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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7168DB it is the complementary color #8E9724. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7168DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7168DB shade: #7668D6, #877AE9, #988CFC, #A99EFF and #BAB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7168DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7168DB shade: #7168DB, #6056C8, #4F44B5, #3E32A2 and #2D208F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7168DB shade: #7067DA, #8F67DA, #AE67DA, #CD67DA and #DA67C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7168DB shade: #7067DA and #6767DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7168DB shade matches the following richer shades: #7067DA, #6358E9 and #5649F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7168DB shade: #7067DA, #7D76CB, #8A86BC, #9795AC and #A4A49D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7168DB shade: #679DDA, #677EDA, #6F67DA, #8D67DA and #AC67DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7168DB shade: #3A2FC0, #5146D2, #7067DA, #8F88E2 and #AFAAEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7168DB shade: #7168DB, #DA67BC and #8DDA67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7168DB shade: #7168DB, #DA6F67 and #67DA6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7168DB shade: #7168DB, #DA67BC, #D3DA67 and #67DA86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7168DB shade: #7168DB, #DA6799, #D3DA67 and #67DAA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 53 / 0 / 14

HEX #7168DB

RGB 113 104 219

HSL 244.7, 0.61%, 0.63%

LAB 50.13, 33.38, -58.02

 

Complementary color

CMYK 6 / 0 / 76 / 41

HEX #8E9724

RGB 142 151 36

HSL 64.7, 0.61%, 0.37%

LAB 59.9, -17.66, 55.23

 

CMYK 45 / 51 / 0 / 16

HEX #7668D6

RGB 118 104 214

HSL 247.64, 0.57%, 0.62%

LAB 50.22, 33.01, -55.01

 

CMYK 42 / 48 / 0 / 9

HEX #877AE9

RGB 135 122 233

HSL 247.03, 0.72%, 0.7%

LAB 57.03, 31.81, -54.74

 

CMYK 40 / 44 / 0 / 1

HEX #988CFC

RGB 152 140 252

HSL 246.43, 0.95%, 0.77%

LAB 63.72, 30.75, -54.5

 

CMYK 34 / 38 / 0 / 0

HEX #A99EFF

RGB 169 158 255

HSL 246.8, 1%, 0.81%

LAB 69.55, 25.64, -46.84

 

CMYK 27 / 31 / 0 / 0

HEX #BAB0FF

RGB 186 176 255

HSL 247.59, 1%, 0.85%

LAB 75.27, 20.26, -37.8

 

CMYK 48 / 53 / 0 / 14

HEX #7168DB

RGB 113 104 219

HSL 244.7, 0.61%, 0.63%

LAB 50.13, 33.38, -58.02

 

CMYK 52 / 57 / 0 / 22

HEX #6056C8

RGB 96 86 200

HSL 245.26, 0.51%, 0.56%

LAB 43.23, 34.86, -58.34

 

CMYK 56 / 62 / 0 / 29

HEX #4F44B5

RGB 79 68 181

HSL 245.84, 0.45%, 0.49%

LAB 36.24, 36.56, -58.64

 

CMYK 62 / 69 / 0 / 36

HEX #3E32A2

RGB 62 50 162

HSL 246.43, 0.53%, 0.42%

LAB 29.19, 38.44, -58.84

 

CMYK 69 / 78 / 0 / 44

HEX #2D208F

RGB 45 32 143

HSL 247.03, 0.63%, 0.34%

LAB 22.21, 40.36, -58.72

 

CMYK 49 / 53 / 0 / 15

HEX #7067DA

RGB 112 103 218

HSL 244.7, 0.61%, 0.63%

LAB 49.75, 33.46, -58.07

 

CMYK 34 / 53 / 0 / 15

HEX #8F67DA

RGB 143 103 218

HSL 260.87, 0.61%, 0.63%

LAB 52.51, 40.65, -53.49

 

CMYK 20 / 53 / 0 / 15

HEX #AE67DA

RGB 174 103 218

HSL 277.04, 0.61%, 0.63%

LAB 55.85, 48.56, -47.97

 

CMYK 6 / 53 / 0 / 15

HEX #CD67DA

RGB 205 103 218

HSL 293.22, 0.61%, 0.63%

LAB 59.65, 56.79, -41.71

 

CMYK 0 / 53 / 8 / 15

HEX #DA67C8

RGB 218 103 200

HSL 309.39, 0.61%, 0.63%

LAB 60.58, 57.24, -29.96

 

CMYK 49 / 53 / 0 / 15

HEX #7067DA

RGB 112 103 218

HSL 244.7, 0.61%, 0.63%

LAB 49.75, 33.46, -58.07

 

CMYK 53 / 53 / 0 / 15

HEX #6767DA

RGB 103 103 218

HSL 240, 0.61%, 0.63%

LAB 49.06, 31.57, -59.21

 

CMYK 49 / 53 / 0 / 15

HEX #7067DA

RGB 112 103 218

HSL 244.7, 0.61%, 0.63%

LAB 49.75, 33.46, -58.07

 

CMYK 58 / 62 / 0 / 9

HEX #6358E9

RGB 99 88 233

HSL 244.55, 0.77%, 0.63%

LAB 46.33, 44.45, -72.14

 

CMYK 65 / 71 / 0 / 2

HEX #5649F9

RGB 86 73 249

HSL 244.43, 0.94%, 0.63%

LAB 43.63, 55.99, -85.59

 

CMYK 49 / 53 / 0 / 15

HEX #7067DA

RGB 112 103 218

HSL 244.7, 0.61%, 0.63%

LAB 49.75, 33.46, -58.07

 

CMYK 38 / 42 / 0 / 20

HEX #7D76CB

RGB 125 118 203

HSL 244.94, 0.45%, 0.63%

LAB 53.63, 23.25, -43.29

 

CMYK 27 / 29 / 0 / 26

HEX #8A86BC

RGB 138 134 188

HSL 244.44, 0.29%, 0.63%

LAB 58.12, 13.55, -27.67

 

CMYK 12 / 13 / 0 / 33

HEX #9795AC

RGB 151 149 172

HSL 245.22, 0.12%, 0.63%

LAB 62.55, 5.43, -11.74

 

CMYK 0 / 0 / 4 / 36

HEX #A4A49D

RGB 164 164 157

HSL 60, 0.04%, 0.63%

LAB 67.19, -1.3, 3.62

 

CMYK 53 / 28 / 0 / 15

HEX #679DDA

RGB 103 157 218

HSL 211.83, 0.61%, 0.63%

LAB 63.39, -0.62, -36.48

 

CMYK 53 / 42 / 0 / 15

HEX #677EDA

RGB 103 126 218

HSL 228, 0.61%, 0.63%

LAB 54.94, 17.6, -49.81

 

CMYK 49 / 53 / 0 / 15

HEX #6F67DA

RGB 111 103 218

HSL 244.17, 0.61%, 0.63%

LAB 49.67, 33.24, -58.2

 

CMYK 35 / 53 / 0 / 15

HEX #8D67DA

RGB 141 103 218

HSL 259.83, 0.61%, 0.63%

LAB 52.31, 40.16, -53.81

 

CMYK 21 / 53 / 0 / 15

HEX #AC67DA

RGB 172 103 218

HSL 276, 0.61%, 0.63%

LAB 55.62, 48.04, -48.35

 

CMYK 70 / 76 / 0 / 25

HEX #3A2FC0

RGB 58 47 192

HSL 244.55, 0.61%, 0.47%

LAB 31.2, 49.28, -73.45

 

CMYK 61 / 67 / 0 / 18

HEX #5146D2

RGB 81 70 210

HSL 244.71, 0.61%, 0.55%

LAB 39.21, 44.92, -70.71

 

CMYK 49 / 53 / 0 / 15

HEX #7067DA

RGB 112 103 218

HSL 244.7, 0.61%, 0.63%

LAB 49.75, 33.46, -58.07

 

CMYK 37 / 40 / 0 / 11

HEX #8F88E2

RGB 143 136 226

HSL 244.67, 0.61%, 0.71%

LAB 60.73, 23.72, -44.93

 

CMYK 25 / 27 / 0 / 8

HEX #AFAAEA

RGB 175 170 234

HSL 244.69, 0.6%, 0.79%

LAB 72.1, 15.39, -31.41

 

CMYK 48 / 53 / 0 / 14

HEX #7168DB

RGB 113 104 219

HSL 244.7, 0.61%, 0.63%

LAB 50.13, 33.38, -58.02

 

CMYK 0 / 53 / 14 / 15

HEX #DA67BC

RGB 218 103 188

HSL 315.65, 0.61%, 0.63%

LAB 60.1, 55.34, -23.88

 

CMYK 35 / 0 / 53 / 15

HEX #8DDA67

RGB 141 218 103

HSL 100.17, 0.61%, 0.63%

LAB 80.06, -44.08, 48.68

 

CMYK 48 / 53 / 0 / 14

HEX #7168DB

RGB 113 104 219

HSL 244.7, 0.61%, 0.63%

LAB 50.13, 33.38, -58.02

 

CMYK 0 / 49 / 53 / 15

HEX #DA6F67

RGB 218 111 103

HSL 4.17, 0.61%, 0.63%

LAB 59.21, 41.06, 23.82

 

CMYK 53 / 0 / 49 / 15

HEX #67DA6F

RGB 103 218 111

HSL 124.17, 0.61%, 0.63%

LAB 78.56, -54.29, 42.68

 

CMYK 48 / 53 / 0 / 14

HEX #7168DB

RGB 113 104 219

HSL 244.7, 0.61%, 0.63%

LAB 50.13, 33.38, -58.02

 

CMYK 0 / 53 / 14 / 15

HEX #DA67BC

RGB 218 103 188

HSL 315.65, 0.61%, 0.63%

LAB 60.1, 55.34, -23.88

 

CMYK 3 / 0 / 53 / 15

HEX #D3DA67

RGB 211 218 103

HSL 63.65, 0.61%, 0.63%

LAB 84.47, -17.96, 54.97

 

CMYK 53 / 0 / 39 / 15

HEX #67DA86

RGB 103 218 134

HSL 136.17, 0.61%, 0.63%

LAB 78.9, -50.76, 31.65

 

CMYK 48 / 53 / 0 / 14

HEX #7168DB

RGB 113 104 219

HSL 244.7, 0.61%, 0.63%

LAB 50.13, 33.38, -58.02

 

CMYK 0 / 53 / 30 / 15

HEX #DA6799

RGB 218 103 153

HSL 333.91, 0.61%, 0.63%

LAB 58.89, 50.38, -5.56

 

CMYK 3 / 0 / 53 / 15

HEX #D3DA67

RGB 211 218 103

HSL 63.65, 0.61%, 0.63%

LAB 84.47, -17.96, 54.97

 

CMYK 53 / 0 / 23 / 15

HEX #67DAA8

RGB 103 218 168

HSL 153.91, 0.61%, 0.63%

LAB 79.53, -44.29, 14.81

 

Description

Color code: HEX #7168DB | qconv.com Color code: HEX #7168DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 104 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 104 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 53 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 53% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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