 

CMYK 12 / 0 / 61 / 25

HEX #A9C04B

RGB 169 192 75

HSL 71.79, 0.48%, 0.52%

LAB 73.96, -24.39, 54.8

 

CMYK 11 / 0 / 55 / 18

HEX #BAD25E

RGB 186 210 94

HSL 72.41, 0.56%, 0.6%

LAB 80.37, -24.78, 53.87

 

CMYK 18 / 0 / 83 / 46

HEX #718A17

RGB 113 138 23

HSL 73.04, 0.71%, 0.32%

LAB 53.76, -24.31, 52.9

 

CMYK 20 / 0 / 97 / 53

HEX #607804

RGB 96 120 4

HSL 72.41, 0.94%, 0.24%

LAB 46.88, -23.29, 50.97

 

CMYK 23 / 0 / 100 / 60

HEX #4F6600

RGB 79 102 0

HSL 73.53, 1%, 0.2%

LAB 39.86, -21.86, 45.98

 

CMYK 26 / 0 / 100 / 67

HEX #3E5400

RGB 62 84 0

HSL 75.71, 1%, 0.16%

LAB 32.62, -20.3, 39.96

 

CMYK 32 / 0 / 100 / 74

HEX #2D4200

RGB 45 66 0

HSL 79.09, 1%, 0.13%

LAB 25.12, -18.69, 33.3

 

CMYK 19 / 0 / 83 / 45

HEX #728C18

RGB 114 140 24

HSL 73.45, 0.71%, 0.32%

LAB 54.45, -24.83, 53.25

 

CMYK 0 / 5 / 83 / 45

HEX #8C8518

RGB 140 133 24

HSL 56.38, 0.71%, 0.32%

LAB 54.47, -9.51, 54.08

 

CMYK 0 / 27 / 83 / 45

HEX #8C6618

RGB 140 102 24

HSL 40.34, 0.71%, 0.32%

LAB 45.83, 8.01, 46.48

 

CMYK 0 / 49 / 83 / 45

HEX #8C4718

RGB 140 71 24

HSL 24.31, 0.71%, 0.32%

LAB 38.11, 25.93, 39.44

 

CMYK 0 / 71 / 83 / 45

HEX #8C2818

RGB 140 40 24

HSL 8.28, 0.71%, 0.32%

LAB 32.17, 41.39, 33.78

 

CMYK 19 / 0 / 83 / 45

HEX #728C18

RGB 114 140 24

HSL 73.45, 0.71%, 0.32%

LAB 54.45, -24.83, 53.25

 

CMYK 41 / 0 / 83 / 45

HEX #538C18

RGB 83 140 24

HSL 89.48, 0.71%, 0.32%

LAB 52.58, -37.25, 50.87

 

CMYK 63 / 0 / 83 / 45

HEX #348C18

RGB 52 140 24

HSL 105.52, 0.71%, 0.32%

LAB 51.33, -46.84, 49.26

 

CMYK 83 / 0 / 81 / 45

HEX #188C1B

RGB 24 140 27

HSL 121.55, 0.71%, 0.32%

LAB 50.72, -51.92, 47.54

 

CMYK 83 / 0 / 59 / 45

HEX #188C3A

RGB 24 140 58

HSL 137.59, 0.71%, 0.32%

LAB 50.99, -48.68, 34.75

 

CMYK 19 / 0 / 83 / 45

HEX #728C18

RGB 114 140 24

HSL 73.45, 0.71%, 0.32%

LAB 54.45, -24.83, 53.25

 

CMYK 20 / 0 / 93 / 40

HEX #7A990A

RGB 122 153 10

HSL 73.01, 0.88%, 0.32%

LAB 58.92, -28.18, 60.22

 

CMYK 19 / 0 / 83 / 45

HEX #728C18

RGB 114 140 24

HSL 73.45, 0.71%, 0.32%

LAB 54.45, -24.83, 53.25

 

CMYK 15 / 0 / 71 / 51

HEX #6B7E25

RGB 107 126 37

HSL 72.81, 0.55%, 0.32%

LAB 49.72, -20.09, 44

 

CMYK 12 / 0 / 56 / 56

HEX #637132

RGB 99 113 50

HSL 73.33, 0.39%, 0.32%

LAB 45.21, -15.64, 32.78

 

CMYK 8 / 0 / 37 / 61

HEX #5C643F

RGB 92 100 63

HSL 72.97, 0.23%, 0.32%

LAB 40.81, -9.89, 19.99

 

CMYK 3 / 0 / 13 / 66

HEX #54574C

RGB 84 87 76

HSL 76.36, 0.07%, 0.32%

LAB 36.41, -3.47, 5.98

 

CMYK 0 / 26 / 83 / 45

HEX #8C6718

RGB 140 103 24

HSL 40.86, 0.71%, 0.32%

LAB 46.1, 7.43, 46.72

 

CMYK 0 / 4 / 83 / 45

HEX #8C8618

RGB 140 134 24

HSL 56.9, 0.71%, 0.32%

LAB 54.75, -10.05, 54.33

 

CMYK 19 / 0 / 83 / 45

HEX #728C18

RGB 114 140 24

HSL 73.45, 0.71%, 0.32%

LAB 54.45, -24.83, 53.25

 

CMYK 40 / 0 / 83 / 45

HEX #548C18

RGB 84 140 24

HSL 88.97, 0.71%, 0.32%

LAB 52.63, -36.88, 50.93

 

CMYK 62 / 0 / 83 / 45

HEX #358C18

RGB 53 140 24

HSL 105, 0.71%, 0.32%

LAB 51.36, -46.59, 49.3

 

CMYK 17 / 0 / 83 / 73

HEX #39450C

RGB 57 69 12

HSL 72.63, 0.7%, 0.16%

LAB 27.17, -13.87, 30.7

 

CMYK 18 / 0 / 83 / 59

HEX #556812

RGB 85 104 18

HSL 73.26, 0.7%, 0.24%

LAB 41.02, -19.52, 42.23

 

CMYK 19 / 0 / 83 / 45

HEX #728C18

RGB 114 140 24

HSL 73.45, 0.71%, 0.32%

LAB 54.45, -24.83, 53.25

 

CMYK 18 / 0 / 83 / 31

HEX #8FAF1E

RGB 143 175 30

HSL 73.24, 0.71%, 0.4%

LAB 66.97, -29.39, 63.42

 

CMYK 18 / 0 / 83 / 18

HEX #ACD224

RGB 172 210 36

HSL 73.1, 0.71%, 0.48%

LAB 79.04, -33.77, 73.16

 

CMYK 18 / 0 / 83 / 46

HEX #718A17

RGB 113 138 23

HSL 73.04, 0.71%, 0.32%

LAB 53.76, -24.31, 52.9

 

CMYK 83 / 0 / 49 / 45

HEX #188C48

RGB 24 140 72

HSL 144.83, 0.71%, 0.32%

LAB 51.17, -46.44, 27.73

 

CMYK 16 / 83 / 0 / 45

HEX #76188C

RGB 118 24 140

HSL 288.62, 0.71%, 0.32%

LAB 30.4, 54.5, -43.1

 

CMYK 18 / 0 / 83 / 46

HEX #718A17

RGB 113 138 23

HSL 73.04, 0.71%, 0.32%

LAB 53.76, -24.31, 52.9

 

CMYK 83 / 19 / 0 / 45

HEX #18728C

RGB 24 114 140

HSL 193.45, 0.71%, 0.32%

LAB 44.41, -15.78, -21.42

 

CMYK 0 / 83 / 19 / 45

HEX #8C1872

RGB 140 24 114

HSL 313.45, 0.71%, 0.32%

LAB 32.8, 54.85, -22.73

 

CMYK 18 / 0 / 83 / 46

HEX #718A17

RGB 113 138 23

HSL 73.04, 0.71%, 0.32%

LAB 53.76, -24.31, 52.9

 

CMYK 83 / 0 / 49 / 45

HEX #188C48

RGB 24 140 72

HSL 144.83, 0.71%, 0.32%

LAB 51.17, -46.44, 27.73

 

CMYK 65 / 83 / 0 / 45

HEX #31188C

RGB 49 24 140

HSL 252.93, 0.71%, 0.32%

LAB 20.83, 43.9, -59.13

 

CMYK 0 / 83 / 35 / 45

HEX #8C185B

RGB 140 24 91

HSL 325.34, 0.71%, 0.32%

LAB 31.77, 51.91, -9.52

 

CMYK 18 / 0 / 83 / 46

HEX #718A17

RGB 113 138 23

HSL 73.04, 0.71%, 0.32%

LAB 53.76, -24.31, 52.9

 

CMYK 83 / 0 / 24 / 45

HEX #188C6B

RGB 24 140 107

HSL 162.93, 0.71%, 0.32%

LAB 51.85, -38.81, 9.04

 

CMYK 65 / 83 / 0 / 45

HEX #31188C

RGB 49 24 140

HSL 252.93, 0.71%, 0.32%

LAB 20.83, 43.9, -59.13

 

CMYK 0 / 83 / 60 / 45

HEX #8C1838

RGB 140 24 56

HSL 343.45, 0.71%, 0.32%

LAB 30.67, 48.64, 11.98

 

Description

Color code: HEX #718A17 | qconv.com Color code: HEX #718A17 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 138 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 138 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 83 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 83% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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