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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #717FBF it is the complementary color #8E8040. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #717FBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #717FBF shade: #767FBA, #8791CD, #98A3E0, #A9B5F3 and #BAC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #717FBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #717FBF shade: #717FBF, #606DAC, #4F5B99, #3E4986 and #2D3773

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #717FBF shade: #7280C0, #7972C0, #8E72C0, #A372C0 and #B872C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #717FBF shade: #7280C0 and #7272C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #717FBF shade matches the following richer shades: #7280C0, #6276D0, #516BE1 and #4160F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #717FBF shade: #7280C0, #838BAF, #93959F, #A4A08E and #B4AA7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #717FBF shade: #72AAC0, #7295C0, #7280C0, #7972C0 and #8D72C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #717FBF shade: #45559A, #5667B3, #7280C0, #8F9ACD and #ABB3D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #717FBF shade: #717FBF, #C072BE and #9FC072

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #717FBF shade: #717FBF, #C07280 and #80C072

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #717FBF shade: #717FBF, #C072BE, #C0B272 and #72C074

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #717FBF shade: #717FBF, #C072A7, #C0B272 and #72C08B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 34 / 0 / 25

HEX #717FBF

RGB 113 127 191

HSL 229.23, 0.38%, 0.6%

LAB 54.5, 11.27, -35.14

 

Complementary color

CMYK 0 / 10 / 55 / 44

HEX #8E8040

RGB 142 128 64

HSL 49.23, 0.38%, 0.4%

LAB 53.56, -3.41, 36.27

 

CMYK 37 / 32 / 0 / 27

HEX #767FBA

RGB 118 127 186

HSL 232.06, 0.33%, 0.6%

LAB 54.63, 11.24, -32.06

 

CMYK 34 / 29 / 0 / 20

HEX #8791CD

RGB 135 145 205

HSL 231.43, 0.41%, 0.67%

LAB 61.49, 10.67, -32.05

 

CMYK 32 / 27 / 0 / 12

HEX #98A3E0

RGB 152 163 224

HSL 230.83, 0.54%, 0.74%

LAB 68.21, 10.17, -32.09

 

CMYK 30 / 26 / 0 / 5

HEX #A9B5F3

RGB 169 181 243

HSL 230.27, 0.76%, 0.81%

LAB 74.8, 9.73, -32.16

 

CMYK 27 / 22 / 0 / 0

HEX #BAC7FF

RGB 186 199 255

HSL 228.7, 1%, 0.86%

LAB 81.02, 7.67, -28.93

 

CMYK 41 / 34 / 0 / 25

HEX #717FBF

RGB 113 127 191

HSL 229.23, 0.38%, 0.6%

LAB 54.5, 11.27, -35.14

 

CMYK 44 / 37 / 0 / 33

HEX #606DAC

RGB 96 109 172

HSL 229.74, 0.31%, 0.53%

LAB 47.5, 12.04, -35.25

 

CMYK 48 / 41 / 0 / 40

HEX #4F5B99

RGB 79 91 153

HSL 230.27, 0.32%, 0.45%

LAB 40.32, 12.97, -35.42

 

CMYK 54 / 46 / 0 / 47

HEX #3E4986

RGB 62 73 134

HSL 230.83, 0.37%, 0.38%

LAB 32.94, 14.14, -35.67

 

CMYK 61 / 52 / 0 / 55

HEX #2D3773

RGB 45 55 115

HSL 231.43, 0.44%, 0.31%

LAB 25.35, 15.68, -35.99

 

CMYK 41 / 33 / 0 / 25

HEX #7280C0

RGB 114 128 192

HSL 229.23, 0.38%, 0.6%

LAB 54.89, 11.24, -35.11

 

CMYK 37 / 41 / 0 / 25

HEX #7972C0

RGB 121 114 192

HSL 245.38, 0.38%, 0.6%

LAB 51.73, 21.51, -40.03

 

CMYK 26 / 41 / 0 / 25

HEX #8E72C0

RGB 142 114 192

HSL 261.54, 0.38%, 0.6%

LAB 53.59, 27.45, -36.98

 

CMYK 15 / 41 / 0 / 25

HEX #A372C0

RGB 163 114 192

HSL 277.69, 0.38%, 0.6%

LAB 55.71, 33.72, -33.5

 

CMYK 4 / 41 / 0 / 25

HEX #B872C0

RGB 184 114 192

HSL 293.85, 0.38%, 0.6%

LAB 58.07, 40.15, -29.66

 

CMYK 41 / 33 / 0 / 25

HEX #7280C0

RGB 114 128 192

HSL 229.23, 0.38%, 0.6%

LAB 54.89, 11.24, -35.11

 

CMYK 41 / 41 / 0 / 25

HEX #7272C0

RGB 114 114 192

HSL 240, 0.38%, 0.6%

LAB 51.17, 19.63, -40.95

 

CMYK 41 / 33 / 0 / 25

HEX #7280C0

RGB 114 128 192

HSL 229.23, 0.38%, 0.6%

LAB 54.89, 11.24, -35.11

 

CMYK 53 / 43 / 0 / 18

HEX #6276D0

RGB 98 118 208

HSL 229.09, 0.54%, 0.6%

LAB 51.96, 18.2, -48.91

 

CMYK 64 / 52 / 0 / 12

HEX #516BE1

RGB 81 107 225

HSL 229.17, 0.71%, 0.6%

LAB 49.13, 27.38, -63.13

 

CMYK 73 / 60 / 0 / 5

HEX #4160F1

RGB 65 96 241

HSL 229.43, 0.86%, 0.6%

LAB 46.76, 37.57, -76.02

 

CMYK 41 / 33 / 0 / 25

HEX #7280C0

RGB 114 128 192

HSL 229.23, 0.38%, 0.6%

LAB 54.89, 11.24, -35.11

 

CMYK 25 / 21 / 0 / 31

HEX #838BAF

RGB 131 139 175

HSL 229.09, 0.22%, 0.6%

LAB 58.4, 5.25, -19.88

 

CMYK 8 / 6 / 0 / 38

HEX #93959F

RGB 147 149 159

HSL 230, 0.06%, 0.6%

LAB 61.83, 1.29, -5.51

 

CMYK 0 / 2 / 13 / 36

HEX #A4A08E

RGB 164 160 142

HSL 49.09, 0.11%, 0.6%

LAB 65.74, -1.74, 9.9

 

CMYK 0 / 6 / 30 / 29

HEX #B4AA7E

RGB 180 170 126

HSL 48.89, 0.26%, 0.6%

LAB 69.44, -3.32, 24.03

 

CMYK 41 / 11 / 0 / 25

HEX #72AAC0

RGB 114 170 192

HSL 196.92, 0.38%, 0.6%

LAB 66.62, -12.59, -17.04

 

CMYK 41 / 22 / 0 / 25

HEX #7295C0

RGB 114 149 192

HSL 213.08, 0.38%, 0.6%

LAB 60.67, -0.99, -26.12

 

CMYK 41 / 33 / 0 / 25

HEX #7280C0

RGB 114 128 192

HSL 229.23, 0.38%, 0.6%

LAB 54.89, 11.24, -35.11

 

CMYK 37 / 41 / 0 / 25

HEX #7972C0

RGB 121 114 192

HSL 245.38, 0.38%, 0.6%

LAB 51.73, 21.51, -40.03

 

CMYK 27 / 41 / 0 / 25

HEX #8D72C0

RGB 141 114 192

HSL 260.77, 0.38%, 0.6%

LAB 53.5, 27.16, -37.13

 

CMYK 55 / 45 / 0 / 40

HEX #45559A

RGB 69 85 154

HSL 228.71, 0.38%, 0.44%

LAB 38.01, 14.74, -39.72

 

CMYK 52 / 42 / 0 / 30

HEX #5667B3

RGB 86 103 179

HSL 229.03, 0.38%, 0.52%

LAB 45.54, 15.47, -42.47

 

CMYK 41 / 33 / 0 / 25

HEX #7280C0

RGB 114 128 192

HSL 229.23, 0.38%, 0.6%

LAB 54.89, 11.24, -35.11

 

CMYK 30 / 25 / 0 / 20

HEX #8F9ACD

RGB 143 154 205

HSL 229.35, 0.38%, 0.68%

LAB 64.45, 7.83, -27.43

 

CMYK 21 / 18 / 0 / 15

HEX #ABB3D9

RGB 171 179 217

HSL 229.57, 0.38%, 0.76%

LAB 73.49, 5.25, -20.05

 

CMYK 41 / 34 / 0 / 25

HEX #717FBF

RGB 113 127 191

HSL 229.23, 0.38%, 0.6%

LAB 54.5, 11.27, -35.14

 

CMYK 0 / 41 / 1 / 25

HEX #C072BE

RGB 192 114 190

HSL 301.54, 0.38%, 0.6%

LAB 58.94, 42.25, -27.1

 

CMYK 17 / 0 / 41 / 25

HEX #9FC072

RGB 159 192 114

HSL 85.38, 0.38%, 0.6%

LAB 73.73, -24.39, 35.69

 

CMYK 41 / 34 / 0 / 25

HEX #717FBF

RGB 113 127 191

HSL 229.23, 0.38%, 0.6%

LAB 54.5, 11.27, -35.14

 

CMYK 0 / 41 / 33 / 25

HEX #C07280

RGB 192 114 128

HSL 349.23, 0.38%, 0.6%

LAB 56.88, 32.43, 5.62

 

CMYK 33 / 0 / 41 / 25

HEX #80C072

RGB 128 192 114

HSL 109.23, 0.38%, 0.6%

LAB 71.9, -35.47, 32.96

 

CMYK 41 / 34 / 0 / 25

HEX #717FBF

RGB 113 127 191

HSL 229.23, 0.38%, 0.6%

LAB 54.5, 11.27, -35.14

 

CMYK 0 / 41 / 1 / 25

HEX #C072BE

RGB 192 114 190

HSL 301.54, 0.38%, 0.6%

LAB 58.94, 42.25, -27.1

 

CMYK 0 / 7 / 41 / 25

HEX #C0B272

RGB 192 178 114

HSL 49.23, 0.38%, 0.6%

LAB 72.4, -4.19, 34.5

 

CMYK 41 / 0 / 40 / 25

HEX #72C074

RGB 114 192 116

HSL 121.54, 0.38%, 0.6%

LAB 71.24, -39.65, 30.94

 

CMYK 41 / 34 / 0 / 25

HEX #717FBF

RGB 113 127 191

HSL 229.23, 0.38%, 0.6%

LAB 54.5, 11.27, -35.14

 

CMYK 0 / 41 / 13 / 25

HEX #C072A7

RGB 192 114 167

HSL 319.23, 0.38%, 0.6%

LAB 58.07, 38.21, -15.24

 

CMYK 0 / 7 / 41 / 25

HEX #C0B272

RGB 192 178 114

HSL 49.23, 0.38%, 0.6%

LAB 72.4, -4.19, 34.5

 

CMYK 41 / 0 / 28 / 25

HEX #72C08B

RGB 114 192 139

HSL 139.23, 0.38%, 0.6%

LAB 71.65, -35.68, 19.34

 

Description

Color code: HEX #717FBF | qconv.com Color code: HEX #717FBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 127 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 127 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 34 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 34% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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