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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71810ACE it is the complementary color #8E7EF5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71810ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71810ACE shade: #768105CE, #879318CE, #98A52BCE, #A9B73ECE and #BAC951CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71810ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71810ACE shade: #71810ACE, #606F00CE, #4F5D00CE, #3E4B00CE and #2D3900CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71810ACE shade: #70800A, #80700A, #80500A, #80300A and #80100A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71810ACE shade: #70800A, #50800A, #30800A, #10800A and #0A8023

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71810ACE shade matches the following richer shades: #70800A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71810ACE shade: #70800A, #687515, #606A20, #585F2B and #505436

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71810ACE shade: #80510A, #80700A, #70800A, #51800A and #31800A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71810ACE shade: #2D3304, #4F5A07, #70800A, #92A60D and #B3CD0F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71810ACE shade: #71810A, #0A8031 and #600A80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71810ACE shade: #71810A, #0A7080 and #800A70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71810ACE shade: #71810A, #0A8031, #190A80 and #800A59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71810ACE shade: #71810A, #0A8055, #190A80 and #800A35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 75 / 40

HEX #71810ACE

RGBA 113 129 10 0.81

HSLA 68.07, 0.86%, 0.27%, 0.81

LABA 50.96, -20.14, 53.57, 0.81

 

Complementary color

CMYK 34 / 39 / 0 / 3

HEX #8E7EF5CE

RGBA 142 126 245 0.81

HSLA 248.07, 0.86%, 0.73%, 0.81

LABA 59.22, 34.5, -57.87, 0.81

 

CMYK 7 / 0 / 78 / 40

HEX #768105CE

RGBA 118 129 5 0.81

HSLA 65.32, 0.93%, 0.26%, 0.81

LABA 51.34, -17.98, 54.96, 0.81

 

CMYK 7 / 0 / 68 / 34

HEX #879318CE

RGBA 135 147 24 0.81

HSLA 65.85, 0.72%, 0.34%, 0.81

LABA 58.12, -19.18, 57.07, 0.81

 

CMYK 6 / 0 / 60 / 29

HEX #98A52BCE

RGBA 152 165 43 0.81

HSLA 66.39, 0.59%, 0.41%, 0.81

LABA 64.77, -20.12, 57.69, 0.81

 

CMYK 6 / 0 / 54 / 23

HEX #A9B73ECE

RGBA 169 183 62 0.81

HSLA 66.94, 0.49%, 0.48%, 0.81

LABA 71.32, -20.85, 57.43, 0.81

 

CMYK 6 / 0 / 48 / 17

HEX #BAC951CE

RGBA 186 201 81 0.81

HSLA 67.5, 0.53%, 0.55%, 0.81

LABA 77.76, -21.43, 56.71, 0.81

 

CMYK 10 / 0 / 75 / 40

HEX #71810ACE

RGBA 113 129 10 0.81

HSLA 68.07, 0.86%, 0.27%, 0.81

LABA 50.96, -20.14, 53.57, 0.81

 

CMYK 11 / 0 / 81 / 46

HEX #606F00CE

RGBA 96 111 0 0.81

HSLA 68.11, 1%, 0.22%, 0.81

LABA 44.03, -18.75, 49.68, 0.81

 

CMYK 12 / 0 / 81 / 51

HEX #4F5D00CE

RGBA 79 93 0 0.81

HSLA 69.03, 1%, 0.18%, 0.81

LABA 36.91, -17.11, 43.76, 0.81

 

CMYK 14 / 0 / 81 / 57

HEX #3E4B00CE

RGBA 62 75 0 0.81

HSLA 70.4, 1%, 0.15%, 0.81

LABA 29.55, -15.44, 37.63, 0.81

 

CMYK 17 / 0 / 81 / 63

HEX #2D3900CE

RGBA 45 57 0 0.81

HSLA 72.63, 1%, 0.11%, 0.81

LABA 21.89, -13.72, 30.04, 0.81

 

CMYK 13 / 0 / 92 / 50

HEX #70800A

RGB 112 128 10

HSL 68.14, 0.86%, 0.27%

LAB 50.58, -20.07, 53.23

 

CMYK 0 / 13 / 92 / 50

HEX #80700A

RGB 128 112 10

HSL 51.86, 0.86%, 0.27%

LAB 47.24, -3.87, 51.16

 

CMYK 0 / 38 / 92 / 50

HEX #80500A

RGB 128 80 10

HSL 35.59, 0.86%, 0.27%

LAB 38.46, 14.87, 44.29

 

CMYK 0 / 63 / 92 / 50

HEX #80300A

RGB 128 48 10

HSL 19.32, 0.86%, 0.27%

LAB 31.17, 32.82, 38.66

 

CMYK 0 / 88 / 92 / 50

HEX #80100A

RGB 128 16 10

HSL 3.05, 0.86%, 0.27%

LAB 26.68, 45.11, 35.04

 

CMYK 13 / 0 / 92 / 50

HEX #70800A

RGB 112 128 10

HSL 68.14, 0.86%, 0.27%

LAB 50.58, -20.07, 53.23

 

CMYK 38 / 0 / 92 / 50

HEX #50800A

RGB 80 128 10

HSL 84.41, 0.86%, 0.27%

LAB 48.47, -33.61, 50.64

 

CMYK 63 / 0 / 92 / 50

HEX #30800A

RGB 48 128 10

HSL 100.68, 0.86%, 0.27%

LAB 47.09, -44.11, 48.92

 

CMYK 88 / 0 / 92 / 50

HEX #10800A

RGB 16 128 10

HSL 116.95, 0.86%, 0.27%

LAB 46.41, -49.98, 48.06

 

CMYK 92 / 0 / 73 / 50

HEX #0A8023

RGB 10 128 35

HSL 132.71, 0.86%, 0.27%

LAB 46.48, -48.84, 40.27

 

CMYK 13 / 0 / 92 / 50

HEX #70800A

RGB 112 128 10

HSL 68.14, 0.86%, 0.27%

LAB 50.58, -20.07, 53.23

 

CMYK 13 / 0 / 92 / 50

HEX #70800A

RGB 112 128 10

HSL 68.14, 0.86%, 0.27%

LAB 50.58, -20.07, 53.23

 

CMYK 11 / 0 / 82 / 54

HEX #687515

RGB 104 117 21

HSL 68.13, 0.7%, 0.27%

LAB 46.6, -17.59, 46.87

 

CMYK 9 / 0 / 70 / 58

HEX #606A20

RGB 96 106 32

HSL 68.11, 0.54%, 0.27%

LAB 42.61, -14.73, 38.59

 

CMYK 7 / 0 / 55 / 63

HEX #585F2B

RGB 88 95 43

HSL 68.08, 0.38%, 0.27%

LAB 38.61, -11.33, 28.52

 

CMYK 5 / 0 / 36 / 67

HEX #505436

RGB 80 84 54

HSL 68, 0.22%, 0.27%

LAB 34.63, -7.2, 17.04

 

CMYK 0 / 37 / 92 / 50

HEX #80510A

RGB 128 81 10

HSL 36.1, 0.86%, 0.27%

LAB 38.72, 14.27, 44.49

 

CMYK 0 / 13 / 92 / 50

HEX #80700A

RGB 128 112 10

HSL 51.86, 0.86%, 0.27%

LAB 47.24, -3.87, 51.16

 

CMYK 13 / 0 / 92 / 50

HEX #70800A

RGB 112 128 10

HSL 68.14, 0.86%, 0.27%

LAB 50.58, -20.07, 53.23

 

CMYK 37 / 0 / 92 / 50

HEX #51800A

RGB 81 128 10

HSL 83.9, 0.86%, 0.27%

LAB 48.52, -33.23, 50.7

 

CMYK 62 / 0 / 92 / 50

HEX #31800A

RGB 49 128 10

HSL 100.17, 0.86%, 0.27%

LAB 47.12, -43.84, 48.96

 

CMYK 12 / 0 / 92 / 80

HEX #2D3304

RGB 45 51 4

HSL 67.66, 0.85%, 0.11%

LAB 19.78, -9.85, 26.08

 

CMYK 12 / 0 / 92 / 65

HEX #4F5A07

RGB 79 90 7

HSL 67.95, 0.86%, 0.19%

LAB 35.96, -15.22, 40.9

 

CMYK 13 / 0 / 92 / 50

HEX #70800A

RGB 112 128 10

HSL 68.14, 0.86%, 0.27%

LAB 50.58, -20.07, 53.23

 

CMYK 12 / 0 / 92 / 35

HEX #92A60D

RGB 146 166 13

HSL 67.84, 0.85%, 0.35%

LAB 64.49, -24.21, 64.93

 

CMYK 13 / 0 / 93 / 20

HEX #B3CD0F

RGB 179 205 15

HSL 68.21, 0.86%, 0.43%

LAB 78.04, -29.07, 76.32

 

CMYK 12 / 0 / 92 / 49

HEX #71810A

RGB 113 129 10

HSL 68.07, 0.86%, 0.27%

LAB 50.96, -20.14, 53.57

 

CMYK 92 / 0 / 62 / 50

HEX #0A8031

RGB 10 128 49

HSL 139.83, 0.86%, 0.27%

LAB 46.61, -47.17, 34.03

 

CMYK 25 / 92 / 0 / 50

HEX #600A80

RGB 96 10 128

HSL 283.73, 0.86%, 0.27%

LAB 24.52, 51.78, -45.28

 

CMYK 12 / 0 / 92 / 49

HEX #71810A

RGB 113 129 10

HSL 68.07, 0.86%, 0.27%

LAB 50.96, -20.14, 53.57

 

CMYK 92 / 13 / 0 / 50

HEX #0A7080

RGB 10 112 128

HSL 188.14, 0.86%, 0.27%

LAB 43.08, -20.07, -16.3

 

CMYK 0 / 92 / 13 / 50

HEX #800A70

RGB 128 10 112

HSL 308.14, 0.86%, 0.27%

LAB 29.35, 54.9, -27.02

 

CMYK 12 / 0 / 92 / 49

HEX #71810A

RGB 113 129 10

HSL 68.07, 0.86%, 0.27%

LAB 50.96, -20.14, 53.57

 

CMYK 92 / 0 / 62 / 50

HEX #0A8031

RGB 10 128 49

HSL 139.83, 0.86%, 0.27%

LAB 46.61, -47.17, 34.03

 

CMYK 80 / 92 / 0 / 50

HEX #190A80

RGB 25 10 128

HSL 247.63, 0.86%, 0.27%

LAB 15.39, 44.29, -60.64

 

CMYK 0 / 92 / 30 / 50

HEX #800A59

RGB 128 10 89

HSL 319.83, 0.86%, 0.27%

LAB 28.19, 51.81, -13.89

 

CMYK 12 / 0 / 92 / 49

HEX #71810A

RGB 113 129 10

HSL 68.07, 0.86%, 0.27%

LAB 50.96, -20.14, 53.57

 

CMYK 92 / 0 / 34 / 50

HEX #0A8055

RGB 10 128 85

HSL 158.14, 0.86%, 0.27%

LAB 47.18, -40.43, 15.19

 

CMYK 80 / 92 / 0 / 50

HEX #190A80

RGB 25 10 128

HSL 247.63, 0.86%, 0.27%

LAB 15.39, 44.29, -60.64

 

CMYK 0 / 92 / 59 / 50

HEX #800A35

RGB 128 10 53

HSL 338.14, 0.86%, 0.27%

LAB 26.91, 48.31, 8.42

 

Description

Color code: HEX #71810ACE | qconv.com Color code: HEX #71810ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 129 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 129 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 75 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 75% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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